Transformers: Dark of the Moon: The Score

~ Release by Steve Jablonsky (see all versions of this release, 4 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Dark Side of the Moon
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Satoshi Noguchi
producer:
Alex Gibson (musician/editor) and Steve Jablonsky (American score composer)
assistant editor:
Nevin Seus
editor:
Alex Gibson (musician/editor) and Ryan Rubin
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Dark Side of the Moon
composer:
Steve Jablonsky (American score composer)
3:49
2Sentinel Prime
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Satoshi Noguchi
producer:
Alex Gibson (musician/editor) and Steve Jablonsky (American score composer)
assistant editor:
Nevin Seus
editor:
Alex Gibson (musician/editor) and Ryan Rubin
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Sentinel Prime
composer:
Steve Jablonsky (American score composer)
3:16
3Lost Signal
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Satoshi Noguchi
producer:
Alex Gibson (musician/editor) and Steve Jablonsky (American score composer)
assistant editor:
Nevin Seus
editor:
Alex Gibson (musician/editor) and Ryan Rubin
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Lost Signal
composer:
Steve Jablonsky (American score composer)
4:08
4In Time You’ll See
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Satoshi Noguchi
producer:
Alex Gibson (musician/editor) and Steve Jablonsky (American score composer)
assistant editor:
Nevin Seus
editor:
Alex Gibson (musician/editor) and Ryan Rubin
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
In Time You'll See
composer:
Steve Jablonsky (American score composer)
3:16
5Impress Me
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Satoshi Noguchi
producer:
Alex Gibson (musician/editor) and Steve Jablonsky (American score composer)
assistant editor:
Nevin Seus
editor:
Alex Gibson (musician/editor) and Ryan Rubin
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Impress Me
composer:
Steve Jablonsky (American score composer)
3:00
6We Were Gods Once
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Satoshi Noguchi
producer:
Alex Gibson (musician/editor) and Steve Jablonsky (American score composer)
assistant editor:
Nevin Seus
editor:
Alex Gibson (musician/editor) and Ryan Rubin
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
We Were Gods Once
composer:
Steve Jablonsky (American score composer)
4:22
7Battle
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Satoshi Noguchi
producer:
Alex Gibson (musician/editor) and Steve Jablonsky (American score composer)
assistant editor:
Nevin Seus
editor:
Alex Gibson (musician/editor) and Ryan Rubin
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Battle
composer:
Steve Jablonsky (American score composer)
3:40
8There Is No Plan
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Satoshi Noguchi
producer:
Alex Gibson (musician/editor) and Steve Jablonsky (American score composer)
assistant editor:
Nevin Seus
editor:
Alex Gibson (musician/editor) and Ryan Rubin
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
There Is No Plan
composer:
Steve Jablonsky (American score composer)
3:36
9We All Work for the Decepticons
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Satoshi Noguchi
producer:
Alex Gibson (musician/editor) and Steve Jablonsky (American score composer)
assistant editor:
Nevin Seus
editor:
Alex Gibson (musician/editor) and Ryan Rubin
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
We All Work for the Decepticons
composer:
Steve Jablonsky (American score composer)
1:51
10The Fight Will Be Your Own
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Satoshi Noguchi
producer:
Alex Gibson (musician/editor) and Steve Jablonsky (American score composer)
assistant editor:
Nevin Seus
editor:
Alex Gibson (musician/editor) and Ryan Rubin
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
The Fight Will Be Your Own
composer:
Steve Jablonsky (American score composer)
4:41
11Shockwave’s Revenge
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Satoshi Noguchi
producer:
Alex Gibson (musician/editor) and Steve Jablonsky (American score composer)
assistant editor:
Nevin Seus
editor:
Alex Gibson (musician/editor) and Ryan Rubin
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Shockwave's Revenge
composer:
Steve Jablonsky (American score composer)
2:00
12No Prisoners, Only Trophies
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Satoshi Noguchi
producer:
Alex Gibson (musician/editor) and Steve Jablonsky (American score composer)
assistant editor:
Nevin Seus
editor:
Alex Gibson (musician/editor) and Ryan Rubin
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
No Prisoners, Only Trophies
composer:
Steve Jablonsky (American score composer)
3:32
13The World Needs You Now
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Satoshi Noguchi
producer:
Alex Gibson (musician/editor) and Steve Jablonsky (American score composer)
assistant editor:
Nevin Seus
editor:
Alex Gibson (musician/editor) and Ryan Rubin
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
The World Needs You Now
composer:
Steve Jablonsky (American score composer)
1:59
14It’s Our Fight
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Satoshi Noguchi
producer:
Alex Gibson (musician/editor) and Steve Jablonsky (American score composer)
assistant editor:
Nevin Seus
editor:
Alex Gibson (musician/editor) and Ryan Rubin
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
It's Our Fight
composer:
Steve Jablonsky (American score composer)
6:32
15I’m Just the Messenger
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Satoshi Noguchi
producer:
Alex Gibson (musician/editor) and Steve Jablonsky (American score composer)
assistant editor:
Nevin Seus
editor:
Alex Gibson (musician/editor) and Ryan Rubin
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
I'm Just the Messenger
composer:
Steve Jablonsky (American score composer)
4:25
16I Promise
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Satoshi Noguchi
producer:
Alex Gibson (musician/editor) and Steve Jablonsky (American score composer)
assistant editor:
Nevin Seus
editor:
Alex Gibson (musician/editor) and Ryan Rubin
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
I Promise
composer:
Steve Jablonsky (American score composer)
1:58
17Our Final Hope
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Satoshi Noguchi
producer:
Alex Gibson (musician/editor) and Steve Jablonsky (American score composer)
assistant editor:
Nevin Seus
editor:
Alex Gibson (musician/editor) and Ryan Rubin
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Our Final Hope
composer:
Steve Jablonsky (American score composer)
3:42