Bach: Baroque Masterpieces (The Classic Composers – Baroque 2)

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Brandenburg Concerto no. 3 in G, BWV 1048: I.
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Winschermann (oboist/conductor)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
35:32
2Suite no. 3 in D, BWV 1068: “Air” (On a G String)
timpani:
Ralph Peinkofer (percussionist)
trumpet:
Wolfgang Basch Trumpet Ensemble
violin:
Wolfgang Hock
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Winschermann (oboist/conductor)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
34:30
3Cantata no. 147, BWV 147: “Jesu, Joy of Man’s Desiring”
organ:
Hans-Dieter Weber (organist)
trumpet:
Frank Berger (trumpet player)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
23:51
4Oboe Concerto in D minor, BWV 1053: II.
oboe:
Burkhard Glaetzner (oboist)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Max Pommer (conductor)
recording of:
Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R: II. Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R
23:07
5Toccata and Fugue in D minor, BWV 565
producer:
Horst Kunze (balance engineer)
organ:
Hannes Kästner (German organist and cembalist) (in 1981)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (in 1981)
recording of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565) (in 1981)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 565) and Bach Compendium (number: BC J 37)
9:22
6Suite no. 2 in B minor, BWV 1067: “Minuet & Badinerie”
flute:
Paul Meisen (flautist)
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmuth Winschermann (oboist/conductor)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
2.52:56
7Prelude in C minor, BWV 999
lute and lute [Laute]:
Franz Just (lutist)
recording of:
Prelude in C minor, BWV 999 (original for lute)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 999) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 999)
31:58
8Concerto for Two Violins in D minor, BWV 1043: II.
violin:
Christian Altenburger (German violinist) and Ernst Mayer‐Schierning (violinist)
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Winschermann (oboist/conductor)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
7:14
9Brandenburg Concerto no. 4 in G, BWV 1049: I.
orchestra:
Berlin Chamber Orchestra
conductor:
Peter Wohlert (conductor, Alfred Scholz related)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
7:27
10Goldberg Variations, BWV 988: “Air”
harpsichord:
Christine Schornsheim (keyboard instrumentalist)
solo harpsichord:
Christine Schornsheim (keyboard instrumentalist) (from 1994-11-04 until 1994-11-06)
recorded at:
Ev. Auenkirche Berlin-Wilmersdorf (from 1994-11-04 until 1994-11-06)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (from 1994-11-04 until 1994-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
3:44
11Easter Oratorio, BWV 249: “Sinfonia”
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Max Pommer (conductor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1984)
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (in 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
3:56
12Violin Concerto in E, BWV 1042: I.
violin:
Christian Altenburger (German violinist)
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Winschermann (oboist/conductor)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: I. Allegro (Violin Concerto in E major, BWV 1042: I. Allegro)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
7:29
13St. Matthew Passion, BWV 244: Chorale no. 17
choir vocals:
Rheinische Kantorei
orchestra:
Das Kleine Konzert
conductor:
Hermann Max (chorus master and conductor)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (in 1995-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
0:58
14St. Matthew Passion, BWV 244: Aria no. 39
alto vocals:
Lena Susanne Norin
orchestra:
Das Kleine Konzert
conductor:
Hermann Max (chorus master and conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1995-02)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
5:57
15St. Matthew Passion, BWV 244: Recitative and Chorus no. 67
alto vocals:
Lena Susanne Norin
bass vocals:
Hans-Georg Wimmer (German bass-baritone vocalist)
choir vocals:
Rheinische Kantorei
soprano vocals:
Veronika Winter (soprano)
tenor vocals:
Wilfried Jochens (tenor)
orchestra:
Das Kleine Konzert
conductor:
Hermann Max (chorus master and conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (in 1995-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:35
16St. Matthew Passion, BWV 244: Chorus no. 68
choir vocals:
Rheinische Kantorei
orchestra:
Das Kleine Konzert
conductor:
Hermann Max (chorus master and conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1995-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
5:38

Credits

Release

part of:The Classic Composers (International Masters Publishers, UK/Europe edition, Cat# GBP…) (number: Baroque 2) (order: 2)
Discogs:https://www.discogs.com/release/13236840 [info]

Release group

part of:The Classic Composers (order: 11)
Discogs:https://www.discogs.com/master/571412 [info]