Passion / Suite / Toccata / Magnificat / Brandenburg / Goldberg / Concerto / Fugue / Invention / Partita

~ Release by Bach; John Williams, Gustav Leonhardt, Tafelmusik (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1"Jesu, Joy of Man's Desiring", BWV 147
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra) (on 1968-03-11)
conductor:
Eugene Ormandy (conductor) (on 1968-03-11)
arranger:
Lucien Cailliet
recorded at:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, United States (on 1968-03-11)
instrumental recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (on 1968-03-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:23
2Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro
recording engineer:
Dieter Thomsen (engineer) (in 1977-03)
art direction:
Allen Weinberg (art director and designer)
engineer:
Dieter Thomsen (engineer)
producer:
Wolf Erichson (engineer/producer)
cello [baroque violoncello]:
Wieland Kuijken (Belgian cellist) (in 1977-03)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1977-03)
recorder [recorder I]:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1977-03)
recorder [recorder II]:
Kees Boeke (in 1977-03)
viola [baroque viola]:
Wiel Peeters (Dutch violist) (in 1977-03)
violin [baroque violin I]:
Lucy van Dael (violinist) (in 1977-03)
violin [baroque violin II]:
Janneke van der Meer (in 1977-03)
violin [baroque violin principale]:
Sigiswald Kuijken (in 1977-03)
violone:
Anthony Woodrow (string player (viola, viol, double bass)) (in 1977-03)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1977-03)
performer:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
recorded at:
Lutherse Kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1977-03)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (in 1977-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach6:54
3Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante
recording engineer:
Dieter Thomsen (engineer) (in 1977-03)
art direction:
Allen Weinberg (art director and designer)
engineer:
Dieter Thomsen (engineer)
producer:
Wolf Erichson (engineer/producer)
cello [baroque violoncello]:
Wieland Kuijken (Belgian cellist) (in 1977-03)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1977-03)
recorder [recorder I]:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1977-03)
recorder [recorder II]:
Kees Boeke (in 1977-03)
viola [baroque viola]:
Wiel Peeters (Dutch violist) (in 1977-03)
violin [baroque violin I]:
Lucy van Dael (violinist) (in 1977-03)
violin [baroque violin II]:
Janneke van der Meer (in 1977-03)
violin [baroque violin principale]:
Sigiswald Kuijken (in 1977-03)
violone:
Anthony Woodrow (string player (viola, viol, double bass)) (in 1977-03)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1977-03)
performer:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
recorded at:
Lutherse Kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1977-03)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: II. Andante (in 1977-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach3:58
4Brandenburg Concerto no. 4 in G major, MWV 1049: III. Presto
recording engineer:
Dieter Thomsen (engineer) (in 1977-03)
art direction:
Allen Weinberg (art director and designer)
engineer:
Dieter Thomsen (engineer)
producer:
Wolf Erichson (engineer/producer)
cello [baroque violoncello]:
Wieland Kuijken (Belgian cellist) (in 1977-03)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1977-03)
recorder [recorder I]:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1977-03)
recorder [recorder II]:
Kees Boeke (in 1977-03)
viola [baroque viola]:
Wiel Peeters (Dutch violist) (in 1977-03)
violin [baroque violin I]:
Lucy van Dael (violinist) (in 1977-03)
violin [baroque violin II]:
Janneke van der Meer (in 1977-03)
violin [baroque violin principale]:
Sigiswald Kuijken (in 1977-03)
violone:
Anthony Woodrow (string player (viola, viol, double bass)) (in 1977-03)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1977-03)
performer:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
recorded at:
Lutherse Kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1977-03)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: III. Presto (in 1977-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach4:47
5Toccata and Fugue in D minor, BWV 565: Toccata
engineer:
Dieter Thomsen (engineer)
producer:
Wolf Erichson (engineer/producer)
organ:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1973-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1972-01 until 1973-03)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (from 1972-01 until 1973-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach2:14
6Toccata and Fugue in D minor, BWV 565: Fugue
engineer:
Dieter Thomsen (engineer)
producer:
Wolf Erichson (engineer/producer)
organ:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1973-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1972-01 until 1973-03)
recording of:
Toccata und Fuge d-Moll, BWV 565: II. Fuge (from 1972-01 until 1973-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach5:45
7Lute Suite no. 4 in E major, BWV 1006a: I. Prelude
producer:
Paul Myers (classical record producer)
co-mixer and co-editor:
Mike Ross‐Trevor (engineer) and John Williams (classical guitarist)
classical guitar:
John Williams (classical guitarist) (from 1974-11-12 until 1975-02-10)
arranger:
John Williams (classical guitarist)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (from 1974-11-12 until 1975-02-10)
recording of:
Suite E-Dur, BWV 1006.2: I. Prélude (former BWV 1006a) (from 1974-11-12 until 1975-02-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite E-Dur, BWV 1006.2 (for lute, former BWV 1006a)
recording of:
Suite E-Dur, BWV 1006a: I. Prélude (catch all for arrangements) (from 1974-11-12 until 1975-02-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite E-Dur, BWV 1006.2: I. Prélude (former BWV 1006a)
part of:
Suite E-Dur, BWV 1006a (catch all for arrangements)
Johann Sebastian Bach4:29
8Lute Suite no. 4 in E major, BWV 1006a: II. Loure
producer:
Paul Myers (classical record producer)
co-mixer and co-editor:
Mike Ross‐Trevor (engineer) and John Williams (classical guitarist)
classical guitar and guitar:
John Williams (classical guitarist) (from 1974-11-12 until 1975-02-10)
arranger:
John Williams (classical guitarist)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (from 1974-11-12 until 1975-02-10)
recording of:
Suite E-Dur, BWV 1006.2: II. Loure (former BWV 1006a) (from 1974-11-12 until 1975-02-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite E-Dur, BWV 1006.2 (for lute, former BWV 1006a)
recording of:
Suite E-Dur, BWV 1006a: II. Loure (catch all for arrangements) (from 1974-11-12 until 1975-02-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite E-Dur, BWV 1006.2: II. Loure (former BWV 1006a)
part of:
Suite E-Dur, BWV 1006a (catch all for arrangements)
Johann Sebastian Bach3:38
9Lute Suite no. 4 in E major, BWV 1006a: III. Gavotte en Rondeau
producer:
Paul Myers (classical record producer)
co-mixer and co-editor:
Mike Ross‐Trevor (engineer) and John Williams (classical guitarist)
classical guitar:
John Williams (classical guitarist) (from 1974-11-12 until 1975-02-10)
arranger:
John Williams (classical guitarist)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (from 1974-11-12 until 1975-02-10)
recording of:
Suite E-Dur, BWV 1006.2: III. Gavotte en Rondeau (former BWV 1006a) (from 1974-11-12 until 1975-02-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite E-Dur, BWV 1006.2 (for lute, former BWV 1006a)
recording of:
Suite E-Dur, BWV 1006a: III. Gavotte en Rondeau (catch all for arrangements) (from 1974-11-12 until 1975-02-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite E-Dur, BWV 1006.2: III. Gavotte en Rondeau (former BWV 1006a)
part of:
Suite E-Dur, BWV 1006a (catch all for arrangements)
Johann Sebastian Bach2:51
10Lute Suite no. 4 in E major, BWV 1006a: IV. Menuetts I et II
producer:
Paul Myers (classical record producer)
co-mixer and co-editor:
Mike Ross‐Trevor (engineer) and John Williams (classical guitarist)
classical guitar:
John Williams (classical guitarist) (from 1974-11-12 until 1975-02-10)
arranger:
John Williams (classical guitarist)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (from 1974-11-12 until 1975-02-10)
recording of:
Suite E-Dur, BWV 1006.2: IV. Menuet I (former BWV 1006a) (from 1974-11-12 until 1975-02-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite E-Dur, BWV 1006.2 (for lute, former BWV 1006a)
recording of:
Suite E-Dur, BWV 1006.2: V. Menuet II (former BWV 1006a) (from 1974-11-12 until 1975-02-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite E-Dur, BWV 1006.2 (for lute, former BWV 1006a)
recording of:
Suite E-Dur, BWV 1006a: IV. Menuet I (catch all for arrangements) (from 1974-11-12 until 1975-02-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite E-Dur, BWV 1006.2: IV. Menuet I (former BWV 1006a)
part of:
Suite E-Dur, BWV 1006a (catch all for arrangements)
recording of:
Suite E-Dur, BWV 1006a: V. Menuet II (catch all for arrangements) (from 1974-11-12 until 1975-02-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite E-Dur, BWV 1006.2: V. Menuet II (former BWV 1006a)
part of:
Suite E-Dur, BWV 1006a (catch all for arrangements)
Johann Sebastian Bach4:21
11Lute Suite no. 4 in E major, BWV 1006a: V. Bouree
producer:
Paul Myers (classical record producer)
co-mixer and co-editor:
Mike Ross‐Trevor (engineer) and John Williams (classical guitarist)
classical guitar:
John Williams (classical guitarist) (from 1974-11-12 until 1975-02-10)
arranger:
John Williams (classical guitarist)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (from 1974-11-12 until 1975-02-10)
recording of:
Suite E-Dur, BWV 1006.2: VI. Bourrée (former BWV 1006a) (from 1974-11-12 until 1975-02-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite E-Dur, BWV 1006.2 (for lute, former BWV 1006a)
recording of:
Suite E-Dur, BWV 1006a: VI. Bourrée (catch all for arrangements) (from 1974-11-12 until 1975-02-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
Johann Sebastian Bach1:53
12Lute Suite no. 4 in E major, BWV 1006a: VI. Gigue
producer:
Paul Myers (classical record producer)
co-mixer and co-editor:
Mike Ross‐Trevor (engineer) and John Williams (classical guitarist)
classical guitar:
John Williams (classical guitarist) (from 1974-11-12 until 1975-02-10)
arranger:
John Williams (classical guitarist)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (from 1974-11-12 until 1975-02-10)
recording of:
Suite E-Dur, BWV 1006.2: VII. Gigue (former BWV 1006a) (from 1974-11-12 until 1975-02-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite E-Dur, BWV 1006.2 (for lute, former BWV 1006a)
recording of:
Suite E-Dur, BWV 1006a: VII. Gigue (catch all for arrangements) (from 1974-11-12 until 1975-02-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite E-Dur, BWV 1006.2: VII. Gigue (former BWV 1006a)
part of:
Suite E-Dur, BWV 1006a (catch all for arrangements)
Johann Sebastian Bach2:10
13Magnificat in D major, BWV 243: 1. Magnificat (Chorus)
producer:
Hans Joachim Daub (producer)
choir vocals:
Gächinger Kantorei Stuttgart (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:06
14Magnificat in D major, BWV 243: 6. Et misericordia (Contraito, Tenor)
producer:
Hans Joachim Daub (producer)
contralto vocals:
Helen Watts (contralto) (from 1979-02 until 1979-04)
tenor vocals:
Adalbert Kraus (tenor) (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:42
15Magnificat in D major, BWV 243: 10. Suscepit Israel (Soprano I, Soprano II, Contraito)
producer:
Hans Joachim Daub (producer)
contralto vocals:
Helen Watts (contralto) (from 1979-02 until 1979-04)
soprano vocals:
Arleen Augér (soprano) (from 1979-02 until 1979-04) and Ann Murray (Irish mezzo-soprano) (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:00
16Magnificat in D major, BWV 243: 11. Sicut locutus est (Chorus)
producer:
Hans Joachim Daub (producer)
choir vocals:
Gächinger Kantorei Stuttgart (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:04
17Magnificat in D major, BWV 243: 12. Gloria Patri (Chorus)
producer:
Hans Joachim Daub (producer)
choir vocals:
Gächinger Kantorei Stuttgart (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:16
18Italian Concerto in F major, BWV 971: I. [...]
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (from 1976-12-01 until 1976-12-05)
recorded at:
Museum für Kunst und Gewerbe in Hamburg, Germany (from 1976-12-01 until 1976-12-05)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro]) (from 1979-02 until 1979-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Johann Sebastian Bach4:24
19Italian Concerto in F major, BWV 971: II. Andante
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (from 1976-12-01 until 1976-12-05)
recorded at:
Museum für Kunst und Gewerbe in Hamburg, Germany (from 1976-12-01 until 1976-12-05)
recording of:
Italienisches Konzert F-Dur, BWV 971: II. Andante (Italian Concerto in F major, BWV 971: II. Andante) (from 1976-12-01 until 1976-12-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Johann Sebastian Bach4:53
20Italian Concerto in F major, BWV 971: III. Presto
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (from 1976-12-01 until 1976-12-05)
recorded at:
Museum für Kunst und Gewerbe in Hamburg, Germany (from 1976-12-01 until 1976-12-05)
recording of:
Italienisches Konzert F-Dur, BWV 971: III. Presto (Italian Concerto in F major, BWV 971: III. Presto) (from 1976-12-01 until 1976-12-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Johann Sebastian Bach4:23
2▼CD
#TitleArtistRatingLength
1The Passion of Our Lord According to St Matthew, BWV 244: no. 1 "Kommt, ihr Tochter, helft mir klagen" ("Come, ye daughters" - Double Chorus)
choir vocals:
Gächinger Kantorei Stuttgart (from 1978-03 until 1978-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1978-03 until 1978-04)
conductor:
Helmuth Rilling (conductor) (from 1978-03 until 1978-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1978-03 until 1978-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach8:01
2The Passion of Our Lord According to St Matthew, BWV 244: no. 47 "Erbame dich" ("Have pity, Lord, on me" - Aria Alto)
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano) (from 1978-03 until 1978-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1978-03 until 1978-04)
conductor:
Helmuth Rilling (conductor) (from 1978-03 until 1978-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1978-03 until 1978-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1978-03 until 1978-04)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:06
3The Passion of Our Lord According to St Matthew, BWV 244: no. 63 "O Haupt voll Blut und Wunden" ("O Thou, with hate surrounded" - Chorale)
choir vocals:
Gächinger Kantorei Stuttgart (from 1978-03 until 1978-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1978-03 until 1978-04)
conductor:
Helmuth Rilling (conductor) (from 1978-03 until 1978-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1978-03 until 1978-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (from 1978-03 until 1978-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:30
4The Passion of Our Lord According to St Matthew, BWV 244: no. 75 "Mache dich mein Herze rein" ("Make thee clean, my heart, from sin" - Aria: Bass)
bass vocals:
Philippe Huttenlocher (baritone) (from 1978-03 until 1978-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1978-03 until 1978-04)
conductor:
Helmuth Rilling (conductor) (from 1978-03 until 1978-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1978-03 until 1978-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:47
5The Passion of Our Lord According to St Matthew, BWV 244: no. 78 "Wir setzen uns mit Tranen nieder" ("In deepest grief, here sit we weeping" - Double Chorus)
choir vocals:
Gächinger Kantorei Stuttgart (from 1978-03 until 1978-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1978-03 until 1978-04)
conductor:
Helmuth Rilling (conductor) (from 1978-03 until 1978-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1978-03 until 1978-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:41
6Goldberg Variations, BWV 988: Aria
piano:
Charles Rosen (pianist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (from 1967-06-01 until 1967-06-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach3:56
7Suite No. 1 in G major for Unaccompanied Cello, BWV 1007: Prelude
recording engineer:
Günter Appenheimer (producer/engineer)
producer:
Wolf Erichson (engineer/producer)
cello:
Anner Bylsma (cellist) (from 1979-04-23 until 1979-04-26)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1979)
recorded at:
Eching Kirche in Eching, Landshut, Bayern (Bavaria), Germany (from 1979-04-23 until 1979-04-26)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (from 1979-04-23 until 1979-04-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:10
8Suite No. 1 in G major for Unaccompanied Cello, BWV 1007: Allemande
recording engineer:
Günter Appenheimer (producer/engineer)
producer:
Wolf Erichson (engineer/producer)
cello:
Anner Bylsma (cellist) (from 1979-04-23 until 1979-04-26)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1979)
recorded at:
Eching Kirche in Eching, Landshut, Bayern (Bavaria), Germany (from 1979-04-23 until 1979-04-26)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: II. Allemande (Cello Suite No. 1 in G major, BWV 1007: II. Allemande) (from 1979-04-23 until 1979-04-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach4:24
9Suite No. 1 in G major for Unaccompanied Cello, BWV 1007: Courante
recording engineer:
Günter Appenheimer (producer/engineer)
producer:
Wolf Erichson (engineer/producer)
cello:
Anner Bylsma (cellist) (from 1979-04-23 until 1979-04-26)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1979)
recorded at:
Eching Kirche in Eching, Landshut, Bayern (Bavaria), Germany (from 1979-04-23 until 1979-04-26)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: III. Courante (Cello Suite No. 1 in G major, BWV 1007: III. Courante) (from 1979-04-23 until 1979-04-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:52
10Suite No. 1 in G major for Unaccompanied Cello, BWV 1007: Sarabande
recording engineer:
Günter Appenheimer (producer/engineer)
producer:
Wolf Erichson (engineer/producer)
cello:
Anner Bylsma (cellist) (from 1979-04-23 until 1979-04-26)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1979)
recorded at:
Eching Kirche in Eching, Landshut, Bayern (Bavaria), Germany (from 1979-04-23 until 1979-04-26)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: IV. Sarabande (Cello Suite No. 1 in G major, BWV 1007: IV. Sarabande) (from 1979-04-23 until 1979-04-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:12
11Suite No. 1 in G major for Unaccompanied Cello, BWV 1007: Menuett I & II
recording engineer:
Günter Appenheimer (producer/engineer)
producer:
Wolf Erichson (engineer/producer)
cello:
Anner Bylsma (cellist) (from 1979-04-23 until 1979-04-26)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1979)
recorded at:
Eching Kirche in Eching, Landshut, Bayern (Bavaria), Germany (from 1979-04-23 until 1979-04-26)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: V. Menuet I & II (Cello Suite No. 1 in G major, BWV 1007: V. Menuet I & II) (from 1979-04-23 until 1979-04-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach3:29
12Suite No. 1 in G major for Unaccompanied Cello, BWV 1007: Gigue
recording engineer:
Günter Appenheimer (producer/engineer)
producer:
Wolf Erichson (engineer/producer)
cello:
Anner Bylsma (cellist) (from 1979-04-23 until 1979-04-26)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1979)
recorded at:
Eching Kirche in Eching, Landshut, Bayern (Bavaria), Germany (from 1979-04-23 until 1979-04-26)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: VI. Gigue (Cello Suite No. 1 in G major, BWV 1007: VI. Gigue) (from 1979-04-23 until 1979-04-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach1:44
13Concerto for Harpsichord no. 3 in D major, BWV 1054: I. [...]
harpsichord:
Igor Kipnis
strings:
The London Strings
orchestra:
The London Strings
conductor:
Neville Marriner (conductor)
recording of:
Concerto for Keyboard and Orchestra no. 3 in D major, BWV 1054: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for Keyboard and Orchestra no. 3 in D major, BWV 1054
Johann Sebastian Bach8:19
14Concerto for Harpsichord no. 3 in D major, BWV 1054: II. Adagio e piano sempre
harpsichord:
Igor Kipnis
strings:
The London Strings
orchestra:
The London Strings
conductor:
Neville Marriner (conductor)
recording of:
Concerto for Keyboard and Orchestra no. 3 in D major, BWV 1054: II. Adagio e piano sempre
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for Keyboard and Orchestra no. 3 in D major, BWV 1054
Johann Sebastian Bach6:32
15Concerto for Harpsichord no. 3 in D major, BWV 1054: III. Allegro
harpsichord:
Igor Kipnis
strings:
The London Strings
orchestra:
The London Strings
conductor:
Neville Marriner (conductor)
recording of:
Concerto for Keyboard and Orchestra no. 3 in D major, BWV 1054: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for Keyboard and Orchestra no. 3 in D major, BWV 1054
Johann Sebastian Bach3:02
3▼CD
#TitleArtistRatingLength
1Concerto for Two Violins and Orchestra in D minor, BWV 1043: I. Vivace
recording engineer and editor:
Markus Heiland
producer:
Wolf Erichson (engineer/producer)
solo violin [solo violin I]:
Jeanne Lamon (conductor/violinist) (from 1995-02-22 until 1995-02-25)
solo violin [solo violin II]:
Linda Melsted (classical violinist) (from 1995-02-22 until 1995-02-25)
violin and violin [Solo violin I]:
Jeanne Lamon (conductor/violinist)
violin [Solo violin II]:
Linda Melsted (classical violinist)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1995-02-22 until 1995-02-25)
conductor:
Jeanne Lamon (conductor/violinist) (from 1995-02-22 until 1995-02-25)
performer:
Tafelmusik (Canadian Baroque orchestra)
recorded at:
CBC Glenn Gould Studio in Toronto, Ontario, Canada (from 1995-02-22 until 1995-02-25)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace (from 1995-02-22 until 1995-02-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach3:36
2Concerto for Two Violins and Orchestra in D minor, BWV 1043: II. Largo, ma non tanto
violin [Solo violin I]:
Jeanne Lamon (conductor/violinist)
violin [Solo violin II]:
Linda Melsted (classical violinist)
orchestra:
Tafelmusik (Canadian Baroque orchestra)
conductor:
Jeanne Lamon (conductor/violinist)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach6:11
3Concerto for Two Violins and Orchestra in D minor, BWV 1043: III. Allegro
violin [Solo violin I]:
Jeanne Lamon (conductor/violinist)
violin [Solo violin II]:
Linda Melsted (classical violinist)
orchestra:
Tafelmusik (Canadian Baroque orchestra)
conductor:
Jeanne Lamon (conductor/violinist)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach4:22
4Invention no. 1 in C major, BWV 772
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1974-11)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1974-11)
recording of:
Inventio Nr. 1 C-Dur, BWV 772 (in 1974-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1720 until 1723)
part of:
15 Inventions, BWV 772-786 (number: 1), Bach Compendium (number: BC L 27) and Bach-Werke-Verzeichnis (number: BWV 772)
Johann Sebastian Bach1:29
5Invention no. 4 in D minor, BWV 775
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1974-11)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1974-11)
recording of:
Inventio Nr. 4 d-Moll, BWV 775 (in 1974-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Inventions, BWV 772-786 (number: 4) and Bach-Werke-Verzeichnis (number: BWV 775)
Johann Sebastian Bach1:18
6Invention no. 8 in F major, BWV 779
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1974-11)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1974-11)
recording of:
Inventio Nr. 8 F-Dur, BWV 779 (in 1974-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Inventions, BWV 772-786 (number: 8) and Bach-Werke-Verzeichnis (number: BWV 779)
Johann Sebastian Bach1:07
7Invention no. 10 in G major, BWV 781
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1974-11)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1974-11)
recording of:
Inventio Nr. 10 G-Dur, BWV 781 (in 1974-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Inventions, BWV 772-786 (number: 10) and Bach-Werke-Verzeichnis (number: BWV 781)
Johann Sebastian Bach1:01
8Invention no. 13 in A minor, BWV 784
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1974-11)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1974-11)
recording of:
Inventio Nr. 13 a-Moll, BWV 784 (in 1974-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Inventions, BWV 772-786 (number: 13) and Bach-Werke-Verzeichnis (number: BWV 784)
Johann Sebastian Bach1:19
9Invention no. 14 in B-flat major, BWV 785
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1974-11)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1974-11)
recording of:
Inventio Nr. 14 B-Dur, BWV 785 (in 1974-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Inventions, BWV 772-786 (number: 14) and Bach-Werke-Verzeichnis (number: BWV 785)
Johann Sebastian Bach1:37
10Art of the Fugue, BWV 1080: Contrapunctus No. 1
cello:
Joel Krosnick (American cellist) (from 1987-05-25 until 1987-05-27)
string quartet:
Juilliard String Quartet (from 1987-05-25 until 1987-05-27)
viola:
Samuel Rhodes (violist) (from 1987-05-25 until 1987-05-27)
violin [Violin I]:
Robert Mann (US violinist) (from 1987-05-25 until 1987-05-27)
violin [Violin II]:
Joel Smirnoff (violinist) (from 1987-05-25 until 1987-05-27)
recorded at:
Library of Congress in Washington, D.C., United States (from 1987-05-25 until 1987-05-27)
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (from 1987-05-25 until 1987-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach4:10
11Art of the Fugue, BWV 1080: Contrapunctus No. 2
cello:
Joel Krosnick (American cellist) (from 1987-05-25 until 1987-05-27)
string quartet:
Juilliard String Quartet (from 1987-05-25 until 1987-05-27)
viola:
Samuel Rhodes (violist) (from 1987-05-25 until 1987-05-27)
violin [Violin I]:
Robert Mann (US violinist) (from 1987-05-25 until 1987-05-27)
violin [Violin II]:
Joel Smirnoff (violinist) (from 1987-05-25 until 1987-05-27)
recorded at:
Library of Congress in Washington, D.C., United States (from 1987-05-25 until 1987-05-27)
recording of:
Die Kunst der Fuge, BWV 1080: II. Contrapunctus 2 (from 1987-05-25 until 1987-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:30
12Art of the Fugue, BWV 1080: Contrapunctus No. 3
cello:
Joel Krosnick (American cellist) (from 1987-05-25 until 1987-05-27)
string quartet:
Juilliard String Quartet (from 1987-05-25 until 1987-05-27)
viola:
Samuel Rhodes (violist) (from 1987-05-25 until 1987-05-27)
violin [Violin I]:
Robert Mann (US violinist) (from 1987-05-25 until 1987-05-27)
violin [Violin II]:
Joel Smirnoff (violinist) (from 1987-05-25 until 1987-05-27)
recorded at:
Library of Congress in Washington, D.C., United States (from 1987-05-25 until 1987-05-27)
recording of:
Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3 (from 1987-05-25 until 1987-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/3)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:53
13Art of the Fugue, BWV 1080: Contrapunctus No. 4
cello:
Joel Krosnick (American cellist) (from 1987-05-25 until 1987-05-27)
string quartet:
Juilliard String Quartet (from 1987-05-25 until 1987-05-27)
viola:
Samuel Rhodes (violist) (from 1987-05-25 until 1987-05-27)
violin [Violin I]:
Robert Mann (US violinist) (from 1987-05-25 until 1987-05-27)
violin [Violin II]:
Joel Smirnoff (violinist) (from 1987-05-25 until 1987-05-27)
recorded at:
Library of Congress in Washington, D.C., United States (from 1987-05-25 until 1987-05-27)
recording of:
Die Kunst der Fuge, BWV 1080: IV. Contrapunctus 4 (from 1987-05-25 until 1987-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/4)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach3:23
14Little Suite from the "Anna Magdalena Notebook": I. Menuett in G major, BWV Anh. 114
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra) (on 1968-05-08)
conductor:
Eugene Ormandy (conductor) (on 1968-05-08)
recorded at:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, United States (on 1968-05-08)
recording of:
Menuet in G major, BWV Anh. 114 (catch-all for arrangements) (on 1968-05-08)
composer:
Christian Petzold
arranger:
Thomas Frost (classical music producer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Minuet in G major, BWV Anh. 114 (for keyboard)
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
Johann Sebastian Bach1:35
15Little Suite from the "Anna Magdalena Notebook": II. Musette in D major, BWV Anh. 126
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra) (on 1968-05-08)
conductor:
Eugene Ormandy (conductor) (on 1968-05-08)
recorded at:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, United States (on 1968-05-08)
recording of:
Musette in D major, BWV Anh. 126 (catch-all for arrangements) (on 1968-05-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Thomas Frost (classical music producer)
arrangement of:
Musette in D major, BWV Anh. 126
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
Johann Sebastian Bach1:16
16Little Suite from the "Anna Magdalena Notebook": III. "Bist du bei mir" in E-flat major, BWV 508
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra) (on 1968-05-08)
conductor:
Eugene Ormandy (conductor) (on 1968-05-08)
arranger:
Thomas Frost (classical music producer)
recorded at:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, United States (on 1968-05-08)
recording of:
Bist du bei mir, BWV 508 (previously attributed to Bach, catch-all for arrangements) (on 1968-05-08)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
Johann Sebastian Bach3:40
17Little Suite from the "Anna Magdalena Notebook": IV. Marche in D major, BWV Anh. 122
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra) (on 1968-05-08)
conductor:
Eugene Ormandy (conductor) (on 1968-05-08)
recorded at:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, United States (on 1968-05-08)
recording of:
Marche in D major, BWV Anh. 122, H. 1/1 (catch all for arrangements) (on 1968-05-08)
composer:
Carl Philipp Emanuel Bach (German classical composer)
arranger:
Thomas Frost (classical music producer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Marche in D major, BWV Anh. 122, H. 1/1
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
Johann Sebastian Bach1:04
18Partitia no. 2 in D minor for Unaccompanied Violin, BWV 1004: I. Allemande
violin:
Henryk Szeryng (violinist) (in 1954)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: I. Allemande (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
Johann Sebastian Bach3:35
19Partitia no. 2 in D minor for Unaccompanied Violin, BWV 1004: II. Courante
violin:
Henryk Szeryng (violinist) (in 1954)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: II. Courante (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
Johann Sebastian Bach2:18
20Partitia no. 2 in D minor for Unaccompanied Violin, BWV 1004: III. Sarabande
violin:
Henryk Szeryng (violinist) (in 1954)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: III. Sarabande (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
Johann Sebastian Bach4:05
21Partitia no. 2 in D minor for Unaccompanied Violin, BWV 1004: IV. Gigue
violin:
Henryk Szeryng (violinist) (in 1954)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: IV. Gigue (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
Johann Sebastian Bach3:21
22Partitia no. 2 in D minor for Unaccompanied Violin, BWV 1004: V. Chaconne
violin:
Henryk Szeryng (violinist) (in 1954)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne (in 1954)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
Johann Sebastian Bach14:02

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ASIN:UK: B00008OD9J [info]