Reputation Car High Resolution

~ Release by Taylor Swift (see all versions of this release, 1 available)

Tracklist

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1HDCD
#TitleArtistRatingLength
1…Ready for It?
recording engineer:
Max Martin (Swedish record producer) and Shellback
programming and producer:
Max Martin (Swedish record producer), Ali Payami and Shellback
mixer:
Serban Ghenea
keyboard [keyboards]:
Max Martin (Swedish record producer), Ali Payami and Shellback
background vocals [backing vocals] and lead vocals:
Taylor Swift
phonographic copyright (℗) by:
Taylor Swift (in 2017)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2017) and Big Machine Label Group, LLC (not for release label use) (in 2017)
recorded at:
MXM Studios in Stockholm, Stockholms län (Stockholm county), Sweden
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
music videos:
…Ready for It? (music video) by Taylor Swift
commentary:
…Ready for It? (commentary) by Taylor Swift
recording of:
…Ready for It?
lyricist and composer:
Johan Karl Schuster, Max Martin (Swedish record producer), Ali Payami and Taylor A. Swift (Taylor Swift)
premiered at:
Saturday Night Live: Season 43, Episode 5 (2017-11-11 – 2017-11-12)
publisher:
Kobalt Music Publishing Ltd. (UK), Kobalt Music Services Ltd. (UK), MXM Music AB, Neue Welt Musikverlag GmbH (2017 – present), Songs of Universal, Inc. (BMI), Taylor Swift (Republic imprint, 2019–present), Universal‐MCA Music Publishing (US), Universal/MCA Music Limited (not for release label use!), Universal/MCA Music Publishing GmbH, Warner/Chappell Music Scand AB and Wolf Cousins
Taylor Swift2.953:28
2End Game
programming and producer:
Max Martin (Swedish record producer) and Shellback
assistant engineer:
Cory Bice, Sean Flora, Peter Karlsson, Jeremy Lertola, Mike Synphony and Daniel Watson (engineer)
engineer:
Sam Holland (sound engineer), Michael Ilbert and Seth Ferkins
bass guitar [bass] and drums (drum set) [drums]:
Shellback
keyboard [keyboards]:
Max Martin (Swedish record producer) and Shellback
phonographic copyright (℗) by:
Taylor Swift (in 2017)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2017) and Big Machine Label Group, LLC (not for release label use) (in 2017)
engineered at:
MXM Studios in Stockholm, Stockholms län (Stockholm county), Sweden, MXM Studios in Los Angeles, California, United States, Seismic Activities Studios in Portland, Oregon, United States and Tree Sound Studios in Norcross, Georgia, United States
music videos:
End Game by Taylor Swift feat. Ed Sheeran (UK singer‐songwriter) & Future (US rapper Nayvadius Cash)
commentary:
End Game (commentary) by Taylor Swift
recording of:
End Game
writer:
Future (US rapper Nayvadius Cash), Max Martin (Swedish record producer), Ed Sheeran (UK singer‐songwriter) and Taylor Swift
publisher:
Irving Music (BMI), MXM Music AB, Nayvadius Maximus Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing and Taylor Swift Music (publisher)
Taylor Swift feat. Ed Sheeran & Future3.54:04
3I Did Something Bad
programming and producer:
Max Martin (Swedish record producer) and Shellback
assistant engineer:
Cory Bice and Jeremy Lertola
engineer:
Sam Holland (sound engineer) and Michael Ilbert
mixer:
Serban Ghenea
keyboard [keyboards]:
Max Martin (Swedish record producer) and Shellback
phonographic copyright (℗) by:
Taylor Swift (in 2017)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2017) and Big Machine Label Group, LLC (not for release label use) (in 2017)
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
engineered at:
MXM Studios in Stockholm, Stockholms län (Stockholm county), Sweden and MXM Studios in Los Angeles, California, United States
commentary:
I Did Something Bad (commentary) by Taylor Swift
recording of:
I Did Something Bad
writer:
Max Martin (Swedish record producer), Shellback and Taylor Swift
premiered at:
reputation Stadium Tour: Glendale (2018-05-08)
Taylor Swift3.653:58
4Don't Blame Me
assistant engineer:
Cory Bice and Jeremy Lertola
engineer:
Sam Holland (sound engineer) and Michael Ilbert
producer:
Max Martin (Swedish record producer) and Shellback
mixer:
Serban Ghenea
guitar [guitars]:
Shellback
keyboard [keyboards]:
Max Martin (Swedish record producer) and Shellback
background vocals [backing vocals]:
Max Martin (Swedish record producer) and Taylor Swift
lead vocals:
Taylor Swift
phonographic copyright (℗) by:
Taylor Swift (in 2017)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2017) and Big Machine Label Group, LLC (not for release label use) (in 2017)
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
engineered at:
MXM Studios in Stockholm, Stockholms län (Stockholm county), Sweden and MXM Studios in Los Angeles, California, United States
commentary:
Don’t Blame Me (commentary) by Taylor Swift
part of:
BILLIONS CLUB
recording of:
Don’t Blame Me
writer:
Max Martin (Swedish record producer), Shellback and Taylor Swift
premiered at:
reputation Stadium Tour: Glendale (2018-05-08)
publisher:
MXM Music AB, Sony/ATV Tree Publishing and Taylor Swift Music (publisher)
Taylor Swift3.83:56
5Delicate
programming and producer:
Max Martin (Swedish record producer) and Shellback
assistant engineer:
Cory Bice and Jeremy Lertola
engineer:
Sam Holland (sound engineer) and Michael Ilbert
mixer:
Serban Ghenea
keyboard [keyboards]:
Max Martin (Swedish record producer) and Shellback
piano:
Max Martin (Swedish record producer)
phonographic copyright (℗) by:
Taylor Swift (in 2017)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2017) and Big Machine Label Group, LLC (not for release label use) (in 2017)
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
engineered at:
MXM Studios in Stockholm, Stockholms län (Stockholm county), Sweden and MXM Studios in Los Angeles, California, United States
music videos:
Delicate (music video) by Taylor Swift and Delicate (vertical video) by Taylor Swift
commentary:
Delicate (commentary) by Taylor Swift
part of:
Billboard Year-End Hot 100 singles of 2018 (number: 24) and BILLIONS CLUB
recording of:
Delicate
writer:
Max Martin (Swedish record producer), Shellback and Taylor Alison Swift (Taylor Swift)
publisher:
Kobalt Songs Music Publishing (USA, ASCAP affiliated), MXM Music AB, Sony/ATV Tree Publishing and Taylor Swift Music (publisher)
Taylor Swift3.253:52
6So It Goes…
programming and producer:
Oscar Görres, Max Martin (Swedish record producer) and Shellback
assistant engineer:
Cory Bice and Jeremy Lertola
engineer:
Sam Holland (sound engineer) and Michael Ilbert
mixer:
Serban Ghenea
keyboard [keyboards]:
Oscar Görres, Max Martin (Swedish record producer) and Shellback
piano:
Oscar Görres
phonographic copyright (℗) by:
Taylor Swift (in 2017)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2017) and Big Machine Label Group, LLC (not for release label use) (in 2017, in 2018)
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
engineered at:
MXM Studios in Stockholm, Stockholms län (Stockholm county), Sweden and MXM Studios in Los Angeles, California, United States
commentary:
So It Goes… (commentary) by Taylor Swift
recording of:
So It Goes…
writer:
Oscar Görres, Max Martin (Swedish record producer), Shellback and Taylor Swift
Taylor Swift33:47
7Gorgeous
programming and producer:
Max Martin (Swedish record producer) and Shellback
assistant engineer:
Cory Bice and Jeremy Lertola
engineer:
Sam Holland (sound engineer) and Michael Ilbert
mixer:
Serban Ghenea
guitar [guitars]:
Shellback
keyboard [keyboards]:
Max Martin (Swedish record producer) and Shellback
phonographic copyright (℗) by:
Taylor Swift (in 2017)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2017) and Big Machine Label Group, LLC (not for release label use) (in 2017)
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
engineered at:
MXM Studios in Stockholm, Stockholms län (Stockholm county), Sweden and MXM Studios in Los Angeles, California, United States
commentary:
Gorgeous (commentary) by Taylor Swift
recording of:
Gorgeous
writer:
Max Martin (Swedish record producer), Shellback and Taylor Swift
Taylor Swift3.53:29
8Getaway Car
programming:
Jack Antonoff
engineer:
Laura Sisk
producer:
Jack Antonoff and Taylor Swift
mixer:
Serban Ghenea
cello [cellos]:
Phillip A. Peterson
drums (drum set) [drums]:
Sean Hutchinson (Brooklyn‐based American drummer)
instruments:
Jack Antonoff
violin [violins]:
Victoria Parker
background vocals:
Jack Antonoff
phonographic copyright (℗) by:
Taylor Swift (in 2017)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2017) and Big Machine Label Group, LLC (not for release label use) (in 2017)
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
engineered at:
Rough Customer Studio in Brooklyn Heights, New York, New York, United States
commentary:
Getaway Car (commentary) by Taylor Swift
recording of:
Getaway Car
writer:
Jack Antonoff and Taylor Swift
premiered at:
reputation Stadium Tour: Glendale (2018-05-08)
Taylor Swift3.253:53
9King of My Heart
programming and producer:
Max Martin (Swedish record producer) and Shellback
assistant engineer:
Cory Bice, Jeremy Lertola and Jon Sher
engineer:
Sam Holland (sound engineer), Michael Ilbert and Noah Passovoy
mixer:
Serban Ghenea
bass guitar [bass] and drums (drum set) [drums]:
Shellback
keyboard [keyboards]:
Max Martin (Swedish record producer) and Shellback
background vocals [backing vocals]:
Taylor Swift
phonographic copyright (℗) by:
Taylor Swift (in 2017)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2017) and Big Machine Label Group, LLC (not for release label use) (in 2017)
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
engineered at:
Conway Studios in Hollywood, Los Angeles, California, United States, MXM Studios in Stockholm, Stockholms län (Stockholm county), Sweden and MXM Studios in Los Angeles, California, United States
commentary:
King of My Heart (commentary) by Taylor Swift
recording of:
King of My Heart
writer:
Max Martin (Swedish record producer), Shellback and Taylor Swift
premiered at:
reputation Stadium Tour: Glendale (2018-05-08)
Taylor Swift3.253:34
10Dancing With Our Hands Tied
programming and producer:
Oscar Holter, Max Martin (Swedish record producer) and Shellback
assistant engineer:
Cory Bice and Jeremy Lertola
engineer:
Sam Holland (sound engineer) and Michael Ilbert
mixer:
Serban Ghenea
keyboard [keyboards]:
Oscar Holter, Max Martin (Swedish record producer) and Shellback
phonographic copyright (℗) by:
Taylor Swift (in 2017)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2017) and Big Machine Label Group, LLC (not for release label use) (in 2017)
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
engineered at:
MXM Studios in Stockholm, Stockholms län (Stockholm county), Sweden and MXM Studios in Los Angeles, California, United States
commentary:
Dancing With Our Hands Tied (commentary) by Taylor Swift
recording of:
Dancing With Our Hands Tied
writer:
Oscar Holter, Max Martin (Swedish record producer), Shellback and Taylor Swift
premiered at:
reputation Stadium Tour: Glendale (2018-05-08)
publisher:
MXM Music AB, Sony/ATV Tree Publishing, Taylor Swift Music (publisher), Warner/Chappell Music Scandinavia AB and Wolf Cousins
Taylor Swift33:31
11Dress
programming:
Jack Antonoff
engineer:
Laura Sisk
producer:
Jack Antonoff and Taylor Swift
mixer:
Serban Ghenea
instruments:
Jack Antonoff
phonographic copyright (℗) by:
Taylor Swift (in 2017)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2017) and Big Machine Label Group, LLC (not for release label use) (in 2017)
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
engineered at:
Rough Customer Studio in Brooklyn Heights, New York, New York, United States
commentary:
Dress (commentary) by Taylor Swift
recording of:
Dress
writer:
Jack Antonoff and Taylor Swift
premiered at:
reputation Stadium Tour: Glendale (2018-05-08)
publisher:
Ducky Donath Music, Sony/ATV Songs LLC, Sony/ATV Tree Publishing and Taylor Swift Music (publisher)
Taylor Swift3.53:50
12This Is Why We Can’t Have Nice Things
programming:
Jack Antonoff
engineer:
Laura Sisk
producer:
Jack Antonoff and Taylor Swift
mixer:
Serban Ghenea
cello [cellos]:
Phillip A. Peterson
instruments:
Jack Antonoff
viola and violin:
Victoria Parker
phonographic copyright (℗) by:
Taylor Swift (in 2017)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2017) and Big Machine Label Group, LLC (not for release label use) (in 2017)
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
engineered at:
Rough Customer Studio in Brooklyn Heights, New York, New York, United States
commentary:
This Is Why We Can’t Have Nice Things (commentary) by Taylor Swift
recording of:
This Is Why We Can’t Have Nice Things
writer:
Jack Antonoff and Taylor Swift
premiered at:
reputation Stadium Tour: Glendale (2018-05-08)
Taylor Swift2.753:27
13Call It What You Want
programming:
Jack Antonoff
engineer:
Laura Sisk
producer:
Jack Antonoff and Taylor Swift
mixer:
Serban Ghenea
instruments:
Jack Antonoff
background vocals:
Jack Antonoff
phonographic copyright (℗) by:
Taylor Swift (in 2017)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2017) and Big Machine Label Group, LLC (not for release label use) (in 2017)
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
engineered at:
Rough Customer Studio in Brooklyn Heights, New York, New York, United States
commentary:
Call It What You Want (commentary) by Taylor Swift
recording of:
Call It What You Want
writer:
Jack Antonoff and Taylor Swift
premiered at:
Taylor Swift at SiriusXM Studio (2017-11-10)
publisher:
Ducky Donath Music, Sony/ATV Songs LLC, Sony/ATV Tree Publishing and Taylor Swift Music (publisher)
Taylor Swift3.53:23
14New Year's Day
engineer:
John Hanes (audio engineer, mixer) and Laura Sisk
producer:
Jack Antonoff and Taylor Swift
mixer:
Serban Ghenea
bass guitar [bass], guitar, piano and synthesizer [synths]:
Jack Antonoff
vocals:
Taylor Swift
phonographic copyright (℗) by:
Taylor Swift (in 2017)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2017) and Big Machine Label Group, LLC (not for release label use) (in 2017)
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
engineered at:
Rough Customer Studio in Brooklyn Heights, New York, New York, United States
commentary:
New Year’s Day (commentary) by Taylor Swift
recording of:
New Year’s Day
writer:
Jack Antonoff and Taylor Swift
premiered at:
Taylor Swift at SiriusXM Studio (2017-11-10)
publisher:
Ducky Donath Music, Sony/ATV Songs LLC, Sony/ATV Tree Publishing and Taylor Swift Music (publisher)
Taylor Swift43:55
15Bad Blood
producer:
Ilya (electronic & dance DJ), Max Martin (Swedish record producer) and Shellback
phonographic copyright (℗) by:
Taylor Swift (in 2015)
phonographic copyright (℗) by:
Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2015)
music videos:
Bad Blood (music video) by Taylor Swift feat. Kendrick Lamar
part of:
Billboard Year-End Hot 100 singles of 2015 (number: 15) and Grammy Award: Best Pop Duo/Group Performance nominees (number: 2016)
recording of:
Bad Blood (feat. Kendrick Lamar)
writer:
Kendrick Lamar, Max Martin (Swedish record producer), Shellback and Taylor Swift
publisher:
Alien Status Music, Hardworkin’ Black Folks Inc, Kobalt Music Publishing Ltd. (UK), MXM Music AB, Taylor Swift Music (publisher), Top Dawg Music, WB Music Corp. (1929–2019) (until 2019) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 2019 to present)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング (Sony Music Publishing (Japan) Inc., song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 株式会社 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
quotes lyrics from:
Backseat Freestyle
version of:
Bad Blood
Taylor Swift3.13:22
16Blank Space
assistant recording engineer:
Cory Bice
recording engineer:
Sam Holland (sound engineer) and Michael Ilbert
programming and producer:
Max Martin (Swedish record producer) and Shellback
engineer:
John Hanes (audio engineer, mixer)
mixer:
Serban Ghenea
acoustic guitar, bass, electric guitar, foot stomps [stomps] and percussion:
Shellback
keyboard:
Max Martin (Swedish record producer) and Shellback
background vocals:
Taylor Swift
lead vocals:
Taylor Swift (from 2013 until 2014)
other vocals [shouts]:
Shellback and Taylor Swift
phonographic copyright (℗) by:
Taylor Swift (in 2014)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2014) and Big Machine Label Group, LLC (not for release label use) (in 2014)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States and MXM Studios in Stockholm, Stockholms län (Stockholm county), Sweden
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
commentary:
Blank Space (commentary) by Taylor Swift
part of:
Billboard Year-End Hot 100 singles of 2015 (number: 7), BILLIONS CLUB, Billboard Decade End Chart: Adult Contemporary Songs (2010s) (number: 49), Stereogum: The 200 Best Songs of the 2010s (number: 49), Rolling Stone: The 100 Best Songs of the 2010s (number: 73), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 161) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 357)
recording of:
Blank Space
writer:
Max Martin (Swedish record producer), Shellback and Taylor Swift
publisher:
Sony/ATV Tree Publishing, MXM Music (from 2014 to present) and Taylor Swift Music (publisher) (from 2014 to present)
sub-publisher:
Kobalt Music Publishing Ltd. (UK), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング (Sony Music Publishing (Japan) Inc., song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Taylor Swift4.053:54
17Shake It Off
assistant recording engineer:
Cory Bice
recording engineer:
Sam Holland (sound engineer) and Michael Ilbert
programming and producer:
Max Martin (Swedish record producer) and Shellback
engineer:
John Hanes (audio engineer, mixer)
mixer:
Serban Ghenea
acoustic guitar, bass, drums (drum set) and percussion:
Shellback
keyboard:
Max Martin (Swedish record producer) and Shellback
percussion [claps], background vocals and other vocals [shouts]:
Max Martin (Swedish record producer), Shellback and Taylor Swift
saxophone:
Jonas Thander (Swedish songwriter and saxophonist)
trombone:
Magnus Wiklund
trumpet:
Jonas Lindeborg
lead vocals:
Taylor Swift (from 2013 until 2014)
phonographic copyright (℗) by:
Taylor Swift (in 2014)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2014), Big Machine Label Group, LLC (not for release label use) (in 2014) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2014)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States and MXM Studios in Stockholm, Stockholms län (Stockholm county), Sweden
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
music videos:
Shake It Off: Music Video by Taylor Swift
commentary:
Shake It Off (commentary) by Taylor Swift
part of:
iHeartRadio Music Awards: Song of the Year nominees (number: 2015 winner), Billboard Year-End Hot 100 singles of 2014 (number: 13), Billboard Year-End Hot 100 singles of 2015 (number: 18), Billboard Decade End Chart: Streaming Songs (2010s) (number: 26) and BILLIONS CLUB
recording of:
Shake It Off
writer:
Max Martin (Swedish record producer) (on 2014-02-22), Shellback (on 2014-02-22) and Taylor Swift (on 2014-02-22)
publisher:
MXM Music (from 2014 to present) and Taylor Swift Music (publisher) (from 2014 to present)
composed at and lyrics written at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (on 2014-02-22)
Taylor Swift4.253:41
18Mean
phonographic copyright (℗) by:
Taylor Swift (in 2010)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2010), Big Machine Label Group, LLC (not for release label use) (in 2010, in 2018) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2010)
music videos:
Mean (music video) by Taylor Swift
commentary:
Mean (commentary) by Taylor Swift
part of:
CBC Music: 12 Songs About Bullying and Rolling Stone: The 200 Greatest Country Songs of All Time (number: 20)
recording of:
Mean
lyricist and composer:
Taylor Swift
publisher:
Sony/ATV Tree Publishing (from 2010 to present) and Taylor Swift Music (publisher) (from 2010 to present)
Taylor Swift43:59
2HDCD
#TitleRatingLength
1Look What You Made Me Do
programming:
Jack Antonoff
engineer:
John Hanes (audio engineer, mixer) and Laura Sisk
executive producer:
Taylor Swift
producer:
Jack Antonoff and Taylor Swift
mixer:
Serban Ghenea
cello [cellos]:
Phillip A. Peterson
instruments:
Jack Antonoff
saxophone [saxophones]:
Evan Smith (woodwind (flute, saxophone, clarinet) player)
violin [violins]:
Victoria Parker
phonographic copyright (℗) by:
Taylor Swift (in 2017)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2017) and Big Machine Label Group, LLC (not for release label use) (in 2017)
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
engineered at:
Rough Customer Studio in Brooklyn Heights, New York, New York, United States
samples:
Innocent by Taylor Swift
music videos:
Look What You Made Me Do (music video) by Taylor Swift and Look What You Made Me Do (lyric video) by Taylor Swift
commentary:
Look What You Made Me Do (commentary) by Taylor Swift
part of:
Billboard Year-End Hot 100 singles of 2017 (number: 39) and BILLIONS CLUB
recording of:
Look What You Made Me Do
writer:
Jack Antonoff, Fred Fairbrass, Richard Fairbrass, Robert Manzoli and Taylor Swift
publisher:
Ducky Donath Music, Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spirit Catalogue Holdings, Spirit One Music and Taylor Swift Music (publisher)
quotes music from:
I’m Too Sexy
3.353:34
2We Are Never Ever Getting Back Together
assistant recording engineer:
Eric Eylands and Greg Fuess (sound engineer)
recording engineer:
Sam Holland (sound engineer) and Michael Ilbert
programming:
Shellback
assistant engineer:
Tim Roberts (engineer) (task: engineered for mix)
engineer:
John Hanes (audio engineer, mixer) (task: engineered for mix)
producer:
Max Martin (Swedish record producer) and Shellback
mixer:
Serban Ghenea
bass and guitar:
Shellback
keyboard [keyboards]:
Max Martin (Swedish record producer) and Shellback
lead vocals:
Taylor Swift
phonographic copyright (℗) by:
Taylor Swift (in 2012)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States and MXM Studios in Stockholm, Stockholms län (Stockholm county), Sweden
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
music videos:
We Are Never Ever Getting Back Together (music video) by Taylor Swift
commentary:
We Are Never Ever Getting Back Together (commentary) by Taylor Swift
part of:
Billboard Year-End Hot 100 singles of 2012 (number: 33) and Billboard Decade End Chart: Hot Country Songs (2010's) (number: 41)
recording of:
We Are Never Ever Getting Back Together
writer:
Max Martin (Swedish record producer), Shellback and Taylor Swift
publisher:
MXM Music, Sony/ATV Tree Publishing and Taylor Swift Music (publisher)
4.353:14
3I Knew You Were Trouble
assistant recording engineer:
Eric Eylands
recording engineer:
Sam Holland (sound engineer) and Michael Ilbert
programming:
Shellback
assistant engineer:
Tim Roberts (engineer) (task: engineered for mix)
engineer:
John Hanes (audio engineer, mixer) (task: engineered for mix)
producer:
Max Martin (Swedish record producer) and Shellback
mixer:
Serban Ghenea
acoustic guitar, bass and electric guitar:
Shellback
keyboard [keyboards]:
Max Martin (Swedish record producer) and Shellback
lead vocals:
Taylor Swift
phonographic copyright (℗) by:
Taylor Swift
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012, in 2018) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States and MXM Studios in Stockholm, Stockholms län (Stockholm county), Sweden
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
music videos:
I Knew You Were Trouble (music video) by Taylor Swift
commentary:
I Knew You Were Trouble. (commentary) by Taylor Swift
part of:
Billboard Year-End Hot 100 singles of 2013 (number: 16)
recording of:
I Knew You Were Trouble.
writer:
Max Martin (Swedish record producer), Shellback and Taylor Swift
publisher:
KMR Music Royalties II SCSp, MXM Music, Sony/ATV Tree Publishing and Taylor Swift Music (publisher)
43:41
4Treacherous
recording engineer:
John Rausch, Eric Robinson (producer/engineer/mixer/musician) and Andy Thompson (producer/engineer/instrumentalist/writer from Minneapolis)
producer:
Dan Wilson (American singer/songwriter)
assistant mixer:
Delbert Bowers (American engineer) and Chris Galland
mixer:
Manny Marroquin
acoustic guitar and lead vocals:
Taylor Swift
bass, electric guitar and piano:
Dan Wilson (American singer/songwriter)
drums (drum set):
Aaron Sterling
electric piano, guitar and synthesizer [synth strings]:
Andy Thompson (producer/engineer/instrumentalist/writer from Minneapolis)
background vocals:
Taylor Swift and Dan Wilson (American singer/songwriter)
phonographic copyright (℗) by:
Taylor Swift
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012, in 2018) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
recorded at:
Ballroom West in Los Angeles, California, United States, Instrument Landing in Minneapolis, Minnesota, United States and Marlay Studios in Hollywood, Florida, United States
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
commentary:
Treacherous (commentary) by Taylor Swift
recording of:
Treacherous
writer:
Taylor Swift and Dan Wilson (American singer/songwriter)
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Sony/ATV Tree Publishing, Sugar Lake Music LLC and Taylor Swift Music (publisher)
3.24:05
5The Last Time
assistant recording engineer:
Chris Owens (engineer)
recording engineer:
Sam Bell (engineer/programmer), Matt Bishop (sound engineer) and Jacknife Lee
programming and producer:
Jacknife Lee
assistant mixer:
Matty Green (mix engineer)
mixer:
Mark “Spike” Stent (producer, engineer)
editor:
Matt Bishop (sound engineer)
bass, guitar family and keyboard [keyboards]:
Jacknife Lee
cello:
Peggy Baldwin, Richard Dodd (cellist) and John Krovoza
double bass [contrabass]:
Simeon Pillich (bassist/contrabassist) and Jeff Takiguchi
drums (drum set):
Bill Rieflin
harp:
Marcia Dickstein (American harpist)
piano:
Jamie Muhoberac
viola:
Brett Banducci (composer/violist), Lauren Chipman and Rodney Wirtz
violin:
Daphne Chen, Eric Gorfain, Gina Kronstadt, Marisa Kuney, Neli Nikolaeva (violinist), Radu Pieptea (violinist), Wes Precourt (violinist) and Amy Wickman
guest lead vocals:
Gary Lightbody
lead vocals:
Taylor Swift
conductor:
Owen Pallett (Canadian composer, violinist, keyboardist & vocalist)
orchestrator:
Owen Pallett (Canadian composer, violinist, keyboardist & vocalist)
phonographic copyright (℗) by:
Taylor Swift
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
recorded at:
The Garage in Topanga, California, United States and The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
mixed at:
The Mix Suite LA in Los Angeles, California, United States
music videos:
The Last Time (music video) by Taylor Swift
commentary:
The Last Time (commentary) by Taylor Swift
recording of:
The Last Time
writer:
Jacknife Lee, Gary Lightbody and Taylor Swift
publisher:
Besme Music, Big Life Music Ltd., Polar Songs Ltd., Sony/ATV Tree Publishing, Taylor Swift Music (publisher), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal Songs of PolyGram Int., Inc.
45:01
6Stay Stay Stay
assistant recording engineer:
Leland Elliott (sound engineer)
recording engineer:
Chad Carlson
additional engineer:
Matt Rausch (sound engineer) and Brian David Willis
producer:
Nathan Chapman (American producer & songwriter) and Taylor Swift
assistant mixer:
Drew Bollman
mixer:
Justin Niebank
acoustic guitar, bass, electric guitar, keyboard [keyboards] and mandolin:
Nathan Chapman (American producer & songwriter)
drums (drum set):
Nick Buda (drummer)
percussion:
Eric Darken
background vocals:
Nathan Chapman (American producer & songwriter) and Taylor Swift
lead vocals:
Taylor Swift
phonographic copyright (℗) by:
Taylor Swift
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
recorded at and mixed at:
Blackbird Studio in Nashville, Tennessee, United States
commentary:
Stay Stay Stay (commentary) by Taylor Swift
recording of:
Stay Stay Stay
lyricist and composer:
Taylor Swift
publisher:
Sony/ATV Tree Publishing and Taylor Swift Music (publisher)
3.653:28
722
assistant recording engineer:
Eric Eylands
recording engineer:
Sam Holland (sound engineer) and Michael Ilbert
programming:
Shellback
assistant engineer:
Tim Roberts (engineer) (task: engineered for mix)
engineer:
John Hanes (audio engineer, mixer) (task: engineered for mix)
producer:
Max Martin (Swedish record producer) and Shellback
mixer:
Serban Ghenea
acoustic guitar:
Shellback and Taylor Swift
bass and electric guitar:
Shellback
keyboard [keyboards]:
Max Martin (Swedish record producer) and Shellback
lead vocals:
Taylor Swift
phonographic copyright (℗) by:
Taylor Swift
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012, in 2018) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States and MXM Studios in Stockholm, Stockholms län (Stockholm county), Sweden
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
music videos:
22 (music video) by Taylor Swift
commentary:
22 (commentary) by Taylor Swift
part of:
Billboard Year-End Hot 100 singles of 2013 (number: 71)
recording of:
22
written in:
[in atmosphere] (on 2012-06-06)
lyricist and composer:
Max Martin (Swedish record producer) (on 2012-06-06), Shellback (on 2012-06-06) and Taylor Alison Swift (Taylor Swift) (on 2012-06-06)
publisher:
Copyright Control Shares (not for release label use! this is only for copyrights and publishing relationships), KMR Music Royalties II SCSp, Kobalt Music Publishing Ltd. (UK), Kobalt Music Services Ltd. (UK), Kobalt Songs Music Publishing (USA, ASCAP affiliated), MXM Music AB, Songs of Universal, Inc. (BMI), Sony Music Publishing (Germany) GmbH, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing France, Sony/ATV Tree Publishing, Taylor Swift Music (publisher), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal‐MCA Music Publishing (US), Universal/MCA Music Limited (not for release label use!), Universal/MCA Music Publishing GmbH, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Sony/ATV Music Publishing LLC (1995–2020) (until 2020-12-31)
written at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (on 2012-06-06)
3.63:54
8Come Back... Be Here
phonographic copyright (℗) by:
Taylor Swift
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012, in 2018) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012)
recording of:
Come Back… Be Here
writer:
Taylor Swift and Dan Wilson (American singer/songwriter)
publisher:
BMG Monarch, Sony/ATV Tree Publishing, Sugar Lake Music LLC and Taylor Swift Music (publisher)
23:46
9The Lucky One
recording engineer:
Pawel Sek and Tyler Sam Johnson (US producer and songwriter)
programming and producer:
Jeff Bhasker
assistant engineer:
Tim Roberts (engineer) (task: engineered for mix)
engineer:
John Hanes (audio engineer, mixer) (task: engineered for mix)
mixer:
Serban Ghenea
bass, keyboard [keyboards], piano and background vocals:
Jeff Bhasker
guitar family:
Anders Mouridsen (guitarist)
lead vocals:
Taylor Swift
phonographic copyright (℗) by:
Taylor Swift
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012, in 2018) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
recorded at:
Enormous Studios in Los Angeles, California, United States
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
commentary:
The Lucky One (commentary) by Taylor Swift
recording of:
The Lucky One
lyricist and composer:
Taylor Swift
publisher:
Sony/ATV Tree Publishing and Taylor Swift Music (publisher)
2.654:02
10Sad Beautiful Tragic
recording engineer:
Nathan Chapman (American producer & songwriter)
producer:
Nathan Chapman (American producer & songwriter) and Taylor Swift
assistant mixer:
Drew Bollman
mixer:
Justin Niebank
acoustic guitar, bass, drums (drum set), electric guitar, keyboard [keyboards], percussion and ukulele:
Nathan Chapman (American producer & songwriter)
background vocals and lead vocals:
Taylor Swift
phonographic copyright (℗) by:
Taylor Swift
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
recorded at:
Pain in the Art Studios in Nashville, Tennessee, United States
mixed at:
Blackbird Studio in Nashville, Tennessee, United States
commentary:
Sad Beautiful Tragic (commentary) by Taylor Swift
recording of:
Sad Beautiful Tragic
lyricist and composer:
Taylor Swift
publisher:
Sony/ATV Tree Publishing and Taylor Swift Music (publisher)
3.654:47
11Red
assistant recording engineer:
Seth Morton (engineer)
recording engineer:
Steve Marcantonio
producer:
Nathan Chapman (American producer & songwriter), Dann Huff, Mastermix Music Limited and Taylor Swift
assistant mixer:
Drew Bollman
mixer:
Justin Niebank
editor:
David Huff (drummer of Giant/White Heart, brother of Dann Huff)
acoustic guitar and percussion:
Nathan Chapman (American producer & songwriter)
banjitar [ganjo]:
Nathan Chapman (American producer & songwriter) and Ilya Toshinsky (Russian guitar and banjo player)
bass:
Jimmie Lee Sloas
bouzouki:
Dann Huff
cello and fiddle:
Jonathan Yudkin
drums (drum set):
Aaron Sterling
electric guitar:
Tom Bukovac and Dann Huff
Hammond organ [B-3 organ], synthesizer [synth] and upright piano:
Charles Judge (American guitarist, pianist, arranger and songwriter)
steel guitar:
Paul Franklin (steel guitarist)
lead vocals:
Taylor Swift
phonographic copyright (℗) by:
Taylor Swift
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012, in 2018) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
recorded at and mixed at:
Blackbird Studio in Nashville, Tennessee, United States
music videos:
Red (music video) by Taylor Swift
commentary:
Red (commentary) by Taylor Swift
recording of:
Red
written in:
[in atmosphere] (on 2011-09-07)
lyricist and composer:
Taylor Swift
publisher:
Sony/ATV Tree Publishing and Taylor Swift Music (publisher)
3.253:45
12Girl at Home
phonographic copyright (℗) by:
Taylor Swift
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012)
recording of:
Girl at Home
lyricist and composer:
Taylor Swift
publisher:
Sony/ATV Tree Publishing and Taylor Swift Music (publisher)
33:43
13All Too Well
recording engineer:
Nathan Chapman (American producer & songwriter) (in 2012)
additional engineer:
Brian David Willis (in 2012)
producer:
Nathan Chapman (American producer & songwriter) (in 2012) and Taylor Swift (in 2012)
assistant mixer:
Drew Bollman (in 2012)
mixer:
Justin Niebank (in 2012)
acoustic guitar, bass, drums (drum set), electric guitar, keyboard [keyboards] and background vocals:
Nathan Chapman (American producer & songwriter) (in 2012)
lead vocals:
Taylor Swift (in 2012)
phonographic copyright (℗) by:
Taylor Swift
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012, in 2018) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
recorded at:
Pain in the Art Studios in Nashville, Tennessee, United States (in 2012)
mixed at:
Blackbird Studio in Nashville, Tennessee, United States (in 2012)
commentary:
All Too Well (commentary) by Taylor Swift
part of:
Rolling Stone: The 100 Best Songs of the 2010s (number: 5), Stereogum: The 200 Best Songs of the 2010s (number: 24), Pitchfork: The 200 Best Songs of the 2010s (number: 57) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 69)
recording of:
All Too Well (in 2012)
writer:
Liz Rose (from 2011-02 until 2011-03) and Taylor Swift (from 2011-02 until 2011-03)
publisher:
Liz Rose Music, Sony/ATV Tree Publishing and Taylor Swift Music (publisher)
45:31
14Everything Has Changed
recording engineer:
Jake Sinclair
producer:
Butch Walker
assistant mixer:
Drew Bollman
mixer:
Justin Niebank
bass:
Jake Sinclair
drums (drum set), guitar family, keyboard [keyboards] and percussion:
Butch Walker
background vocals:
Gary Lightbody, Jake Sinclair and Butch Walker
guest lead vocals:
Ed Sheeran (UK singer‐songwriter)
lead vocals:
Taylor Swift
strings [string] arranger:
Patrick Warren
phonographic copyright (℗) by:
Taylor Swift
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
recorded at:
Ruby Red Productions in Santa Monica, California, United States
mixed at:
Blackbird Studio in Nashville, Tennessee, United States
commentary:
Everything Has Changed (commentary) by Taylor Swift
recording of:
Everything Has Changed
writer:
Ed Sheeran (UK singer‐songwriter) and Taylor Swift
publisher:
Sony/ATV Music Publishing (UK) Limited, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tree Publishing and Taylor Swift Music (publisher)
3.654:07
15Starlight
recording engineer:
Joe Baldridge
percussion programming:
Jason Bonilla
assistant engineer:
Tim Roberts (engineer) (task: engineered for mix)
engineer:
John Hanes (audio engineer, mixer) (task: engineered for mix)
producer:
Nathan Chapman (American producer & songwriter), Dann Huff and Taylor Swift
mixer:
Serban Ghenea
bass:
Jimmie Lee Sloas
drums (drum set):
Jason Bonilla
electric guitar:
Nathan Chapman (American producer & songwriter) and Dann Huff
piano:
Nathan Chapman (American producer & songwriter)
solo electric guitar:
Dann Huff
strings:
Charles Judge (American guitarist, pianist, arranger and songwriter)
synthesizer [synth]:
Nathan Chapman (American producer & songwriter) and Charles Judge (American guitarist, pianist, arranger and songwriter)
lead vocals:
Taylor Swift
phonographic copyright (℗) by:
Taylor Swift
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012, in 2018) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
recorded at:
Blackbird Studio in Nashville, Tennessee, United States
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
commentary:
Starlight (commentary) by Taylor Swift
recording of:
Starlight
lyricist and composer:
Taylor Swift
publisher:
Sony/ATV Tree Publishing and Taylor Swift Music (publisher)
2.653:43
16I Almost Do
recording engineer:
Nathan Chapman (American producer & songwriter)
producer:
Nathan Chapman (American producer & songwriter) and Taylor Swift
assistant mixer:
Drew Bollman
mixer:
Justin Niebank
acoustic guitar, bass and drums (drum set):
Nathan Chapman (American producer & songwriter)
background vocals and lead vocals:
Taylor Swift
phonographic copyright (℗) by:
Taylor Swift
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
recorded at:
Blackbird Studio in Nashville, Tennessee, United States and Pain in the Art Studios in Nashville, Tennessee, United States
commentary:
I Almost Do (commentary) by Taylor Swift
recording of:
I Almost Do
lyricist and composer:
Taylor Swift
publisher:
Sony/ATV Tree Publishing and Taylor Swift Music (publisher)
34:07
17Begin Again
assistant recording engineer:
Seth Morton (engineer)
recording engineer:
Steve Marcantonio
producer:
Nathan Chapman (American producer & songwriter), Dann Huff and Taylor Swift
assistant mixer:
Drew Bollman
mixer:
Justin Niebank
editor:
David Huff (drummer of Giant/White Heart, brother of Dann Huff)
accordion, Hammond organ [B-3 organ], piano, strings and synthesizer [synths]:
Charles Judge (American guitarist, pianist, arranger and songwriter)
acoustic guitar:
Nathan Chapman (American producer & songwriter) and Dann Huff
acoustic guitar [high string acoustic guitar]:
Dann Huff
bass:
Jimmie Lee Sloas
drums (drum set):
Aaron Sterling
electric guitar:
Tom Bukovac and Dann Huff
mandolin:
Ilya Toshinsky (Russian guitar and banjo player)
steel guitar:
Paul Franklin (steel guitarist)
violin:
Jonathan Yudkin
background vocals:
Caitlin Evanson
lead vocals:
Taylor Swift
phonographic copyright (℗) by:
Taylor Swift
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012, in 2018) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
recorded at and mixed at:
Blackbird Studio in Nashville, Tennessee, United States
music videos:
Begin Again (music video) by Taylor Swift
commentary:
Begin Again (commentary) by Taylor Swift
part of:
Taste Of Country: Top Songs of 2012 (number: 10)
recording of:
Begin Again
lyricist and composer:
Taylor Alison Swift (Taylor Swift)
publisher:
Sony/ATV Tree Publishing and Taylor Swift Music (publisher)
34:00
18State of Grace
assistant recording engineer:
Leland Elliott (sound engineer)
recording engineer:
Chad Carlson
additional engineer:
Matt Rausch (sound engineer) and Brian David Willis
producer:
Nathan Chapman (American producer & songwriter) and Taylor Swift
assistant mixer:
Drew Bollman
mixer:
Justin Niebank
acoustic guitar, bass and electric guitar:
Nathan Chapman (American producer & songwriter)
drums (drum set):
Nick Buda (drummer)
percussion:
Eric Darken
background vocals and lead vocals:
Taylor Swift
phonographic copyright (℗) by:
Taylor Swift
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012, in 2018) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
recorded at and mixed at:
Blackbird Studio in Nashville, Tennessee, United States
commentary:
State of Grace (commentary) by Taylor Swift
recording of:
State of Grace
lyricist and composer:
Taylor Swift
publisher:
Sony/ATV Tree Publishing and Taylor Swift Music (publisher)
2.54:56
3HDCD
#TitleRatingLength
1I Don't Wanna Live Forever
recording engineer:
Jack Antonoff, Laura Sisk and Daniel Zaidenstadt (engineer, producer)
additional engineer:
Saltwives
producer:
Jack Antonoff
mixer:
Serban Ghenea
instruments:
Jack Antonoff
background vocals:
Sam Dew
vocals:
Taylor Swift and Zayn Malik (ZAYN, British singer)
phonographic copyright (℗) by:
Universal Studios (plain “Universal” globe logo, currently underlined by “A Comcast Company”) (in 2016) and Big Machine Label Group, LLC (not for release label use) (in 2018)
recorded at:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States and Rough Customer Studio in Brooklyn Heights, New York, New York, United States
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
additionally engineered at:
Nightbird in West Hollywood, California, United States
part of:
Billboard Year-End Hot 100 singles of 2017 (number: 26) and BILLIONS CLUB
recording of:
I Don’t Wanna Live Forever
writer:
Jack Antonoff, Sam Dew and Taylor Swift
premiered at:
Super Saturday Night (2017-02-04)
3.24:07
2Forever & Always
recording engineer and mixer:
Chad Carlson
producer:
Nathan Chapman (American producer & songwriter) and Taylor Swift
assistant mixer:
Shawn Daugherty and Todd Tidwell
phonographic copyright (℗) by:
Taylor Swift (in 2008)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2008), Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2008, in 2009) and Big Machine Label Group, LLC (not for release label use) (in 2018)
mixed at:
Starstruck Studios in Nashville, Tennessee, United States
commentary:
Forever & Always (commentary) by Taylor Swift
recording of:
Forever & Always
lyricist and composer:
Taylor Swift
publisher:
Sony/ATV Tree Publishing (from 2008 to present) and Taylor Swift Music (publisher) (from 2008 to present)
3.353:48
3Love Story
additional recording engineer and additional mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
assistant recording engineer:
Richard Edgeler
recording engineer:
Chad Carlson
producer:
Nathan Chapman (American producer & songwriter) and Taylor Swift
assistant mixer:
Drew Bollman and Richard Edgeler
mixer:
Justin Niebank
additional guitar:
Tim Van der Kuil
phonographic copyright (℗) by:
Taylor Swift (in 2008)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2008) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2008)
mixed at:
Blackbird Studios in Nashville, Tennessee, United States
music videos:
Love Story (music video) by Taylor Swift
commentary:
Love Story (commentary) by Taylor Swift
part of:
Billboard Year-End Hot 100 singles of 2009 (number: 5), Billboard Year-End Hot 100 singles of 2008 (number: 81), Holler's Best 2000s Country Songs (number: 86) and BILLIONS CLUB
recording of:
Love Story
lyricist and composer:
Taylor Alison Swift (Taylor Swift)
publisher:
Universal Music Publishing Limited (Hong Kong), Sony/ATV Tree Publishing (from 2008 to present), Taylor Swift Music (publisher) (from 2008 to present) and Sony Music Publishing (Hong Kong) Limited (2021–) (from 2021 to present)
4.43:58
4You Belong With Me
recording engineer:
Chad Carlson
producer:
Nathan Chapman (American producer & songwriter) and Taylor Swift
assistant mixer:
Steve Blackmon (engineer)
mixer:
Justin Niebank
phonographic copyright (℗) by:
Taylor Swift (in 2008)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2008) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2008, in 2009)
mixed at:
Blackbird Studios in Nashville, Tennessee, United States
music videos:
You Belong With Me (video) by Taylor Swift and You Belong With Me (music video) by Taylor Swift
commentary:
You Belong With Me (commentary) by Taylor Swift
part of:
Billboard Year-End Hot 100 singles of 2009 (number: 11), Billboard Year-End Hot Country Songs of 2009 (number: 13), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 42) and Billboard Year-End Hot 100 singles of 2010 (number: 57)
recording of:
You Belong with Me
lyricist and composer:
Liz Rose and Taylor Swift
publisher:
Wagnerville Music, BMG Platinum Songs (from 2008 to present), Orbison Music LLC (from 2008 to present), Sony/ATV Tree Publishing (from 2008 to present), Taylor Swift Music (publisher) (from 2008 to present) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 2008 to present)
sub-publisher:
BMG Rights Management (Australia) P/L (not for release label use! use “BMG” (post 2008) instead.), BMG Rights Management (Benelux) B.V. (not for release label use! use its imprint “BMG (2008–present)), BMG Rights Management (Italy) S.R.L. (not for release label use! file releases under its imprint “BMG (2008–present)), BMG Rights Management and Administration Spain S L U (not for release label use - for copyrights only), BMG Rights Management Austria, BMG Rights Management Canada B, BMG Rights Management France (not for release label use! file releases under its imprint BMG (2008–present)), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Canadiana Mus, Canciones Warner Internacional, Fujipacific Music Korea Inc, Neue Welt Musikverlag GmbH (2017 – present), One Asia Music Hong Kong Limited, Universal MCA Music Española, Universal MCA Music Holland BV, Universal MCA Music Publ Austria, Universal Music Publishing (not for release label use!), Universal Music Publishing (Belgium), Universal Music Publishing International Ltd, Universal Music Publishing Korea, Universal Music Publishing Limited (Hong Kong), Universal Music Publishing Ltd Taiwan (Universal Music Publishing Co., Ltd.), Universal Music Publishing Ricordi S.R.L, Universal Music Publishing S R O, Universal/MCA Music Limited (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, Warner Chappell /WA, Warner Chappell Music Australia Pty Ltd, Warner Chappell Music Belgium Nv, Warner Chappell Music France, Warner Chappell Music Holland BV, Warner Chappell Music Hong Kong Limited (Warner Chappell Music, Hong Kong Limited, 華納音樂出版有限公司, 2019–), Warner Chappell Music Hong Kong Limited (Taiwan Branch) (Warner Chappell Music, Hong Kong Limited Taiwan Branch), Warner Chappell Music Korea Inc, Warner Chappell Music S R O CZ, Warner Music Publishing Italy S.R.L. (publisher), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 株式会社 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 酷亞音樂股份有限公司 (One Asia Music Inc.)
3.953:54
5Sparks Fly
producer:
Nathan Chapman (American producer & songwriter) and Taylor Swift
acoustic guitar:
Nathan Chapman (American producer & songwriter), Bryan Sutton and Taylor Swift
banjo, electric piano, mandolin, organ and synthesizer:
Nathan Chapman (American producer & songwriter)
bass guitar:
Nathan Chapman (American producer & songwriter), Amos Heller (bass guitar for Taylor Swift), Tim Marks (US bassist) and Tommy Sims (r&b, ccm)
drums (drum set):
Nick Buda (drummer), Shannon Forrest and John Gardner (US drummer)
electric guitar:
Nathan Chapman (American producer & songwriter), Mike Meadows (guitar and keyboards for Taylor Swift), Grant Mickelson (Guitarist) and Paul Sidoti (guitar for Taylor Swift)
fiddle:
Rob Hajacos
Hammond organ [Hammond B3]:
Tim Lauer
percussion:
Eric Darken and Al Wilson
piano:
Nathan Chapman (American producer & songwriter) and Tim Lauer
steel guitar:
Smith Curry
phonographic copyright (℗) by:
Taylor Swift (in 2010)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2010), Big Machine Label Group, LLC (not for release label use) (in 2010, in 2018) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2010)
music videos:
Sparks Fly (music video) by Taylor Swift
commentary:
Sparks Fly (commentary) by Taylor Swift
recording of:
Sparks Fly
lyricist and composer:
Taylor Swift
publisher:
Sony/ATV Tree Publishing (from 2010 to present) and Taylor Swift Music (publisher) (from 2010 to present)
44:25
6The Other Side of the Door
recording engineer:
Chad Carlson
producer:
Nathan Chapman (American producer & songwriter) and Taylor Swift
mixer:
Mills Logan
phonographic copyright (℗) by:
Taylor Swift (in 2009)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2009) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2009)
mixed at:
The Mix Mill in Nashville, Tennessee, United States
recording of:
The Other Side of the Door
lyricist and composer:
Taylor Swift
publisher:
Sony/ATV Tree Publishing (from 2008 to present) and Taylor Swift Music (publisher) (from 2008 to present)
3.54:00
7Ours
guitar and ukulele:
Bryan Sutton
phonographic copyright (℗) by:
Taylor Swift (in 2010)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2010), Big Machine Label Group, LLC (not for release label use) (in 2010, in 2018) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2010, in 2011)
music videos:
Ours (music video) by Taylor Swift
recording of:
Ours
lyricist and composer:
Taylor Swift
publisher:
Sony/ATV Tree Publishing (from 2010 to present) and Taylor Swift Music (publisher) (from 2010 to present)
14:01
8Fifteen
recording engineer:
Chad Carlson
producer:
Nathan Chapman (American producer & songwriter) and Taylor Swift
assistant mixer:
Drew Bollman
mixer:
Justin Niebank
phonographic copyright (℗) by:
Taylor Swift (in 2008)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2008), Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2008, in 2009) and Big Machine Label Group, LLC (not for release label use) (in 2018)
mixed at:
Blackbird Studios in Nashville, Tennessee, United States
commentary:
Fifteen (commentary) by Taylor Swift
recording of:
Fifteen
lyricist and composer:
Taylor Swift
publisher:
Sony/ATV Tree Publishing (from 2008 to present) and Taylor Swift Music (publisher) (from 2008 to present)
3.654:57
9Speak Now
phonographic copyright (℗) by:
Taylor Swift (in 2010)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2010), Big Machine Label Group, LLC (not for release label use) (in 2010, in 2018) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2010)
commentary:
Speak Now (commentary) by Taylor Swift
recording of:
Speak Now
lyricist and composer:
Taylor Swift
publisher:
Sony/ATV Tree Publishing (from 2010 to present) and Taylor Swift Music (publisher) (from 2010 to present)
4.254:05
10Safe and Sound
recording engineer:
Mike Piersante (recording engineer & mixer) and Jason Wormer (american engineer)
producer:
T Bone Burnett (musician, songwriter and producer)
mixer:
Mike Piersante (recording engineer & mixer)
phonographic copyright (℗) by:
Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2011)
part of:
Grammy Award: Best Country Duo/Group Performance nominees (number: 2013)
recording of:
Safe & Sound
writer:
Taylor Swift, T Bone Burnett (musician, songwriter and producer), John Paul White and Joy Williams (US singer/songwriter)
publisher:
Absurd Music, Baffle Music, BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint), BMG Ruby Songs, BMG Sapphire Songs, Bug Music, Inc., Henry Burnett Music, Sensibility Songs, Shiny Happy Music, Sony/ATV Tree Publishing and Taylor Swift Music (publisher)
4:04
11Come In With the Rain
additional recording engineer:
Eric Darken and PJ Fenech
recording engineer:
Chad Carlson
additional engineer:
Brian David Willis
producer:
Nathan Chapman (American producer & songwriter) and Taylor Swift
assistant mixer:
Drew Bollman
mixer:
Justin Niebank
phonographic copyright (℗) by:
Taylor Swift (in 2009)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2009) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2009)
additionally recorded at:
Jane's Place in Nashville, Tennessee, United States and Sony Studios in Nashville, Tennessee, United States
mixed at:
Blackbird Studios in Nashville, Tennessee, United States
additionally engineered at:
The Ice Box in Nashville, Tennessee, United States
recording of:
Come In With the Rain
lyricist and composer:
Liz Rose (on 2006-10-12) and Taylor Swift (on 2006-10-12)
publisher:
Anthem Caketaker Music (from 2009 to present), Sony/ATV Tree Publishing (from 2009 to present) and Taylor Swift Music (publisher) (from 2009 to present)
3.54:01
12Fearless
recording engineer:
Chad Carlson
producer:
Nathan Chapman (American producer & songwriter) and Taylor Swift
assistant mixer:
Drew Bollman
mixer:
Justin Niebank
phonographic copyright (℗) by:
Taylor Swift (in 2008)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2008), Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2008, in 2009) and Big Machine Label Group, LLC (not for release label use) (in 2018)
mixed at:
Blackbird Studios in Nashville, Tennessee, United States
music videos:
Fearless (music video) by Taylor Swift
commentary:
Fearless (commentary) by Taylor Swift
recording of:
Fearless
lyricist and composer:
Hillary Lindsey, Liz Rose and Taylor Swift
premiered at:
31st Annual Jamboree in the Hills, Day 1 (2007-07-19)
publisher:
BMG Gold Songs, Ole Cake Taker Music, Raylene Music, Sony/ATV Tree Publishing and Taylor Swift Music (publisher)
3.44:05
13Should've Said No
additional recording engineer and additional mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
assistant recording engineer and assistant mixer:
Richard Edgeler
recording engineer:
Chad Carlson
additional programming:
Richard Adlam, Alexis Smith (producer, songwriter & programmer) and Jeremy Wheatley (UK mix engineer, aka Jim Bob)
additional engineer:
Nathan Chapman (American producer & songwriter)
assistant engineer:
Gordon Hammond
producer:
Nathan Chapman (American producer & songwriter)
mixer:
Jeff Balding
acoustic guitar and electric guitar:
Nathan Chapman (American producer & songwriter)
banjo:
Ilya Toshinsky (Russian guitar and banjo player)
bass guitar [bass]:
Tim Marks (US bassist)
drums (drum set):
Nick Buda (drummer)
fiddle:
Rob Hajacos
percussion:
Eric Darken
steel guitar [steel]:
Scotty Sanders
phonographic copyright (℗) by:
Taylor Swift (in 2008, in 2018)
phonographic copyright (℗) by:
Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2006, in 2007, in 2008) and Apollo A‐1 LLC (in 2008)
commentary:
Should’ve Said No (commentary) by Taylor Swift
recording of:
Should’ve Said No
lyricist and composer:
Taylor Swift
premiered at:
Taylor Swift at Graham Central Station (2006-09-28)
publisher:
Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC, Sony/ATV Tree Publishing and Taylor Swift Music (publisher)
3.654:06
14Our Song
executive producer:
Scott Borchetta
producer:
Nathan Chapman (American producer & songwriter)
phonographic copyright (℗) by:
Taylor Swift (in 2008, in 2018)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2008) and Big Machine Label Group, LLC (not for release label use) (in 2018, in 2019)
music videos:
Our Song (radio single mix) by Taylor Swift
commentary:
Our Song (commentary) by Taylor Swift
recording of:
Our Song
lyricist and composer:
Taylor Swift
premiered at:
Fort Loudoun Lake AquaPalooza 2006 (2006-07-22)
3.353:23
15Mine
phonographic copyright (℗) by:
Taylor Swift (in 2010)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2010), Big Machine Label Group, LLC (not for release label use) (in 2010, in 2018) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2010)
music videos:
Mine (music video) by Taylor Swift
commentary:
Mine (commentary) by Taylor Swift
part of:
Billboard Year-End Hot 100 singles of 2010 (number: 46)
recording of:
Mine
lyricist and composer:
Taylor Swift
publisher:
Sony/ATV Tree Publishing (from 2010 to present) and Taylor Swift Music (publisher) (from 2010 to present)
43:54
16Never Grow Up
phonographic copyright (℗) by:
Taylor Swift (in 2010)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2010), Big Machine Label Group, LLC (not for release label use) (in 2010, in 2018) and Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2010)
commentary:
Never Grow Up (commentary) by Taylor Swift
recording of:
Never Grow Up
lyricist and composer:
Taylor Swift (in 2009)
publisher:
Sony/ATV Tree Publishing (from 2010 to present) and Taylor Swift Music (publisher) (from 2010 to present)
3.754:55
17White Horse
recording engineer:
Chad Carlson
producer:
Nathan Chapman (American producer & songwriter) and Taylor Swift
assistant mixer:
Steve Blackmon (engineer)
mixer:
Justin Niebank
phonographic copyright (℗) by:
Taylor Swift (in 2008)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2008), Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2008, in 2009) and Big Machine Label Group, LLC (not for release label use) (in 2018)
mixed at:
Blackbird Studios in Nashville, Tennessee, United States
music videos:
White Horse (video) by Taylor Swift
commentary:
White Horse (commentary) by Taylor Swift
part of:
Billboard Year-End Hot Country Songs of 2009 (number: 27) and Billboard Year-End Hot 100 singles of 2009 (number: 76)
recording of:
White Horse
lyricist and composer:
Liz Rose (in 2006-12) and Taylor Swift (in 2006-12)
publisher:
Anthem Caketaker Music (from 2008 to present), Sony/ATV Tree Publishing (from 2008 to present) and Taylor Swift Music (publisher) (from 2008 to present)
3.53:57
18Clean
recording engineer:
Imogen Heap
keyboard programming:
Imogen Heap
engineer:
John Hanes (audio engineer, mixer)
producer:
Imogen Heap and Taylor Swift
mixer:
Serban Ghenea
drums (drum set), keyboard, mbira, percussion, vibraphone and background vocals:
Imogen Heap
lead vocals:
Taylor Swift (from 2013 until 2014)
vocals:
Taylor Swift
phonographic copyright (℗) by:
Taylor Swift (in 2014)
phonographic copyright (℗) by:
Apollo A‐1 LLC (in 2014) and Big Machine Label Group, LLC (not for release label use) (in 2014)
recorded at:
The Hideaway (Imogen Heap’s studio) in Romford, Havering, London (Greater London), England, United Kingdom
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
commentary:
Clean (commentary) by Taylor Swift
recording of:
Clean
writer:
Imogen Heap and Taylor Swift
publisher:
Sony/ATV Tree Publishing, Megaphonic Limited (from 2014 to present) and Taylor Swift Music (publisher) (from 2014 to present)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.54:31