The Savoy Sessions

~ Veröffentlichung von The Red Norvo Trio with Tal Farlow and Charles Mingus (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

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1▼12"-Vinyl
Nr.TitelBewertungLänge
A1Swedish Pastry (take 1)
Gitarre:
Tal Farlow (jazz guitarist) (am 1950-05-03)
Kontrabass:
Charles Mingus (am 1950-05-03)
Vibraphon:
Red Norvo (am 1950-05-03)
recording of:
Swedish Pastry (am 1950-05-03)
Komponist(in):
Barney Kessel
publisher:
Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label)
2:21
A2I Can't Believe That You're in Love With Me
Gitarre:
Tal Farlow (jazz guitarist) (am 1950-10-13, am 1950-10-31)
Kontrabass:
Charlie Mingus (am 1950-10-13) und Charles Mingus (am 1950-10-31)
Vibraphon:
Red Norvo (am 1950-10-13, am 1950-10-31)
phonographisches Urheberrecht (℗) von:
NIPPON COLUMBIA CO., LTD. (holding company - normally not a release label)
instrumental recording of:
I Can’t Believe That You’re in Love With Me (am 1950-10-13)
Texter:
Clarence Gaskill
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
instrumental recording of:
I Can’t Believe That You’re in Love With Me (am 1950-10-31)
Texter:
Clarence Gaskill
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
2:50
A3Time and Tide
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1949 bis 1950)
E-Gitarre [guitar]:
Tal Farlowe (jazz guitarist) (von 1949 bis 1950)
Gitarre:
Tal Farlow (jazz guitarist) (am 1950-05-03)
Kontrabass:
Charlie Mingus (am 1950-05-03)
Kontrabass [bass]:
Charles Mingus (von 1949 bis 1950)
Vibraphon:
Red Norvo (von 1949 bis 1950, am 1950-05-03)
recording of:
Time and Tide
Komponist(in):
Robert Bilder
2:32
A4Little White Lies
Bass:
Charlie Mingus (am 1950-10-13)
Gitarre:
Tal Farlow (jazz guitarist) (am 1950-10-13, am 1950-10-31)
Kontrabass:
Charles Mingus (am 1950-10-31)
Vibraphon:
Red Norvo (am 1950-10-13, am 1950-10-31)
instrumental recording of:
Little White Lies (am 1950-10-31)
Texter und Komponist(in):
Walter Donaldson
publisher:
Donaldson Publishing Co., Larry Spier Music LLC und Tobago Music Co.
3:43
A5Prelude to a Kiss
Gitarre:
Tal Farlow (jazz guitarist)
Kontrabass:
Charles Mingus
Vibraphon:
Red Norvo
instrumental recording of:
Prelude to a Kiss
Texter:
Irving Gordon (US songwriter) (in 1938) und Irving Mills (in 1938)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. und Lafleur Music Ltd.
4:01
A6Godchild (take 2)
Gitarre:
Tal Farlow (jazz guitarist) (am 1951-04-13)
Kontrabass:
Charles Mingus (am 1951-04-13)
Vibraphon:
Red Norvo (am 1951-04-13)
recording of:
Godchild (am 1951-04-13)
Komponist(in):
George Wallington
4:39
B1Move
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1950-10-31)
Gitarre:
Tal Farlow (jazz guitarist) (am 1950-10-13, am 1950-10-31)
Kontrabass:
Charlie Mingus (am 1950-10-13) und Charles Mingus (am 1950-10-31)
Vibraphon:
Red Norvo (am 1950-10-13, am 1950-10-31)
Interpret(in):
The Red Norvo Trio
phonographisches Urheberrecht (℗) von:
NIPPON COLUMBIA CO., LTD. (holding company - normally not a release label)
recording of:
Move (am 1950-10-13)
Komponist(in):
Denzil Best
recording of:
Move (am 1950-10-31)
Komponist(in):
Denzil Best
recording of:
Move (am 1951-04-13)
Komponist(in):
Denzil Best
2:35
B2Godchild (take 1)
Gitarre:
Tal Farlow (jazz guitarist) (am 1951-04-13)
Kontrabass:
Charles Mingus (am 1951-04-13)
Vibraphon:
Red Norvo (am 1951-04-13)
recording of:
Godchild (am 1951-04-13)
Komponist(in):
George Wallington
4:46
B3September Song
Gitarre:
Tal Farlow (jazz guitarist) (am 1950-10-31)
Kontrabass:
Charles Mingus (am 1950-10-31)
Vibraphon:
Red Norvo (am 1950-10-31)
instrumental recording of:
Knickerbocker Holiday: September Song (am 1950-10-31)
Texter:
Maxwell Anderson
Komponist(in):
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) und Crawford Music Corp. (am 1938-09-24)
Teil von:
Knickerbocker Holiday (Kurt Weill musical)
3:26
B4This Can't Be Love (take 1)
Gitarre:
Tal Farlow (jazz guitarist) (am 1951-04-13)
Kontrabass:
Charles Mingus (am 1951-04-13)
Vibraphon:
Red Norvo (am 1951-04-13)
instrumental recording of:
This Can’t Be Love (am 1951-04-13)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Warner/Chappell (Warner/Chappell Music, Inc.)
2:37
B5I'm Yours
Gitarre:
Tal Farlow (jazz guitarist) (am 1951-04-13)
Kontrabass:
Charlie Mingus (am 1951-04-13)
Vibraphon:
Red Norvo (am 1951-04-13)
instrumental recording of:
I’m Yours (am 1951-04-13)
Texter:
Yip Harburg
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green)
4:01
B6I Get a Kick Out of You
Gitarre:
Tal Farlow (jazz guitarist) (am 1950-10-13, am 1950-10-31)
Kontrabass:
Charlie Mingus (am 1950-10-13) und Charles Mingus (am 1950-10-31)
Vibraphon:
Red Norvo (am 1950-10-13, am 1950-10-31)
phonographisches Urheberrecht (℗) von:
NIPPON COLUMBIA CO., LTD. (holding company - normally not a release label)
instrumental recording of:
I Get a Kick Out of You (am 1950-10-13)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
instrumental recording of:
I Get a Kick Out of You (am 1950-10-31)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
2:24
2▼12"-Vinyl
Nr.TitelBewertungLänge
C1Zing! Went the Strings of My Heart
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1950-10-31) und Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-04-13)
Gitarre:
Tal Farlow (jazz guitarist) (am 1950-10-13, am 1950-10-31)
Kontrabass:
Charlie Mingus (am 1950-10-13) und Charles Mingus (am 1950-10-31)
Vibraphon:
Red Norvo (am 1950-10-13, am 1950-10-31)
Interpret(in):
The Red Norvo Trio
phonographisches Urheberrecht (℗) von:
NIPPON COLUMBIA CO., LTD. (holding company - normally not a release label)
instrumental cover recording of:
Zing! Went the Strings of My Heart (am 1950-10-13)
Texter und Komponist(in):
James F. Hanley
publisher:
Redwood Music Ltd. (Carlin), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
instrumental cover recording of:
Zing! Went the Strings of My Heart (am 1950-10-31)
Texter und Komponist(in):
James F. Hanley
publisher:
Redwood Music Ltd. (Carlin), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:25
C2Cheek to Cheek
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1950-05-03)
Gitarre:
Tal Farlow (jazz guitarist) (am 1950-05-03)
Kontrabass:
Charles Mingus (am 1950-05-03)
Vibraphon:
Red Norvo (am 1950-05-03)
Interpret(in):
The Red Norvo Trio
instrumental recording of:
Cheek to Cheek (from “Top Hat”) (am 1950-05-03)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
2:40
C3Night and Day
Gitarre:
Tal Farlow (jazz guitarist) (am 1950-05-03)
Kontrabass:
Charlie Mingus (am 1950-05-03)
Vibraphon:
Red Norvo (am 1950-05-03)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1950-05-03)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
4:01
C4Godchild (master)
Gitarre:
Tal Farlow (jazz guitarist) (am 1951-04-13)
Kontrabass:
Charles Mingus (am 1951-04-13)
Vibraphon:
Red Norvo (am 1951-04-13)
recording of:
Godchild (am 1951-04-13)
Komponist(in):
George Wallington
4:02
C5Mood Indigo
Gitarre:
Tal Farlow (jazz guitarist)
Kontrabass:
Charles Mingus
Vibraphon:
Red Norvo
instrumental recording of:
Mood Indigo (1930 jazz composition and song)
Texter:
Irving Mills (in 1930)
Komponist(in):
Barney Bigard (in 1930) und Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) und Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:28
C6This Can't Be Love (take 2)
Gitarre:
Tal Farlow (jazz guitarist) (am 1951-04-13)
Kontrabass:
Charles Mingus (am 1951-04-13)
Vibraphon:
Red Norvo (am 1951-04-13)
instrumental recording of:
This Can’t Be Love (am 1951-04-13)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Warner/Chappell (Warner/Chappell Music, Inc.)
2:21
D1If I Had You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-04-13)
Gitarre:
Tal Farlow (jazz guitarist) (am 1951-04-13)
Kontrabass:
Charlie Mingus (am 1951-04-13)
Vibraphon:
Red Norvo (am 1951-04-13)
phonographisches Urheberrecht (℗) von:
NIPPON COLUMBIA CO., LTD. (holding company - normally not a release label)
instrumental recording of:
If I Had You (jazz standard) (am 1951-04-13)
Verfasser(in):
James Campbell (British songwriter and music publisher), Reginald Connelly und Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) und Robbins Music Corp.
4:05
D2Deed I Do
Gitarre:
Tal Farlow (jazz guitarist)
Kontrabass:
Charles Mingus
Vibraphon:
Red Norvo
instrumental recording of:
’Deed I Do
Texter:
Walter Hirsch
Komponist(in):
Fred Rose (songwriter)
publisher:
Keith Prowse Music Publishing Co. Ltd.
1:50
D3I'll Remember April
Gitarre:
Tal Farlow (jazz guitarist) (am 1950-10-13, am 1950-10-31)
Kontrabass:
Charlie Mingus (am 1950-10-13) und Charles Mingus (am 1950-10-31)
Vibraphon:
Red Norvo (am 1950-10-13, am 1950-10-31)
phonographisches Urheberrecht (℗) von:
NIPPON COLUMBIA CO., LTD. (holding company - normally not a release label)
instrumental recording of:
I’ll Remember April (am 1950-10-13)
Texter:
Patricia Johnston und Don Raye
Komponist(in):
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) und Universal Music Corp. (USA, affiliated with ASCAP)
instrumental recording of:
I’ll Remember April (am 1950-10-31)
Texter:
Patricia Johnston und Don Raye
Komponist(in):
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) und Universal Music Corp. (USA, affiliated with ASCAP)
3:18
D4This Can't Be Love (master)
Gitarre:
Tal Farlow (jazz guitarist) (am 1951-04-13)
Kontrabass:
Charles Mingus (am 1951-04-13)
Vibraphon:
Red Norvo (am 1951-04-13)
instrumental recording of:
This Can’t Be Love (am 1951-04-13)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Warner/Chappell (Warner/Chappell Music, Inc.)
2:24
D5I've Got You Under My Skin
Gitarre:
Tal Farlow (jazz guitarist) (am 1950-10-13, am 1950-10-31)
Kontrabass:
Charlie Mingus (am 1950-10-13) und Charles Mingus (am 1950-10-31)
Vibraphon:
Red Norvo (am 1950-10-13, am 1950-10-31)
phonographisches Urheberrecht (℗) von:
NIPPON COLUMBIA CO., LTD. (holding company - normally not a release label)
instrumental recording of:
I’ve Got You Under My Skin (am 1950-10-13)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
instrumental recording of:
I’ve Got You Under My Skin (am 1950-10-31)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
2:21
D6Swedish Pastry (master)
Gitarre:
Tal Farlow (jazz guitarist) (am 1950-05-03)
Kontrabass:
Charles Mingus (am 1950-05-03)
Vibraphon:
Red Norvo (am 1950-05-03)
recording of:
Swedish Pastry (am 1950-05-03)
Komponist(in):
Barney Kessel
publisher:
Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label)
2:26
D7Have You Met Miss Jones
Gitarre:
Tal Farlow (jazz guitarist) (am 1950-10-31)
Kontrabass:
Charles Mingus (am 1950-10-31)
Vibraphon:
Red Norvo (am 1950-10-31)
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (am 1950-10-31)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
2:58