| # | Title | Artist | Rating | Length |
|---|
| 1 | Matthew & Son | Cat Stevens | 3.15 | 2:41 |
| 2 | Summer in the City- recording of:
- Summer in the City
- writer:
- Steve Boone, John Sebastian and Mark Sebastian
- publisher:
- Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. , Bug Music , Copyright Control , EMI Music Publishing , EMI Music Publishing Ltd. , Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., The Hudson Bay Music Co. , Trio Music and Trio Music Co., Inc.
| The Lovin’ Spoonful | | 2:40 |
| 3 | Monday Monday | The Mamas & the Papas | 4.1 | 3:26 |
| 4 | Mellow Yellow | Donovan | | 3:37 |
| 5 | Gimme Some Lovin’- recording of:
- Gimme Some Lovin’
- writer:
- Spencer Davis, Muff Winwood and Steve Winwood
- publisher:
- Kobalt Music Publishing Ltd. , Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. , Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. , Warner Chappell Music Ltd. , Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
| The Spencer Davis Group | | 2:54 |
| 6 | Happy Together | The Turtles | 4.35 | 2:54 |
| 7 | Turn! Turn! Turn! (To Everything There Is a Season) | The Byrds | 4.65 | 3:54 |
| 8 | The Letter- producer:
- Dan Penn
- phonographic copyright (℗) by:
- Arista Records (in 1967), Arista Records, Inc. (in 1967), RCA Records (in 1967) and Atoll Music (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 357) and Rolling Stone: 500 Greatest Songs of All Time (number: 364)
- recording of:
- The Letter (in 1967)
- lyricist and composer:
- Wayne Carson Thompson
- publisher:
- Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control , EMI Music , Lovolar Music, Sony Music Publishing (Japan) Inc. and Warner Chappell Music
| The Box Tops | 4.15 | 1:51 |
| 9 | Spinning Wheel | Blood, Sweat & Tears | | 2:40 |
| 10 | Runaway | Del Shannon | | 2:14 |
| 11 | Will You Still Love Me Tomorrow- drums (drum set) [drums]:
- Gary Chester (in 1960)
- kettle drum:
- Carole King (in 1960)
- piano:
- Paul Griffin (in 1960)
- lead vocals:
- Shirley Owens (in 1960)
- vocals:
- Doris Coley (in 1960), Addie Harris (in 1960) and Beverly Lee (in 1960)
- phonographic copyright (℗) by:
- HHO Licensing Ltd.
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 4), Billboard: The 500 Best Pop Songs (number: 33), Rolling Stone: 500 Greatest Songs of All Time (number: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 151)
- recording of:
- Will You Love Me Tomorrow (in 1960)
- lyricist:
- Gerry Goffin
- composer:
- Carole King
- publisher:
- Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. , Warner/Chappell Music Ltd. , イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| The Shirelles | 3.8 | 2:41 |
| 12 | As Tears Go By | Marianne Faithfull | 4 | 2:37 |
| 13 | Young Girl | Gary Puckett & the Union Gap | 4 | 3:12 |
| 14 | Concrete & Clay | Unit 4+2 | 3.5 | 2:16 |
| 15 | Blackberry Way | The Move | | 3:35 |
| 16 | Nights in White Satin | The Moody Blues | | 4:24 |
| 17 | Whiter Shade of Pale | Procol Harum | | 4:01 |
| 18 | In the Year 2525 (Exordium & Terminus) | Zager & Evans | 4 | 3:14 |
| 19 | Eloise | Barry Ryan | | 5:45 |
| 20 | Love Is All Around | The Troggs | | 2:59 |