High-Tech Chöre

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1Carmina Burana, Cantiones profane, Fortuna Imperatrix Mundi: O Fortuna
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:20
2Carmina Burana, Cantiones profane, Fortuna Imperatrix Mundi: Fortune plango vulnera
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:50
3Magnificat, BWV 243: Magnificat
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
orchestra:
English Baroque Soloists (The English Baroque Soloists)
conductor:
John Eliot Gardiner
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:57
4Messe in C-dur, Hob. XXII:9 "Paukenmesse": Gloria in excelsis Deo
recording of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse": II. Gloria
composer:
Joseph Haydn (composer)
part of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse"
Joseph Haydn2:42
5Der Messias, Teil 2, Nr. 42: Chorus "Hallelujah"
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1984-10 until 1984-11)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1984-10 until 1984-11)
conductor:
Sir Colin Davis (English conductor) (from 1984-10 until 1984-11)
chorus master:
Hans–Peter Rauscher (from 1984-10 until 1984-11)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (from 1984-10 until 1984-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:54
6Die Jahreszeiten: Der Winter – Terzett und Doppelchor, Nr. 44 – Dann bricht der große Morgen an
recording of:
Die Jahreszeiten, Der Winter: XXXIX. Terzett und Doppelchor: Allegro moderato: "Dann bricht der große Morgen an" (Simon, Lukas, Hanne, Chor)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Winter
Joseph Haydn5:19
7Weihnachtsoratorium, BWV 248: Jauchzet, frohlocket! (Eingangschor – 1. Teil)
trumpet:
Trompetenensemble Ludwig Güttler (Ludwig Güttler Brass Ensemble)
choir vocals:
Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:45
8.1-8.4Symphonie Nr. 9 in d-moll, op.125: Alla Marcia (Allegro vivace assai) / Andante maestoso – Adagio non troppo, ma divoto / Allegro energico, sempre ben marcato / Allegro ma non tanto
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
bass vocals:
Robert Holl (bass‐baritone)
soprano vocals:
Lucia Popp (soprano)
tenor vocals:
Peter Schreier (German tenor and conductor)
vocals:
Groot Omroepkoor (Netherlands Radio Choir)
orchestra:
Concertgebouw Orkest (Royal Concertgebouw Orchestra)
conductor:
Bernard Haitink (conductor)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven15:23
9Coronation Anthem: The King Shall Rejoice
recording of:
The Four Coronation Anthems: "The King shall rejoice", HWV 260: I. Allegro "The King shall rejoice in thy strength, O Lord"
composer:
George Frideric Handel (German‐British baroque composer)
part of:
The Four Coronation Anthems: “The King shall rejoice”, HWV 260
Georg Friedrich Händel2:42
10Ein Deutsches Requiem, op. 45: Denn alles Fleisch es ist wie Gras
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1980-03 until 1980-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1980-03-20)
conductor:
Bernard Haitink (conductor) (on 1980-03-20)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1980)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (on 1980-03-20)
recording of:
Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras” (Chor) (on 1980-03-20)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms16:14
11Messe in C-moll, KV 427 "Grosse Messe": Gloria
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
orchestra:
English Baroque Soloists (The English Baroque Soloists)
conductor:
John Eliot Gardiner
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IIa. Gloria: “Gloria in excelsis”
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Missa in c-Moll, K.427/417a ('Große Messe'): II. Gloria
Wolfgang Amadeus Mozart2:35
12Symphonie Nr. 2 in C-moll "Auferstehung": O glaube, Mein Herz o glaube (etwas bewegter)
recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler7:43
13Audio Testsignale: Ansage Balance‐Test
[no artist]0:17
14Audio Testsignale: Linker Kanal – Sinussignal 1 kHz – 10 dB
[no artist]0:11
15Audio Testsignale: Ansage
[no artist]0:05
16Audio Testsignale: Rechter Kanal – Sinussignal 1 kHz – 10 dB
[no artist]0:10
17Audio Testsignale: Ansage Phasentest
[no artist]0:10
18Audio Testsignale: Phase “ein”
[no artist]0:14
19Audio Testsignale: Phase “aus”
[no artist]0:12
20Audio Testsignale: Ansage
[no artist]0:40
21Audio Testsignale: Ansage Spitzenpegel
[no artist]0:05
22Audio Testsignale: Linker Kanal – Sinussignal 1 kHz = 0 dB (Maximalpegel)
[no artist]0:11
23Audio Testsignale: Ansage
[no artist]0:05
24Audio Testsignale: Rechter Kanal – Sinussignal 1 kHz = 0 dB (Maximalpegel)
[no artist]0:11
25Audio Testsignale: Ansage Gleitfrequenzgang
[no artist]0:17
26Audio Testsignale: Gleitfrequenz linker + rechter Kanal von 20 Hz bis 20 kHz – 20 dB
[no artist]0:51
27Audio Testsignale: Ansage
[no artist]0:15