The Premonition Years: 1994-2002

~ Release by Patricia Barber (see all versions of this release, 1 available)

Tracklist

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1▼CD: Pop Songs
#TitleRatingLength
1Ode to Billy Joe
recording of:
Ode to Billie Joe
lyricist and composer:
Bobbie Gentry (Roberta Lee Streeter - American singer-songwriter)
publisher:
Larry Shayne Music, Inc. and Universal/MCA Music Publishing Pty Ltd
5:20
2The Beat Goes On
cover recording of:
The Beat Goes On
lyricist and composer:
Sonny Bono
publisher:
Chris Marc Music, Cotillion, Cotillion Music, Inc. (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Australia Pty. Ltd.
5:19
3Use Me
cover recording of:
Use Me
lyricist and composer:
Bill Withers
publisher:
Interior Music Corp. (in 1972)
6:25
4You Don't Know Me
recording engineer and mixer:
Jim Anderson (engineer) (from 2000-05-15 until 2000-05-19)
assistant engineer:
Bill Douglass (engineer), Jeffrey Lane (assistant engineer) and Gabriel Weldin (sound engineer)
producer:
Patricia Barber
bass:
Michael Arnopol (from 2000-05-15 until 2000-05-19)
drums (drum set):
Adam Cruz (jazz drummer) (from 2000-05-15 until 2000-05-19)
piano:
Patricia Barber (from 2000-05-15 until 2000-05-19)
vocals:
Patricia Barber (from 2000-05-15 until 2000-05-19)
piano technician:
Charles Terr (piano technician)
phonographic copyright (℗) by:
Capitol Records Ltd. (not for release label use; UK company) (in 2000) and Premonition Records, Inc. (in 2000)
recorded at and mixed at:
Chicago Recording Company, Studio 4 in Chicago, Illinois, United States (from 2000-05-15 until 2000-05-19)
cover recording of:
You Don’t Know Me (from 2000-05-15 until 2000-05-19)
writer:
Eddy Arnold and Cindy Walker (US songwriter, singer and dancer)
publisher:
J. Albert & Son, Unichappell Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), Unichappell Music, Inc. (in 1955), Hill and Range Songs, Inc. (publisher) (on 1955-08-19) and Mijac Music (in 2006)
sub-publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 2006)
3:45
5She's a Lady
recording engineer:
Jim Anderson (engineer) (from 1998-01-06 until 1998-01-09)
assistant engineer:
Jeffrey Lane (assistant engineer) (from 1998-01-06 until 1998-01-09: task: recording)
producer:
Patricia Barber
assistant mixer:
Jeffrey Lane (assistant engineer) (on 1998-02-26)
mixer:
Jim Anderson (engineer) (on 1998-02-26)
bass:
Michael Arnopol
drums (drum set), other instruments [prepared drum kit] and percussion:
Mark Walker (Drummer)
guitar:
John McLean (guitar, UK)
other instruments [table knives on strings] and piano:
Patricia Barber
trumpet:
Dave Douglas (jazz trumpeter)
vocals:
Patricia Barber
phonographic copyright (℗) by:
Premonition Records (US label) (in 1998)
recorded at:
Chicago Recording Company, Studio 5 in Chicago, Illinois, United States (from 1998-01-06 until 1998-01-09)
mixed at:
Chicago Recording Company, Studio 5 in Chicago, Illinois, United States (on 1998-02-26)
cover recording of:
She’s a Lady
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. and Spanka Music Corp.
2.14:12
6A Taste of Honey
assistant engineer:
Jeffrey Lane (assistant engineer)
engineer:
Jim Anderson (engineer)
executive producer:
Michael Friedman (drummer, producer and founder of Premonition Records)
producer:
Patricia Barber
bass:
Michael Arnopol (from 1994-06-28 until 1994-07-01)
body percussion, drums (drum set) and percussion:
Mark Walker (Drummer) (from 1994-06-28 until 1994-07-01)
guitar:
John McLean (guitar, UK) (from 1994-06-28 until 1994-07-01)
piano and lead vocals:
Patricia Barber (from 1994-06-28 until 1994-07-01)
recorded at and mixed at:
Chicago Recording Company in Chicago, Illinois, United States (from 1994-06-28 until 1994-07-01)
cover recording of:
A Taste of Honey (from 1994-06-28 until 1994-07-01)
lyricist:
Ric Marlow (in 1960)
composer:
Bobby Scott (vocals, piano, US musician & producer) (in 1960)
publisher:
Ambassador Music Ltd. and Songfest Music Corp.
4:29
7Black Magic Woman
cover recording of:
Black Magic Woman
lyricist and composer:
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. and Murbo Music Publishers, Inc.
9:52
8Light My Fire
recording engineer:
Jim Anderson (engineer) (from 1998-01-06 until 1998-01-09)
assistant engineer:
Jeffrey Lane (assistant engineer) (from 1998-01-06 until 1998-01-09: task: recording)
producer:
Patricia Barber
assistant mixer:
Jeffrey Lane (assistant engineer) (on 1998-02-26)
mixer:
Jim Anderson (engineer) (on 1998-02-26)
bass:
Michael Arnopol
drums (drum set), other instruments [prepared drum kit] and percussion:
Mark Walker (Drummer)
guitar:
John McLean (guitar, UK)
other instruments [table knives on strings] and piano:
Patricia Barber
trumpet:
Dave Douglas (jazz trumpeter)
vocals:
Patricia Barber
phonographic copyright (℗) by:
Premonition Records (US label) (in 1998)
recorded at:
Chicago Recording Company, Studio 5 in Chicago, Illinois, United States (from 1998-01-06 until 1998-01-09)
mixed at:
Chicago Recording Company, Studio 5 in Chicago, Illinois, United States (on 1998-02-26)
cover recording of:
Light My Fire
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. and 日音 Synch事業部 (NICHION, INC. Synch Division)
5:14
9So What
recording of:
So What
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, volume I)
7:10
10The Fool on the Hill
cover recording of:
The Fool on the Hill
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs and Sony/ATV Music Publishing LLC (1995–2020)
5:00
11You Are My Sunshine
cover recording of:
You Are My Sunshine
anthem of:
Louisiana, United States
writer:
Jimmie Davis (American politician, singer and songwriter) and Charles Mitchell (1940s songwriter and steel guitarist)
publisher:
Peer International (BMI) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (on 1940-01-30)
6:10
2▼CD: Standards
#TitleRatingLength
1I Fall in Love Too Easily
cover recording of:
I Fall in Love Too Easily
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Feist Catalog Inc., EMI United Partnership Ltd. and Leo Feist, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 2)
3:24
2Bye Bye Blackbird
recording engineer and mixer:
Jim Anderson (engineer) (from 2000-05-15 until 2000-05-19)
assistant engineer:
Bill Douglass (engineer), Jeffrey Lane (assistant engineer) and Gabriel Weldin (sound engineer)
producer:
Patricia Barber
bass:
Marc Johnson (US jazz bassist, composer & band leader) (from 2000-05-15 until 2000-05-19)
drums (drum set):
Adam Nussbaum (from 2000-05-15 until 2000-05-19)
piano:
Patricia Barber (from 2000-05-15 until 2000-05-19)
vocals:
Patricia Barber (from 2000-05-15 until 2000-05-19)
piano technician:
Charles Terr (piano technician)
phonographic copyright (℗) by:
Capitol Records Ltd. (not for release label use; UK company) (in 2000) and Premonition Records, Inc. (in 2000)
recorded at and mixed at:
Chicago Recording Company, Studio 4 in Chicago, Illinois, United States (from 2000-05-15 until 2000-05-19)
cover recording of:
Bye Bye Blackbird (from 2000-05-15 until 2000-05-19)
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
4:02
3Alfie
recording engineer and mixer:
Jim Anderson (engineer) (from 2000-05-15 until 2000-05-19)
assistant engineer:
Bill Douglass (engineer), Jeffrey Lane (assistant engineer) and Gabriel Weldin (sound engineer)
producer:
Patricia Barber
drums (drum set):
Adam Cruz (jazz drummer) (from 2000-05-15 until 2000-05-19)
guitar [8-string guitar]:
Charlie Hunter (from 2000-05-15 until 2000-05-19)
piano:
Patricia Barber (from 2000-05-15 until 2000-05-19)
vocals:
Patricia Barber (from 2000-05-15 until 2000-05-19)
piano technician:
Charles Terr (piano technician)
phonographic copyright (℗) by:
Capitol Records Ltd. (not for release label use; UK company) (in 2000) and Premonition Records, Inc. (in 2000)
recorded at and mixed at:
Chicago Recording Company, Studio 4 in Chicago, Illinois, United States (from 2000-05-15 until 2000-05-19)
cover recording of:
Alfie (from 2000-05-15 until 2000-05-19)
lyricist:
Hal David (in 1965)
composer:
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 39th Academy Award for Best Original Song (number: 2)
4:50
4You & The Night & The Music
recording engineer:
Jim Anderson (engineer) (from 1998-01-06 until 1998-01-09)
assistant engineer:
Jeffrey Lane (assistant engineer) (from 1998-01-06 until 1998-01-09: task: recording)
producer:
Patricia Barber
assistant mixer:
Jeffrey Lane (assistant engineer) (on 1998-02-26)
mixer:
Jim Anderson (engineer) (on 1998-02-26)
bass:
Michael Arnopol
drums (drum set), other instruments [prepared drum kit] and percussion:
Mark Walker (Drummer)
guitar:
John McLean (guitar, UK)
other instruments [table knives on strings] and piano:
Patricia Barber
trumpet:
Dave Douglas (jazz trumpeter)
vocals:
Patricia Barber
phonographic copyright (℗) by:
Premonition Records (US label) (in 1998)
recorded at:
Chicago Recording Company, Studio 5 in Chicago, Illinois, United States (from 1998-01-06 until 1998-01-09)
mixed at:
Chicago Recording Company, Studio 5 in Chicago, Illinois, United States (on 1998-02-26)
cover recording of:
You and the Night and the Music
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated), Carlin Music Corporation, Chappell Music Ltd., Harms, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
The Band Wagon (1953 film)
8:03
5Yesterdays
recording engineer and mixer:
Jim Anderson (engineer) (from 2000-05-15 until 2000-05-19)
assistant engineer:
Bill Douglass (engineer), Jeffrey Lane (assistant engineer) and Gabriel Weldin (sound engineer)
producer:
Patricia Barber
bass:
Marc Johnson (US jazz bassist, composer & band leader) (from 2000-05-15 until 2000-05-19)
drums (drum set):
Adam Nussbaum (from 2000-05-15 until 2000-05-19)
piano:
Patricia Barber (from 2000-05-15 until 2000-05-19)
vocals:
Patricia Barber (from 2000-05-15 until 2000-05-19)
piano technician:
Charles Terr (piano technician)
phonographic copyright (℗) by:
Capitol Records Ltd. (not for release label use; UK company) (in 2000) and Premonition Records, Inc. (in 2000)
recorded at and mixed at:
Chicago Recording Company, Studio 4 in Chicago, Illinois, United States (from 2000-05-15 until 2000-05-19)
cover recording of:
Yesterdays (from 2000-05-15 until 2000-05-19)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
6:38
6My Funny Valentine
cover recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
5:12
7Inch Worm
assistant engineer:
Jeffrey Lane (assistant engineer)
engineer:
Jim Anderson (engineer)
executive producer:
Michael Friedman (drummer, producer and founder of Premonition Records)
producer:
Patricia Barber
bass:
Michael Arnopol (from 1994-06-28 until 1994-07-01)
body percussion, drums (drum set) and percussion:
Mark Walker (Drummer) (from 1994-06-28 until 1994-07-01)
guitar:
John McLean (guitar, UK) (from 1994-06-28 until 1994-07-01)
piano and lead vocals:
Patricia Barber (from 1994-06-28 until 1994-07-01)
recorded at and mixed at:
Chicago Recording Company in Chicago, Illinois, United States (from 1994-06-28 until 1994-07-01)
cover recording of:
Inchworm (from 1994-06-28 until 1994-07-01)
lyricist and composer:
Frank Loesser
5:07
8So in Love
recording engineer and mixer:
Jim Anderson (engineer) (from 2000-05-15 until 2000-05-19)
assistant engineer:
Bill Douglass (engineer), Jeffrey Lane (assistant engineer) and Gabriel Weldin (sound engineer)
producer:
Patricia Barber
bass:
Michael Arnopol (from 2000-05-15 until 2000-05-19)
drums (drum set):
Adam Cruz (jazz drummer) (from 2000-05-15 until 2000-05-19)
piano:
Patricia Barber (from 2000-05-15 until 2000-05-19)
vocals:
Patricia Barber (from 2000-05-15 until 2000-05-19)
piano technician:
Charles Terr (piano technician)
phonographic copyright (℗) by:
Capitol Records Ltd. (not for release label use; UK company) (in 2000) and Premonition Records, Inc. (in 2000)
recorded at and mixed at:
Chicago Recording Company, Studio 4 in Chicago, Illinois, United States (from 2000-05-15 until 2000-05-19)
cover recording of:
So in Love (from Kiss Me, Kate) (from 2000-05-15 until 2000-05-19)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
3:43
9The Thrill Is Gone
assistant engineer:
Jeffrey Lane (assistant engineer)
engineer:
Jim Anderson (engineer)
executive producer:
Michael Friedman (drummer, producer and founder of Premonition Records)
producer:
Patricia Barber
bass:
Michael Arnopol (from 1994-06-28 until 1994-07-01)
body percussion, drums (drum set) and percussion:
Mark Walker (Drummer) (from 1994-06-28 until 1994-07-01)
guitar:
John McLean (guitar, UK) (from 1994-06-28 until 1994-07-01)
piano and lead vocals:
Patricia Barber (from 1994-06-28 until 1994-07-01)
recorded at and mixed at:
Chicago Recording Company in Chicago, Illinois, United States (from 1994-06-28 until 1994-07-01)
cover recording of:
The Thrill Is Gone (Henderson/Brown song, first performed in 1931) (from 1994-06-28 until 1994-07-01)
lyricist:
Lew Brown
composer:
Ray Henderson
publisher:
DeSylva, Brown and Henderson, Inc. and Redwood Music Ltd. (Carlin)
4:39
10Manha De Carnaval
assistant engineer:
Jeffrey Lane (assistant engineer)
engineer:
Jim Anderson (engineer)
executive producer:
Michael Friedman (drummer, producer and founder of Premonition Records)
producer:
Patricia Barber
bass:
Michael Arnopol (from 1994-06-28 until 1994-07-01)
body percussion, drums (drum set) and percussion:
Mark Walker (Drummer) (from 1994-06-28 until 1994-07-01)
guitar:
John McLean (guitar, UK) (from 1994-06-28 until 1994-07-01)
piano and lead vocals:
Patricia Barber (from 1994-06-28 until 1994-07-01)
recorded at and mixed at:
Chicago Recording Company in Chicago, Illinois, United States (from 1994-06-28 until 1994-07-01)
cover recording of:
Manhã de Carnaval (from 1994-06-28 until 1994-07-01)
lyricist:
Antônio Maria
composer:
Luiz Bonfá
publisher:
Belinda (Jhb.) (Pty.) Ltd
3:18
11A Man & A Woman
recording engineer and mixer:
Jim Anderson (engineer) (from 2000-05-15 until 2000-05-19)
assistant engineer:
Bill Douglass (engineer), Jeffrey Lane (assistant engineer) and Gabriel Weldin (sound engineer)
producer:
Patricia Barber
drums (drum set):
Adam Cruz (jazz drummer) (from 2000-05-15 until 2000-05-19)
guitar [8-string guitar]:
Charlie Hunter (from 2000-05-15 until 2000-05-19)
piano:
Patricia Barber (from 2000-05-15 until 2000-05-19)
vocals:
Patricia Barber (from 2000-05-15 until 2000-05-19)
piano technician:
Charles Terr (piano technician)
phonographic copyright (℗) by:
Capitol Records Ltd. (not for release label use; UK company) (in 2000) and Premonition Records, Inc. (in 2000)
recorded at and mixed at:
Chicago Recording Company, Studio 4 in Chicago, Illinois, United States (from 2000-05-15 until 2000-05-19)
cover recording of:
A Man and a Woman (English version of “Un homme et une femme”) (from 2000-05-15 until 2000-05-19)
writer:
Pierre Barouh
composer:
Francis Lai (French composer)
translator:
Jerry Keller
is based on:
Un homme et une femme (sans lyrics)
version of:
Un homme et une femme (French lyrics)
part of:
A Man and a Woman (1966 film by Claude Lelouch)
4:18
12Invitation
recording engineer and mixer:
Jim Anderson (engineer) (from 2000-05-15 until 2000-05-19)
assistant engineer:
Bill Douglass (engineer), Jeffrey Lane (assistant engineer) and Gabriel Weldin (sound engineer)
producer:
Patricia Barber
bass:
Marc Johnson (US jazz bassist, composer & band leader) (from 2000-05-15 until 2000-05-19)
drums (drum set):
Adam Nussbaum (from 2000-05-15 until 2000-05-19)
piano:
Patricia Barber (from 2000-05-15 until 2000-05-19)
vocals:
Patricia Barber (from 2000-05-15 until 2000-05-19)
piano technician:
Charles Terr (piano technician)
phonographic copyright (℗) by:
Capitol Records Ltd. (not for release label use; UK company) (in 2000) and Premonition Records, Inc. (in 2000)
recorded at and mixed at:
Chicago Recording Company, Studio 4 in Chicago, Illinois, United States (from 2000-05-15 until 2000-05-19)
cover recording of:
Invitation (from 2000-05-15 until 2000-05-19)
lyricist:
Paul Francis Webster
composer:
Bronisław Kaper
4:57
13Santa Claus Is Coming to Town
cover recording of:
Santa Claus Is Coming to Town
lyricist:
Haven Gillespie (in 1932)
composer:
J. Fred Coots (in 1932)
publisher:
EMI Allans Music Australia Pty Ltd, EMI Feist Catalog Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Francis, Day & Hunter Ltd., Haven Gillespie Music Publishing, Jobete Music Co., Inc., Leo Feist Ltd, Leo Feist, Inc., SBK United Partnership and The Songwriters Guild
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
6:00
3▼CD: Originals
#TitleRatingLength
1Touch of Trash
assistant recording engineer:
Jeffrey Lane (assistant engineer) (from 1998-01-06 until 1998-01-09)
recording engineer:
Jim Anderson (engineer) (from 1998-01-06 until 1998-01-09)
producer:
Patricia Barber
assistant mixer:
Jeffrey Lane (assistant engineer) (on 1998-02-26)
mixer:
Jim Anderson (engineer) (on 1998-02-26)
bass:
Michael Arnopol
drums (drum set), other instruments [prepared drum kit] and percussion:
Mark Walker (Drummer)
guitar:
John McLean (guitar, UK)
other instruments [table knives on strings] and piano:
Patricia Barber
trumpet:
Dave Douglas (jazz trumpeter)
vocals:
Patricia Barber
phonographic copyright (℗) by:
Premonition Records (US label) (in 1998)
recorded at:
Chicago Recording Company, Studio 5 in Chicago, Illinois, United States (from 1998-01-06 until 1998-01-09)
mixed at:
Chicago Recording Company, Studio 5 in Chicago, Illinois, United States (on 1998-02-26)
5:26
2Winter
recording engineer:
Jim Anderson (engineer) (from 1998-01-06 until 1998-01-09)
assistant engineer:
Jeffrey Lane (assistant engineer) (from 1998-01-06 until 1998-01-09: task: recording)
producer:
Patricia Barber
assistant mixer:
Jeffrey Lane (assistant engineer) (on 1998-02-26)
mixer:
Jim Anderson (engineer) (on 1998-02-26)
bass:
Michael Arnopol
drums (drum set), other instruments [prepared drum kit] and percussion:
Mark Walker (Drummer)
guitar:
John McLean (guitar, UK)
other instruments [table knives on strings] and piano:
Patricia Barber
trumpet:
Dave Douglas (jazz trumpeter)
vocals:
Patricia Barber
phonographic copyright (℗) by:
Premonition Records (US label) (in 1998)
recorded at:
Chicago Recording Company, Studio 5 in Chicago, Illinois, United States (from 1998-01-06 until 1998-01-09)
mixed at:
Chicago Recording Company, Studio 5 in Chicago, Illinois, United States (on 1998-02-26)
4:53
3If I Were Blue
recording of:
If I Were Blue
lyricist and composer:
Patricia Barber
5:55
4The Fire
recording engineer and mixer:
Jim Anderson (engineer)
executive producer:
Michael Friedman (drummer, producer and founder of Premonition Records)
producer:
Patricia Barber
bass:
Michael Arnopol (from 2002-02-10 until 2002-02-14)
drums (drum set):
Joey Baron (American jazz drummer) (from 2002-02-10 until 2002-02-14)
guitar:
Neal Alger (from 2002-02-10 until 2002-02-14)
piano:
Patricia Barber (from 2002-02-10 until 2002-02-14)
trumpet:
Dave Douglas (jazz trumpeter) (from 2002-02-10 until 2002-02-14)
vocals:
Patricia Barber (from 2002-02-10 until 2002-02-14)
recorded at and mixed at:
Studio Chicago in Chicago, Illinois, United States (from 2002-02-10 until 2002-02-14)
recording of:
The Fire (in 2002)
lyricist and composer:
Patricia Barber
4:49
5Company
recording engineer:
Jim Anderson (engineer) (from 1998-01-06 until 1998-01-09)
assistant engineer:
Jeffrey Lane (assistant engineer) (from 1998-01-06 until 1998-01-09: task: recording)
producer:
Patricia Barber
assistant mixer:
Jeffrey Lane (assistant engineer) (on 1998-02-26)
mixer:
Jim Anderson (engineer) (on 1998-02-26)
bass:
Michael Arnopol
drums (drum set), other instruments [prepared drum kit] and percussion:
Mark Walker (Drummer)
guitar:
John McLean (guitar, UK)
other instruments [table knives on strings] and piano:
Patricia Barber
trumpet:
Dave Douglas (jazz trumpeter)
vocals:
Patricia Barber
phonographic copyright (℗) by:
Premonition Records (US label) (in 1998)
recorded at:
Chicago Recording Company, Studio 5 in Chicago, Illinois, United States (from 1998-01-06 until 1998-01-09)
mixed at:
Chicago Recording Company, Studio 5 in Chicago, Illinois, United States (on 1998-02-26)
5:43
6Let It Rain
recording engineer:
Jim Anderson (engineer) (from 1998-01-06 until 1998-01-09)
assistant engineer:
Jeffrey Lane (assistant engineer) (from 1998-01-06 until 1998-01-09: task: recording)
producer:
Patricia Barber
assistant mixer:
Jeffrey Lane (assistant engineer) (on 1998-02-26)
mixer:
Jim Anderson (engineer) (on 1998-02-26)
bass:
Michael Arnopol
drums (drum set), other instruments [prepared drum kit] and percussion:
Mark Walker (Drummer)
guitar:
John McLean (guitar, UK)
other instruments [table knives on strings] and piano:
Patricia Barber
trumpet:
Dave Douglas (jazz trumpeter)
vocals:
Patricia Barber
phonographic copyright (℗) by:
Premonition Records (US label) (in 1998)
recorded at:
Chicago Recording Company, Studio 5 in Chicago, Illinois, United States (from 1998-01-06 until 1998-01-09)
mixed at:
Chicago Recording Company, Studio 5 in Chicago, Illinois, United States (on 1998-02-26)
5:55
7What a Shame
assistant engineer:
Jeffrey Lane (assistant engineer)
engineer:
Jim Anderson (engineer)
executive producer:
Michael Friedman (drummer, producer and founder of Premonition Records)
producer:
Patricia Barber
bass:
Michael Arnopol (from 1994-06-28 until 1994-07-01)
body percussion, drums (drum set) and percussion:
Mark Walker (Drummer) (from 1994-06-28 until 1994-07-01)
guitar:
John McLean (guitar, UK) (from 1994-06-28 until 1994-07-01)
piano and lead vocals:
Patricia Barber (from 1994-06-28 until 1994-07-01)
recorded at and mixed at:
Chicago Recording Company in Chicago, Illinois, United States (from 1994-06-28 until 1994-07-01)
recording of:
What a Shame (from 1994-06-28 until 1994-07-01)
lyricist and composer:
Patricia Barber
5:24
8Postmodern Blues
recording engineer:
Jim Anderson (engineer) (from 1998-01-06 until 1998-01-09)
assistant engineer:
Jeffrey Lane (assistant engineer) (from 1998-01-06 until 1998-01-09: task: recording)
producer:
Patricia Barber
assistant mixer:
Jeffrey Lane (assistant engineer) (on 1998-02-26)
mixer:
Jim Anderson (engineer) (on 1998-02-26)
bass:
Michael Arnopol
drums (drum set), other instruments [prepared drum kit] and percussion:
Mark Walker (Drummer)
guitar:
John McLean (guitar, UK)
other instruments [table knives on strings] and piano:
Patricia Barber
trumpet:
Dave Douglas (jazz trumpeter)
vocals:
Patricia Barber
phonographic copyright (℗) by:
Premonition Records (US label) (in 1998)
recorded at:
Chicago Recording Company, Studio 5 in Chicago, Illinois, United States (from 1998-01-06 until 1998-01-09)
mixed at:
Chicago Recording Company, Studio 5 in Chicago, Illinois, United States (on 1998-02-26)
5:49
9If This Isn't Jazz
5:07
10I Could Eat Your Words
recording engineer and mixer:
Jim Anderson (engineer)
executive producer:
Michael Friedman (drummer, producer and founder of Premonition Records)
producer:
Patricia Barber
bass:
Michael Arnopol (from 2002-02-10 until 2002-02-14)
drums (drum set):
Joey Baron (American jazz drummer) (from 2002-02-10 until 2002-02-14)
guitar:
Neal Alger (from 2002-02-10 until 2002-02-14)
piano:
Patricia Barber (from 2002-02-10 until 2002-02-14)
trumpet:
Dave Douglas (jazz trumpeter) (from 2002-02-10 until 2002-02-14)
vocals:
Patricia Barber (from 2002-02-10 until 2002-02-14)
recorded at and mixed at:
Studio Chicago in Chicago, Illinois, United States (from 2002-02-10 until 2002-02-14)
recording of:
I Could Eat Your Words (in 2002)
lyricist and composer:
Patricia Barber
7:49
11Pieces
recording engineer and mixer:
Jim Anderson (engineer)
executive producer:
Michael Friedman (drummer, producer and founder of Premonition Records)
producer:
Patricia Barber
bass:
Michael Arnopol (from 2002-02-10 until 2002-02-14)
drums (drum set):
Joey Baron (American jazz drummer) (from 2002-02-10 until 2002-02-14)
guitar:
Neal Alger (from 2002-02-10 until 2002-02-14)
piano:
Patricia Barber (from 2002-02-10 until 2002-02-14)
trumpet:
Dave Douglas (jazz trumpeter) (from 2002-02-10 until 2002-02-14)
vocals:
Patricia Barber (from 2002-02-10 until 2002-02-14)
recorded at and mixed at:
Studio Chicago in Chicago, Illinois, United States (from 2002-02-10 until 2002-02-14)
recording of:
Pieces (in 2002)
lyricist and composer:
Patricia Barber
5:35
12You Gotta Go Home
recording engineer and mixer:
Jim Anderson (engineer)
executive producer:
Michael Friedman (drummer, producer and founder of Premonition Records)
producer:
Patricia Barber
bass:
Michael Arnopol (from 2002-02-10 until 2002-02-14)
drums (drum set):
Eric Montzka (from 2002-02-10 until 2002-02-14)
guitar:
Neal Alger (from 2002-02-10 until 2002-02-14)
piano:
Patricia Barber (from 2002-02-10 until 2002-02-14)
trumpet:
Dave Douglas (jazz trumpeter) (from 2002-02-10 until 2002-02-14)
vocals:
Patricia Barber (from 2002-02-10 until 2002-02-14)
recorded at and mixed at:
Studio Chicago in Chicago, Illinois, United States (from 2002-02-10 until 2002-02-14)
recording of:
You Gotta Go Home (in 2002)
lyricist and composer:
Patricia Barber
3:18

Credits

Release

ASIN:US: B000U1ZJJG [info]