| # | Title | Artist | Rating | Length |
|---|
| 1 | Bush Telegraph | John Williamson | | 2:58 |
| 2 | Don’t Rock the Boat | Alan Jackson | | 2:54 |
| 3 | Forever and Ever Amen- engineer:
- Joe Borgan and Mike Reese (task: mastering)
- producer:
- Kyle Lehning
- acoustic guitar:
- Russ Barenberg, Larry Byrom, Mark Casstevens, Steve Gibson and Brent Mason
- bass guitar:
- David Hungate and Jack Williams
- drums (drum set):
- Larry Londin and James Cary Stroud
- electric guitar:
- Steve Gibson and Brent Mason
- fiddle:
- Mark O’Connor
- harmonica:
- Kirk "Jelly Roll" Johnson and Terry McMillan
- keyboard:
- Dennis Burnside
- pedal steel guitar:
- Doyle Grisham
- percussion:
- Paul Franklin and Terry McMillan
- resonator guitar [dobro]:
- Jerry Douglas
- background vocals:
- Kathy Baillie, Sherri Huffman, Alan LeBoeuf, Dennis Locorriere, Paul Overstreet , Lisa Silver, Diane Tidwell and Dennis Wilson
- part of:
- Rolling Stone: The 200 Greatest Country Songs of All Time (number: 48)
- recording of:
- Forever and Ever, Amen
- writer:
- Paul Overstreet and Don Schlitz
- publisher:
- April Girl Songs, Midnight Boy Songs, Scarlet Moon Music Inc and Screen Gems–EMI Music, Inc.
| Randy Travis | 4.65 | 3:36 |
| 4 | Didn’t We Shine | Gina Jeffreys | | 3:56 |
| 5 | Honky Tonk Man | Dwight Yoakam | 4.5 | 2:49 |
| 6 | Cinderella | Vince Gill | | 3:33 |
| 7 | Dream Out Loud | Troy Cassar-Daley | | 3:19 |
| 8 | I Like It, I Love It | Tim McGraw | 3.5 | 3:24 |
| 9 | One Night at a Time- assistant recording engineer:
- Chris Davie
- recording engineer:
- Steve Marcantonio
- producer:
- Tony Brown and George Strait
- assistant mixer:
- Mark Ralston
- mixer:
- Chuck Ainlay
- produced for:
- George Strait Productions
- recorded at:
- Emerald Sound Studios in Nashville, Tennessee, United States
- mixed at:
- Masterfonics in Nashville, Tennessee, United States
- recording of:
- One Night at a Time
- writer:
- Roger Cook , Earl Bud Lee and Eddie Kilgallon
- publisher:
- EMI Blackwood Music Inc. (in 1997), Golly Roger Music (in 1997), Hipp Row Music (in 1997), Life’s a Pitch Music (in 1997), Neon Sky Music (in 1997), Song Island Publishing (in 1997) and Split Publishing LLC (in 1997)
| George Strait | 3.35 | 3:53 |
| 10 | A Bushman Can’t Survive | Lee Kernaghan & Tania Kernaghan | | 4:33 |
| 11 | Good Noise | The Wheel | | 3:03 |
| 12 | Highwayman- recorded in:
- Nashville, Tennessee, United States (on 1984-10-03)
- assistant engineer:
- Ken Criblez and Larry Greenhill
- engineer:
- David Cherry and Chips Moman
- producer:
- Chips Moman
- bass:
- Mike Leech (on 1984-10-03) and Jimmy Tittle (on 1984-10-03)
- drums (drum set):
- Gene Chrisman (on 1984-10-03)
- guitar:
- Paul Davis (on 1984-10-03), Waylon Jennings (on 1984-10-03), Kris Kristofferson (on 1984-10-03), Chips Moman (on 1984-10-03), Willie Nelson (on 1984-10-03) and Johnny Rodriguez (on 1984-10-03)
- harmonica:
- Mickey Raphael (on 1984-10-03)
- keyboard:
- Paul Davis (on 1984-10-03), Bobby Emmons (on 1984-10-03) and Bobby Wood (on 1984-10-03)
- mandolin:
- Marty Stuart (on 1984-10-03)
- background vocals:
- Johnny Cash (on 1984-10-03), Paul Davis (on 1984-10-03), Waylon Jennings (on 1984-10-03), Kris Kristofferson (on 1984-10-03), Chips Moman (on 1984-10-03), Willie Nelson (on 1984-10-03) and Johnny Rodriguez (on 1984-10-03)
- vocals:
- Johnny Cash (on 1984-10-03), Waylon Jennings (on 1984-10-03), Kris Kristofferson (on 1984-10-03) and Willie Nelson (on 1984-10-03)
- performer:
- Johnny Cash , Waylon Jennings , Kris Kristofferson and Willie Nelson
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1985), CBS, Inc. (in 1985), Sony BMG Music Entertainment (in 1985), Sony Music Entertainment (in 1985) and Sony Music Entertainment Inc. (in 1985, in 2003)
- recorded at:
- Moman's Recording Studio in Nashville, Tennessee, United States (on 1984-10-03) and Woodland Sound Studios in Nashville, Tennessee, United States (on 1984-10-03)
- part of:
- Grammy Award: Best Country Performance by a Duo or Group nominees (number: 1986)
- cover recording of:
- The Highwayman (on 1984-10-03)
- lyricist and composer:
- Jimmy Webb
- publisher:
- White Oak Songs
- recording of:
- The Highwayman
- lyricist and composer:
- Jimmy Webb
- publisher:
- White Oak Songs
| The Highwaymen | 4.45 | 3:05 |
| 13 | Baby Likes to Rock It | The Tractors | | 3:50 |
| 14 | Australian Son | Dead Ringer Band | | 2:23 |
| 15 | Love in the First Degree | Alabama | | 3:21 |
| 16 | Kick a Little | Little Texas | | 3:46 |
| 17 | I Just Want to Dance With You | The Flying Emus | | 4:10 |
| 18 | I Can Love You Better- assistant recording engineer:
- Chip Matthews and Mike Wruck
- recording engineer:
- Eric Legg
- additional producer:
- Jim Burnett, Mark Capps , Tony Castle , Erik Hellerman, Clarke Schleicher and Ed Simonton
- producer:
- Blake Chancey and Paul Worley
- assistant mixer:
- Christopher Rowe and Shawn Simpson
- mixer:
- John Guess
- editor:
- Jim Burnett, Don Cobb and Carlos Grier
- acoustic guitar:
- Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
- banjo and resonator guitar [dobro]:
- Emily Erwin (from 1997-03 until 1997-08)
- bass:
- Joe Chemay and Michael Rhodes
- congas [conga], shakers [shaker] and tambourine:
- Tom Roady
- drums (drum set) [drums]:
- Greg Morrow
- electric guitar:
- George Marinelli, Billy Joe Walker, Jr. and Paul Worley
- fiddle and mandolin:
- Martie Seidel (from 1997-03 until 1997-08)
- Hammond organ [B-3 organ] and piano:
- Matt Rollings
- steel guitar:
- Lloyd Maines
- lead vocals:
- Natalie Maines (from 1997-03 until 1997-08)
- vocals:
- Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1997)
- recorded at:
- Westwood Studio
- mixed at:
- The Workstation
- edited at:
- Georgetown Masters in Nashville, Tennessee, United States
- additionally produced at:
- Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
- recording of:
- I Can Love You Better (from 1997-03 until 1997-08)
- writer:
- Pamela Brown Hayes and Kostas
- publisher:
- Universal–Songs of PolyGram International, Inc.
| The Chicks | 4.35 | 3:57 |
| 19 | How Your Love Makes Me Feel | Diamond Rio | 4 | 4:02 |
| 20 | Elvira | The Oak Ridge Boys | | 2:38 |
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