Eight Classic Albums

~ Release by Duke Ellington (see all versions of this release, 1 available)

Tracklist

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1▼CD: Such Sweet Thunder / Black Brown and Beige
#TitleRatingLength
1Such Sweet Thunder
alto saxophone:
Johnny Hodges (on 1957-04-24)
baritone saxophone:
Harry Carney (on 1957-04-24)
double bass:
Jimmy Woode (on 1957-04-24)
drums (drum set):
Sam Woodyard (on 1957-04-24)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-04-24)
reeds:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1957-04-24) and Russell Procope (on 1957-04-24)
trombone:
Quentin Jackson (on 1957-04-24), John Sanders (US jazz trombonist) (on 1957-04-24) and Britt Woodman (on 1957-04-24)
trumpet:
William “Cat” Anderson (on 1957-04-24), Willie Cook (US jazz trumpeter) (on 1957-04-24), Ray Nance (on 1957-04-24) and Clark Terry (American swing trumpeter) (on 1957-04-24)
recording of:
Such Sweet Thunder (on 1957-04-24)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
3:21
2Sonnet for Ceasar
alto saxophone:
Johnny Hodges (on 1957-04-15)
baritone saxophone:
Harry Carney (on 1957-04-15)
double bass:
Jimmy Woode (on 1957-04-15)
drums (drum set):
Sam Woodyard (on 1957-04-15)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-04-15)
reeds:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1957-04-15) and Russell Procope (on 1957-04-15)
trombone:
Quentin Jackson (on 1957-04-15), John Sanders (US jazz trombonist) (on 1957-04-15) and Britt Woodman (on 1957-04-15)
trumpet:
William “Cat” Anderson (on 1957-04-15), Willie Cook (US jazz trumpeter) (on 1957-04-15), Ray Nance (on 1957-04-15) and Clark Terry (American swing trumpeter) (on 1957-04-15)
recording of:
Sonnet for Caesar (on 1957-04-15)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
2:58
3Sonnet to Hank Cinq
alto saxophone:
Johnny Hodges (on 1957-05-03)
baritone saxophone:
Harry Carney (on 1957-05-03)
double bass:
Jimmy Woode (on 1957-05-03)
drums (drum set):
Sam Woodyard (on 1957-05-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-05-03)
reeds:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1957-05-03) and Russell Procope (on 1957-05-03)
trombone:
Quentin Jackson (on 1957-05-03), John Sanders (US jazz trombonist) (on 1957-05-03) and Britt Woodman (on 1957-05-03)
trumpet:
William “Cat” Anderson (on 1957-05-03), Willie Cook (US jazz trumpeter) (on 1957-05-03), Ray Nance (on 1957-05-03) and Clark Terry (American swing trumpeter) (on 1957-05-03)
recording of:
Sonnet to Hank Cinq (on 1957-05-03)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
1:20
4Lady Mac
alto saxophone:
Johnny Hodges (on 1957-04-24)
baritone saxophone:
Harry Carney (on 1957-04-24)
double bass:
Jimmy Woode (on 1957-04-24)
drums (drum set):
Sam Woodyard (on 1957-04-24)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-04-24)
reeds:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1957-04-24) and Russell Procope (on 1957-04-24)
trombone:
Quentin Jackson (on 1957-04-24), John Sanders (US jazz trombonist) (on 1957-04-24) and Britt Woodman (on 1957-04-24)
trumpet:
William “Cat” Anderson (on 1957-04-24), Willie Cook (US jazz trumpeter) (on 1957-04-24), Ray Nance (on 1957-04-24) and Clark Terry (American swing trumpeter) (on 1957-04-24)
recording of:
Lady Mac (on 1957-04-24)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
3:38
5Sonnet in Search of a Moor
alto saxophone:
Johnny Hodges (on 1957-04-15)
baritone saxophone:
Harry Carney (on 1957-04-15)
double bass:
Jimmy Woode (on 1957-04-15)
drums (drum set):
Sam Woodyard (on 1957-04-15)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-04-15)
reeds:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1957-04-15) and Russell Procope (on 1957-04-15)
trombone:
Quentin Jackson (on 1957-04-15), John Sanders (US jazz trombonist) (on 1957-04-15) and Britt Woodman (on 1957-04-15)
trumpet:
William “Cat” Anderson (on 1957-04-15), Willie Cook (US jazz trumpeter) (on 1957-04-15), Ray Nance (on 1957-04-15) and Clark Terry (American swing trumpeter) (on 1957-04-15)
recording of:
Sonnet in Search of a Moor (on 1957-04-15)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
2:20
6The Telecasters
alto saxophone:
Johnny Hodges (on 1957-05-03)
baritone saxophone:
Harry Carney (on 1957-05-03)
double bass:
Jimmy Woode (on 1957-05-03)
drums (drum set):
Sam Woodyard (on 1957-05-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-05-03)
reeds:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1957-05-03) and Russell Procope (on 1957-05-03)
trombone:
Quentin Jackson (on 1957-05-03), John Sanders (US jazz trombonist) (on 1957-05-03) and Britt Woodman (on 1957-05-03)
trumpet:
William “Cat” Anderson (on 1957-05-03), Willie Cook (US jazz trumpeter) (on 1957-05-03), Ray Nance (on 1957-05-03) and Clark Terry (American swing trumpeter) (on 1957-05-03)
recording of:
The Telecasters (on 1957-05-03)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
3:01
7Up and Down, Up and Down (I Will Lead Them Up and Down)
alto saxophone:
Johnny Hodges (on 1957-04-24)
baritone saxophone:
Harry Carney (on 1957-04-24)
double bass:
Jimmy Woode (on 1957-04-24)
drums (drum set):
Sam Woodyard (on 1957-04-24)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-04-24)
reeds:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1957-04-24) and Russell Procope (on 1957-04-24)
trombone:
Quentin Jackson (on 1957-04-24), John Sanders (US jazz trombonist) (on 1957-04-24) and Britt Woodman (on 1957-04-24)
trumpet:
William “Cat” Anderson (on 1957-04-24), Willie Cook (US jazz trumpeter) (on 1957-04-24), Ray Nance (on 1957-04-24) and Clark Terry (American swing trumpeter) (on 1957-04-24)
recording of:
Up and Down, Up and Down (I Will Lead Them Up and Down) (on 1957-04-24)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
3:05
8Sonnet for Sister Katie
alto saxophone:
Johnny Hodges (on 1957-04-15)
baritone saxophone:
Harry Carney (on 1957-04-15)
double bass:
Jimmy Woode (on 1957-04-15)
drums (drum set):
Sam Woodyard (on 1957-04-15)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-04-15)
reeds:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1957-04-15) and Russell Procope (on 1957-04-15)
trombone:
Quentin Jackson (on 1957-04-15), John Sanders (US jazz trombonist) (on 1957-04-15) and Britt Woodman (on 1957-04-15)
trumpet:
William “Cat” Anderson (on 1957-04-15), Willie Cook (US jazz trumpeter) (on 1957-04-15), Ray Nance (on 1957-04-15) and Clark Terry (American swing trumpeter) (on 1957-04-15)
recording of:
Sonnet for Sister Kate (on 1957-04-15)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
2:19
9The Star Crossed Lovers
alto saxophone:
Johnny Hodges (on 1957-05-03)
baritone saxophone:
Harry Carney (on 1957-05-03)
double bass:
Jimmy Woode (on 1957-05-03)
drums (drum set):
Sam Woodyard (on 1957-05-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-05-03)
reeds:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1957-05-03) and Russell Procope (on 1957-05-03)
trombone:
Quentin Jackson (on 1957-05-03), John Sanders (US jazz trombonist) (on 1957-05-03) and Britt Woodman (on 1957-05-03)
trumpet:
William “Cat” Anderson (on 1957-05-03), Willie Cook (US jazz trumpeter) (on 1957-05-03), Ray Nance (on 1957-05-03) and Clark Terry (American swing trumpeter) (on 1957-05-03)
recording of:
The Star-Crossed Lovers (on 1957-05-03)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
3:56
10Madness in Great Ones
alto saxophone:
Johnny Hodges (on 1957-05-03)
baritone saxophone:
Harry Carney (on 1957-05-03)
double bass:
Jimmy Woode (on 1957-05-03)
drums (drum set):
Sam Woodyard (on 1957-05-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-05-03)
reeds:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1957-05-03) and Russell Procope (on 1957-05-03)
trombone:
Quentin Jackson (on 1957-05-03), John Sanders (US jazz trombonist) (on 1957-05-03) and Britt Woodman (on 1957-05-03)
trumpet:
William “Cat” Anderson (on 1957-05-03), Willie Cook (US jazz trumpeter) (on 1957-05-03), Ray Nance (on 1957-05-03) and Clark Terry (American swing trumpeter) (on 1957-05-03)
recording of:
Madness in Great Ones (on 1957-05-03)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
3:22
11Half the Fun
alto saxophone:
Johnny Hodges (on 1956-08-07)
baritone saxophone:
Harry Carney (on 1956-08-07)
double bass:
Jimmy Woode (on 1956-08-07)
drums (drum set):
Sam Woodyard (on 1956-08-07)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1956-08-07)
reeds:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1956-08-07) and Russell Procope (on 1956-08-07)
trombone:
Quentin Jackson (on 1956-08-07), John Sanders (US jazz trombonist) (on 1956-08-07) and Britt Woodman (on 1956-08-07)
trumpet:
William “Cat” Anderson (on 1956-08-07), Willie Cook (US jazz trumpeter) (on 1956-08-07), Ray Nance (on 1956-08-07) and Clark Terry (American swing trumpeter) (on 1956-08-07)
recording of:
Half the Fun (a.k.a. Lately) (on 1956-08-07)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
4:19
12Circle of Fourth
alto saxophone:
Johnny Hodges (on 1957-05-03)
baritone saxophone:
Harry Carney (on 1957-05-03)
double bass:
Jimmy Woode (on 1957-05-03)
drums (drum set):
Sam Woodyard (on 1957-05-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-05-03)
reeds:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1957-05-03) and Russell Procope (on 1957-05-03)
trombone:
Quentin Jackson (on 1957-05-03), John Sanders (US jazz trombonist) (on 1957-05-03) and Britt Woodman (on 1957-05-03)
trumpet:
William “Cat” Anderson (on 1957-05-03), Willie Cook (US jazz trumpeter) (on 1957-05-03), Ray Nance (on 1957-05-03) and Clark Terry (American swing trumpeter) (on 1957-05-03)
recording of:
Circle of Fourths (on 1957-05-03)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
1:45
13Part 1
alto saxophone:
Bill Graham (US jazz saxophonist) (from 1958-02-04 until 1958-02-12)
baritone saxophone:
Harry Carney (from 1958-02-04 until 1958-02-12)
bass:
Jimmy Woode (from 1958-02-04 until 1958-02-12)
drums (drum set):
Sam Woodyard (from 1958-02-04 until 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1958-02-04 until 1958-02-12)
tenor saxophone:
Paul Gonsalves (from 1958-02-04 until 1958-02-12)
trombone:
Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
trumpet:
William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold “Shorty” Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (American swing trumpeter) (from 1958-02-04 until 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (from 1958-02-04 until 1958-02-12)
recording of:
Black, Brown, and Beige, Part I (part of the 1958 revised "Black, Brown, and Beige" suite) (on 1958-02-04)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Black, Brown, and Beige, Part I (part of the 1958 revised "Black, Brown, and Beige" suite) (from 1958-02-04 until 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
8:15
14Part 2
alto saxophone:
Bill Graham (US jazz saxophonist) (from 1958-02-04 until 1958-02-12)
baritone saxophone:
Harry Carney (from 1958-02-04 until 1958-02-12)
bass:
Jimmy Woode (from 1958-02-04 until 1958-02-12)
drums (drum set):
Sam Woodyard (from 1958-02-04 until 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1958-02-04 until 1958-02-12)
tenor saxophone:
Paul Gonsalves (from 1958-02-04 until 1958-02-12)
trombone:
Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
trumpet:
William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold “Shorty” Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (American swing trumpeter) (from 1958-02-04 until 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (from 1958-02-04 until 1958-02-12)
recording of:
Black, Brown, and Beige, Part II (part of the 1958 revised "Black, Brown, and Beige" suite) (from 1958-02-04 until 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Black, Brown, and Beige, Part II (part of the 1958 revised "Black, Brown, and Beige" suite) (in 1958-02)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
6:12
15Part 3 (a.k.a. Light)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1958-02-12)
baritone saxophone:
Harry Carney (on 1958-02-12)
double bass:
Jimmy Woode (on 1958-02-12)
drums (drum set):
Sam Woodyard (on 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-02-12)
tenor saxophone:
Paul Gonsalves (on 1958-02-12)
trombone:
Quentin Jackson (on 1958-02-12) and Britt Woodman (on 1958-02-12)
trumpet:
William “Cat” Anderson (on 1958-02-12), Harold “Shorty” Baker (on 1958-02-12), Ray Nance (on 1958-02-12) and Clark Terry (American swing trumpeter) (on 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-02-12)
recording of:
Black, Brown, and Beige, Part III (Light) (part of the 1958 revised "Black, Brown, and Beige" suite) (on 1958-02-04)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Black, Brown, and Beige, Part III (Light) (part of the 1958 revised "Black, Brown, and Beige" suite) (on 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
6:17
16Part 4 (a.k.a. Come Sunday)
recorded in:
New York, New York, United States (on 1958-02-11)
producer:
Irving Townsend
alto saxophone:
Russell Procope and Bill Graham (US jazz saxophonist) (on 1958-02-11)
baritone saxophone:
Harry Carney (on 1958-02-11)
bass:
Jimmy Woode (on 1958-02-11)
clarinet:
Russell Procope and Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-02-11)
drums (drum set) [drums]:
Sam Woodyard (on 1958-02-11)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-02-11)
reeds:
Russell Procope
tenor saxophone:
Paul Gonsalves (on 1958-02-11)
trombone:
Quentin Jackson (on 1958-02-11) and Britt Woodman (on 1958-02-11)
trumpet:
Cat Anderson (on 1958-02-11), Harold Baker (on 1958-02-11) and Clark Terry (American swing trumpeter) (on 1958-02-11)
trumpet and violin:
Ray Nance (on 1958-02-11)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-02-11)
vocals:
Mahalia Jackson (on 1958-02-11)
recording of:
Come Sunday (1958 revision with lyrics) (on 1958-02-05)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Come Sunday (1958 revision with lyrics) (on 1958-02-11)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Come Sunday (1958 revision with lyrics) (in 1958-02)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
7:56
17Part 5 (a.k.a. Come Sunday)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1958-02-12)
baritone saxophone:
Harry Carney (on 1958-02-12)
double bass:
Jimmy Woode (on 1958-02-12)
drums (drum set):
Sam Woodyard (on 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-02-12)
solo violin:
Ray Nance (on 1958-02-12)
tenor saxophone:
Paul Gonsalves (on 1958-02-12)
trombone:
Quentin Jackson (on 1958-02-12) and Britt Woodman (on 1958-02-12)
trumpet:
William “Cat” Anderson (on 1958-02-12), Harold “Shorty” Baker (on 1958-02-12), Ray Nance (on 1958-02-12) and Clark Terry (American swing trumpeter) (on 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-02-12)
recording of:
Black, Brown, and Beige, Part V (Come Sunday Interlude) (part of the 1958 revised "Black, Brown, and Beige" suite) (on 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Black, Brown, and Beige, Part V (Come Sunday Interlude) (part of the 1958 revised "Black, Brown, and Beige" suite) (in 1958-02)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
3:40
18Part 6 (a.k.a. 23rd Psalm)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1958-02-11)
baritone saxophone:
Harry Carney (on 1958-02-11)
double bass:
Jimmy Woode (on 1958-02-11)
drums (drum set):
Sam Woodyard (on 1958-02-11)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-02-11)
tenor saxophone:
Paul Gonsalves (on 1958-02-11)
trombone:
Quentin Jackson (on 1958-02-11) and Britt Woodman (on 1958-02-11)
trumpet:
William “Cat” Anderson (on 1958-02-11), Harold “Shorty” Baker (on 1958-02-11), Ray Nance (on 1958-02-11) and Clark Terry (American swing trumpeter) (on 1958-02-11)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-02-11)
vocals:
Mahalia Jackson (on 1958-02-11)
recording of:
Black, Brown, and Beige, Part VI (23rd Psalm) (part of the 1958 revised "Black, Brown, and Beige" suite) (on 1958-02-11)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
3:00
2▼CD: Duke Ellington at the Bal Masque / The Cosmic Scene
#TitleRatingLength
1Alice Blue Gown
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-31)
baritone saxophone:
Harry Carney (on 1958-03-31)
bass:
Jimmy Woode (on 1958-03-31)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-03-31)
drums (drum set):
Sam Woodyard (on 1958-03-31)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-03-31)
tenor saxophone:
Paul Gonsalves (on 1958-03-31)
trombone:
Quentin Jackson (on 1958-03-31) and Britt Woodman (on 1958-03-31)
trumpet:
William “Cat” Anderson (on 1958-03-31), Harold “Shorty” Baker (on 1958-03-31), Willie Cook (US jazz trumpeter) (on 1958-03-31), Ray Nance (on 1958-03-31) and Clark Terry (American swing trumpeter) (on 1958-03-31)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-03-31)
remixer:
Ken Robertson (sound engineer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-31)
recording of:
Alice Blue Gown (on 1958-03-31)
lyricist:
Joseph McCarthy (lyricist, 1885–1943)
composer:
Harry Tierney
part of:
Irene (the musical)
3:01
2Who's Afraid of the Big Bad Wolf
engineer and producer:
Bill Putnam
alto saxophone:
Johnny Hodges (on 1958-04-01)
alto saxophone and clarinet:
Russell Procope (on 1958-04-01)
baritone saxophone:
Harry Carney (on 1958-04-01)
bass and double bass:
Jimmy Woode (on 1958-04-01)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-04-01)
drums (drum set):
Sam Woodyard (on 1958-04-01)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-04-01)
reeds:
Harry Carney (on 1958-04-01), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-04-01) and Russell Procope (on 1958-04-01)
tenor saxophone:
Paul Gonsalves (on 1958-04-01)
trombone:
Quentin Jackson (on 1958-04-01), John Sanders (US jazz trombonist) (on 1958-04-01) and Britt Woodman (on 1958-04-01)
trumpet:
William “Cat” Anderson (on 1958-04-01), Harold “Shorty” Baker (on 1958-04-01), Willie Cook (US jazz trumpeter) (on 1958-04-01), Ray Nance (on 1958-04-01) and Clark Terry (American swing trumpeter) (on 1958-04-01)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-04-01)
remixer:
Ken Robertson (sound engineer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-04-01)
recording of:
Who’s Afraid of the Big Bad Wolf? (from “Three Little Pigs”) (on 1958-04-01)
additional lyricist:
Ann Ronell
lyricist and composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher)
2:53
3Got a Date With an Angel
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-20)
baritone saxophone:
Harry Carney (on 1958-03-20)
bass:
Jimmy Woode (on 1958-03-20)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-03-20)
drums (drum set):
Sam Woodyard (on 1958-03-20)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-03-20)
tenor saxophone:
Paul Gonsalves (on 1958-03-20)
trombone:
Quentin Jackson (on 1958-03-20) and Britt Woodman (on 1958-03-20)
trumpet:
William “Cat” Anderson (on 1958-03-20), Harold “Shorty” Baker (on 1958-03-20), Willie Cook (US jazz trumpeter) (on 1958-03-20), Ray Nance (on 1958-03-20) and Clark Terry (American swing trumpeter) (on 1958-03-20)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-03-20)
remixer:
Ken Robertson (sound engineer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-20)
recording of:
Got a Date with an Angel (on 1958-03-20)
lyricist:
Clifford Grey and Sonny Miller (1930s lyricist)
composer:
Joseph Tunbridge and Jack Waller
2:26
4Poor Butterfly
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-24)
baritone saxophone:
Harry Carney (on 1958-03-24)
bass:
Jimmy Woode (on 1958-03-24)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-03-24)
drums (drum set):
Sam Woodyard (on 1958-03-24)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-03-24)
tenor saxophone:
Paul Gonsalves (on 1958-03-24)
trombone:
Quentin Jackson (on 1958-03-24) and Britt Woodman (on 1958-03-24)
trumpet:
William “Cat” Anderson (on 1958-03-24), Harold “Shorty” Baker (on 1958-03-24), Willie Cook (US jazz trumpeter) (on 1958-03-24), Ray Nance (on 1958-03-24) and Clark Terry (American swing trumpeter) (on 1958-03-24)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-03-24)
remixer:
Ken Robertson (sound engineer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-24)
recording of:
Poor Butterfly (on 1958-03-24)
lyricist:
John L. Golden (in 1916)
composer:
John Raymond Hubbell (composer, co-founder of ASCAP) (in 1916)
publisher:
Harms, Inc.
3:41
5Satan Takes a Holiday
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-20)
baritone saxophone:
Harry Carney (on 1958-03-20)
bass:
Jimmy Woode (on 1958-03-20)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-03-20)
drums (drum set):
Sam Woodyard (on 1958-03-20)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-03-20)
tenor saxophone:
Paul Gonsalves (on 1958-03-20)
trombone:
Quentin Jackson (on 1958-03-20) and Britt Woodman (on 1958-03-20)
trumpet:
William “Cat” Anderson (on 1958-03-20), Harold “Shorty” Baker (on 1958-03-20), Willie Cook (US jazz trumpeter) (on 1958-03-20), Ray Nance (on 1958-03-20) and Clark Terry (American swing trumpeter) (on 1958-03-20)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-03-20)
remixer:
Ken Robertson (sound engineer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-20)
recording of:
Satan Takes a Holiday (on 1958-03-20)
lyricist and composer:
Larry Clinton
3:15
6The Peanut Vender
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-24)
baritone saxophone:
Harry Carney (on 1958-03-24)
bass:
Jimmy Woode (on 1958-03-24)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-03-24)
drums (drum set):
Sam Woodyard (on 1958-03-24)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-03-24)
tenor saxophone:
Paul Gonsalves (on 1958-03-24)
trombone:
Quentin Jackson (on 1958-03-24) and Britt Woodman (on 1958-03-24)
trumpet:
William “Cat” Anderson (on 1958-03-24), Harold “Shorty” Baker (on 1958-03-24), Willie Cook (US jazz trumpeter) (on 1958-03-24), Ray Nance (on 1958-03-24) and Clark Terry (American swing trumpeter) (on 1958-03-24)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-03-24)
remixer:
Ken Robertson (sound engineer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-24)
recording of:
The Peanut Vendor (on 1958-03-24)
lyricist:
L. Wolfe Gilbert and Marion Sunshine
composer:
Moisés Simons
translated version of:
El manisero
3:30
7Satin Doll
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-31)
baritone saxophone:
Harry Carney (on 1958-03-31)
bass:
Jimmy Woode (on 1958-03-31)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-03-31)
drums (drum set):
Sam Woodyard (on 1958-03-31)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-03-31)
tenor saxophone:
Paul Gonsalves (on 1958-03-31)
trombone:
Quentin Jackson (on 1958-03-31) and Britt Woodman (on 1958-03-31)
trumpet:
William “Cat” Anderson (on 1958-03-31), Harold “Shorty” Baker (on 1958-03-31), Willie Cook (US jazz trumpeter) (on 1958-03-31), Ray Nance (on 1958-03-31) and Clark Terry (American swing trumpeter) (on 1958-03-31)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-03-31)
remixer:
Ken Robertson (sound engineer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-31)
recording of:
Satin Doll (on 1958-03-31)
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
3:49
8Lady in Red
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-31)
baritone saxophone:
Harry Carney (on 1958-03-31)
bass:
Jimmy Woode (on 1958-03-31)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-03-31)
drums (drum set):
Sam Woodyard (on 1958-03-31)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-03-31)
tenor saxophone:
Paul Gonsalves (on 1958-03-31)
trombone:
Quentin Jackson (on 1958-03-31) and Britt Woodman (on 1958-03-31)
trumpet:
William “Cat” Anderson (on 1958-03-31), Harold “Shorty” Baker (on 1958-03-31), Willie Cook (US jazz trumpeter) (on 1958-03-31), Ray Nance (on 1958-03-31) and Clark Terry (American swing trumpeter) (on 1958-03-31)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-03-31)
remixer:
Ken Robertson (sound engineer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-31)
recording of:
The Lady in Red (on 1958-03-26)
lyricist:
Mort Dixon
composer:
Allie Wrubel (US composer and songwriter)
2:49
9Indian Love Call
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-26)
baritone saxophone:
Harry Carney (on 1958-03-26)
bass:
Jimmy Woode (on 1958-03-26)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-03-26)
drums (drum set):
Sam Woodyard (on 1958-03-26)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-03-26)
tenor saxophone:
Paul Gonsalves (on 1958-03-26)
trombone:
Quentin Jackson (on 1958-03-26) and Britt Woodman (on 1958-03-26)
trumpet:
William “Cat” Anderson (on 1958-03-26), Harold “Shorty” Baker (on 1958-03-26), Willie Cook (US jazz trumpeter) (on 1958-03-26), Ray Nance (on 1958-03-26) and Clark Terry (American swing trumpeter) (on 1958-03-26)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-03-26)
remixer:
Ken Robertson (sound engineer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-26)
recording of:
Indian Love Call (from the 1924/1936 musicals “Rose Marie”) (on 1958-03-26)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) and Otto Harbach
composer:
Rudolf Friml and Herbert Stothart (composer)
publisher:
Bill-Bob Publ. Company, Chappell Music Ltd. and Harms, Inc. (on 1924-09-02)
part of:
Rose-Marie (1924 operetta-style musical)
part of:
Rose-Marie (1936 musical film)
3:37
10The Donkey Serenade
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-31)
baritone saxophone:
Harry Carney (on 1958-03-31)
bass:
Jimmy Woode (on 1958-03-31)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-03-31)
drums (drum set):
Sam Woodyard (on 1958-03-31)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-03-31)
tenor saxophone:
Paul Gonsalves (on 1958-03-31)
trombone:
Quentin Jackson (on 1958-03-31) and Britt Woodman (on 1958-03-31)
trumpet:
William “Cat” Anderson (on 1958-03-31), Harold “Shorty” Baker (on 1958-03-31), Willie Cook (US jazz trumpeter) (on 1958-03-31), Ray Nance (on 1958-03-31) and Clark Terry (American swing trumpeter) (on 1958-03-31)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-03-31)
remixer:
Ken Robertson (sound engineer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-31)
recording of:
The Donkey Serenade (on 1958-03-31)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
composer:
Rudolf Friml and Herbert Stothart (composer)
part of:
The Firefly (Rudolf Friml operetta)
2:14
11Gypsy Love Song
engineer and producer:
Bill Putnam
alto saxophone:
Johnny Hodges (on 1958-04-01)
alto saxophone and clarinet:
Russell Procope (on 1958-04-01)
baritone saxophone:
Harry Carney (on 1958-04-01)
bass and double bass:
Jimmy Woode (on 1958-04-01)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-04-01)
drums (drum set):
Sam Woodyard (on 1958-04-01)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-04-01)
reeds:
Harry Carney (on 1958-04-01), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-04-01) and Russell Procope (on 1958-04-01)
tenor saxophone:
Paul Gonsalves (on 1958-04-01)
trombone:
Quentin Jackson (on 1958-04-01), John Sanders (US jazz trombonist) (on 1958-04-01) and Britt Woodman (on 1958-04-01)
trumpet:
William “Cat” Anderson (on 1958-04-01), Harold “Shorty” Baker (on 1958-04-01), Willie Cook (US jazz trumpeter) (on 1958-04-01), Ray Nance (on 1958-04-01) and Clark Terry (American swing trumpeter) (on 1958-04-01)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-04-01)
remixer:
Ken Robertson (sound engineer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-04-01)
3:55
12Laugh, Clown Laugh
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-20)
baritone saxophone:
Harry Carney (on 1958-03-20)
bass:
Jimmy Woode (on 1958-03-20)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-03-20)
drums (drum set):
Sam Woodyard (on 1958-03-20)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-03-20)
tenor saxophone:
Paul Gonsalves (on 1958-03-20)
trombone:
Quentin Jackson (on 1958-03-20) and Britt Woodman (on 1958-03-20)
trumpet:
William “Cat” Anderson (on 1958-03-20), Harold “Shorty” Baker (on 1958-03-20), Willie Cook (US jazz trumpeter) (on 1958-03-20), Ray Nance (on 1958-03-20) and Clark Terry (American swing trumpeter) (on 1958-03-20)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-03-20)
remixer:
Ken Robertson (sound engineer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-20)
recording of:
Laugh! Clown! Laugh! (on 1958-03-20)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Ted Fio Rito
3:02
13Avalon
bass:
Jimmy Woode
clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
drums (drum set):
Sam Woodyard
piano:
Duke Ellington (US composer, pianist & jazz bandleader)
tenor saxophone:
Paul Gonsalves
trombone:
Quentin Jackson and Britt Woodman
trumpet:
Clark Terry (American swing trumpeter)
valve trombone:
John Sanders (US jazz trombonist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-04-02)
instrumental recording of:
Avalon
writer:
B. G. DeSylva, Al Jolson and Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Stephen Ballentine Music, Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Jerome H. Remick & Co. (on 1920-09-04)
3:20
14Body and Soul
bass:
Jimmy Woode
clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
drums (drum set):
Sam Woodyard
piano:
Duke Ellington (US composer, pianist & jazz bandleader)
tenor saxophone:
Paul Gonsalves
trombone:
Quentin Jackson and Britt Woodman
trumpet:
Clark Terry (American swing trumpeter)
valve trombone:
John Sanders (US jazz trombonist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-04-02)
instrumental recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:54
15Bass-Ment
bass:
Jimmy Woode
clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
drums (drum set):
Sam Woodyard
piano:
Duke Ellington (US composer, pianist & jazz bandleader)
tenor saxophone:
Paul Gonsalves
trombone:
Quentin Jackson and Britt Woodman
trumpet:
Clark Terry (American swing trumpeter)
valve trombone:
John Sanders (US jazz trombonist)
recording of:
Bass-Ment
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:01
16Early Autumn
bass:
Jimmy Woode
clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
drums (drum set):
Sam Woodyard
piano:
Duke Ellington (US composer, pianist & jazz bandleader)
tenor saxophone:
Paul Gonsalves
trombone:
Quentin Jackson and Britt Woodman
trumpet:
Clark Terry (American swing trumpeter)
valve trombone:
John Sanders (US jazz trombonist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-04-03)
instrumental recording of:
Early Autumn
lyricist:
Johnny Mercer (in 1949)
composer:
Ralph Burns (in 1949) and Woody Herman (in 1949)
3:08
17Jones
bass:
Jimmy Woode
clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
drums (drum set):
Sam Woodyard
piano:
Duke Ellington (US composer, pianist & jazz bandleader)
tenor saxophone:
Paul Gonsalves
trombone:
Quentin Jackson and Britt Woodman
trumpet:
Clark Terry (American swing trumpeter)
valve trombone:
John Sanders (US jazz trombonist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-04-03)
recording of:
Jones
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Pauline Reddon
2:53
18Perdido
bass:
Jimmy Woode
clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
drums (drum set):
Sam Woodyard
piano:
Duke Ellington (US composer, pianist & jazz bandleader)
tenor saxophone:
Paul Gonsalves
trombone:
Quentin Jackson and Britt Woodman
trumpet:
Clark Terry (American swing trumpeter)
valve trombone:
John Sanders (US jazz trombonist)
recording of:
Perdido (original instrumental version)
composer:
Juan Tizol
2:47
19St Louis Blues
bass:
Jimmy Woode
clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
drums (drum set):
Sam Woodyard
piano:
Duke Ellington (US composer, pianist & jazz bandleader)
tenor saxophone:
Paul Gonsalves
trombone:
Quentin Jackson and Britt Woodman
trumpet:
Clark Terry (American swing trumpeter)
valve trombone:
John Sanders (US jazz trombonist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-04-03)
instrumental recording of:
St. Louis Blues
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
5:04
20Spacemen
bass:
Jimmy Woode
clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
drums (drum set):
Sam Woodyard
piano:
Duke Ellington (US composer, pianist & jazz bandleader)
tenor saxophone:
Paul Gonsalves
trombone:
Quentin Jackson and Britt Woodman
trumpet:
Clark Terry (American swing trumpeter)
valve trombone:
John Sanders (US jazz trombonist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-04-03)
recording of:
Spacemen
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
2:31
21Midnight Sun
bass:
Jimmy Woode
clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
drums (drum set):
Sam Woodyard
piano:
Duke Ellington (US composer, pianist & jazz bandleader)
tenor saxophone:
Paul Gonsalves
trombone:
Quentin Jackson and Britt Woodman
trumpet:
Clark Terry (American swing trumpeter)
valve trombone:
John Sanders (US jazz trombonist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-04-02)
recording of:
Midnight Sun
lyricist:
Johnny Mercer (in 1954)
composer:
Johnny Mercer, Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1947) and Lionel Hampton (in 1947)
3:35
22Take the 'A' Train
bass:
Jimmy Woode
clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
drums (drum set):
Sam Woodyard
piano:
Duke Ellington (US composer, pianist & jazz bandleader)
tenor saxophone:
Paul Gonsalves
trombone:
Quentin Jackson and Britt Woodman
trumpet:
Clark Terry (American swing trumpeter)
valve trombone:
John Sanders (US jazz trombonist)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-04-02)
live instrumental recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
4:57
3▼CD: Anatomy of a Murder / Nutcracker Suite
#TitleRatingLength
1Main Theme/Anatomy of a Murder
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1959-06)
3:57
2Flirtbird
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1959-06-01)
recording of:
Flirtibird (on 1959-06-01)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
2:11
3Way Early Subtone
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1959-06)
3:58
4Hero to Zero
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1959-06)
2:12
5Low Key Lightly
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1959-06-02)
recording of:
Low Key Lightly (on 1959-06-02)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:38
6Happy Anatomy
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1959-06-01)
recording of:
Happy Anatomy (on 1959-06-01)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
2:32
7Midnight Indigo
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1959-06)
recording of:
Midnight Indigo (in 1959-06)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
2:45
8Almost Cried
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1959-06-01)
2:26
9Sunswept Sunday
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1959-05-29)
1:53
10Grace Valse
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1959-06)
2:30
11Happy Anatomy
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1959-06)
recording of:
Happy Anatomy (in 1959-06)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
1:24
12Haupe
2:37
13Upper and Outest
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1959-06)
2:19
14Anatomy of a Murder (single version)
2:44
15Overture
producer:
Irving Townsend
alto saxophone:
Johnny Hodges (on 1960-05-26) and Russell Procope (on 1960-05-26)
baritone saxophone:
Harry Carney (on 1960-05-26)
bass:
Aaron Bell (jazz double bassist) (on 1960-05-26)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1960-05-26)
membranophone:
Sam Woodyard (on 1960-05-26)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1960-05-26)
reeds:
Harry Carney (on 1960-05-26), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1960-05-26) and Russell Procope (on 1960-05-26)
tenor saxophone:
Paul Gonsalves (on 1960-05-26)
trombone:
Lawrence Brown (jazz trombonist) (on 1960-05-26), Booty Wood (on 1960-05-26) and Britt Woodman (on 1960-05-26)
trumpet:
Willie Cook (US jazz trumpeter) (on 1960-05-26), Fats Ford (trumpeter) (on 1960-05-26), Ray Nance (on 1960-05-26) and Clark Terry (American swing trumpeter) (on 1960-05-26)
valve trombone:
Juan Tizol (on 1960-05-26)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1960-05-26)
recording of:
Nutcracker Suite: Overture
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
part of:
Nutcracker Suite (jazz interpretation, arr. Ellington, Strayhorn)
3:23
16Toot Toot Tootie Toot (dance of the Reed Pipes)
producer:
Irving Townsend
alto saxophone:
Johnny Hodges (on 1960-05-31) and Russell Procope (on 1960-05-31)
baritone saxophone:
Harry Carney (on 1960-05-31)
bass:
Aaron Bell (jazz double bassist) (on 1960-05-31)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1960-05-31)
membranophone:
Sam Woodyard (on 1960-05-31)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1960-05-31)
reeds:
Harry Carney (on 1960-05-31), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1960-05-31) and Russell Procope (on 1960-05-31)
tenor saxophone:
Paul Gonsalves (on 1960-05-31)
trombone:
Lawrence Brown (jazz trombonist) (on 1960-05-31), Booty Wood (on 1960-05-31) and Britt Woodman (on 1960-05-31)
trumpet:
Willie Cook (US jazz trumpeter) (on 1960-05-31), Fats Ford (trumpeter) (on 1960-05-31), Ray Nance (on 1960-05-31) and Clark Terry (American swing trumpeter) (on 1960-05-31)
valve trombone:
Juan Tizol (on 1960-05-31)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1960-05-31)
recording of:
Nutcracker Suite: Toot Toot Tootie Toot (Dance of the Reed-Pipes)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
part of:
Nutcracker Suite (jazz interpretation, arr. Ellington, Strayhorn)
2:31
17Peanut Brittle Brigade
producer:
Irving Townsend
alto saxophone:
Johnny Hodges (on 1960-06-21) and Russell Procope (on 1960-06-21)
baritone saxophone:
Harry Carney (on 1960-06-21)
bass:
Aaron Bell (jazz double bassist) (on 1960-06-21)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1960-06-21)
membranophone:
Sam Woodyard (on 1960-06-21)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1960-06-21)
reeds:
Harry Carney (on 1960-06-21), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1960-06-21) and Russell Procope (on 1960-06-21)
tenor saxophone:
Paul Gonsalves (on 1960-06-21)
trombone:
Lawrence Brown (jazz trombonist) (on 1960-06-21), Booty Wood (on 1960-06-21) and Britt Woodman (on 1960-06-21)
trumpet:
Willie Cook (US jazz trumpeter) (on 1960-06-21), Fats Ford (trumpeter) (on 1960-06-21), Ray Nance (on 1960-06-21) and Clark Terry (American swing trumpeter) (on 1960-06-21)
valve trombone:
Juan Tizol (on 1960-06-21)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1960-06-21)
recording of:
Nutcracker Suite: Peanut Brittle Brigade (March)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
part of:
Nutcracker Suite (jazz interpretation, arr. Ellington, Strayhorn)
4:40
18Sugar Rum Cherry (dance of the Sugar Plum Fairy)
recording of:
Nutcracker Suite: Sugar Rum Cherry (Dance of the Sugar Plum Fairy)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
part of:
Nutcracker Suite (jazz interpretation, arr. Ellington, Strayhorn)
3:07
19Entr'Acte
producer:
Irving Townsend
alto saxophone:
Johnny Hodges (on 1960-05-26) and Russell Procope (on 1960-05-26)
baritone saxophone:
Harry Carney (on 1960-05-26)
bass:
Aaron Bell (jazz double bassist) (on 1960-05-26)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1960-05-26)
membranophone:
Sam Woodyard (on 1960-05-26)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1960-05-26)
reeds:
Harry Carney (on 1960-05-26), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1960-05-26) and Russell Procope (on 1960-05-26)
tenor saxophone:
Paul Gonsalves (on 1960-05-26)
trombone:
Lawrence Brown (jazz trombonist) (on 1960-05-26), Booty Wood (on 1960-05-26) and Britt Woodman (on 1960-05-26)
trumpet:
Willie Cook (US jazz trumpeter) (on 1960-05-26), Fats Ford (trumpeter) (on 1960-05-26), Ray Nance (on 1960-05-26) and Clark Terry (American swing trumpeter) (on 1960-05-26)
valve trombone:
Juan Tizol (on 1960-05-26)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1960-05-26)
recording of:
Nutcracker Suite: Entr'acte
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
part of:
Nutcracker Suite (jazz interpretation, arr. Ellington, Strayhorn)
1:54
20The Volga Vouty (Russian dance)
producer:
Irving Townsend
alto saxophone:
Johnny Hodges (on 1960-06-22) and Russell Procope (on 1960-06-22)
baritone saxophone:
Harry Carney (on 1960-06-22)
bass:
Aaron Bell (jazz double bassist) (on 1960-06-22)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1960-06-22)
membranophone:
Sam Woodyard (on 1960-06-22)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1960-06-22)
reeds:
Harry Carney (on 1960-06-22), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1960-06-22) and Russell Procope (on 1960-06-22)
tenor saxophone:
Paul Gonsalves (on 1960-06-22)
trombone:
Lawrence Brown (jazz trombonist) (on 1960-06-22), Booty Wood (on 1960-06-22) and Britt Woodman (on 1960-06-22)
trumpet:
Willie Cook (US jazz trumpeter) (on 1960-06-22), Fats Ford (trumpeter) (on 1960-06-22), Ray Nance (on 1960-06-22) and Clark Terry (American swing trumpeter) (on 1960-06-22)
valve trombone:
Juan Tizol (on 1960-06-22)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1960-06-22)
recording of:
Nutcracker Suite: The Volga Vouty (Russian Dance)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
part of:
Nutcracker Suite (jazz interpretation, arr. Ellington, Strayhorn)
2:54
21Chinoiserie (Chinese dance)
producer:
Irving Townsend
alto saxophone:
Johnny Hodges (on 1960-06-21) and Russell Procope (on 1960-06-21)
baritone saxophone:
Harry Carney (on 1960-06-21)
bass:
Aaron Bell (jazz double bassist) (on 1960-06-21)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1960-06-21)
membranophone:
Sam Woodyard (on 1960-06-21)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1960-06-21)
reeds:
Harry Carney (on 1960-06-21), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1960-06-21) and Russell Procope (on 1960-06-21)
tenor saxophone:
Paul Gonsalves (on 1960-06-21)
trombone:
Lawrence Brown (jazz trombonist) (on 1960-06-21), Booty Wood (on 1960-06-21) and Britt Woodman (on 1960-06-21)
trumpet:
Willie Cook (US jazz trumpeter) (on 1960-06-21), Fats Ford (trumpeter) (on 1960-06-21), Ray Nance (on 1960-06-21) and Clark Terry (American swing trumpeter) (on 1960-06-21)
valve trombone:
Juan Tizol (on 1960-06-21)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1960-06-21)
recording of:
Chinoiserie
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
recording of:
Nutcracker Suite: Chinoiserie (Chinese Dance)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
part of:
Nutcracker Suite (jazz interpretation, arr. Ellington, Strayhorn)
2:48
22Dance of the Floreadones (Waltz of the Flowers)
producer:
Irving Townsend
alto saxophone:
Johnny Hodges (on 1960-06-03) and Russell Procope (on 1960-06-03)
baritone saxophone:
Harry Carney (on 1960-06-03)
bass:
Aaron Bell (jazz double bassist) (on 1960-06-03)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1960-06-03)
membranophone:
Sam Woodyard (on 1960-06-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1960-06-03)
reeds:
Harry Carney (on 1960-06-03), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1960-06-03) and Russell Procope (on 1960-06-03)
tenor saxophone:
Paul Gonsalves (on 1960-06-03)
trombone:
Lawrence Brown (jazz trombonist) (on 1960-06-03), Booty Wood (on 1960-06-03) and Britt Woodman (on 1960-06-03)
trumpet:
Willie Cook (US jazz trumpeter) (on 1960-06-03), Fats Ford (trumpeter) (on 1960-06-03), Ray Nance (on 1960-06-03) and Clark Terry (American swing trumpeter) (on 1960-06-03)
valve trombone:
Juan Tizol (on 1960-06-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1960-06-03)
recording of:
Nutcracker Suite: Danse of the Floreadores (Waltz of the Flowers)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
part of:
Nutcracker Suite (jazz interpretation, arr. Ellington, Strayhorn)
4:06
23Arabesque Cookie (Arabian dance)
producer:
Irving Townsend
alto saxophone:
Johnny Hodges (on 1960-06-22) and Russell Procope (on 1960-06-22)
baritone saxophone:
Harry Carney (on 1960-06-22)
bass:
Aaron Bell (jazz double bassist) (on 1960-06-22)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1960-06-22)
membranophone:
Sam Woodyard (on 1960-06-22)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1960-06-22)
reeds:
Harry Carney (on 1960-06-22), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1960-06-22) and Russell Procope (on 1960-06-22)
tenor saxophone:
Paul Gonsalves (on 1960-06-22)
trombone:
Lawrence Brown (jazz trombonist) (on 1960-06-22), Booty Wood (on 1960-06-22) and Britt Woodman (on 1960-06-22)
trumpet:
Willie Cook (US jazz trumpeter) (on 1960-06-22), Fats Ford (trumpeter) (on 1960-06-22), Ray Nance (on 1960-06-22) and Clark Terry (American swing trumpeter) (on 1960-06-22)
valve trombone:
Juan Tizol (on 1960-06-22)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1960-06-22)
recording of:
Nutcracker Suite: Arabesque Cookie (Arabian Dance)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
part of:
Nutcracker Suite (jazz interpretation, arr. Ellington, Strayhorn)
5:44
4▼CD: Piano in the Foreground / Together Again
#TitleRatingLength
1I Can't Get Started
engineer:
Allan Emig
producer:
Irving Townsend
double bass:
Aaron Bell (jazz double bassist) (on 1961-03-01)
drums (drum set):
Sam Woodyard (on 1961-03-01)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-03-01)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1961-03-01)
recording of:
I Can’t Get Started (on 1961-03-01)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:21
2Gong-Go
engineer:
Allan Emig
producer:
Irving Townsend
double bass:
Aaron Bell (jazz double bassist) (on 1961-03-01)
drums (drum set):
Sam Woodyard (on 1961-03-01)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-03-01)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1961-03-01)
recording of:
Cong-Go (on 1961-03-01)
composer:
Aaron Bell (jazz double bassist) and Duke Ellington (US composer, pianist & jazz bandleader)
4:14
3Body and Soul
engineer:
Allan Emig
producer:
Irving Townsend
double bass:
Aaron Bell (jazz double bassist) (on 1961-03-01)
drums (drum set):
Sam Woodyard (on 1961-03-01)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-03-01)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1961-03-01)
recording of:
Body and Soul (on 1961-03-01)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
14:42
4Blues for Jerry
engineer:
Allan Emig
producer:
Irving Townsend
double bass:
Aaron Bell (jazz double bassist) (on 1961-03-01)
drums (drum set):
Sam Woodyard (on 1961-03-01)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-03-01)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1961-03-01)
recording of:
Blues for Jerry (on 1961-03-01)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
4:38
5Fontainebleau Forest
engineer:
Allan Emig
producer:
Irving Townsend
double bass:
Aaron Bell (jazz double bassist) (on 1961-03-01)
drums (drum set):
Sam Woodyard (on 1961-03-01)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-03-01)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1961-03-01)
recording of:
Fountainebleau Forest (on 1961-03-01)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
2:47
6Summertime
engineer:
Allan Emig
producer:
Irving Townsend
double bass:
Aaron Bell (jazz double bassist) (on 1961-03-01)
drums (drum set):
Sam Woodyard (on 1961-03-01)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-03-01)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1961-03-01)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1961-03-01)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
3:50
7It's Bad to Be Forgotten
engineer:
Allan Emig
producer:
Irving Townsend
double bass:
Aaron Bell (jazz double bassist) (on 1961-03-01)
drums (drum set):
Sam Woodyard (on 1961-03-01)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-03-01)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1961-03-01)
recording of:
It's Bad to Be Forgotten (on 1961-03-01)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:16
8A Hundred Dreams Ago
engineer:
Allan Emig
producer:
Irving Townsend
double bass:
Aaron Bell (jazz double bassist) (on 1961-03-01)
drums (drum set):
Sam Woodyard (on 1961-03-01)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-03-01)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1961-03-01)
recording of:
A Hundred Dreams Ago (on 1961-03-01)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
2:25
9So
engineer:
Allan Emig
producer:
Irving Townsend
double bass:
Aaron Bell (jazz double bassist) (on 1961-03-01)
drums (drum set):
Sam Woodyard (on 1961-03-01)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-03-01)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1961-03-01)
recording of:
So (on 1961-03-01)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
14:32
10Searching
engineer:
Allan Emig
producer:
Irving Townsend
double bass:
Aaron Bell (jazz double bassist) (on 1961-03-01)
drums (drum set):
Sam Woodyard (on 1961-03-01)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-03-01)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1961-03-01)
recording of:
Searching (Pleading for Love) (on 1961-03-01)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
1:47
11Springtime in Africa
engineer:
Allan Emig
producer:
Irving Townsend
double bass:
Aaron Bell (jazz double bassist) (on 1961-03-01)
drums (drum set):
Sam Woodyard (on 1961-03-01)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-03-01)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1961-03-01)
recording of:
Springtime in Africa (on 1961-03-01)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:44
12Duke's Place
clarinet:
Barney Bigard (on 1961-04-03)
double bass:
Mort Herbert (on 1961-04-03)
drums (drum set):
Danny Barcelona (on 1961-04-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-04-03)
trombone:
Trummy Young (on 1961-04-03)
trumpet:
Louis Armstrong (on 1961-04-03)
vocals:
Louis Armstrong (on 1961-04-03)
recording of:
Duke’s Place (on 1961-04-03)
lyricist:
Bill Katz, Ruth Roberts and Bob Thiele (producer & songwriter)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
“C” Jam Blues
5:04
13I'm Just a Lucky So and So
recording engineer:
Ray Hall (engineer)
producer:
Bob Thiele (producer & songwriter) (on 1961-04-04)
clarinet:
Barney Bigard (on 1961-04-04)
double bass:
Mort Herbert (on 1961-04-04)
drums (drum set):
Danny Barcelona (on 1961-04-04)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-04-04)
trombone:
Trummy Young (on 1961-04-04)
trumpet:
Louis Armstrong (on 1961-04-04)
vocals:
Louis Armstrong (on 1961-04-04)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1961-04-04)
recording of:
I’m Just a Lucky So and So (on 1961-04-04)
lyricist:
Mack David (American lyricist and songwriter) (in 1945)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1945)
publisher:
Paramount Music Corporation and PolyGram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
43:09
14Cottontail
clarinet:
Barney Bigard (on 1961-04-04)
double bass:
Mort Herbert (on 1961-04-04)
drums (drum set):
Danny Barcelona (on 1961-04-04)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-04-04)
trombone:
Trummy Young (on 1961-04-04)
trumpet:
Louis Armstrong (on 1961-04-04)
vocals:
Louis Armstrong (on 1961-04-04)
recording of:
Cotton Tail (on 1961-04-04)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:42
15Mood Indigo
recording engineer:
Ray Hall (engineer)
producer:
Bob Thiele (producer & songwriter)
clarinet:
Barney Bigard (on 1961-04-04)
double bass:
Mort Herbert (on 1961-04-04)
drums (drum set):
Danny Barcelona (on 1961-04-04)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-04-04)
trombone:
Trummy Young (on 1961-04-04)
trumpet:
Louis Armstrong (on 1961-04-04)
vocals:
Louis Armstrong (on 1961-04-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1961-04-04)
recording of:
Mood Indigo (1930 jazz composition and song) (on 1961-04-04)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, volume I)
3:56
16Do Nuthin' Till You Hear From Me
clarinet:
Barney Bigard (on 1961-04-04)
double bass:
Mort Herbert (on 1961-04-04)
drums (drum set):
Danny Barcelona (on 1961-04-04)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-04-04)
trombone:
Trummy Young (on 1961-04-04)
trumpet:
Louis Armstrong (on 1961-04-04)
vocals:
Louis Armstrong (on 1961-04-04)
recording of:
Do Nothin’ Till You Hear From Me (on 1961-04-04)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
2:38
17The Beautiful American
clarinet:
Barney Bigard (on 1961-04-03)
double bass:
Mort Herbert (on 1961-04-03)
drums (drum set):
Danny Barcelona (on 1961-04-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-04-03)
trombone:
Trummy Young (on 1961-04-03)
trumpet:
Louis Armstrong (on 1961-04-03)
3:08
18Black and Tan Fantasy
recording engineer:
Ray Hall (engineer) (on 1961-04-04)
producer:
Bob Thiele (producer & songwriter)
clarinet:
Barney Bigard (on 1961-04-04)
double bass:
Mort Herbert (on 1961-04-04)
drums (drum set):
Danny Barcelona (on 1961-04-04)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-04-04)
trombone:
Trummy Young (on 1961-04-04)
trumpet:
Louis Armstrong (on 1961-04-04)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1961-04-04)
recording of:
Black and Tan Fantasy (on 1961-04-04)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Bubber Miley
4:00
19Drop Me Off in Harlem
clarinet:
Barney Bigard (on 1961-04-04)
double bass:
Mort Herbert (on 1961-04-04)
drums (drum set):
Danny Barcelona (on 1961-04-04)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-04-04)
trombone:
Trummy Young (on 1961-04-04)
trumpet:
Louis Armstrong (on 1961-04-04)
vocals:
Louis Armstrong (on 1961-04-04)
recording of:
Drop Me Off in Harlem (on 1961-04-04)
lyricist:
Nick Kenny (in 1933)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1933)
3:50
20The Moochie
recording engineer:
Ray Hall (engineer)
producer:
Bob Thiele (producer & songwriter)
clarinet:
Barney Bigard (on 1961-04-04)
double bass:
Mort Herbert (on 1961-04-04)
drums (drum set):
Danny Barcelona (on 1961-04-04)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-04-04)
trombone:
Trummy Young (on 1961-04-04)
trumpet:
Louis Armstrong (on 1961-04-04)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1961-04-04)
recording of:
The Mooche (on 1961-04-04)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
3:41
21In a Mellow Tone
clarinet:
Barney Bigard (on 1961-04-03)
double bass:
Mort Herbert (on 1961-04-03)
drums (drum set):
Danny Barcelona (on 1961-04-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-04-03)
trombone:
Trummy Young (on 1961-04-03)
trumpet:
Louis Armstrong (on 1961-04-03)
vocals:
Louis Armstrong (on 1961-04-03)
recording of:
In a Mellow Tone (on 1961-04-03)
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
3:46