Annotazione

ESOTERIC proudly introduces a series of re-master collection – A great Jazz collection. This 6-SACD box set contains "Ella and Louis", "Back to Back", "Pres and Teddy", "Swing's the Thing", "Sonny Side Up", and The Tatum Masterpieces".

The reissue of historical music masterpieces by ESOTERIC has attracted a lot of attention, both for its uncompromising commitment to recreating the original master sound, and for using hybrid Super Audio CD (SACD) technology to improve sound quality.

These new audio versions feature ESOTERIC's proprietary re-mastering process to achieve the highest level of sound quality.

ESOTERIC equipment used for re-mastering
The criterion of re-mastering is to faithfully capture the quality of the original master. ESOTERIC's flag ship D/A converters, model D-01VU, Rubidium master clock generator model G-0Rb and ESOTERIC MEXCEL interconnect cables and power cords, were all used for this re-mastering session. This combination of highly advanced technology greatly contributed to capturing the high quality sound of the original master.

Experience by yourself
Experience the legendary performance in this new Super Audio CD/CD format. Not only for new followers, but also for well experienced followers of these recorded materials. All will be equally impressed by the "soul" hidden within the notes, but never before found in previously released recordings in any format.

Features:
• Limited edition (3000 sets)
• Super Audio CD
• SACD Stereo SACD Layer
• This Hybrid SACD contains a 'Red Book' Stereo CD Layer which is playable on most conventional CD Players!
• Made in Japan
• Deluxe, Full-Color High-Quality Digi-pak Packaging housed in a slip cover box
• ESSV-90163,65,66,67,68 Mono
• ESSV-90164 - Stereo

Albums Included:
ESSV-90163 - Mono:
Ella Fitzgerald & Louis Armstrong / Ella And Louis
1. Can't We Be Friends?
2. Isn't This A Lovely Day
3. Moonlight In Vermont
4. They Can't Take That Away From Me
5. Under A Blanket of Blue
6. tenderly
7. A Foggy Day
8. Stars Fell On Alabama
9. Cheek To Cheek
10. The Nearness of You
11. April In Paris

ESSV-90164 - Stereo:
Duke Ellington & Johnny Hodges / Back To Back
1. Wabash Blues
2. Basin Street Blues
3. Beale Street Blues
4. Weary Blues
5. St. Louis Blues
6. Loveless Love
7. Royal Garden Blues

ESSV-90165 - Mono:
Lester Young, Teddy Wilson Quartet / Pres And Teddy
1. All of Me
2. Prisoner of Love
3. Louise
4. Love Me or Leave Me
5. Taking A Chance On Love
6. Love Is Here To Stay

ESSV-90166 - Mono:
Illinois Jacquet / Swing's The Thing
1. Las Vegas Blues
2. Harlem Nocturne
3. Can't We Be Friends
4. Achtung
5. Have You Met Miss Jones
6. Lullaby of The Leaves

ESSV-90167 - Mono:
Dizzy Gillespie, Sonny Stitt, Sonny Rollins / Sonny Side Up
1. On the Sunny Side of The Street
2. The Eternal Triangle
3. After Hours
4. I Know That You Know

ESSV-90168 - Mono:
Art Tatum, Ben Webster Quartet / The Tatum Group Masterpieces
1. Gone With the Wind
2. All the Things You Are
3. Have You Met Miss Jones?
4. My One and Only Love
5. Night and Day
6. My Ideal
7. Where or When

from: https://elusivedisc.com/verve-6-great-jazz-collection-hybrid-stereo-japanese-import-6sacd-box-set/

Annotazione modificata l'ultima volta il 2021-09-12 23:10 UTC.

Elenco tracce

| |
1SACD ibrido: Ella Fitzgerald & Louis Armstrong: Ella And Louis [MONO]
#TitoloArtistaValutazioneDurata
1Can't We Be Friends
batteria :
Buddy Rich (il 1956-08-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-08-16)
contrabbasso :
Ray Brown (jazz bassist) (il 1956-08-16)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1956-08-16)
tromba :
Louis Armstrong (il 1956-08-16)
voce:
Louis Armstrong (il 1956-08-16) e Ella Fitzgerald (American jazz singer) (il 1956-08-16)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-16)
registrazione cover di:
Can’t We Be Friends? (il 1956-08-16)
paroliere:
Paul James (Lyricist, aka James Warburg)
compositore:
Kay Swift
editore:
Warner Bros. Music Corp.
Ella Fitzgerald & Louis Armstrong43:52
2Isn't This A Lovely Day
batteria :
Buddy Rich (il 1956-08-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-08-16)
contrabbasso :
Ray Brown (jazz bassist) (il 1956-08-16)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1956-08-16)
tromba :
Louis Armstrong (il 1956-08-16)
voce:
Louis Armstrong (il 1956-08-16) e Ella Fitzgerald (American jazz singer) (il 1956-08-16)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-16)
registrazione cover di:
Isn’t This a Lovely Day? (from “Top Hat”) (il 1956-08-16)
paroliere e compositore:
Irving Berlin (nel 1935)
parte di:
Top Hat (1935 film)
Ella Fitzgerald & Louis Armstrong3.656:18
3Moonlight In Vermont
batteria :
Buddy Rich (il 1956-08-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-08-16)
contrabbasso :
Ray Brown (jazz bassist) (il 1956-08-16)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1956-08-16)
tromba :
Louis Armstrong (il 1956-08-16)
voce:
Louis Armstrong (il 1956-08-16) e Ella Fitzgerald (American jazz singer) (il 1956-08-16)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-16)
registrazione cover di:
Moonlight in Vermont (il 1956-08-16)
paroliere:
John Blackburn (songwriter)
compositore:
Karl Suessdorf
editore:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald & Louis Armstrong53:44
4They Can't Take That Away From Me
batteria :
Buddy Rich (il 1956-08-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-08-16)
contrabbasso :
Ray Brown (jazz bassist) (il 1956-08-16)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1956-08-16)
tromba :
Louis Armstrong (il 1956-08-16)
voce:
Louis Armstrong (il 1956-08-16) e Ella Fitzgerald (American jazz singer) (il 1956-08-16)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-16)
registrazione cover di:
They Can’t Take That Away From Me (from “Shall We Dance”) (il 1956-08-16)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Gershwin Publishing Corp (nel 1937)
parte di:
The 10th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1937 nominee)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Shall We Dance (1937 film soundtrack)
Ella Fitzgerald & Louis Armstrong4.654:42
5Under A Blanket Of Blue
batteria :
Buddy Rich (il 1956-08-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-08-16)
contrabbasso :
Ray Brown (jazz bassist) (il 1956-08-16)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1956-08-16)
tromba :
Louis Armstrong (il 1956-08-16)
voce:
Louis Armstrong (il 1956-08-16) e Ella Fitzgerald (American jazz singer) (il 1956-08-16)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-16)
registrazione cover di:
Under a Blanket of Blue (il 1956-08-16)
paroliere:
Marty Symes (lyricist) (nel 1933)
paroliere aggiunto:
Al J. Neiburg (lyricist) (nel 1933)
compositore:
Jerry Livingston (songwriter) (nel 1933)
Ella Fitzgerald & Louis Armstrong44:20
6Tenderly
batteria :
Buddy Rich (il 1956-08-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-08-16)
contrabbasso :
Ray Brown (jazz bassist) (il 1956-08-16)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1956-08-16)
tromba :
Louis Armstrong (il 1956-08-16)
voce:
Louis Armstrong (il 1956-08-16) e Ella Fitzgerald (American jazz singer) (il 1956-08-16)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-16)
registrazione cover di:
Tenderly (il 1956-08-16)
paroliere:
Jack Lawrence (US songwriter) (nel 1946)
compositore:
Walter Gross (American composer) (nel 1946)
editore:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music e Range Road Music
Ella Fitzgerald & Louis Armstrong45:10
7A Foggy Day
batteria :
Buddy Rich (il 1956-08-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-08-16)
contrabbasso :
Ray Brown (jazz bassist) (il 1956-08-16)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1956-08-16)
tromba :
Louis Armstrong (il 1956-08-16)
voce:
Louis Armstrong (il 1956-08-16) e Ella Fitzgerald (American jazz singer) (il 1956-08-16)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-16)
registrazione cover di:
A Foggy Day (in London Town) (il 1956-08-16)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. e WB Music Corp. (1929–2019) (fino al 2019-05-28)
parte di:
A Damsel in Distress (1937 film score)
Ella Fitzgerald & Louis Armstrong44:34
8Stars Fell On Alabama
batteria :
Buddy Rich (il 1956-08-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-08-16)
contrabbasso :
Ray Brown (jazz bassist) (il 1956-08-16)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1956-08-16)
tromba :
Louis Armstrong (il 1956-08-16)
voce:
Louis Armstrong (il 1956-08-16) e Ella Fitzgerald (American jazz singer) (il 1956-08-16)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-16)
registrazione cover di:
Stars Fell on Alabama (il 1956-08-16)
paroliere:
Mitchell Parish
compositore:
Frank S. Perkins
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) e Mills Music
Ella Fitzgerald & Louis Armstrong43:36
9Cheek To Cheek
batteria :
Buddy Rich (il 1956-08-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-08-16)
contrabbasso :
Ray Brown (jazz bassist) (il 1956-08-16)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1956-08-16)
tromba :
Louis Armstrong (il 1956-08-16)
voce:
Louis Armstrong (il 1956-08-16) e Ella Fitzgerald (American jazz singer) (il 1956-08-16)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-16)
registrazione cover di:
Cheek to Cheek (from “Top Hat”) (il 1956-08-16)
paroliere e compositore:
Irving Berlin (nel 1935)
editore:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
Academy Award for Best Original Song (numero: 1935 nominee)
parte di:
Top Hat (1935 film)
Ella Fitzgerald & Louis Armstrong4.155:56
10The Nearness Of You
batteria :
Buddy Rich (il 1956-08-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-08-16)
contrabbasso :
Ray Brown (jazz bassist) (il 1956-08-16)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1956-08-16)
tromba :
Louis Armstrong (il 1956-08-16)
voce:
Louis Armstrong (il 1956-08-16) e Ella Fitzgerald (American jazz singer) (il 1956-08-16)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-16)
registrazione cover di:
The Nearness of You (il 1956-08-16)
paroliere:
Ned Washington (nel 1938)
compositore:
Hoagy Carmichael (nel 1938)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK e Sony/ATV Music Publishing LLC (1995–2020)
Ella Fitzgerald & Louis Armstrong45:44
11April In Paris
batteria :
Buddy Rich (il 1956-08-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-08-16)
contrabbasso :
Ray Brown (jazz bassist) (il 1956-08-16)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1956-08-16)
tromba :
Louis Armstrong (il 1956-08-16)
voce:
Louis Armstrong (il 1956-08-16) e Ella Fitzgerald (American jazz singer) (il 1956-08-16)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-16)
registrazione cover di:
April in Paris (il 1956-08-16)
paroliere:
Yip Harburg (nel 1932)
compositore:
Vernon Duke (nel 1932)
editore:
Chappell Music Ltd.
parte di:
The Real Book (compilation of jazz standards, volume I)
Ella Fitzgerald & Louis Armstrong4.656:37
2SACD ibrido: Duke Ellington & Johnny Hodges: Back To Back
#TitoloArtistaValutazioneDurata
1Wabash Blues
produttore:
Norman Granz
batteria :
Jo Jones (US jazz drummer) (il 1959-02-26)
chitarra :
Leslie Spann (il 1959-02-26)
contrabbasso [bass] :
Al Hall (il 1959-02-26)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1959-02-26)
sassofono contralto :
Johnny Hodges
tromba :
Harry Edison (il 1959-02-26)
diritti fonografici (℗) detenuti da:
Verve Music Group (now known as Verve Label Group; not for release label use!)
registrata presso:
Columbia Studios in New York, New York, Stati Uniti (il 1959-02-26)
registrazione strumentale di:
Wabash Blues (il 1959-02-26)
paroliere:
Dave Ringle
compositore:
Fred Meinken
editore:
Leo Feist, Inc. (il 1921-09-16)
Duke Ellington & Johnny Hodges6:27
2Basin Street Blues
produttore:
Norman Granz
batteria :
Jo Jones (US jazz drummer) (il 1959-02-20)
chitarra :
Leslie Spann (il 1959-02-20)
contrabbasso [bass] :
Sam Jones (US jazz bassist) (il 1959-02-20)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1959-02-20)
sassofono contralto :
Johnny Hodges (il 1959-02-20)
tromba :
Harry Edison (il 1959-02-20)
diritti fonografici (℗) detenuti da:
Verve Music Group (now known as Verve Label Group; not for release label use!)
registrata presso:
Columbia Studios in New York, New York, Stati Uniti (il 1959-02-20)
registrazione strumentale di:
Basin Street Blues (il 1959-02-20)
paroliere e compositore:
Spencer Williams (US jazz composer, pianist & singer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Duke Ellington & Johnny Hodges8:01
3Beale Street Blues
produttore:
Norman Granz
batteria :
Jo Jones (US jazz drummer) (il 1959-02-20)
chitarra :
Leslie Spann (il 1959-02-20)
contrabbasso [bass] :
Sam Jones (US jazz bassist) (il 1959-02-20)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1959-02-20)
sassofono contralto :
Johnny Hodges (il 1959-02-20)
tromba :
Harry Edison (il 1959-02-20)
diritti fonografici (℗) detenuti da:
Verve Music Group (now known as Verve Label Group; not for release label use!)
registrata presso:
Columbia Studios in New York, New York, Stati Uniti (il 1959-02-20)
registrazione strumentale di:
Beale Street Blues (il 1959-02-20)
paroliere e compositore:
William Christopher Handy
editore:
Handy Bros. Music
Duke Ellington & Johnny Hodges7:36
4Weary Blues
produttore:
Norman Granz
batteria :
Jo Jones (US jazz drummer) (il 1959-02-26)
chitarra :
Leslie Spann (il 1959-02-26)
contrabbasso [bass] :
Al Hall (il 1959-02-26)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1959-02-26)
sassofono contralto :
Johnny Hodges (il 1959-02-20)
tromba :
Harry Edison (il 1959-02-26)
diritti fonografici (℗) detenuti da:
Verve Music Group (now known as Verve Label Group; not for release label use!)
registrata presso:
Columbia Studios in New York, New York, Stati Uniti (il 1959-02-26)
registrazione di:
Weary Blues (il 1959-02-26)
paroliere:
George Cates e Mort Greene
compositore:
Artie Matthews
Duke Ellington & Johnny Hodges6:54
5St. Louis Blues
produttore:
Norman Granz
batteria :
Jo Jones (US jazz drummer) (il 1959-02-20)
chitarra :
Leslie Spann (il 1959-02-20)
contrabbasso [bass] :
Sam Jones (US jazz bassist) (il 1959-02-20)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1959-02-20)
sassofono contralto :
Johnny Hodges (il 1959-02-20)
tromba :
Harry Edison (il 1959-02-20)
diritti fonografici (℗) detenuti da:
Verve Music Group (now known as Verve Label Group; not for release label use!)
registrata presso:
Columbia Studios in New York, New York, Stati Uniti (il 1959-02-20)
registrazione strumentale di:
St. Louis Blues (il 1959-02-20)
paroliere e compositore:
William Christopher Handy (nel 1913)
editore:
Handy Bros. Music Co., Inc.
sub-editore:
Reuter & Reuter Förlags AB
registrazione di:
St. Louis Blues (il 1959-02-20)
paroliere e compositore:
William Christopher Handy (nel 1913)
editore:
Handy Bros. Music Co., Inc.
sub-editore:
Reuter & Reuter Förlags AB
Duke Ellington & Johnny Hodges5:47
6Loveless Love
produttore:
Norman Granz
batteria :
Jo Jones (US jazz drummer) (il 1959-02-20)
chitarra :
Leslie Spann (il 1959-02-20)
contrabbasso [bass] :
Sam Jones (US jazz bassist) (il 1959-02-20)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1959-02-20)
sassofono contralto :
Johnny Hodges (il 1959-02-20)
tromba :
Harry Edison (il 1959-02-20)
diritti fonografici (℗) detenuti da:
Verve Music Group (now known as Verve Label Group; not for release label use!)
registrata presso:
Columbia Studios in New York, New York, Stati Uniti (il 1959-02-20)
registrazione di:
Loveless Love (il 1959-02-20)
paroliere e compositore:
William Christopher Handy
Duke Ellington & Johnny Hodges7:09
7Royal Garden Blues
produttore:
Norman Granz
batteria :
Jo Jones (US jazz drummer) (il 1959-02-20)
chitarra :
Leslie Spann (il 1959-02-20)
contrabbasso [bass] :
Sam Jones (US jazz bassist) (il 1959-02-20)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1959-02-20)
sassofono contralto :
Johnny Hodges (il 1959-02-20)
tromba :
Harry Edison (il 1959-02-20)
diritti fonografici (℗) detenuti da:
Verve Music Group (now known as Verve Label Group; not for release label use!)
registrata presso:
Columbia Studios in New York, New York, Stati Uniti (il 1959-02-20)
registrazione di:
Royal Garden Blues (il 1959-02-20)
compositore:
Clarence Williams (US jazz pianist, composer, singer and bandleader) (nel 1919) e Spencer Williams (US jazz composer, pianist & singer) (nel 1919)
Duke Ellington & Johnny Hodges5:22
3SACD ibrido: Lester Young, Teddy Wilson Quartet: Pres And Teddy
#TitoloArtistaValutazioneDurata
1All Of Me
registrazione cover di:
All of Me (il 1956-01-13)
autore:
Gerald Marks (nel 1932) e Seymour Simons (nel 1932)
editore:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs e Sony/ATV Tunes LLC (ASCAP)
sub-editore:
Peermusic e 日音 Synch事業部 (NICHION, INC. Synch Division)
The Lester Young — Teddy Wilson Quartet5:14
2Prisoner Of Love
editore:
Mayfair Music
registrazione strumentale cover di:
Prisoner of Love (il 1956-01-13)
paroliere:
Leo Robin (US composer, lyricist & songwriter)
compositore:
Russ Columbo (American singer, songwriter, violinist and actor) e Clarence Gaskill
editore:
Colgems-EMI Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) e Music Sales Corporation (American copyright holder in both popular and classical music)
The Lester Young — Teddy Wilson Quartet7:39
3Louise
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
registrazione strumentale cover di:
Louise (from "Innocents of Paris") (il 1956-01-13)
paroliere:
Leo Robin (US composer, lyricist & songwriter)
compositore:
Richard A. Whiting (composer)
The Lester Young — Teddy Wilson Quartet5:18
4Love Me Or Leave Me
registrazione strumentale cover di:
Love Me or Leave Me (il 1956-01-13)
paroliere:
Gus Kahn
compositore:
Walter Donaldson
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (nel 1928, nel 1955) e Gilbert Keyes Music Company (nel 1928, nel 1955)
The Lester Young — Teddy Wilson Quartet6:50
5Taking A Chance On LoveThe Lester Young — Teddy Wilson Quartet5:11
6Love Is Here To Stay
editore:
Chappell & Co.
registrazione strumentale cover di:
Love Is Here to Stay (il 1956-01-13)
paroliere:
Ira Gershwin
compositore:
George Gershwin (composer)
editore:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Gershwin Publishing Corp (nel 1938) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The Goldwyn Follies
The Lester Young — Teddy Wilson Quartet6:28
4SACD ibrido: Illinois Jacquet: Swing's The Thing [MONO]
#TitoloArtistaValutazioneDurata
1Las Vegas Blues
batteria :
Jo Jones (US jazz drummer) (il 1956-10-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-10-16)
contrabbasso :
Ray Brown (jazz bassist) (il 1956-10-16)
pianoforte :
Jimmy Jones (jazz pianist, active years 1936-1975) (il 1956-10-16)
sassofono tenore :
Illinois Jacquet (il 1956-10-16)
tromba :
Roy Eldridge (il 1956-10-16)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-10-16)
Illinois Jacquet6:19
2Harlem Nocturne
basso :
Ray Brown (jazz bassist) (il 1956-10-16)
batteria :
Jo Jones (US jazz drummer) (il 1956-10-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-10-16)
pianoforte :
Jimmy Jones (jazz pianist, active years 1936-1975) (il 1956-10-16)
sassofono tenore :
Illinois Jacquet (il 1956-10-16)
tromba :
Roy Eldridge (il 1956-10-16)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-10-16)
registrazione di:
Harlem Nocturne (Mike Hammer) (il 1956-10-16)
paroliere:
Dick Rogers (singer, comedian, songwriter & pianist)
compositore:
Earle Hagen (TV & film composer)
editore:
Peter Maurice Music Co. Ltd. e Shapiro, Bernstein & Co., Inc.
Illinois Jacquet4:33
3Can't We Be Friends
basso :
Ray Brown (jazz bassist) (il 1956-10-16)
batteria :
Jo Jones (US jazz drummer) (il 1956-10-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-10-16)
pianoforte :
Jimmy Jones (jazz pianist, active years 1936-1975) (il 1956-10-16)
sassofono tenore :
Illinois Jacquet (il 1956-10-16)
tromba :
Roy Eldridge (il 1956-10-16)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-10-16)
Illinois Jacquet6:42
4Achtung
basso e contrabbasso :
Ray Brown (jazz bassist) (il 1956-10-16)
batteria :
Jo Jones (US jazz drummer) (il 1956-10-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-10-16)
pianoforte :
Jimmy Jones (jazz pianist, active years 1936-1975) (il 1956-10-16)
sassofono tenore :
Illinois Jacquet (il 1956-10-16)
tromba :
Roy Eldridge (il 1956-10-16)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-10-16)
Illinois Jacquet5:07
5Have You Met Miss Jones
batteria :
Jo Jones (US jazz drummer) (il 1956-10-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-10-16)
contrabbasso :
Ray Brown (jazz bassist) (il 1956-10-16)
pianoforte :
Jimmy Jones (jazz pianist, active years 1936-1975) (il 1956-10-16)
sassofono tenore :
Illinois Jacquet (il 1956-10-16)
tromba :
Roy Eldridge (il 1956-10-16)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-10-16)
registrazione strumentale di:
Have You Met Miss Jones? (I’d Rather Be Right) (il 1956-10-16)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA) e Williamson Music Company
parte di:
I’d Rather Be Right
Illinois Jacquet5:56
6Lullaby Of The Leaves
basso :
Ray Brown (jazz bassist) (il 1956-10-16)
batteria :
Jo Jones (US jazz drummer) (il 1956-10-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-10-16)
pianoforte :
Jimmy Jones (jazz pianist, active years 1936-1975) (il 1956-10-16)
sassofono tenore :
Illinois Jacquet (il 1956-10-16)
tromba :
Roy Eldridge (il 1956-10-16)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-10-16)
Illinois Jacquet5:46
5SACD ibrido: Dizzy Gillespie, Sonny Stitt, Sonny Rollins: Sonny Side Up
#TitoloArtistaValutazioneDurata
1On The Sunny Side Of The Street
basso :
Tommy Bryant (il 1957-12-19)
batteria :
Charlie Persip (American jazz drummer) (il 1957-12-19)
chitarra basso :
Tommy Bryant
pianoforte :
Ray Bryant (US jazz pianist, composer, and arranger) (il 1957-12-19)
sassofono :
Sonny Rollins (American saxophonist) (il 1957-12-19) e Sonny Stitt (il 1957-12-19)
sassofono tenore :
Sonny Rollins (American saxophonist) e Sonny Stitt
tromba :
Dizzy Gillespie (il 1957-12-19)
voce:
Dizzy Gillespie (il 1957-12-19)
registrata presso:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, Stati Uniti (il 1957-12-19)
registrazione strumentale cover di:
On the Sunny Side of the Street (il 1957-12-19)
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Jimmy McHugh (songwriter)
editore:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. e Vydia Music Publishing
sub-editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. e シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
parte di:
American Splendor
Dizzy Gillespie, Sonny Stitt, Sonny Rollins5:47
2The Eternal Triangle
registrata a:
New York, New York, Stati Uniti (il 1957-12-19)
basso :
Tommy Bryant (il 1957-12-19)
batteria :
Charlie Persip (American jazz drummer) (il 1957-12-19)
pianoforte :
Ray Bryant (US jazz pianist, composer, and arranger) (il 1957-12-19)
sassofono :
Sonny Rollins (American saxophonist) (il 1957-12-19) e Sonny Stitt (il 1957-12-19)
tromba :
Dizzy Gillespie (il 1957-12-19)
registrazione di:
Eternal Triangle (il 1957-12-19)
compositore:
Sonny Stitt
Dizzy Gillespie, Sonny Stitt, Sonny Rollins14:17
3After Hours
registrata a:
New York, New York, Stati Uniti (il 1957-12-19)
basso :
Tommy Bryant (il 1957-12-19)
batteria :
Charlie Persip (American jazz drummer) (il 1957-12-19)
pianoforte :
Ray Bryant (US jazz pianist, composer, and arranger) (il 1957-12-19)
sassofono :
Sonny Rollins (American saxophonist) (il 1957-12-19) e Sonny Stitt (il 1957-12-19)
tromba :
Dizzy Gillespie (il 1957-12-19)
registrazione di:
After Hours (blues piano composition by Avery Parrish) (il 1957-12-19)
compositore:
Avery Parrish
Dizzy Gillespie, Sonny Stitt, Sonny Rollins12:24
4I Know That You Know
registrata a:
New York, New York, Stati Uniti (il 1957-12-19)
basso :
Tommy Bryant (il 1957-12-19)
batteria :
Charlie Persip (American jazz drummer) (il 1957-12-19)
pianoforte :
Ray Bryant (US jazz pianist, composer, and arranger) (il 1957-12-19)
sassofono :
Sonny Rollins (American saxophonist) (il 1957-12-19) e Sonny Stitt (il 1957-12-19)
tromba :
Dizzy Gillespie (il 1957-12-19)
registrazione strumentale cover di:
I Know That You Know (Caldwell & Youmans) (il 1957-12-19)
paroliere:
Anne Caldwell
compositore:
Vincent Youmans
parte di:
Hit the Deck (1955 movie)
Dizzy Gillespie, Sonny Stitt, Sonny Rollins5:30
6SACD ibrido: Art Tatum, Ben Webster Quartet: The Tatum Group Masterpieces
#TitoloArtistaValutazioneDurata
1Gone With The Wind
registrata a:
Los Angeles, California, Stati Uniti (il 1956-09-11)
tecnico:
Val Valentin
produttore:
Norman Granz
batteria :
Bill Douglass (American jazz drummer) (il 1956-09-11)
contrabbasso e contrabbasso [bass] :
Red Callender (il 1956-09-11)
pianoforte :
Art Tatum (US jazz pianist) (il 1956-09-11)
sassofono tenore :
Ben Webster (il 1956-09-11)
registrazione strumentale di:
Gone With the Wind (il 1956-09-11)
paroliere:
Herb Magidson
compositore:
Herb Magidson e Allie Wrubel (US composer and songwriter)
editore:
Bourne Co. (not for release label use, this is a music publisher)
The Art Tatum / Ben Webster Quartet4:50
2All The Things You Are
registrata a:
Los Angeles, California, Stati Uniti (il 1956-09-11)
tecnico:
Val Valentin
produttore:
Norman Granz
batteria :
Bill Douglass (American jazz drummer) (il 1956-09-11)
contrabbasso e contrabbasso [bass] :
Red Callender (il 1956-09-11)
pianoforte :
Art Tatum (US jazz pianist) (il 1956-09-11)
sassofono tenore :
Ben Webster (il 1956-09-11)
registrazione strumentale di:
All the Things You Are (from “Very Warm for May”) (il 1956-09-11)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1939)
compositore:
Jerome Kern (nel 1939)
editore:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (conclusa), T.B. Harms Inc. (conclusa) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Broadway Rhythm (film)
The Art Tatum / Ben Webster Quartet7:14
3Have You Met Miss Jones?
registrata a:
Los Angeles, California, Stati Uniti (il 1956-09-11)
tecnico:
Val Valentin
produttore:
Norman Granz
batteria :
Bill Douglass (American jazz drummer) (il 1956-09-11)
contrabbasso e contrabbasso [bass] :
Red Callender (il 1956-09-11)
pianoforte :
Art Tatum (US jazz pianist) (il 1956-09-11)
sassofono tenore :
Ben Webster (il 1956-09-11)
registrazione strumentale di:
Have You Met Miss Jones? (I’d Rather Be Right) (il 1956-09-11)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA) e Williamson Music Company
parte di:
I’d Rather Be Right
The Art Tatum / Ben Webster Quartet4:49
4My One And Only Love
registrata a:
Los Angeles, California, Stati Uniti (il 1956-09-11)
tecnico:
Val Valentin
produttore:
Norman Granz
batteria :
Bill Douglass (American jazz drummer) (il 1956-09-11)
contrabbasso e contrabbasso [bass] :
Red Callender (il 1956-09-11)
pianoforte :
Art Tatum (US jazz pianist) (il 1956-09-11)
sassofono tenore :
Ben Webster (il 1956-09-11)
registrazione strumentale di:
My One and Only Love (il 1956-09-11)
paroliere:
Robert Mellin
compositore:
Robert Mellin e Guy Wood
editore:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. e ミュージカル・ライツ・東京 (Musical Lights Tokyo)
versione di:
Music from Beyond the Moon (My One and Only Love)
The Art Tatum / Ben Webster Quartet6:13
5Night And Day
batteria :
Bill Douglass (American jazz drummer) (il 1956-09-11)
contrabbasso :
Red Callender (il 1956-09-11)
pianoforte :
Art Tatum (US jazz pianist) (il 1956-09-11)
sassofono tenore :
Ben Webster (il 1956-09-11)
registrazione strumentale di:
Night and Day (Cole Porter; from “The Gay Divorce”) (il 1956-09-11)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
The Art Tatum / Ben Webster Quartet5:29
6My Ideal
registrata a:
Los Angeles, California, Stati Uniti (il 1956-09-11)
tecnico:
Val Valentin
produttore:
Norman Granz
batteria :
Bill Douglass (American jazz drummer) (il 1956-09-11)
contrabbasso e contrabbasso [bass] :
Red Callender (il 1956-09-11)
pianoforte :
Art Tatum (US jazz pianist) (il 1956-09-11)
sassofono tenore :
Ben Webster (il 1956-09-11)
registrazione strumentale di:
My Ideal (from “Playboy of Paris”) (il 1956-09-11)
paroliere:
Leo Robin (US composer, lyricist & songwriter)
compositore:
Newell Chase e Richard A. Whiting (composer)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
The Art Tatum / Ben Webster Quartet7:16
7Where Or When
registrata a:
Los Angeles, California, Stati Uniti (il 1956-09-11)
tecnico:
Val Valentin
produttore:
Norman Granz
batteria :
Bill Douglass (American jazz drummer) (il 1956-09-11)
contrabbasso e contrabbasso [bass] :
Red Callender (il 1956-09-11)
pianoforte :
Art Tatum (US jazz pianist) (il 1956-09-11)
sassofono tenore :
Ben Webster (il 1956-09-11)
registrazione strumentale di:
Where or When (from “Babes in Arms”) (il 1956-09-11)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company e Chappell & Co. (nel 1937)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
The Art Tatum / Ben Webster Quartet6:26