Sacred Treasures

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#	Title	Artist	Rating	Length
1	Te Deum, H.146: Prélude vocals: Les Arts Florissants (French baroque ensemble) conductor: William Christie (harpsichordist and conductor) recording of: Te Deum, H. 146: Prélude composer: Marc‐Antoine Charpentier (composer) publisher: Copyright Control (not for release label use! this is only for copyrights and publishing relationships) part of: Te Deum, H. 146	Marc‐Antoine Charpentier		1:33
2	Te Deum, H.146:Te Deum laudamus vocals: Les Arts Florissants (French baroque ensemble) conductor: William Christie (harpsichordist and conductor) recording of: Te Deum, H. 146: Te Deum laudamus composer: Marc‐Antoine Charpentier (composer) part of: Te Deum, H. 146	Marc‐Antoine Charpentier		1:05
3	Gloria, RV 589: Gloria in excelsis Deo choir vocals: Taverner Choir orchestra: Taverner Players conductor: Andrew Parrott (conductor) recording of: Gloria in D major, RV 589: I. Gloria in excelsis Deo composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Gloria in D major, RV 589	Antonio Vivaldi		2:28
4	Miserere a 9 choir vocals: Taverner Choir and Taverner Consort other vocals: Taverner Consort conductor: Andrew Parrott (conductor) recording of: Miserere mei, Deus composer: Gregorio Allegri (composer) part of: ABC Classic 100 (2001) (number: 9) quotes lyrics from: Miserere mei (words from Psalm 51)	Gregorio Allegri		13:20
5	Selva morale e spirituale: Psalmus 111: Beatus vir a 6 bass vocals: David Thomas (British operatic bass) choir vocals: Taverner Consort soprano vocals: Emma Kirkby (soprano) tenor vocals: Rogers Covey‐Crump (tenor) orchestra: Taverner Players conductor: Andrew Parrott (conductor) recording of: Selva morale e spirituale: Beatus vir I a 6 [Psalm 112] SV 268 composer: Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player) part of: Stattkus-Verzeichnis (number: SV 268) part of: Selva morale e spirituale	Claudio Monteverdi		8:52
6	Zadok the Priest choir vocals: Choir of King’s College, Cambridge orchestra: English Chamber Orchestra conductor: Philip Ledger recording of: The Four Coronation Anthems: “Zadok the Priest”, HWV 258 composer: George Frideric Handel (German‐British baroque composer) (in 1727) premiered at: Westminster Abbey in London (Greater London), England, United Kingdom (on 1727-10-11) part of: Händel-Werke-Verzeichnis (number: HWV 258) part of: The Four Coronation Anthems	George Frideric Handel		6:07
7	Spem in alium choir vocals: Taverner Choir conductor: Andrew Parrott (conductor) recording of: Spem in alium composer: Thomas Tallis (composer)	Thomas Tallis		10:20
8	Messiah HWV56: Hallelujah (chorus) choir vocals: Taverner Choir orchestra: Taverner Players conductor: Andrew Parrott (conductor) recording of: Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” composer: George Frideric Handel (German‐British baroque composer) (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	George Frideric Handel		4:00
9	Cantata BWV147 'Herz und Mund und tat und Leben' Jesu bleibet meine Freude choir vocals: Taverner Choir and Taverner Consort orchestra: Taverner Players conductor: Andrew Parrott (conductor) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1723-07-02) lyricist: Martin Janus (German Protestant minister, c. 1620–1682) (in 1665) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Classic 100: Piano (2025) (number: 15) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach		2:16
10	Christmas Oratorio BWV248, Cantata 1: Chorus 'Jauchzet, frohlocket, auf, preiset die Tage!' choir vocals: Chorus of Collegium Vocale, Ghent (in 1989-01) orchestra: Orchestra of Collegium Vocale, Ghent (in 1989-01) conductor: Philippe Herreweghe (Belgian conductor) (in 1989-01) phonographic copyright (℗) by: Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989) recorded at: Mindersbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1989-01) recording of: Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1989-01) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-25) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!" part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		7:46
11	A Venetian Coronation 1595: Canzona 9 à 10 vocals: Gabrieli Consort (UK early music ensemble) orchestra: Gabrieli Players (UK early music ensemble) conductor: Paul McCreesh (conductor) recording of: Canzona IX à 10 composer: Giovanni Gabrieli (composer)	Giovanni Gabrieli		4:18
12	Stabat Mater: Stabat Mater dolorosa countertenor vocals: Gérard Lesne (countertenor) soprano vocals: Véronique Gens (soprano) orchestra: Il Seminario Musicale (French baroque music ensemble) conductor: Gérard Lesne (countertenor) recorded at: Couvent de l'Annonciation (aka "Couvent des Dominicains") in Paris, Île-de-France, France (from 1997-02-02 until 1997-02-06) recording of: Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa composer: Giovanni Battista Pergolesi (composer) part of: Stabat Mater for soprano, alto, strings and basso continuo	Giovanni Battista Pergolesi		4:43
13	St. John Passion BWV245: 'Ruht wohl, ihr heiligen Gebeine' choir vocals: Taverner Consort orchestra: Taverner Players conductor: Andrew Parrott (conductor) recording of: Johannes-Passion, BWV 245: Teil II. No. 39 Chorus "Ruht wohl, ihr heiligen Gebeine" composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Johannes-Passion, BWV 245 (St. John Passion, BWV 245)	Johann Sebastian Bach		8:02

2▼CD: CD 2
#	Title	Artist	Rating	Length
1	Requiem in D minor, K.626: Requiem aeternam bass vocals: Alastair Miles (operatic bass) choir vocals: Schütz Choir & Consort contralto vocals: Catherine Robbin (Canadian mezzo-soprano) soprano vocals: Nancy Argenta (soprano) tenor vocals: John Mark Ainsley (tenor) orchestra: London Classical Players conductor: Sir Roger Norrington (conductor) recording of: Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (catch-all for unknown editions) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) version of: Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (original version) part of: Requiem in D minor, K. 626 (catch-all for unknown editions)	Wolfgang Amadeus Mozart		4:01
2	Requiem in D minor, K.626: Kyrie eleison bass vocals: Alastair Miles (operatic bass) choir vocals: Schütz Choir & Consort contralto vocals: Catherine Robbin (Canadian mezzo-soprano) soprano vocals: Nancy Argenta (soprano) tenor vocals: John Mark Ainsley (tenor) orchestra: London Classical Players conductor: Sir Roger Norrington (conductor) recording of: Requiem in D minor, K. 626: II. Kyrie eleison (catch-all for unknown editions) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) part of: Requiem in D minor, K. 626 (catch-all for unknown editions)	Wolfgang Amadeus Mozart		2:13
3	Requiem in D minor, K.626: Lacrimosa bass vocals: Alastair Miles (operatic bass) choir vocals: Schütz Choir & Consort contralto vocals: Catherine Robbin (Canadian mezzo-soprano) soprano vocals: Nancy Argenta (soprano) tenor vocals: John Mark Ainsley (tenor) orchestra: London Classical Players conductor: Sir Roger Norrington (conductor) recording of: Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) part of: Requiem in D minor, K. 626 (catch-all for unknown editions)	Wolfgang Amadeus Mozart		3:35
4	Ave verum corpus, Motet K.618 choir vocals: Coppola e Il Suo Sestetto orchestra: London Classical Players conductor: Sir Roger Norrington (conductor) recording of: Ave verum corpus, K. 618 (for chorus, string and organ) composer: Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18) part of: Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)	Wolfgang Amadeus Mozart		2:36
5	Hymnus an den Heiligen Geist (second version) D.964 choir vocals: Capella Bavariae orchestra: Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) conductor: Wolfgang Sawallisch (conductor) recording of: Hymnus an den heiligen Geist, D. 948 (for voices and orchestra) lyricist: Anton Adolf Schmidl composer: Franz Schubert (composer) part of: Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 964) arrangement of: Hymnus an den heiligen Geist, D. 948 (for voices and piano)	Franz Schubert		7:21
6	Missa solemnis in D major, op. 123: Agnus Dei bass vocals: Hans Tschammer (operatic bass) choir vocals: Tallis Chamber Choir contralto vocals: Waltraud Meier (mezzo-soprano) soprano vocals: Carol Vaness (soprano) tenor vocals: Hans Peter Blochwitz (tenor) orchestra: English Chamber Orchestra conductor: Jeffrey Tate (conductor) recording of: Missa Solemnis D‐Dur, op. 123: V. Agnus Dei premiered in: Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07) composer: Ludwig van Beethoven (German composer) (from 1819 until 1823) part of: Missa solemnis D‐Dur, op. 123	Ludwig van Beethoven		6:19
7	Requiem à la mémoire de Louis XVI in C minor: I. Introitus & Kyrie producer: John Mordler (producer) choir vocals: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1980-07-17 until 1980-07-18) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1980-07-17 until 1980-07-18) conductor: Riccardo Muti (conductor) (from 1980-07-17 until 1980-07-18) chorus master: John McCarthy (British choral conductor, scholar, composer and arranger) (from 1980-07-17 until 1980-07-18) balance engineer: Neville Boyling (engineer) recording of: Requiem in C minor: I. Introitus et Kyrie (from 1980-07-17 until 1980-07-18) composer: Luigi Cherubini (composer) (from 1815 until 1816) part of: Requiem in C minor (« à la mémoire de Louis XVI »)	Luigi Cherubini		7:17
8	Stabat Mater: Inflammatus et accensus choir vocals: Coro del Maggio Musicale soprano vocals: Catherine Malfitano (soprano) orchestra: Orchestra del Maggio Musicale conductor: Riccardo Muti (conductor) recording of: Stabat Mater: VIII. Aria - Inflammatus et accensus (soprano, coro) composer: Gioachino Rossini (composer) (from 1831 until 1841) part of: Stabat Mater	Gioachino Rossini		4:17
9	Psalm 42: Wie der Hirsch schraeit nach frischem Wasser choir vocals: London Symphony Chorus contralto vocals and mezzo-soprano vocals: Dame Janet Baker (mezzo‐soprano and alto) orchestra: City of London Sinfonia (chamber orchestra) conductor: Richard Hickox (conductor) recording of: Psalm 42, op. 42, MWV A 15: I. Chorus, "Wie der Hirsch schreit" composer: Felix Mendelssohn (composer) part of: Psalm 42, op. 42, MWV A 15: "Wie der Hirsch schreit"	Felix Mendelssohn		5:52
10	Messe solennelle de Sainte Cécile: Domine salvum choir vocals: Chœur de Radio France orchestra: Nouvel Orchestre Philharmonique de Radio France conductor: Georges Prêtre (French conductor) recording of: Messe solennelle de Sainte Cécile : VIII. Domine Salvam composer: Charles Gounod (French composer) part of: Messe solennelle de Sainte Cécile, CG 56 (St. Cecilia Mass, en sol majeur pour solistes, chœur, orchestre et orgue)	Charles‐François Gounod		3:32
11	Ein Deutsches Requiem, op. 45: V. Ihr habt nun Traurigkeit (Langsam) choir vocals: The Schütz Choir of London (in 1992-03) solo soprano vocals: Lynne Dawson (soprano) (in 1992-03) soprano vocals: Lynne Dawson (soprano) orchestra: London Classical Players (in 1992-03) conductor: Sir Roger Norrington (conductor) (in 1992-03) recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1992-03) recording of: Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit” (Chor, Sopran) (in 1992-03) composer: Johannes Brahms (German composer) part of: Ein deutsches Requiem, op. 45	Johannes Brahms		6:30
12	Messa da Requiem: Dies Irae bass vocals: Roberto Scandiuzzi (italian operatic bass) choir vocals: Orfeón Donostiarra (Spanish choir) contralto vocals: Felicity Palmer (mezzo-soprano) soprano vocals: Júlia Várady (soprano) orchestra: Orchestre du Capitole de Toulouse conductor: Michel Plasson (conductor) recording of: Messa da requiem: IIa. Dies irae: Dies irae (coro) composer: Giuseppe Verdi (Italian opera composer) (in 1874) part of: Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)	Giuseppe Verdi		2:14
13	Messa da Requiem: Lux Aeterna choir vocals: Orfeón Donostiarra (Spanish choir) orchestra: Orchestre du Capitole de Toulouse conductor: Michel Plasson (conductor) recording of: Messa da requiem: VI. Lux aeterna (mezzo-soprano, tenor, bass) composer: Giuseppe Verdi (Italian opera composer) (in 1874) part of: Messa da requiem (Manzoni requiem)	Giuseppe Verdi		6:22
14	Rédemption: IV. Choeur génèral: Devant la loi nouvelle choir vocals: Orfeón Donostiarra (Spanish choir) orchestra: Orchestre du Capitole de Toulouse conductor: Michel Plasson (conductor) recording of: Rédemption: Part 1: 4. Choeur général: Devant la loi nouvelle composer: César Franck (Belgian‐born French composer) (in 1871) part of: Rédemption: Part 1	César Franck		4:15
15	Requiem, op. 48: IV. Pie Jesu baritone vocals: Simon Keenlyside (baritone) choir vocals: Winchester Cathedral Choir soprano vocals: Nancy Argenta (soprano) orchestra: Bournemouth Sinfonietta conductor: David Hill (British organist and conductor) recording of: Requiem, op. 48: IV. Pie Jesu (1890, second version) composer: Gabriel Fauré (French composer) (from 1886 until 1900) included in: CHAPTER IV PIE JESU (REST) part of: Requiem, op. 48 (1890, second version)	Gabriel Fauré		3:24
16	Requiem, op. 48: VI. Libera me baritone vocals: Simon Keenlyside (baritone) choir vocals: Winchester Cathedral Choir soprano vocals: Nancy Argenta (soprano) orchestra: Bournemouth Sinfonietta conductor: David Hill (British organist and conductor) recording of: Requiem, op. 48: VI. Libera me (1890, second version) composer: Gabriel Fauré (French composer) (from 1886 until 1900) part of: Requiem, op. 48 (1890, second version)	Gabriel Fauré		4:37
17	Requiem, op. 48: VII. In Paradisum baritone vocals: Simon Keenlyside (baritone) choir vocals: Winchester Cathedral Choir soprano vocals: Nancy Argenta (soprano) orchestra: Bournemouth Sinfonietta conductor: David Hill (British organist and conductor) recording of: Requiem, op. 48: VII. In Paradisum (1890, second version) composer: Gabriel Fauré (French composer) (from 1886 until 1900) publisher: Éditions Durand (1947–present) included in: 28 Days Later part of: Requiem, op. 48 (1890, second version)	Gabriel Fauré		3:36

3▼CD: CD 3
#	Title	Artist	Rating	Length
1	Agnus Dei choir vocals: Winchester Cathedral Choir (from 1998-01-19 until 1998-01-23) conductor: David Hill (British organist and conductor) (from 1998-01-19 until 1998-01-23) recorded at: Winchester Cathedral in Winchester, Hampshire, England, United Kingdom (from 1998-01-19 until 1998-01-23) recording of: Agnus Dei (arr. Samuel Barber for chorus) (from 1998-01-19 until 1998-01-23) lyricist: [anonymous] (special purpose artist) composer: Samuel Barber (American composer) (in 1936) arranger: Samuel Barber (American composer) (in 1967) part of: Works of Samuel Barber by opus number (number: op. 11) arrangement of: Adagio for Strings	Samuel Barber		7:46
2	Vespers (All-Night Vigil), op. 37: Bogroroditse Devo (Rejoice, O Virgin mother of God) choir vocals: Swedish Radio Choir tenor vocals: Nils Högman conductor: Tõnu Kaljuste (conductor) recording of: Всенощное бдение, op. 37: 6. Богородице Дево, радуйся (All-Night Vigil, Op. 37: VI. Rejoice, O Virgin) composer: Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1915) part of: Всенощное бдение, op. 37 (All-Night Vigil, Op. 37, All-Night Vigil by Sergei Rachmaninoff)	Sergey Rachmaninov		2:41
3	Quatre Motets pour le temps de Noël: O magnum mysterium choir vocals: The Sixteen (UK choir) conductor: Harry Christophers (conductor) recording of: Quatre motets pour le temps de Noël: No. 1. O magnum mysterium composer: Francis Poulenc (French composer and pianist) (in 1952, from 1959 until 1960) part of: Quatre motets pour le temps de Noël, FP 152	Francis Poulenc		3:21
4	Quatre Motets pour le temps de Noël: Quem vidistis pastores choir vocals: The Sixteen (UK choir) conductor: Harry Christophers (conductor) recording of: Quatre motets pour le temps de Noël: No. 2. Quem vidistis pastores dicite composer: Francis Poulenc (French composer and pianist) (in 1951, from 1959 until 1960) part of: Quatre motets pour le temps de Noël, FP 152	Francis Poulenc		2:39
5	Quatre Motets pour le temps de Noël: Videntes stellam choir vocals: The Sixteen (UK choir) conductor: Harry Christophers (conductor) recording of: Quatre motets pour le temps de Noël: No. 3. Videntes Stellam composer: Francis Poulenc (French composer and pianist) (in 1951, from 1959 until 1960) part of: Quatre motets pour le temps de Noël, FP 152	Francis Poulenc		3:12
6	Quatre Motets pour le temps de Noël: Hodie Christus natus est choir vocals: The Sixteen (UK choir) conductor: Harry Christophers (conductor) recording of: Quatre motets pour le temps de Noël: No. 4. Hodie Christus natus est composer: Francis Poulenc (French composer and pianist) (in 1952, from 1959 until 1960) part of: Quatre motets pour le temps de Noël, FP 152	Francis Poulenc		2:05
7	Requiem, op. 9: Kyrie organ: Peter Barley baritone vocals: Olaf Bär (baritone) choir vocals: Choir of King’s College, Cambridge mezzo-soprano vocals: Ann Murray (Irish mezzo-soprano) orchestra: English Chamber Orchestra conductor: Stephen Cleobury (organist, conductor) recording of: Requiem, op. 9: II. Kyrie (for choir, organ and reduced orchestra (1961)) composer: Maurice Duruflé (French composer & organist, 1902–1986) (in 1947) arranger: Maurice Duruflé (French composer & organist, 1902–1986) (in 1961) part of: Requiem, op. 9 (for choir, organ and reduced orchestra (1961))	Maurice Duruflé		3:35
8	Requiem, op. 9: Pie Jesu organ: Peter Barley baritone vocals: Olaf Bär (baritone) choir vocals: Choir of King’s College, Cambridge mezzo-soprano vocals: Ann Murray (Irish mezzo-soprano) orchestra: English Chamber Orchestra conductor: Stephen Cleobury (organist, conductor) recording of: Requiem, op. 9: V. Pie Jesu (for choir, organ and reduced orchestra (1961)) composer: Maurice Duruflé (French composer & organist, 1902–1986) (in 1947) arranger: Maurice Duruflé (French composer & organist, 1902–1986) (in 1961) part of: Requiem, op. 9 (for choir, organ and reduced orchestra (1961))	Maurice Duruflé		3:27
9	Requiem, op. 9: Libera me organ: Peter Barley baritone vocals: Olaf Bär (baritone) choir vocals: Choir of King’s College, Cambridge mezzo-soprano vocals: Ann Murray (Irish mezzo-soprano) orchestra: English Chamber Orchestra conductor: Stephen Cleobury (organist, conductor) recording of: Requiem, op. 9: VIII. Libera me (for choir, organ and reduced orchestra (1961)) composer: Maurice Duruflé (French composer & organist, 1902–1986) (in 1947) arranger: Maurice Duruflé (French composer & organist, 1902–1986) (in 1961) part of: Requiem, op. 9 (for choir, organ and reduced orchestra (1961))	Maurice Duruflé		5:40
10	Requiem, op. 9: In Paradisum organ: Peter Barley baritone vocals: Olaf Bär (baritone) choir vocals: Choir of King’s College, Cambridge mezzo-soprano vocals: Ann Murray (Irish mezzo-soprano) orchestra: English Chamber Orchestra conductor: Stephen Cleobury (organist, conductor) recording of: Requiem, op. 9: IX. In Paradisum (for choir, organ and reduced orchestra (1961)) composer: Maurice Duruflé (French composer & organist, 1902–1986) (in 1947) arranger: Maurice Duruflé (French composer & organist, 1902–1986) (in 1961) part of: Requiem, op. 9 (for choir, organ and reduced orchestra (1961))	Maurice Duruflé		2:55
11	Lux aeterna choir vocals: Groupe vocal de France vocals: Groupe vocal de France (from 1988-11-07 until 1988-11-10) conductor: Guy Reibel (French composer) (from 1988-11-07 until 1988-11-10) recorded at: Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1988-11-07 until 1988-11-10) recording of: Lux aeterna (from 1988-11-07 until 1988-11-10) lyricist: [anonymous] (special purpose artist) composer: György Ligeti (Austrian-Hungarian composer) (in 1966)	György Ligeti		7:54
12	A Shepherd's Carol (Auden) choir vocals: London Sinfonietta Chorus conductor: Terry Edwards (British choir director) recording of: A Shepherd's Carol lyricist: W. H. Auden composer: Benjamin Britten (English composer, conductor, and pianist)	Benjamin Britten		4:06
13	Credo choir vocals: King's College Choir conductor: Stephen Cleobury (organist, conductor) recording of: Credo additional composer: Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1949) composer: Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1932) translated version of: Символ веры (original version)	Игорь Фёдорович Стравинский		2:57
14	Agnus Dei choir vocals: Kings College Choir conductor: Stephen Cleobury (organist, conductor) recording of: Agnus Dei lyricist: [anonymous] (special purpose artist) composer: Krzysztof Penderecki (Polish composer) (in 1981)	Krzysztof Penderecki		7:05
15	Totus tuus choir vocals: Kings College Choir conductor: Stephen Cleobury (organist, conductor) recorded at: King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1994-07-18 until 1994-07-22) recording of: Totus Tuus, op. 60 (from 1994-07-18 until 1994-07-22) premiered in: Warsaw, Mazowieckie (Masovian Voivodeship), Poland (on 1987-06-14) lyricist: Maria Bogusławska composer: Henryk Mikołaj Górecki (Henryk Mikolaj Gorecki, Polish composer) (in 1987) part of: Works of Henryk Mikołaj Górecki by opus number (number: op. 60)	Henryk Mikołaj Górecki		8:58
16	De profundis organ: Christopher Bowers-Broadbent (organist) (from 1996-05-08 until 1996-09-19) choir vocals: Estonian Philharmonic Chamber Choir (from 1996-05-08 until 1996-09-19) orchestra: Eesti Riiklik Sümfooniaorkester (Estonian National Symphony Orchestra) (from 1996-05-08 until 1996-09-19) conductor: Tõnu Kaljuste (conductor) (from 1996-05-08 until 1996-09-19) recorded at: All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-05-08 until 1996-09-19) recording of: De profundis (for male choir, percussion ad lib. and organ) (from 1996-05-08 until 1996-09-19) lyricist: [anonymous] (special purpose artist) composer: Arvo Pärt (Estonian composer) (in 1980) publisher: Universal Edition AG (Wien) (publisher; do NOT use as release label) premiered at: Martinskirche in Kassel, Hessen (Hesse), Germany (on 1981-04-25)	Arvo Pärt	5	5:32
17	Stabat Mater, op. 53: VI. Chrystus niech mi bedzie grodem (Christe, cum sit hinc exire) producer: David R. Murray editor: Stephen Frost (sound engineer) bass vocals: John Connell (bass vocalist) (from 1993-04-03 until 1993-04-04) choir vocals: CBSO Chorus (from 1993-04-03 until 1993-04-04) mezzo-soprano vocals: Florence Quivar (mezzo soprano) (from 1993-04-03 until 1993-04-04) soprano vocals: Elżbieta Szmytka (soprano) (from 1993-04-03 until 1993-04-04) orchestra: City of Birmingham Symphony Orchestra (from 1993-04-03 until 1993-04-04) conductor: Simon Rattle (conductor) (from 1993-04-03 until 1993-04-04) chorus master: Simon Halsey (conductor) (from 1993-04-03 until 1993-04-04) balance engineer: Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) recorded at: Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-04-03 until 1993-04-04) recording of: Stabat Mater, op. 53: VI. Chrystus niech mi będzie grodem (Christe, cum sit hinc exire) (from 1993-04-03 until 1993-04-04) composer: Karol Szymanowski (Polish composer) (from 1925 until 1926) part of: Stabat Mater, op. 53	Karol Szymanowski		4:57

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purchase for download:	https://www.hbdirect.com/album/2315895-sacred-treasures.html [info]
ASIN:	US: B008R9QATG [info]

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Release information

Barcode:: 5099960264626
Format:: 3×CD
Length:: 3:51:41

Additional details

Type:: Album
Packaging:: Jewel Case
Status:: Official
Language:: [Multiple languages]
Script:: Latin
Data quality:: Normal

Labels

Virgin Classics

Release events

United Kingdom
2012

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US: B008R9QATG

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Last updated on 2018-08-13 00:00 UTC