Red Mecca

~ Release by Cabaret Voltaire (see all versions of this release, 5 available)

Tracklist

1▼CD
#TitleRatingLength
1A Touch of Evil
recording engineer:
Cabaret Voltaire
producer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
bass guitar and bongos:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
clarinet, guitar, horn [horns], strings and synthesizer:
Richard H. Kirk (English electronic / industrial musician) (in 1981-05)
drums (drum set):
Nik Allday (in 1981-05)
electronic organ [Vox Continental] and tape [tape recorder]:
Christopher R. Watson (experimental electronic musician) (in 1981-05)
vocals:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
phonographic copyright (℗) by:
Rough Trade Records (Distributor branch of Rough Trade) (in 1981)
recorded at:
Western Works in Sheffield, South Yorkshire, England, United Kingdom (in 1981-05)
recording of:
A Touch of Evil (in 1981-05)
composer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
is based on:
Main Title (Touch of Evil)
3.53:11
2Sly Doubt
recording engineer:
Cabaret Voltaire
producer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
bass guitar and bongos:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
clarinet, guitar, horn [horns], strings and synthesizer:
Richard H. Kirk (English electronic / industrial musician) (in 1981-05)
drums (drum set):
Nik Allday (in 1981-05)
electronic organ [Vox Continental] and tape [tape recorder]:
Christopher R. Watson (experimental electronic musician) (in 1981-05)
vocals:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
phonographic copyright (℗) by:
Rough Trade Records (Distributor branch of Rough Trade) (in 1981)
recorded at:
Western Works in Sheffield, South Yorkshire, England, United Kingdom (in 1981-05)
recording of:
Sly Doubt (in 1981-05)
composer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
44:58
3Landslide
recording engineer:
Cabaret Voltaire
producer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
bass guitar and bongos:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
clarinet, guitar, horn [horns], strings and synthesizer:
Richard H. Kirk (English electronic / industrial musician) (in 1981-05)
drums (drum set):
Nik Allday (in 1981-05)
electronic organ [Vox Continental] and tape [tape recorder]:
Christopher R. Watson (experimental electronic musician) (in 1981-05)
vocals:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
phonographic copyright (℗) by:
Rough Trade Records (Distributor branch of Rough Trade) (in 1981)
recorded at:
Western Works in Sheffield, South Yorkshire, England, United Kingdom (in 1981-05)
recording of:
Landslide (in 1981-05)
composer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
3.52:07
4A Thousand Ways
recording engineer:
Cabaret Voltaire
producer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
bass guitar and bongos:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
clarinet, guitar, horn [horns], strings and synthesizer:
Richard H. Kirk (English electronic / industrial musician) (in 1981-05)
drums (drum set):
Nik Allday (in 1981-05)
electronic organ [Vox Continental] and tape [tape recorder]:
Christopher R. Watson (experimental electronic musician) (in 1981-05)
vocals:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
phonographic copyright (℗) by:
Rough Trade Records (Distributor branch of Rough Trade) (in 1981)
recorded at:
Western Works in Sheffield, South Yorkshire, England, United Kingdom (in 1981-05)
recording of:
A Thousand Ways (in 1981-05)
composer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
510:35
5Red Mask
recording engineer:
Cabaret Voltaire
producer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
bass guitar and bongos:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
clarinet, guitar, horn [horns], strings and synthesizer:
Richard H. Kirk (English electronic / industrial musician) (in 1981-05)
drums (drum set):
Nik Allday (in 1981-05)
electronic organ [Vox Continental] and tape [tape recorder]:
Christopher R. Watson (experimental electronic musician) (in 1981-05)
vocals:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
phonographic copyright (℗) by:
Rough Trade Records (Distributor branch of Rough Trade) (in 1981)
recorded at:
Western Works in Sheffield, South Yorkshire, England, United Kingdom (in 1981-05)
recording of:
Red Mask (in 1981-05)
composer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
56:54
6Split Second Feeling
recording engineer:
Cabaret Voltaire
producer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
bass guitar and bongos:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
clarinet, guitar, horn [horns], strings and synthesizer:
Richard H. Kirk (English electronic / industrial musician) (in 1981-05)
drums (drum set):
Nik Allday (in 1981-05)
electronic organ [Vox Continental] and tape [tape recorder]:
Christopher R. Watson (experimental electronic musician) (in 1981-05)
vocals:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
phonographic copyright (℗) by:
Rough Trade Records (Distributor branch of Rough Trade) (in 1981)
recorded at:
Western Works in Sheffield, South Yorkshire, England, United Kingdom (in 1981-05)
recording of:
Split Second Feeling (in 1981-05)
composer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
53:47
7Black Mask
recording engineer:
Cabaret Voltaire
producer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
bass guitar and bongos:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
clarinet, guitar, horn [horns], strings and synthesizer:
Richard H. Kirk (English electronic / industrial musician) (in 1981-05)
drums (drum set):
Nik Allday (in 1981-05)
electronic organ [Vox Continental] and tape [tape recorder]:
Christopher R. Watson (experimental electronic musician) (in 1981-05)
vocals:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
phonographic copyright (℗) by:
Rough Trade Records (Distributor branch of Rough Trade) (in 1981)
recorded at:
Western Works in Sheffield, South Yorkshire, England, United Kingdom (in 1981-05)
recording of:
Black Mask (in 1981-05)
composer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
43:19
8Spread the Virus
recording engineer:
Cabaret Voltaire
producer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
bass guitar and bongos:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
clarinet, guitar, horn [horns], strings and synthesizer:
Richard H. Kirk (English electronic / industrial musician) (in 1981-05)
drums (drum set):
Nik Allday (in 1981-05)
electronic organ [Vox Continental] and tape [tape recorder]:
Christopher R. Watson (experimental electronic musician) (in 1981-05)
vocals:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
phonographic copyright (℗) by:
Rough Trade Records (Distributor branch of Rough Trade) (in 1981)
recorded at:
Western Works in Sheffield, South Yorkshire, England, United Kingdom (in 1981-05)
recording of:
Spread the Virus (in 1981-05)
composer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
33:40
9A Touch of Evil (reprise)
recording engineer:
Cabaret Voltaire
producer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
bass guitar and bongos:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
clarinet, guitar, horn [horns], strings and synthesizer:
Richard H. Kirk (English electronic / industrial musician) (in 1981-05)
drums (drum set):
Nik Allday (in 1981-05)
electronic organ [Vox Continental] and tape [tape recorder]:
Christopher R. Watson (experimental electronic musician) (in 1981-05)
vocals:
Stephen Mallinder (member of Cabaret Voltaire) (in 1981-05)
phonographic copyright (℗) by:
Rough Trade Records (Distributor branch of Rough Trade) (in 1981)
recorded at:
Western Works in Sheffield, South Yorkshire, England, United Kingdom (in 1981-05)
partial recording of:
A Touch of Evil (in 1981-05)
composer:
Richard H. Kirk (English electronic / industrial musician), Stephen Mallinder (member of Cabaret Voltaire) and Chris Watson (experimental electronic musician)
is based on:
Main Title (Touch of Evil)
51:33