| # | Title | Rating | Length |
|---|
| 1 | Soul With a Capital "S"- recording engineer:
- Maureen Droney and Ken Kessie
- additional engineer:
- Danny Alonso
- assistant engineer:
- Danny Alonso, John Jackson , Randy Long, Pete Magdaleno, Pat Rodman and Louie Teran
- producer:
- Emilio Castillo
- guest alto saxophone and guest tenor saxophone:
- Paul Perez Ensemble
- additionally recorded at:
- Pacific Studios in Tacoma, Washington, United States, Rumbo Recorders in Canoga Park, Los Angeles, California, United States, Skip Saylor Recording in Hollywood, Los Angeles, California, United States and Track Record Studios in North Hollywood, Los Angeles, California, United States
- engineered at:
- Can‐Am Recorders in Tarzana, Los Angeles, California, United States
- recording of:
- Soul With a Capital "S"
- writer:
- Emilio Castillo and Stephen Kupka
| | 4:59 |
| 2 | It All Comes Back- recording engineer:
- Maureen Droney and Ken Kessie
- additional engineer:
- Danny Alonso
- assistant engineer:
- Danny Alonso, John Jackson , Randy Long, Pete Magdaleno, Pat Rodman and Louie Teran
- producer:
- Emilio Castillo
- guest alto saxophone and guest tenor saxophone:
- Paul Perez Ensemble
- guest solo saxophone:
- Lenny Pickett
- additionally recorded at:
- Pacific Studios in Tacoma, Washington, United States, Rumbo Recorders in Canoga Park, Los Angeles, California, United States, Skip Saylor Recording in Hollywood, Los Angeles, California, United States and Track Record Studios in North Hollywood, Los Angeles, California, United States
- engineered at:
- Can‐Am Recorders in Tarzana, Los Angeles, California, United States
- recording of:
- It All Comes Back
- writer:
- Greg Adams , Neil Jason , Brad Kent and John McCurry
| | 3:56 |
| 3 | Please Come Back (to Stay)- recording engineer:
- Maureen Droney and Ken Kessie
- additional engineer:
- Danny Alonso
- assistant engineer:
- Danny Alonso, John Jackson , Randy Long, Pete Magdaleno, Pat Rodman and Louie Teran
- producer:
- Emilio Castillo
- guest alto saxophone and guest tenor saxophone:
- Paul Perez Ensemble
- additionally recorded at:
- Pacific Studios in Tacoma, Washington, United States, Rumbo Recorders in Canoga Park, Los Angeles, California, United States, Skip Saylor Recording in Hollywood, Los Angeles, California, United States and Track Record Studios in North Hollywood, Los Angeles, California, United States
- engineered at:
- Can‐Am Recorders in Tarzana, Los Angeles, California, United States
- recording of:
- Please Come Back (to Stay)
- writer:
- Emilio Castillo, Stephen Kupka and Nick Milo
| | 5:29 |
| 4 | The Real Deal- recording engineer:
- Maureen Droney and Ken Kessie
- additional engineer:
- Danny Alonso
- assistant engineer:
- Danny Alonso, John Jackson , Randy Long, Pete Magdaleno, Pat Rodman and Louie Teran
- producer:
- Emilio Castillo
- guest alto saxophone and guest tenor saxophone:
- Paul Perez Ensemble
- guest solo saxophone:
- Lenny Pickett
- additionally recorded at:
- Pacific Studios in Tacoma, Washington, United States, Rumbo Recorders in Canoga Park, Los Angeles, California, United States, Skip Saylor Recording in Hollywood, Los Angeles, California, United States and Track Record Studios in North Hollywood, Los Angeles, California, United States
- engineered at:
- Can‐Am Recorders in Tarzana, Los Angeles, California, United States
- recording of:
- The Real Deal
- writer:
- Emilio Castillo, Stephen Kupka and Nick Milo
| | 4:30 |
| 5 | Come to a Decision- recording engineer:
- Maureen Droney and Ken Kessie
- additional engineer:
- Danny Alonso
- assistant engineer:
- Danny Alonso, John Jackson , Randy Long, Pete Magdaleno, Pat Rodman and Louie Teran
- producer:
- Emilio Castillo and Carmen Grillo
- guest alto saxophone and guest tenor saxophone:
- Paul Perez Ensemble
- additionally recorded at:
- Pacific Studios in Tacoma, Washington, United States, Rumbo Recorders in Canoga Park, Los Angeles, California, United States, Skip Saylor Recording in Hollywood, Los Angeles, California, United States and Track Record Studios in North Hollywood, Los Angeles, California, United States
- engineered at:
- Can‐Am Recorders in Tarzana, Los Angeles, California, United States
- recording of:
- Come to a Decision
- writer:
- Emilio Castillo
| | 5:32 |
| 6 | Cruise Control- recording engineer:
- Maureen Droney and Ken Kessie
- additional engineer:
- Danny Alonso
- assistant engineer:
- Danny Alonso, John Jackson , Randy Long, Pete Magdaleno, Pat Rodman and Louie Teran
- producer:
- Emilio Castillo
- guest alto saxophone and guest tenor saxophone:
- Paul Perez Ensemble
- guest solo saxophone:
- Brandon Fields
- additionally recorded at:
- Pacific Studios in Tacoma, Washington, United States, Rumbo Recorders in Canoga Park, Los Angeles, California, United States, Skip Saylor Recording in Hollywood, Los Angeles, California, United States and Track Record Studios in North Hollywood, Los Angeles, California, United States
- engineered at:
- Can‐Am Recorders in Tarzana, Los Angeles, California, United States
- recording of:
- Cruise Control
- writer:
- Greg Adams and Nick Milo
| | 5:04 |
| 7 | The Educated Bump Part I- recording engineer:
- Maureen Droney and Ken Kessie
- additional engineer:
- Danny Alonso
- assistant engineer:
- Danny Alonso, John Jackson , Randy Long, Pete Magdaleno, Pat Rodman and Louie Teran
- producer:
- Emilio Castillo
- guest alto saxophone and guest tenor saxophone:
- Paul Perez Ensemble
- guest saxophone and guest solo saxophone:
- Lenny Pickett
- additionally recorded at:
- Pacific Studios in Tacoma, Washington, United States, Rumbo Recorders in Canoga Park, Los Angeles, California, United States, Skip Saylor Recording in Hollywood, Los Angeles, California, United States and Track Record Studios in North Hollywood, Los Angeles, California, United States
- engineered at:
- Can‐Am Recorders in Tarzana, Los Angeles, California, United States
- recording of:
- The Educated Bump Part I
- writer:
- Emilio Castillo, Stephen Kupka and Russ McKinon
| | 0:54 |
| 8 | Mama Lied- recording engineer:
- Maureen Droney and Ken Kessie
- additional engineer:
- Danny Alonso
- assistant engineer:
- Danny Alonso, John Jackson , Randy Long, Pete Magdaleno, Pat Rodman and Louie Teran
- producer:
- Emilio Castillo
- guest alto saxophone and guest tenor saxophone:
- Paul Perez Ensemble
- additionally recorded at:
- Pacific Studios in Tacoma, Washington, United States, Rumbo Recorders in Canoga Park, Los Angeles, California, United States, Skip Saylor Recording in Hollywood, Los Angeles, California, United States and Track Record Studios in North Hollywood, Los Angeles, California, United States
- engineered at:
- Can‐Am Recorders in Tarzana, Los Angeles, California, United States
- recording of:
- Mama Lied
- writer:
- Emilio Castillo, Phil Gentili, Stephen Kupka and B. McPhearson
| | 3:37 |
| 9 | Quiet Scream- recording engineer:
- Maureen Droney and Ken Kessie
- additional engineer:
- Danny Alonso
- assistant engineer:
- Danny Alonso, John Jackson , Randy Long, Pete Magdaleno, Pat Rodman and Louie Teran
- producer:
- Emilio Castillo
- guest alto saxophone and guest tenor saxophone:
- Paul Perez Ensemble
- additionally recorded at:
- Pacific Studios in Tacoma, Washington, United States, Rumbo Recorders in Canoga Park, Los Angeles, California, United States, Skip Saylor Recording in Hollywood, Los Angeles, California, United States and Track Record Studios in North Hollywood, Los Angeles, California, United States
- engineered at:
- Can‐Am Recorders in Tarzana, Los Angeles, California, United States
- recording of:
- Quiet Scream
- writer:
- Greg Adams and Brad Kent
| | 4:21 |
| 10 | I Like Your Style- recording engineer:
- Maureen Droney and Ken Kessie
- additional engineer:
- Danny Alonso
- assistant engineer:
- Danny Alonso, John Jackson , Randy Long, Pete Magdaleno, Pat Rodman and Louie Teran
- producer:
- Emilio Castillo
- guest alto saxophone and guest tenor saxophone:
- Paul Perez Ensemble
- additionally recorded at:
- Pacific Studios in Tacoma, Washington, United States, Rumbo Recorders in Canoga Park, Los Angeles, California, United States, Skip Saylor Recording in Hollywood, Los Angeles, California, United States and Track Record Studios in North Hollywood, Los Angeles, California, United States
- engineered at:
- Can‐Am Recorders in Tarzana, Los Angeles, California, United States
- recording of:
- I Like Your Style
- writer:
- Emilio Castillo, Stephen Kupka and Nick Milo
| | 4:20 |
| 11 | You- recording engineer:
- Maureen Droney and Ken Kessie
- additional engineer:
- Danny Alonso
- assistant engineer:
- Danny Alonso, John Jackson , Randy Long, Pete Magdaleno, Pat Rodman and Louie Teran
- producer:
- Emilio Castillo
- alto saxophone, guest alto saxophone, guest tenor saxophone and tenor saxophone:
- Paul Perez Ensemble
- guest congas:
- Poncho Sanchez
- additionally recorded at:
- Pacific Studios in Tacoma, Washington, United States, Rumbo Recorders in Canoga Park, Los Angeles, California, United States, Skip Saylor Recording in Hollywood, Los Angeles, California, United States and Track Record Studios in North Hollywood, Los Angeles, California, United States
- engineered at:
- Can‐Am Recorders in Tarzana, Los Angeles, California, United States
- recording of:
- You
- writer:
- Carmen Grillo and Tom Keane
| | 4:31 |
| 12 | South of the Boulevard- recording engineer:
- Maureen Droney and Ken Kessie
- additional engineer:
- Danny Alonso
- assistant engineer:
- Danny Alonso, John Jackson , Randy Long, Pete Magdaleno, Pat Rodman and Louie Teran
- producer:
- Emilio Castillo
- alto saxophone, guest alto saxophone, guest tenor saxophone and tenor saxophone:
- Paul Perez Ensemble
- guest congas:
- Poncho Sanchez
- guest solo saxophone:
- Lenny Pickett
- additionally recorded at:
- Pacific Studios in Tacoma, Washington, United States, Rumbo Recorders in Canoga Park, Los Angeles, California, United States, Skip Saylor Recording in Hollywood, Los Angeles, California, United States and Track Record Studios in North Hollywood, Los Angeles, California, United States
- engineered at:
- Can‐Am Recorders in Tarzana, Los Angeles, California, United States
- recording of:
- South of the Boulevard
- writer:
- Emilio Castillo and Stephen Kupka
| | 5:59 |
| 13 | Come on With It- recording engineer:
- Maureen Droney and Ken Kessie
- additional engineer:
- Danny Alonso
- assistant engineer:
- Danny Alonso, John Jackson , Randy Long, Pete Magdaleno, Pat Rodman and Louie Teran
- producer:
- Emilio Castillo
- guest alto saxophone and guest tenor saxophone:
- Paul Perez Ensemble
- guest solo saxophone:
- Lenny Pickett
- additionally recorded at:
- Pacific Studios in Tacoma, Washington, United States, Rumbo Recorders in Canoga Park, Los Angeles, California, United States, Skip Saylor Recording in Hollywood, Los Angeles, California, United States and Track Record Studios in North Hollywood, Los Angeles, California, United States
- engineered at:
- Can‐Am Recorders in Tarzana, Los Angeles, California, United States
- recording of:
- Come on With It
- writer:
- Emilio Castillo and Stephen Kupka
| | 4:51 |
| 14 | The Educated Bump Part II- recording engineer:
- Maureen Droney and Ken Kessie
- additional engineer:
- Danny Alonso
- assistant engineer:
- Danny Alonso, John Jackson , Randy Long, Pete Magdaleno, Pat Rodman and Louie Teran
- producer:
- Emilio Castillo
- guest alto saxophone and guest tenor saxophone:
- Paul Perez Ensemble
- guest saxophone and guest solo saxophone:
- Lenny Pickett
- additionally recorded at:
- Pacific Studios in Tacoma, Washington, United States, Rumbo Recorders in Canoga Park, Los Angeles, California, United States, Skip Saylor Recording in Hollywood, Los Angeles, California, United States and Track Record Studios in North Hollywood, Los Angeles, California, United States
- engineered at:
- Can‐Am Recorders in Tarzana, Los Angeles, California, United States
- recording of:
- The Educated Bump Part II
- writer:
- Emilio Castillo, Stephen Kupka and Russ McKinon
| | 1:03 |
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