Black, Brown and Beige

~ Parution par Duke Ellington and his orchestra featuring Mahalia Jackson (afficher toutes les versions de cette parution, 7 proposées)

Liste de pistes

1▼CD
noTitreArtisteÉvaluationDurée
1Part I
basse :
Jimmy Woode (du 1958-02-04 au 1958-02-12)
batterie :
Sam Woodyard (du 1958-02-04 au 1958-02-12)
piano :
Duke Ellington (US composer, pianist & jazz bandleader) (du 1958-02-04 au 1958-02-12)
saxophone alto :
Bill Graham (US jazz saxophonist) (du 1958-02-04 au 1958-02-12)
saxophone baryton :
Harry Carney (du 1958-02-04 au 1958-02-12)
saxophone ténor :
Paul Gonsalves (du 1958-02-04 au 1958-02-12)
trombone :
Quentin Jackson (du 1958-02-04 au 1958-02-12) et Britt Woodman (du 1958-02-04 au 1958-02-12)
trombone à pistons :
John Sanders (US jazz trombonist) (du 1958-02-04 au 1958-02-12)
trompette :
William “Cat” Anderson (du 1958-02-04 au 1958-02-12), Harold “Shorty” Baker (du 1958-02-04 au 1958-02-12), Ray Nance (du 1958-02-04 au 1958-02-12) et Clark Terry (American swing trumpeter) (du 1958-02-04 au 1958-02-12)
recording of :
Black, Brown, and Beige, Part I (part of the 1958 revised "Black, Brown, and Beige" suite) (le 1958-02-04)
compositeur :
Duke Ellington (US composer, pianist & jazz bandleader)
partie de :
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of :
Black, Brown, and Beige, Part I (part of the 1958 revised "Black, Brown, and Beige" suite) (du 1958-02-04 au 1958-02-12)
compositeur :
Duke Ellington (US composer, pianist & jazz bandleader)
partie de :
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra8:17
2Part II
basse :
Jimmy Woode (du 1958-02-04 au 1958-02-12)
batterie :
Sam Woodyard (du 1958-02-04 au 1958-02-12)
piano :
Duke Ellington (US composer, pianist & jazz bandleader) (du 1958-02-04 au 1958-02-12)
saxophone alto :
Bill Graham (US jazz saxophonist) (du 1958-02-04 au 1958-02-12)
saxophone baryton :
Harry Carney (du 1958-02-04 au 1958-02-12)
saxophone ténor :
Paul Gonsalves (du 1958-02-04 au 1958-02-12)
trombone :
Quentin Jackson (du 1958-02-04 au 1958-02-12) et Britt Woodman (du 1958-02-04 au 1958-02-12)
trombone à pistons :
John Sanders (US jazz trombonist) (du 1958-02-04 au 1958-02-12)
trompette :
William “Cat” Anderson (du 1958-02-04 au 1958-02-12), Harold “Shorty” Baker (du 1958-02-04 au 1958-02-12), Ray Nance (du 1958-02-04 au 1958-02-12) et Clark Terry (American swing trumpeter) (du 1958-02-04 au 1958-02-12)
recording of :
Black, Brown, and Beige, Part II (part of the 1958 revised "Black, Brown, and Beige" suite) (du 1958-02-04 au 1958-02-12)
compositeur :
Duke Ellington (US composer, pianist & jazz bandleader)
partie de :
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of :
Black, Brown, and Beige, Part II (part of the 1958 revised "Black, Brown, and Beige" suite) (le 1958-02)
compositeur :
Duke Ellington (US composer, pianist & jazz bandleader)
partie de :
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra6:14
3Part III (Light)
batterie :
Sam Woodyard (le 1958-02-12)
contrebasse :
Jimmy Woode (le 1958-02-12)
piano :
Duke Ellington (US composer, pianist & jazz bandleader) (le 1958-02-12)
saxophone alto :
Bill Graham (US jazz saxophonist) (le 1958-02-12)
saxophone baryton :
Harry Carney (le 1958-02-12)
saxophone ténor :
Paul Gonsalves (le 1958-02-12)
trombone :
Quentin Jackson (le 1958-02-12) et Britt Woodman (le 1958-02-12)
trombone à pistons :
John Sanders (US jazz trombonist) (le 1958-02-12)
trompette :
William “Cat” Anderson (le 1958-02-12), Harold “Shorty” Baker (le 1958-02-12), Ray Nance (le 1958-02-12) et Clark Terry (American swing trumpeter) (le 1958-02-12)
recording of :
Black, Brown, and Beige, Part III (Light) (part of the 1958 revised "Black, Brown, and Beige" suite) (le 1958-02-04)
compositeur :
Duke Ellington (US composer, pianist & jazz bandleader)
partie de :
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of :
Black, Brown, and Beige, Part III (Light) (part of the 1958 revised "Black, Brown, and Beige" suite) (le 1958-02-12)
compositeur :
Duke Ellington (US composer, pianist & jazz bandleader)
partie de :
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra6:26
4Part IV (Come Sunday)
enregistré en :
New York, New York, États-Unis (le 1958-02-11)
producteur :
Irving Townsend
anches :
Russell Procope
basse :
Jimmy Woode (le 1958-02-11)
batterie [drums] :
Sam Woodyard (le 1958-02-11)
clarinette :
Russell Procope et Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (le 1958-02-11)
piano :
Duke Ellington (US composer, pianist & jazz bandleader) (le 1958-02-11)
saxophone alto :
Russell Procope et Bill Graham (US jazz saxophonist) (le 1958-02-11)
saxophone baryton :
Harry Carney (le 1958-02-11)
saxophone ténor :
Paul Gonsalves (le 1958-02-11)
trombone :
Quentin Jackson (le 1958-02-11) et Britt Woodman (le 1958-02-11)
trombone à pistons :
John Sanders (US jazz trombonist) (le 1958-02-11)
trompette :
Cat Anderson (le 1958-02-11), Harold Baker (le 1958-02-11) et Clark Terry (American swing trumpeter) (le 1958-02-11)
trompette et violon :
Ray Nance (le 1958-02-11)
voix :
Mahalia Jackson (le 1958-02-11)
recording of :
Come Sunday (1958 revision with lyrics) (le 1958-02-05)
parolier et compositeur :
Duke Ellington (US composer, pianist & jazz bandleader)
version de :
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
partie de :
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of :
Come Sunday (1958 revision with lyrics) (le 1958-02-11)
parolier et compositeur :
Duke Ellington (US composer, pianist & jazz bandleader)
version de :
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
partie de :
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of :
Come Sunday (1958 revision with lyrics) (le 1958-02)
parolier et compositeur :
Duke Ellington (US composer, pianist & jazz bandleader)
version de :
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
partie de :
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra featuring Mahalia Jackson7:58
5Part V (Come Sunday Interlude)
batterie :
Sam Woodyard (le 1958-02-12)
contrebasse :
Jimmy Woode (le 1958-02-12)
piano :
Duke Ellington (US composer, pianist & jazz bandleader) (le 1958-02-12)
saxophone alto :
Bill Graham (US jazz saxophonist) (le 1958-02-12)
saxophone baryton :
Harry Carney (le 1958-02-12)
saxophone ténor :
Paul Gonsalves (le 1958-02-12)
trombone :
Quentin Jackson (le 1958-02-12) et Britt Woodman (le 1958-02-12)
trombone à pistons :
John Sanders (US jazz trombonist) (le 1958-02-12)
trompette :
William “Cat” Anderson (le 1958-02-12), Harold “Shorty” Baker (le 1958-02-12), Ray Nance (le 1958-02-12) et Clark Terry (American swing trumpeter) (le 1958-02-12)
violon solo :
Ray Nance (le 1958-02-12)
recording of :
Black, Brown, and Beige, Part V (Come Sunday Interlude) (part of the 1958 revised "Black, Brown, and Beige" suite) (le 1958-02-12)
compositeur :
Duke Ellington (US composer, pianist & jazz bandleader)
partie de :
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of :
Black, Brown, and Beige, Part V (Come Sunday Interlude) (part of the 1958 revised "Black, Brown, and Beige" suite) (le 1958-02)
compositeur :
Duke Ellington (US composer, pianist & jazz bandleader)
partie de :
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra featuring Ray Nance3:46
6Part VI (23rd Psalm)
batterie :
Sam Woodyard (le 1958-02-11)
contrebasse :
Jimmy Woode (le 1958-02-11)
piano :
Duke Ellington (US composer, pianist & jazz bandleader) (le 1958-02-11)
saxophone alto :
Bill Graham (US jazz saxophonist) (le 1958-02-11)
saxophone baryton :
Harry Carney (le 1958-02-11)
saxophone ténor :
Paul Gonsalves (le 1958-02-11)
trombone :
Quentin Jackson (le 1958-02-11) et Britt Woodman (le 1958-02-11)
trombone à pistons :
John Sanders (US jazz trombonist) (le 1958-02-11)
trompette :
William “Cat” Anderson (le 1958-02-11), Harold “Shorty” Baker (le 1958-02-11), Ray Nance (le 1958-02-11) et Clark Terry (American swing trumpeter) (le 1958-02-11)
voix :
Mahalia Jackson (le 1958-02-11)
recording of :
Black, Brown, and Beige, Part VI (23rd Psalm) (part of the 1958 revised "Black, Brown, and Beige" suite) (le 1958-02-11)
compositeur :
Duke Ellington (US composer, pianist & jazz bandleader)
partie de :
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra featuring Mahalia Jackson3:08
7Track 360 (Trains) (alternate take)
basse :
Jimmy Woode (du 1958-02-04 au 1958-02-12)
batterie :
Sam Woodyard (du 1958-02-04 au 1958-02-12)
piano :
Duke Ellington (US composer, pianist & jazz bandleader) (du 1958-02-04 au 1958-02-12)
saxophone alto :
Bill Graham (US jazz saxophonist) (du 1958-02-04 au 1958-02-12)
saxophone baryton :
Harry Carney (du 1958-02-04 au 1958-02-12)
saxophone ténor :
Paul Gonsalves (du 1958-02-04 au 1958-02-12)
trombone :
Quentin Jackson (du 1958-02-04 au 1958-02-12) et Britt Woodman (du 1958-02-04 au 1958-02-12)
trombone à pistons :
John Sanders (US jazz trombonist) (du 1958-02-04 au 1958-02-12)
trompette :
William “Cat” Anderson (du 1958-02-04 au 1958-02-12), Harold “Shorty” Baker (du 1958-02-04 au 1958-02-12), Ray Nance (du 1958-02-04 au 1958-02-12) et Clark Terry (American swing trumpeter) (du 1958-02-04 au 1958-02-12)
Duke Ellington and His Orchestra2:05
8Blues in Orbit (Tender) (alternate take)
basse :
Jimmy Woode (du 1958-02-04 au 1958-02-12)
batterie :
Sam Woodyard (du 1958-02-04 au 1958-02-12)
piano :
Duke Ellington (US composer, pianist & jazz bandleader) (du 1958-02-04 au 1958-02-12)
saxophone alto :
Bill Graham (US jazz saxophonist) (du 1958-02-04 au 1958-02-12)
saxophone baryton :
Harry Carney (du 1958-02-04 au 1958-02-12)
saxophone ténor :
Paul Gonsalves (du 1958-02-04 au 1958-02-12)
trombone :
Quentin Jackson (du 1958-02-04 au 1958-02-12) et Britt Woodman (du 1958-02-04 au 1958-02-12)
trombone à pistons :
John Sanders (US jazz trombonist) (du 1958-02-04 au 1958-02-12)
trompette :
William “Cat” Anderson (du 1958-02-04 au 1958-02-12), Harold “Shorty” Baker (du 1958-02-04 au 1958-02-12), Ray Nance (du 1958-02-04 au 1958-02-12) et Clark Terry (American swing trumpeter) (du 1958-02-04 au 1958-02-12)
recording of :
Blues in Orbit
compositeur :
Duke Ellington (US composer, pianist & jazz bandleader) et Billy Strayhorn
Duke Ellington and His Orchestra2:42
9Part I (1958 alternate take)
basse :
Jimmy Woode (du 1958-02-04 au 1958-02-12)
batterie :
Sam Woodyard (du 1958-02-04 au 1958-02-12)
piano :
Duke Ellington (US composer, pianist & jazz bandleader) (du 1958-02-04 au 1958-02-12)
saxophone alto :
Bill Graham (US jazz saxophonist) (du 1958-02-04 au 1958-02-12)
saxophone baryton :
Harry Carney (du 1958-02-04 au 1958-02-12)
saxophone ténor :
Paul Gonsalves (du 1958-02-04 au 1958-02-12)
trombone :
Quentin Jackson (du 1958-02-04 au 1958-02-12) et Britt Woodman (du 1958-02-04 au 1958-02-12)
trombone à pistons :
John Sanders (US jazz trombonist) (du 1958-02-04 au 1958-02-12)
trompette :
William “Cat” Anderson (du 1958-02-04 au 1958-02-12), Harold “Shorty” Baker (du 1958-02-04 au 1958-02-12), Ray Nance (du 1958-02-04 au 1958-02-12) et Clark Terry (American swing trumpeter) (du 1958-02-04 au 1958-02-12)
recording of :
Black, Brown, and Beige, Part I (part of the 1958 revised "Black, Brown, and Beige" suite) (du 1958-02-04 au 1958-02-12)
compositeur :
Duke Ellington (US composer, pianist & jazz bandleader)
partie de :
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra6:49
10Part II (alternate take)
basse :
Jimmy Woode (du 1958-02-04 au 1958-02-12)
batterie :
Sam Woodyard (du 1958-02-04 au 1958-02-12)
piano :
Duke Ellington (US composer, pianist & jazz bandleader) (du 1958-02-04 au 1958-02-12)
saxophone alto :
Bill Graham (US jazz saxophonist) (du 1958-02-04 au 1958-02-12)
saxophone baryton :
Harry Carney (du 1958-02-04 au 1958-02-12)
saxophone ténor :
Paul Gonsalves (du 1958-02-04 au 1958-02-12)
trombone :
Quentin Jackson (du 1958-02-04 au 1958-02-12) et Britt Woodman (du 1958-02-04 au 1958-02-12)
trombone à pistons :
John Sanders (US jazz trombonist) (du 1958-02-04 au 1958-02-12)
trompette :
William “Cat” Anderson (du 1958-02-04 au 1958-02-12), Harold “Shorty” Baker (du 1958-02-04 au 1958-02-12), Ray Nance (du 1958-02-04 au 1958-02-12) et Clark Terry (American swing trumpeter) (du 1958-02-04 au 1958-02-12)
recording of :
Black, Brown, and Beige, Part II (part of the 1958 revised "Black, Brown, and Beige" suite) (du 1958-02-04 au 1958-02-12)
compositeur :
Duke Ellington (US composer, pianist & jazz bandleader)
partie de :
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra6:38
11Part III (Light) (alternate take)
basse :
Jimmy Woode (du 1958-02-04 au 1958-02-12)
batterie :
Sam Woodyard (du 1958-02-04 au 1958-02-12)
piano :
Duke Ellington (US composer, pianist & jazz bandleader) (du 1958-02-04 au 1958-02-12)
saxophone alto :
Bill Graham (US jazz saxophonist) (du 1958-02-04 au 1958-02-12)
saxophone baryton :
Harry Carney (du 1958-02-04 au 1958-02-12)
saxophone ténor :
Paul Gonsalves (du 1958-02-04 au 1958-02-12)
trombone :
Quentin Jackson (du 1958-02-04 au 1958-02-12) et Britt Woodman (du 1958-02-04 au 1958-02-12)
trombone à pistons :
John Sanders (US jazz trombonist) (du 1958-02-04 au 1958-02-12)
trompette :
William “Cat” Anderson (du 1958-02-04 au 1958-02-12), Harold “Shorty” Baker (du 1958-02-04 au 1958-02-12), Ray Nance (du 1958-02-04 au 1958-02-12) et Clark Terry (American swing trumpeter) (du 1958-02-04 au 1958-02-12)
recording of :
Black, Brown, and Beige, Part III (Light) (part of the 1958 revised "Black, Brown, and Beige" suite) (du 1958-02-04 au 1958-02-12)
compositeur :
Duke Ellington (US composer, pianist & jazz bandleader)
partie de :
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra3:08
12Part IV (Come Sunday) (alternate take)
basse :
Jimmy Woode (du 1958-02-04 au 1958-02-12)
batterie :
Sam Woodyard (du 1958-02-04 au 1958-02-12)
piano :
Duke Ellington (US composer, pianist & jazz bandleader) (du 1958-02-04 au 1958-02-12)
saxophone alto :
Bill Graham (US jazz saxophonist) (du 1958-02-04 au 1958-02-12)
saxophone baryton :
Harry Carney (du 1958-02-04 au 1958-02-12)
saxophone ténor :
Paul Gonsalves (du 1958-02-04 au 1958-02-12)
trombone :
Quentin Jackson (du 1958-02-04 au 1958-02-12) et Britt Woodman (du 1958-02-04 au 1958-02-12)
trombone à pistons :
John Sanders (US jazz trombonist) (du 1958-02-04 au 1958-02-12)
trompette :
William “Cat” Anderson (du 1958-02-04 au 1958-02-12), Harold “Shorty” Baker (du 1958-02-04 au 1958-02-12), Ray Nance (du 1958-02-04 au 1958-02-12) et Clark Terry (American swing trumpeter) (du 1958-02-04 au 1958-02-12)
recording of :
Come Sunday (1958 revision with lyrics) (du 1958-02-04 au 1958-02-12)
parolier et compositeur :
Duke Ellington (US composer, pianist & jazz bandleader)
version de :
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
partie de :
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra featuring Mahalia Jackson2:23
13Part V (Come Sunday) (alternate take)
basse :
Jimmy Woode (du 1958-02-04 au 1958-02-12)
batterie :
Sam Woodyard (du 1958-02-04 au 1958-02-12)
piano :
Duke Ellington (US composer, pianist & jazz bandleader) (du 1958-02-04 au 1958-02-12)
saxophone alto :
Bill Graham (US jazz saxophonist) (du 1958-02-04 au 1958-02-12)
saxophone baryton :
Harry Carney (du 1958-02-04 au 1958-02-12)
saxophone ténor :
Paul Gonsalves (du 1958-02-04 au 1958-02-12)
trombone :
Quentin Jackson (du 1958-02-04 au 1958-02-12) et Britt Woodman (du 1958-02-04 au 1958-02-12)
trombone à pistons :
John Sanders (US jazz trombonist) (du 1958-02-04 au 1958-02-12)
trompette :
William “Cat” Anderson (du 1958-02-04 au 1958-02-12), Harold “Shorty” Baker (du 1958-02-04 au 1958-02-12), Ray Nance (du 1958-02-04 au 1958-02-12) et Clark Terry (American swing trumpeter) (du 1958-02-04 au 1958-02-12)
recording of :
Black, Brown, and Beige, Part V (Come Sunday Interlude) (part of the 1958 revised "Black, Brown, and Beige" suite) (du 1958-02-04 au 1958-02-12)
compositeur :
Duke Ellington (US composer, pianist & jazz bandleader)
partie de :
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra featuring Ray Nance5:51
14Part VI (23rd Psalm) (alternate take)
basse :
Jimmy Woode (du 1958-02-04 au 1958-02-12)
batterie :
Sam Woodyard (du 1958-02-04 au 1958-02-12)
piano :
Duke Ellington (US composer, pianist & jazz bandleader) (du 1958-02-04 au 1958-02-12)
saxophone alto :
Bill Graham (US jazz saxophonist) (du 1958-02-04 au 1958-02-12)
saxophone baryton :
Harry Carney (du 1958-02-04 au 1958-02-12)
saxophone ténor :
Paul Gonsalves (du 1958-02-04 au 1958-02-12)
trombone :
Quentin Jackson (du 1958-02-04 au 1958-02-12) et Britt Woodman (du 1958-02-04 au 1958-02-12)
trombone à pistons :
John Sanders (US jazz trombonist) (du 1958-02-04 au 1958-02-12)
trompette :
William “Cat” Anderson (du 1958-02-04 au 1958-02-12), Harold “Shorty” Baker (du 1958-02-04 au 1958-02-12), Ray Nance (du 1958-02-04 au 1958-02-12) et Clark Terry (American swing trumpeter) (du 1958-02-04 au 1958-02-12)
recording of :
Black, Brown, and Beige, Part VI (23rd Psalm) (part of the 1958 revised "Black, Brown, and Beige" suite) (du 1958-02-04 au 1958-02-12)
compositeur :
Duke Ellington (US composer, pianist & jazz bandleader)
partie de :
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra featuring Mahalia Jackson1:59
15Studio Conversation (Mahalia swears)
Mahalia Jackson0:07
16Come Sunday (a cappella)
piano :
Duke Ellington (US composer, pianist & jazz bandleader) (du 1958-02-04 au 1958-02-12)
voix :
Mahalia Jackson (du 1958-02-04 au 1958-02-12)
recording of :
Come Sunday (1958 revision with lyrics) (du 1958-02-04 au 1958-02-12)
parolier et compositeur :
Duke Ellington (US composer, pianist & jazz bandleader)
version de :
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
partie de :
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Mahalia Jackson5:47
17[silence]
[no artist]0:06

Crédits

Groupe de parution

inclus dans :Columbia Jazz: 25 Original Albums par Various Artists (Multi‐interprètes, add compilations to this artist)
Eight Classic Albums par Duke Ellington (US composer, pianist & jazz bandleader)
Discogs :https://www.discogs.com/master/171163 [info]
Wikidata :Q3640656 [info]