The Ultimate Collection

~ Release by Tchaikovsky (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1The Nutcracker: I. Overture Miniature
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1986-02)
conductor:
Sir Georg Solti (conductor) (in 1986-02)
balance engineer:
John Pellowe (audio engineer) (in 1986-02)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1987) and Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1987)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1986-02)
recording of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto (in 1986-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (until 1892)
part of:
The Nutcracker (suite from the ballet), op. 71a
Пётр Ильич Чайковский3:18
2The Nutcracker: II. Marche
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1986-02)
conductor:
Sir Georg Solti (conductor) (in 1986-02)
balance engineer:
John Pellowe (audio engineer) (in 1986-02)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1987) and Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1987)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1986-02)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva (in 1986-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский2:30
3The Nutcracker: III. Danse de la Fée Dragée
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1986-02)
conductor:
Sir Georg Solti (conductor) (in 1986-02)
balance engineer:
John Pellowe (audio engineer) (in 1986-02)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1987) and Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1987)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1986-02)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo (in 1986-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
Пётр Ильич Чайковский1:45
4The Nutcracker: IV. Danse Russe
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1986-02)
conductor:
Sir Georg Solti (conductor) (in 1986-02)
balance engineer:
John Pellowe (audio engineer) (in 1986-02)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1987) and Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1987)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1986-02)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace (in 1986-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:08
5The Nutcracker: V. Danse Arabe
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1986-02)
conductor:
Sir Georg Solti (conductor) (in 1986-02)
balance engineer:
John Pellowe (audio engineer) (in 1986-02)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1987) and Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1987)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1986-02)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto (in 1986-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский3:38
6The Nutcracker: VI. Danse Chinoise
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1986-02)
conductor:
Sir Georg Solti (conductor) (in 1986-02)
balance engineer:
John Pellowe (audio engineer) (in 1986-02)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1987) and Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1987)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1986-02)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato (in 1986-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:13
7The Nutcracker: VII. Danse des Mirlitons
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1986-02)
conductor:
Sir Georg Solti (conductor) (in 1986-02)
balance engineer:
John Pellowe (audio engineer) (in 1986-02)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1987) and Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1987)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1986-02)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai (in 1986-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Пётр Ильич Чайковский2:41
8The Nutcracker: VIII. Valse des Fleurs
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Пётр Ильич Чайковский7:19
9Swan Lake: I. Le Lac des Cygnes
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1988-10)
conductor:
Sir Georg Solti (conductor) (in 1988-10)
balance engineer:
Stanley Goodall (engineer) (in 1988-10) and James Lock (James Locke, engineer) (in 1988-10)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1989)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1988-10)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène (lake in the moonlight) (in 1988-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
partial recording of:
Swan Lake, op. 20 (Лебединое озеро)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1875 until 1876)
part of:
The Tchaikovsky Handbook (number: TH 12), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 12) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 20)
Пётр Ильич Чайковский2:47
10Swan Lake: II. Valse
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1988-10)
conductor:
Sir Georg Solti (conductor) (in 1988-10)
balance engineer:
Stanley Goodall (engineer) (in 1988-10) and James Lock (James Locke, engineer) (in 1988-10)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1989)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1988-10)
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse (in 1988-10)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
recording of:
Swan Lake, op. 20: Act I, no. 2: Valse, Tempo di valse
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act I
part of:
Swan Lake, op. 20: Act I (ed. Drigo)
recording of:
Swan Lake: Act I. Waltz
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
recording of:
Valse (Swan Lake)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
Пётр Ильич Чайковский6:55
11Swan Lake: III. Danse des Cygnes
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1988-10)
conductor:
Sir Georg Solti (conductor) (in 1988-10)
balance engineer:
Stanley Goodall (engineer) (in 1988-10) and James Lock (James Locke, engineer) (in 1988-10)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1989) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1989)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1988-10)
recording of:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes (in 1988-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский1:34
12Swan Lake: IV. Scène
producer:
Michael Haas (classical music producer)
cello:
John Sharp (cellist) (in 1988-10)
harp:
Edward Druzinsky (harpist) (in 1988-10)
violin:
Rubén González (violinist)
orchestra:
Chicago Symphony Orchestra (in 1988-10)
conductor:
Sir Georg Solti (conductor) (in 1988-10)
balance engineer:
Stanley Goodall (engineer) (in 1988-10) and James Lock (James Locke, engineer) (in 1988-10)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1989)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1988-10)
recording of:
The Swan Lake (suite from the ballet), op. 20a: IV. Scène (in 1988-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский6:58
13Swan Lake: V. Danse Hongroise
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1988-10)
conductor:
Sir Georg Solti (conductor) (in 1988-10)
balance engineer:
Stanley Goodall (engineer) (in 1988-10) and James Lock (James Locke, engineer) (in 1988-10)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1989)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1988-10)
recording of:
The Swan Lake (suite from the ballet), op. 20a: V. Czardas: Danse hongroise (in 1988-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский3:11
14Swan Lake: VI. Danse Espagnole
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1988-10)
conductor:
Sir Georg Solti (conductor) (in 1988-10)
balance engineer:
Stanley Goodall (engineer) (in 1988-10) and James Lock (James Locke, engineer) (in 1988-10)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1989)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1988-10)
recording of:
The Swan Lake (suite from the ballet), op. 20a: VI. Danse espagnole (in 1988-10)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский2:59
15Swan Lake: VII. Danse Napolitaine
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
The Swan Lake (suite from the ballet), op. 20a: VII. Danse napolitaine
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский2:28
16The Sleeping Beauty: No. 6, Waltz
recording engineer:
James Lock (James Locke, engineer) (from 1977-03-17 until 1977-03-21)
producer:
Richard Beswick
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1977-03-17 until 1977-03-21)
conductor:
Richard Bonynge (conductor and pianist) (from 1977-03-17 until 1977-03-21)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03-17 until 1977-03-21)
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 6. Valse (from 1977-03-17 until 1977-03-21)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte I
Пётр Ильич Чайковский4:54
17The Sleeping Beauty: No. 8a, Pas d'action
recording engineer:
James Lock (James Locke, engineer) (from 1977-03-17 until 1977-03-21)
producer:
Richard Beswick
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1977-03-17 until 1977-03-21)
conductor:
Richard Bonynge (conductor and pianist) (from 1977-03-17 until 1977-03-21)
balance engineer:
James Lock (James Locke, engineer) (in 1977-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03-17 until 1977-03-21)
engineered at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-03)
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 8. Pas d’action: a. Introduction ("Rose adagio") (from 1977-03-17 until 1977-03-21)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte I
Пётр Ильич Чайковский6:39
18The Sleeping Beauty: No. 25, Pas de Quatre
recording engineer:
James Lock (James Locke, engineer) (from 1977-03-17 until 1977-03-21)
producer:
Richard Beswick
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1977-03-17 until 1977-03-21)
conductor:
Richard Bonynge (conductor and pianist) (from 1977-03-17 until 1977-03-21)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03-17 until 1977-03-21)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 25. Pas de quatre: a. Introduction (from 1977-03-17 until 1977-03-21)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Пётр Ильич Чайковский2:20
19The Sleeping Beauty: No. 25 Var. I, Cendrillon et Fortuné
recording engineer:
James Lock (James Locke, engineer) (from 1977-03-17 until 1977-03-21)
producer:
Richard Beswick
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1977-03-17 until 1977-03-21)
conductor:
Richard Bonynge (conductor and pianist) (from 1977-03-17 until 1977-03-21)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03-17 until 1977-03-21)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 25. Pas de quatre: b. Var. I: Cendrillon et Fortune (from 1977-03-17 until 1977-03-21)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Пётр Ильич Чайковский0:57
20The Sleeping Beauty: No. 25 Var. II, L'Oiseau Bleu et la Princesse Florine
recording engineer:
James Lock (James Locke, engineer) (from 1977-03-17 until 1977-03-21)
producer:
Richard Beswick
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1977-03-17 until 1977-03-21)
conductor:
Richard Bonynge (conductor and pianist) (from 1977-03-17 until 1977-03-21)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03-17 until 1977-03-21)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 25. Pas de quatre: c. Var. II: L’Oiseau bleu et la princesse Florine (from 1977-03-17 until 1977-03-21)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Пётр Ильич Чайковский0:52
21The Sleeping Beauty: Coda
recording engineer:
James Lock (James Locke, engineer) (from 1977-03-17 until 1977-03-21)
producer:
Richard Beswick
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1977-03-17 until 1977-03-21)
conductor:
Richard Bonynge (conductor and pianist) (from 1977-03-17 until 1977-03-21)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03-17 until 1977-03-21)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 25. Pas de quatre: d. Coda (from 1977-03-17 until 1977-03-21)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Пётр Ильич Чайковский1:42
22The Sleeping Beauty: Apothéose
recording engineer:
James Lock (James Locke, engineer) (from 1977-03-17 until 1977-03-21)
producer:
Richard Beswick
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1977-03-17 until 1977-03-21)
conductor:
Richard Bonynge (conductor and pianist) (from 1977-03-17 until 1977-03-21)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03-17 until 1977-03-21)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 30. Finale: b. Apothéose (from 1977-03-17 until 1977-03-21)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Пётр Ильич Чайковский3:38
2▼CD
#TitleArtistRatingLength
1Capriccio Italien
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
recording of:
Capriccio italien, op. 45
premiered in:
Moscow, Russia (on 1880-12-18)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-01 until 1880-05)
dedicated to:
Карл Юльевич Давыдов (Karl Davydov)
part of:
The Tchaikovsky Handbook (number: TH 47), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 44) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 45)
Пётр Ильич Чайковский15:31
2Romeo and Juliet: Fantasy Overture
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Пётр Ильич Чайковский20:32
3Marche Slave
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
recording of:
Marche slave in B-flat minor, op. 31
premiered in:
Moscow, Russia (on 1876-11-18)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-09 until 1876-10)
part of:
The Tchaikovsky Handbook (number: TH 45), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 42) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 31)
is based on:
Боже, Царя храни! (God Save the Tsar!)
Пётр Ильич Чайковский10:57
4Overture 1812
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (from 1986-01 until 1986-02)
conductor:
Sir Georg Solti (conductor) (from 1986-01 until 1986-02)
balance engineer:
John Pellowe (audio engineer) (from 1986-01 until 1986-02)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1987)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1986-01 until 1986-02)
recording of:
The Year 1812, Festival Overture in E-flat major, op. 49 (from 1986-01 until 1986-02)
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
Пётр Ильич Чайковский14:55
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1Piano Concerto No. 1 in B-flat minor, Op. 23: I. Allegro non troppo e molto maestoso
engineer:
John Dunkerley (engineer)
producer:
Michael Haas (classical music producer)
grand piano:
András Schiff (pianist)
piano:
András Schiff (pianist) (in 1985-10)
orchestra:
Chicago Symphony Orchestra (in 1985-10)
conductor:
Sir Georg Solti (conductor) (in 1985-10)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1986)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1985-10)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed) (in 1985-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский520:02
2Piano Concerto No. 1 in B-flat minor, Op. 23: II. Andantino semplice
engineer:
John Dunkerley (engineer)
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (in 1985-10)
orchestra:
Chicago Symphony Orchestra (in 1985-10)
conductor:
Sir Georg Solti (conductor) (in 1985-10)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1986)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1985-10)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1888 version, most often performed) (in 1985-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский6:37
3Piano Concerto No. 1 in B-flat minor, Op. 23: III. Allegro con fuoco
engineer:
John Dunkerley (engineer)
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (in 1985-10)
orchestra:
Chicago Symphony Orchestra (in 1985-10)
conductor:
Sir Georg Solti (conductor) (in 1985-10)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1986)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1985-10)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1888 version, most often performed) (in 1985-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский7:07
4Violin Concerto in D major, Op. 35: I. Allegro moderato
producer:
Ray Minshull (record producer)
solo violin:
Kyung Wha Chung (Kyung-Wha Chung, violinist) (in 1981-07)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1981-07)
conductor:
Charles Dutoit (conductor) (in 1981-07)
balance engineer:
John Dunkerley (engineer) (in 1981-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1982)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1981-07)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato (in 1981-07)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Пётр Ильич Чайковский17:56
5Violin Concerto in D major, Op. 35: II. Canzonetta. Andante
producer:
Ray Minshull (record producer)
violin:
Kyung Wha Chung (Kyung-Wha Chung, violinist) (in 1981-07)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1981-07)
conductor:
Charles Dutoit (conductor) (in 1981-07)
balance engineer:
John Dunkerley (engineer) (in 1981-07)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1981-07)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante (in 1981-07)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Пётр Ильич Чайковский6:28
6Violin Concerto in D major, Op. 35: III. Finale. Allegro vivacissimo
violin:
Kyung Wha Chung (Kyung-Wha Chung, violinist) (in 1981-07)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1981-07)
conductor:
Charles Dutoit (conductor) (in 1981-07)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1981-07)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Пётр Ильич Чайковский10:20
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1Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio
producer:
Richard Beswick
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979-05)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1979-05)
balance engineer:
John Dunkerley (engineer) (in 1979-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-05)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo (in 1979-05)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Пётр Ильич Чайковский19:13
2Symphony No. 6 in B minor, Op. 74 "Pathétique": II. Allegro con grazia
producer:
Richard Beswick
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979-05)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1979-05)
balance engineer:
John Dunkerley (engineer) (in 1979-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-05)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia (in 1979-05)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Пётр Ильич Чайковский8:03
3Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivace
producer:
Richard Beswick
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979-05)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1979-05)
balance engineer:
John Dunkerley (engineer) (in 1979-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-05)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace (in 1979-05)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Пётр Ильич Чайковский8:29
4Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso
producer:
Richard Beswick
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979-05)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1979-05)
balance engineer:
John Dunkerley (engineer) (in 1979-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-05)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso (in 1979-05)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Пётр Ильич Чайковский11:25
5Francesca da Rimini
sound engineer:
Colin Moorfoot (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
Royal Philharmonic Orchestra (in 1987-10, in 1988-03)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1987-10, in 1988-03)
balance engineer:
Colin Moorfoot (engineer) (in 1987-10, in 1988-03)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-10, in 1988-03)
recording of:
Francesca da Rimini, op. 32 (in 1987-10)
premiered in:
Moscow, Russia (on 1877-03-09)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-10 until 1876-11)
dedicated to:
Сергей Танеев (Sergei Taneyev, Russian composer, pianist, teacher of composition, music theorist and author)
premiered at:
[concert] (1877-03-09) (premiere concert for Tchaikovsky's Francesca da Rimini)
publisher:
P. Jurgenson (in 1878)
part of:
The Tchaikovsky Handbook (number: TH 46), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 43) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 32)
is based on:
Inferno (first part of Dante Alighieri's Comedìa)
recording of:
Francesca da Rimini, op. 32 (in 1988-03)
premiered in:
Moscow, Russia (on 1877-03-09)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-10 until 1876-11)
dedicated to:
Сергей Танеев (Sergei Taneyev, Russian composer, pianist, teacher of composition, music theorist and author)
premiered at:
[concert] (1877-03-09) (premiere concert for Tchaikovsky's Francesca da Rimini)
publisher:
P. Jurgenson (in 1878)
part of:
The Tchaikovsky Handbook (number: TH 46), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 43) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 32)
is based on:
Inferno (first part of Dante Alighieri's Comedìa)
Пётр Ильич Чайковский23:23
5▼CD
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1Variations on a Roccoco Theme for Cello and Orchestra
cello:
Lynn Harrell (cellist)
orchestra:
The Cleveland Orchestra
conductor:
Lorin Maazel (conductor)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
premiered in:
Moscow, Russia (on 1877-11-30)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1877)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
dedicated to:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 33)
version of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (original Tchaikovsky version)
Пётр Ильич Чайковский17:22
2Serenade for Strings: I. Andante
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1968-04)
conductor:
Sir Neville Marriner (conductor) (in 1968-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1968-04)
recording of:
Serenade for Strings in C major, op. 48: I. Pezzo in forma di Sonatina (in 1968-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
Пётр Ильич Чайковский9:14
3Serenade for Strings: II. Tempo de Valse
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1968-04)
conductor:
Neville Marriner (conductor) (in 1968-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1968-04)
recording of:
Serenade for Strings in C major, op. 48: II. Waltz. Moderato - Tempo di valse (in 1968-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
Пётр Ильич Чайковский3:35
4Serenade for Strings: III. Elégie
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1968-04)
conductor:
Sir Neville Marriner (conductor) (in 1968-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1968-04)
recording of:
Serenade for Strings in C major, op. 48: III. Élégie. Larghetto elegiaco (in 1968-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
Пётр Ильич Чайковский9:57
5Serenade for Strings: IV. Finale
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1968-04)
conductor:
Sir Neville Marriner (conductor) (in 1968-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1968-04)
recording of:
Serenade for Strings in C major, op. 48: IV. Finale. Tema russo (in 1968-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
Пётр Ильич Чайковский7:48
6Eugene Onedin: I. Tatyana's Letter Scene "Puskai Pogibnu Ya"
soprano vocals:
Teresa Kubiak (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Georg Solti (conductor)
Пётр Ильич Чайковский13:44
7Eugene Onedin: II. Waltz Scene "Vot Tak Syurpriz!"
soprano vocals:
Teresa Kubiak (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Georg Solti (conductor)
Пётр Ильич Чайковский6:34
8Eugene Onedin: III. Polonaise
soprano vocals:
Teresa Kubiak (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Georg Solti (conductor)
Пётр Ильич Чайковский4:36
9Eugene Onedin: IV. Ecossaise
soprano vocals:
Teresa Kubiak (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Georg Solti (conductor)
Пётр Ильич Чайковский1:54