Sound Track

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Misirlou
producer:
Jim Monsour
bass guitar:
Rick Rillera
drums (drum set):
Jerry Stevens (US surf rock drummer)
guitar [lead guitar]:
Dick Dale (surf guitarist)
guitar [rhythm guitar]:
Nick O’Malley (US surf rock guitarist)
piano:
Bill Barber (Keyboardist, not the tuba player)
saxophone:
Armon Frank and Barry Rillera
part of:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 65)
recording of:
Misirlou (Dick Dale instrumental arrangement)
composer:
[anonymous] (special purpose artist)
arranger:
Dick Dale (surf guitarist) and Gabriel Paquin-Buki
publisher:
Campbell Connelly & Co.
arrangement of:
Miserlou (Mediterranean folk song)
arrangement of:
Μισιρλού (Misirlou)
Dick Dale and His Del‐Tones4.32:14
2Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) and John Mills (recording/mix engineer) (in 1972)
producer:
Jerry Leiber and Mike Stoller
drums (drum set):
Rod Coombes (in 1972)
electric bass guitar:
Tony Williams (bass) (in 1972)
guitar:
Paul Pilnick (in 1972) and Gerry Rafferty (in 1972)
keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) and Gerry Rafferty (in 1972)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1972) and A&M Records, Ltd. (in 1972)
music videos:
Stuck in the Middle With You by Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
lyricist and composer:
Gerald Rafferty and Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. and Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:23
3Main Theme (Get Carter)
Roy Budd3:36
4Everybody’s Talkin’
phonographic copyright (℗) by:
BMG Music (in 1967)
earliest release:
Everybody’s Talkin’ by Nilsson (US singer-songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 51)
cover recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music and Third Story Music, Inc.
Nilsson3.92:45
5Something to Talk AboutBadly Drawn Boy3:38
6Across 110th Street
performer:
Peace (funk/soul, Bobby Womack collaborator, e.g "Across 110th Street")
recording of:
Across 110th Street
writer:
J.J. Johnson (jazz/bop trombonist/session leader) and Bobby Womack
Bobby Womack4.53:50
7Suicide Is Painless
recording of:
Suicide Is Painless
lyricist:
Mike Altman
composer:
Johnny Mandel (American composer and arranger)
publisher:
Chappell Music Ltd., Twentieth Century Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Johnny Mandel2:52
8Cavatina
recording of:
Cavatina (theme from The Deer Hunter, for guitar)
composer:
Stanley Myers
publisher:
EMI Music Publishing (do not use as a release label!), Robbins Music Corp. and Robbins Music Corp. Ltd.
John Williams3:32
9A Little Less Conversation
vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1968-06-20 until 1968-06-24)
remixer:
Dennis Ferrante
phonographic copyright (℗) by:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 2002)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1968-06-20 until 1968-06-24)
remix of:
A Little Less Conversation by Elvis Presley (“The King of Rock and Roll”)
cover recording of:
A Little Less Conversation (from 1968-06-20 until 1968-06-24)
writer:
Mac Davis (US country singer, songwriter & actor) and Billy Strange
publisher:
Carlin Music Corporation and Elvis Presley Music
recording of:
A Little Less Conversation
writer:
Mac Davis (US country singer, songwriter & actor) and Billy Strange
publisher:
Carlin Music Corporation and Elvis Presley Music
Elvis Presley1:44
10Viva Las Vegas
engineer:
Oliver DiCicco (in 1980-06)
assistant producer:
Ray Pepperell (in 1980-06)
producer:
Norm (fictitious producer for Dead Kennedys) (in 1980-06)
drums (drum set):
Ted (Bruce Slesinger, Former (original) member of Dead Kennedys) (in 1980-06)
electric bass guitar:
Klaus Flouride (Geoffrey Lyall) (in 1980-06)
electric guitar:
East Bay Ray (Ray Pepperell) (in 1980-06)
vocals:
Jello Biafra (former lead singer of Dead Kennedys) (in 1980-06)
recorded at:
Möbius Music, San Francisco in San Francisco, California, United States (in 1980-06)
cover recording of:
Viva Las Vegas (in 1980-06)
lyricist:
Doc Pomus
composer:
Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Felder Pomus Entertainment, Intersong GmbH (publisher; do NOT use as release label), Mort Shuman Songs, Pomus Songs Inc., Sharoonie Songs and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Dead Kennedys3.652:39
11Surfin’ Bird
The Trashmen2:16
12If You Want Me to Stay
recording of:
If You Want Me to Stay
lyricist and composer:
Sylvester Stewart
publisher:
Mijac Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Sly & the Family Stone2:39
13Oye como va
engineer:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-08)
congas and percussion:
Michael Carabello (percussionist) (on 1970-07-08)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-08)
drums (drum set):
Michael Shrieve (drummer) (on 1970-07-08)
guitar:
Carlos Santana (on 1970-07-08)
keyboard and lead vocals:
Gregg Rolie (keyboardist and vocalist) (on 1970-07-08)
percussion:
Rico Reyes (on 1970-07-08)
tabla:
Steven Saphore (on 1970-07-08)
background vocals:
Rico Reyes (on 1970-07-08) and Carlos Santana (on 1970-07-08)
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-08)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 479)
cover recording of:
Oye como va (on 1970-07-08)
lyricist and composer:
Tito Puente
publisher:
EMI Full Keel Music, Full Keel Music, Planetary Music Publ. Corp., Sony/ATV Music Publishing LLC (1995–2020) and Windswept Pacific Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
Chanchullo
is based on:
Te enseñaré
Santana3.94:16
14Superfly
engineer:
Roger Anfinsen
producer:
Curtis Mayfield
bass guitar:
Joseph Scott (US funk/soul bassist)
drums (drum set):
Morris Jennings
guitar:
Curtis Mayfield and Craig McMullen
percussion:
Master Henry Gibson (Percussionist with Curtis Mayfield, Stan Getz, Ramsey Lewis)
lead vocals:
Curtis Mayfield
arranger and orchestrator:
Johnny Pate
phonographic copyright (℗) by:
Curtom Records (in 1972)
recording of:
Superfly
lyricist and composer:
Curtis Mayfield
publisher:
Todd Mayfield Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Curtom Publishing Co Inc (from 1972 to ????)
Curtis Mayfield4.653:52
15Girls
recording of:
Girls
writer:
Richard Fearless and Tim Holmes (Death in Vegas)
Death in Vegas4:30
16Woo Hoo
producer:
The 5.6.7.8’s
phonographic copyright (℗) by:
Cargo Records (UK label) (in 2004) and Sweet Nothing (in 2004)
cover recording of:
Woo-Hoo
lyricist and composer:
George McGraw
The 5.6.7.8’s3.751:59
2CD
#TitleArtistRatingLength
1Opening Theme: One Flew Over the Cuckoos Nest
Jack Nitzsche1:29
2The Sound of Silence
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
bass guitar:
Bob Bushnell (from 1964-03-10 until 1965-06-15)
drums (drum set):
Bobby Gregg (from 1964-03-10 until 1965-06-15)
guitar:
Vinnie Bell (from 1964-03-10 until 1965-06-15) and Al Gorgoni (guitarist, composer, arranger, and producer) (from 1964-03-10 until 1965-06-15)
lead vocals:
Art Garfunkel (on 1964-03-10) and Paul Simon (of Simon & Garfunkel) (on 1964-03-10)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 74) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 156)
recording of:
The Sound of Silence (from 1964-03-10 until 1965-06-15)
lyricist:
Paul Simon (of Simon & Garfunkel) (from 1963-11 until 1964-02-19)
composer:
Paul Simon (of Simon & Garfunkel) (from 1963-11 until 1964-02-09)
publisher:
Essex Music of Australia Pty. Ltd., J. Michel KG (publisher), MDW (publisher), Mother Culture Publishing, Pattern Music Ltd (publisher), Universal/MCA Music Ltd. (not for release label use!), WB Music Corp. (1929–2019), Paul Simon Music (in 1964, in 1992) and Magic Arts Publishing (in 2000)
Simon & Garfunkel4.553:05
3Woke Up This Morning
recording of:
Woke Up This Morning
writer:
Jake Black (member of Alabama 3), Chester Burnett, Simon Edwards (Sir Eddie Real), Piers Marsh and Robert Spragg
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
Alabama 34:05
4Didn’t Leave Nobody but the Baby
producer:
T‐Bone Burnett (musician, songwriter and producer)
vocals:
Emmylou Harris, Alison Krauss and Gillian Welch
arranger:
T‐Bone Burnett (musician, songwriter and producer), Alan Lomax (US ethnomusicologist), Sidney Hemphill Carter and Gillian Welch
recording of:
Didn’t Leave Nobody but the Baby
additional lyricist:
T‐Bone Burnett (musician, songwriter and producer) and Gillian Welch
additional writer:
Alan Lomax (US ethnomusicologist)
writer:
[traditional] (special purpose artist)
Gillian Welch, Alison Krauss & Emmylou Harris3.651:56
5The Ipcress File
John Barry3:53
6You’re Gonna Miss Me
recording of:
You’re Gonna Miss Me
lyricist and composer:
Roky Erickson (American psychedelic rock musician)
publisher:
Tapier Music
13th Floor Elevators2:30
7The Pusher
producer:
Gabriel Mekler
phonographic copyright (℗) by:
Geffen Records (in 1968)
recorded at:
American Recording Co. (original Los Angeles location, 1959–1982) in Studio City, Los Angeles, California, United States (in 1967)
cover recording of:
The Pusher (in 1967)
lyricist and composer:
Hoyt Axton
publisher:
Lady Jane Music, Warner Chappell Music (publisher as Warner/Chappell Music), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf45:49
8Fuckin’ in the BushesOasis3:18
9Pretty in Pink
recording of:
Pretty in Pink
writer:
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs), Vincent Paul Davey, Duncan Kilburn and Roger Morris (UK guitarist for The Psychedelic Furs)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30) and EMI Songs Ltd.
The Psychedelic Furs4:40
10Walk This Land
E-Z Rollers3:51
11Theme From Shaft
producer:
Isaac Hayes
bass guitar:
James Alexander (US soul bassist, singer and songwriter)
bongos and congas:
Gary Jones (percussionist)
electric piano:
Lester Snell (Pianist/keyboardist, songwriter and producer)
electric piano, organ, piano and vibraphone and lead vocals:
Isaac Hayes
guitar:
Charles Pitts and Michael Toles
membranophone and tambourine:
Willie "Too Big" Hall
phonographic copyright (℗) by:
Stax Records (not for release) (in 1971)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 303)
recording of:
Theme From Shaft (Shaft, 1971)
lyricist and composer:
Isaac Hayes
publisher:
Irving Music, Inc.
part of:
The 44th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1971 winner)
part of:
Shaft (1971 film soundtrack)
Isaac Hayes3.554:37
12Two of Us
cover recording of:
Two of Us
written in:
United Kingdom (from 1968 until 1969-01-31)
writer:
Paul McCartney (The Beatles) (from 1968 until 1969-01-31) and John Lennon (The Beatles) (from 1969-01-02 until 1969-01-31)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Northern Songs and Sony/ATV Music Publishing LLC (1995–2020)
Aimee Mann & Michael Penn43:31
13Falling
recording of:
Falling (Twin Peaks theme song)
lyricist:
David Lynch (filmmaker)
composer:
Angelo Badalamenti (American score composer)
publisher:
Anlon Music Co. (Anlon Music Company), O.K. Paul Music and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
version of:
Theme from Twin Peaks
part of:
Twin Peaks (original soundtrack of the TV series)
Julee Cruise5:19
14Life in Mono
recording of:
Life in Mono
writer:
John Barry (English score composer) and Martin Virgo
Mono3:47
15Mad World (instrumental)
DNS3:02
16Born Slippy
producer and mixer:
Underworld (UK electronic music group)
phonographic copyright (℗) by:
Junior Boy’s Own (in 1996) and Junior Recordings (in 1996)
recording of:
Born Slippy .NUXX (vocal version associated with Trainspotting)
lyricist:
Karl Hyde
writer:
Darren Emerson, Karl Hyde and Rick Smith (electronic producer, member of Underworld)
publisher:
Mute Song (either subsidiary of Mute Song Ltd., or brand that refers to itself), Sherlock Holmes Music Ltd. and Underworld (legal entity for the band)
Underworld3.94:19