The Complete Jerome Kern Songbooks

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1A Fine Romance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-08-13)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-08-13)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-08-13)
Schlagzeug:
Louie Bellson (am 1957-08-13)
Trompete:
Louis Armstrong (am 1957-08-13)
Sologesang:
Louis Armstrong (am 1957-08-13) und Ella Fitzgerald (American jazz singer) (am 1957-08-13)
recording of:
A Fine Romance (from “Swing Time”) (am 1957-08-13)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
cover recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
Ella Fitzgerald & Louis Armstrong43:54
2Let’s Begin
Margaret Whiting2:16
3Smoke Gets in Your Eyes
cover recording of:
Smoke Gets in Your Eyes
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
Billy Eckstine3:44
4Bill
recording of:
Bill (Show Boat)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) und P. G. Wodehouse
Komponist(in):
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
Teil von:
Show Boat (1951 film)
Teil von:
Show Boat: Act II
Morgana King2:51
5I’m Old Fashioned
Cassandra Wilson3:06
6All the Things You Are
cover recording of:
All the Things You Are (from “Very Warm for May”)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
Komponist(in):
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (beendet), T.B. Harms Inc. (beendet) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Broadway Rhythm (film)
Sarah Vaughan & Harold Mooney & His Orchestra3:11
7The Folks Who Live on the Hill
Arthur Prysock2:54
8I Won’t Dance
Blossom Dearie2:47
9They Didn’t Believe Me
cover recording of:
They Didn’t Believe Me
Texter:
Herbert Reynolds (lyricist)
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd. und Redwood Music Ltd. (Carlin)
Teil von:
The Girl From Utah
Dinah Washington & Quincy Jones and His Orchestra2:48
10I’ll Be Hard to Handle
cover recording of:
I’ll Be Hard to Handle (from “Roberta”)
Texter:
Bernard Dougall (in 1932)
zusätzlicher Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jerome Kern (in 1932)
Teil von:
Roberta
Ella Fitzgerald & Nelson Riddle and His Orchestra3:51
11The Way You Look Tonight
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
Kontrabass:
Ray Brown (jazz bassist) (in 1952-12)
Schlagzeug:
Alvin Stoller (in 1952-12)
Tenorsaxophon:
Flip Phillips (in 1952-12)
Trompete:
Charlie Shavers (in 1952-12)
vocals:
Fred Astaire (in 1952-12)
recording of:
The Way You Look Tonight (from “Swing Time”) (in 1952-12)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
Fred Astaire3:01
12Yesterdays
cover recording of:
Yesterdays
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
Helen Merrill6:46
13Pick Yourself Up
Anita O’Day3:07
14Why Do I Love You
Techniker(in):
Val Valentin
Produzent(in):
Bryan Koniarz
vocals:
Margaret Whiting
conductor:
Russell Garcia
arranger:
Russell Garcia
recording of:
Why Do I Love You? (Show Boat)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
Medley von:
Selections from "Show boat"
Teil von:
Show Boat (1951 film)
Teil von:
Show Boat: Act II
Margaret Whiting2:35
15The Way You Look Tonight
cover recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
Ella Fitzgerald & Nelson Riddle and His Orchestra4:31
16A Fine Romance
cover recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
Billie Holiday3:32
2▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1All the Things You Are
cover recording of:
All the Things You Are (from “Very Warm for May”)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
Komponist(in):
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (beendet), T.B. Harms Inc. (beendet) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Broadway Rhythm (film)
Ella Fitzgerald & Nelson Riddle and His Orchestra3:19
2Why Was I Born
cover recording of:
Why Was I Born?
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1929)
Komponist(in):
Jerome Kern (in 1929)
Arthur Prysock3:00
3Dearly Beloved
cover recording of:
Dearly Beloved (from “You Were Never Lovelier”)
Texter:
Johnny Mercer
Komponist(in):
Jerome Kern
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1942 nominee)
Helen Merrill2:07
4Smoke Gets in Your Eyes
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1958-12-15)
Gitarre:
Freddie Green (am 1958-12-15)
Holzblasinstrumente:
Frank Wess (am 1958-12-15)
Klavier:
Ronnell Bright (am 1958-12-15)
Kontrabass:
Richard Davis (American jazz bassist) (am 1958-12-15)
Posaune:
Henry Coker (jazz trombonist) (am 1958-12-15), Benny Powell (jazz trombonist) (am 1958-12-15) und Al Grey (trombone) (am 1958-12-23)
Rohrblattinstrumente:
Marshall Royal (am 1958-12-15)
Schlagzeug:
Sonny Payne (am 1958-12-15)
Tenorsaxophon:
Frank Foster (saxophonist) (von 1958-12-01 bis 1958-12-15) und Billy Mitchell (US jazz saxophonist) (am 1958-12-15)
Trompete:
Wendell Culley (jazz trumpeter) (am 1958-12-15), Eugene Young (am 1958-12-15) und Thad Jones (American jazz trumpeter) (am 1958-12-23)
vocals:
Sarah Vaughan (am 1958-12-15)
cover recording of:
Smoke Gets in Your Eyes (am 1958-12-15)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
Sarah Vaughan4:00
5Remind Me
cover recording of:
Remind Me
Texter:
Dorothy Fields (American librettist and lyricist) (in 1940)
Komponist(in):
Jerome Kern (in 1940)
publisher:
T.B. Harms Co.
Ella Fitzgerald & Nelson Riddle and His Orchestra3:54
6A Fine Romance
recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
Joe Williams & Count Basie2:32
7Let’s Begin
Jackie Cain & Roy Kral3:13
8They Didn’t Believe Me
Ernestine Anderson2:24
9The Way You Look Tonight
Techniker(in):
Val Valentin
Produzent(in):
Bryan Koniarz
vocals:
Margaret Whiting
conductor:
Russell Garcia
arranger:
Russell Garcia
recording of:
The Way You Look Tonight (from “Swing Time”) (vom 1960-01-29 bis heute)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
Margaret Whiting3:34
10Lovely to Look At
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
vocals:
Fred Astaire (in 1952-12)
recording of:
Lovely to Look at (in 1952-12)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1935)
Komponist(in):
Jerome Kern (in 1935)
zusätzliche(r) Komponist(in):
Jimmy McHugh (songwriter)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
recording of:
Lovely to Look at (vom 1952-12 bis heute)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1935)
Komponist(in):
Jerome Kern (in 1935)
zusätzliche(r) Komponist(in):
Jimmy McHugh (songwriter)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Fred Astaire3:30
11I Won’t Dance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-08-13)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-08-13)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-08-13)
Schlagzeug:
Louie Bellson (am 1957-08-13)
Trompete:
Louis Armstrong (am 1957-08-13)
vocals:
Louis Armstrong (am 1957-08-13) und Ella Fitzgerald (American jazz singer) (am 1957-08-13)
cover recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (am 1957-08-13)
Texter:
Jimmy McHugh (songwriter) und Dorothy Fields (American librettist and lyricist) (in 1935)
Komponist(in):
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
basiert auf:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
Ella Fitzgerald & Louis Armstrong34:49
12You Couldn’t Be Cuter
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-02-11)
Techniker(in):
Val Valentin
Produzent(in):
Bryan Koniarz
vocals:
Margaret Whiting (am 1960-02-11)
conductor:
Russell Garcia (am 1960-02-11)
arranger:
Russell Garcia
recording of:
You Couldn't Be Cuter (am 1960-02-11)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1938)
Komponist(in):
Jerome Kern (in 1938)
Margaret Whiting2:05
13Yesterdays
recording of:
Yesterdays (am 1952-07-27)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
recording of:
Yesterdays (vom 1960-02-11 bis heute)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
Billie Holiday2:53
14The Song Is You
recording of:
The Song Is You
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co.
Bing Crosby & Buddy Bregman3:58
15Pick Yourself Up
cover recording of:
Pick Yourself Up (from “Swing Time”)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jerome Kern
Teil von:
Swing Time (film)
Ella Fitzgerald & Nelson Riddle and His Orchestra2:09
16She Didn’t Say Yes
Techniker(in):
Val Valentin
Produzent(in):
Bryan Koniarz
vocals:
Margaret Whiting
conductor:
Russell Garcia
arranger:
Russell Garcia
recording of:
She Didn’t Say Yes (vom 1960-02-11 bis heute)
Texter:
Otto Harbach (in 1931)
Komponist(in):
Jerome Kern (in 1931)
Margaret Whiting2:23
3▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1The Song Is You
recording of:
The Song Is You
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co.
Benny Carter & Oscar Peterson4:49
2Nobody Else but Me
Stan Getz3:36
3Smoke Gets in Your Eyes
Clifford Brown3:17
4All the Things You Are
Tal Farlow4:24
5The Last Time I Saw Paris
Bud Powell3:19
6Why Do I Love You?
Charlie Parker Sextet3:01
7Pick Yourself Up
George Shearing2:55
8Long Ago and Far Away
recording of:
Long Ago (and Far Away)
Texter:
Ira Gershwin
Komponist(in):
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und T.B. Harms Co. (in 1944)
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
enthalten in:
Cover Girl (1944)
Gene Ammons & Sonny Stitt6:19
9Yesterdays
Art Tatum3:14
10She Didn’t Say Yes
Joe Thomas & His Orchestra3:14
11I’m Old Fashioned
The Jimmy Giuffre 48:36
12The Way You Look Tonight
Roy Eldridge2:25
13Who
Erroll Garner6:09
14The Folks Who Live on the Hill
Stan Getz4:20
15A Fine Romance
Buddy DeFranco4:47
16Ol’ Man River
recording of:
Ol’ Man River (Show Boat)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
Komponist(in):
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co. (am 1927-11-30)
Teil von:
Show Boat (1951 film)
Teil von:
Show Boat: Act I
The Oscar Peterson Trio2:34

Nennungen

Veröffentlichung

zum Herunterladen kaufen:https://itunes.apple.com/us/album/id3507318 [Info]

Veröffentlichungsgruppe

Teil von:The Verve Songbook Series (Nummer: 1997) (Reihenfolge: 17)