Masterpieces of Sarah Vaughan

~ Release by Sarah Vaughan (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1Shulie a Bop
recorded in:
New York, New York, United States (on 1954-04-02)
double bass:
Joe Benjamin (US jazz bassist) (on 1954-04-02)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-04-02)
piano:
John Malachi (on 1954-04-02)
vocals:
Sarah Vaughan (on 1954-04-02)
recording of:
Shulie a Bop (on 1954-04-02)
composer:
George Treadwell and Sarah Vaughan
2:41
2Body and Soul
recorded in:
New York, New York, United States (on 1954-04-02)
double bass:
Joe Benjamin (US jazz bassist) (on 1954-04-02)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-04-02)
piano:
John Malachi (on 1954-04-02)
vocals:
Sarah Vaughan (on 1954-04-02)
cover recording of:
Body and Soul (on 1954-04-02)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:13
3Lullaby of Birdland
recorded in:
New York, New York, United States (on 1954-12-16)
double bass [bass]:
Joe Benjamin (US jazz bassist) (on 1954-12-16)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-12-16)
flute:
Herbie Mann (on 1954-12-16)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1954-12-16)
tenor saxophone:
Paul Quinichette (on 1954-12-16)
trumpet:
Clifford Brown (trumpet) (on 1954-12-16)
conductor:
Ernie Wilkins
arranger:
Ernie Wilkins (on 1954-12-16)
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard) (on 1954-12-16)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
writer:
George David Weiss
composer:
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
4:01
4My Funny Valentine
recorded in:
New York, New York, United States (on 1954-02-10)
orchestra:
Richard Hayman and His Orchestra (on 1954-02-10)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (on 1954-02-10)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
2:59
5Willow Weep for Me
producer:
Quincy Jones
bass:
Richard Davis (American jazz bassist) and Charles Williams (bassist)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) and George Hughes
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) and Kirk Stuart
vocals:
Sarah Vaughan (on 1957-08-06)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1957-08-06) and Tivoli (Danish amusement park) in Copenhagen, Capital Region of Denmark, Denmark (from 1963-07-18 until 1963-07-23)
live cover recording of:
Willow Weep for Me (on 1957-08-06)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
5:16
6Stardust
recorded in:
New York, New York, United States (on 1958-01-05)
alto saxophone:
Marshall Royal (on 1958-01-05) and Frank Wess (on 1958-01-05)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1958-01-05)
clarinet and reeds:
Marshall Royal (on 1958-01-05)
double bass and double bass [bass]:
Richard Davis (American jazz bassist) (on 1958-01-05)
drums (drum set):
Sonny Payne (on 1958-01-05)
flute and woodwind:
Frank Wess (on 1958-01-05)
guitar:
Freddie Green (on 1958-01-05)
piano:
Ronnell Bright (on 1958-01-05)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-01-05), Billy Mitchell (US jazz saxophonist) (on 1958-01-05) and Frank Wess (on 1958-01-05)
trombone:
Henry Coker (jazz trombonist) (on 1958-01-05), Al Grey (trombone) (on 1958-01-05) and Benny Powell (jazz trombonist) (on 1958-01-05)
trumpet:
Wendell Culley (jazz trumpeter) (on 1958-01-05), Eugene Young (on 1958-01-05), Thad Jones (American jazz trumpeter) (on 1958-01-05) and Joe Newman (US jazz trumpeter) (on 1958-01-05)
vocals:
Sarah Vaughan (on 1958-01-05)
cover recording of:
Stardust (the jazz standard) (on 1958-01-05)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
3:16
7Summertime
vocals:
Sarah Vaughan
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
2:52
8Honeysuckle Rose
producer:
Quincy Jones
bass:
Richard Davis (American jazz bassist) and Charles Williams (bassist)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) and George Hughes
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) and Kirk Stuart
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1957-08-06) and Tivoli (Danish amusement park) in Copenhagen, Capital Region of Denmark, Denmark (from 1963-07-18 until 1963-07-23)
live cover recording of:
Honeysuckle Rose
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
3:46
9Just a Gigolo
producer:
Quincy Jones
bass:
Richard Davis (American jazz bassist) and Charles Williams (bassist)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) and George Hughes
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) and Kirk Stuart
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1957-08-06) and Tivoli (Danish amusement park) in Copenhagen, Capital Region of Denmark, Denmark (from 1963-07-18 until 1963-07-23)
live cover recording of:
Just a Gigolo (English version)
lyricist:
Julius Brammer
composer:
Leonello Casucci
translator:
Irving Caesar
translated version of:
Schöner Gigolo
4:12
10The Boy From Ipanema
recorded in:
New York, New York, United States (on 1964-08-13)
producer:
Quincy Jones (on 1964-08-13)
double bass [bass]:
George Duvivier (on 1964-08-13)
drums (drum set):
Bobby Donaldson (on 1964-08-13)
flute:
Jerome Richardson (on 1964-08-13)
guitar:
Barry Galbraith (on 1964-08-13)
percussion:
Willie Rodriguez (Latin jazz drummer and percussionist) (on 1964-08-13)
piano:
Bob James (US jazz keyboardist, arranger and producer) (on 1964-08-13)
trombone:
Wayne Andre (on 1964-08-13), Billy Byers (on 1964-08-13), Richard Nixon (37th President of the United States) (on 1964-08-13), Benny Powell (jazz trombonist) (on 1964-08-13) and Britt Woodman (on 1964-08-13)
violin:
Bernard Eichen (on 1964-08-13), Lewis Eley (on 1964-08-13), Emanuel Green (on 1964-08-13), Leo Kruczek (on 1964-08-13), Charles Libove (on 1964-08-13), Harry Lookofsky (on 1964-08-13), Gene Orloff (on 1964-08-13) and Tosha Samaroff (on 1964-08-13)
conductor:
Frank Foster (violin) (on 1964-08-13)
arranger:
Frank Foster (violin) (on 1964-08-13)
cover recording of:
The Girl From Ipanema (on 1964-08-13)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, volume I)
2:28
11Take the “A” Train
recorded in:
New York, New York, United States (on 1964-01-24)
piano:
Bob James (US jazz keyboardist, arranger and producer) (on 1964-01-24)
reeds:
Benny Golson (American jazz saxophonist and composer) (on 1964-01-24) and Phil Woods (US jazz woodwind player) (on 1964-01-24)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1964-01-24) and Kai Winding (on 1964-01-24)
trumpet:
Freddie Hubbard (on 1964-01-24), Joe Newman (US jazz trumpeter) (on 1964-01-24), Charlie Shavers (on 1964-01-24) and Clark Terry (American swing trumpeter) (on 1964-01-24)
arranger:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1964-01-24)
cover recording of:
Take the “A” Train (version with lyrics by Sherrill) (on 1964-01-24)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
2:41
12What Is This Thing Called Love
producer:
Quincy Jones (in 1963-07)
double bass [bass]:
Charles Williams (bassist) (in 1963-07)
drums (drum set):
George Hughes (in 1963-07)
piano:
Kirk Stuart (in 1963-07)
recorded at:
Tivoli (Danish amusement park) in Copenhagen, Capital Region of Denmark, Denmark (from 1963-07-18 until 1963-07-23)
live cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (in 1963-07)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
2:06
13Everyday I Have the Blues
recorded in:
New York, New York, United States (on 1964-01-24)
piano:
Bob James (US jazz keyboardist, arranger and producer) (on 1964-01-24)
reeds:
Benny Golson (American jazz saxophonist and composer) (on 1964-01-24) and Phil Woods (US jazz woodwind player) (on 1964-01-24)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1964-01-24) and Kai Winding (on 1964-01-24)
trumpet:
Freddie Hubbard (on 1964-01-24), Joe Newman (US jazz trumpeter) (on 1964-01-24), Charlie Shavers (on 1964-01-24) and Clark Terry (American swing trumpeter) (on 1964-01-24)
orchestra:
Hal Mooney & His Orchestra
arranger:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1964-01-24)
recording of:
Everyday I Have the Blues (on 1964-01-24)
lyricist, composer and revised by:
Peter Chatman
writer:
Memphis Slim, Aaron ‘Pinetop’ Sparks (1930s blues & boogie-woogie pianist) (in 1935) and Milton Sparks (in 1935)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), BMG Platinum Songs, Fort Knox Music Co, Fort Knox Music Inc., Golden State Songs, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label), Trio Music Co., Inc., Trio Music Company and Tristan Music Ltd.
4:24
14Padre
recorded in:
New York, New York, United States (on 1958-03-29)
vocals:
Sarah Vaughan (on 1958-03-29)
orchestra:
Hal Mooney & His Orchestra (on 1958-03-29)
cover recording of:
Padre (on 1958-03-29)
writer:
Alain Romans and Paul Francis Webster
publisher:
Anne-Rachel Music Corp.
2:40
15I Feel Pretty
producer:
Quincy Jones (in 1963-07)
double bass [bass]:
Charles Williams (bassist) (in 1963-07)
drums (drum set):
George Hughes (in 1963-07)
piano:
Kirk Stuart (in 1963-07)
recorded at:
Tivoli (Danish amusement park) in Copenhagen, Capital Region of Denmark, Denmark (from 1963-07-18 until 1963-07-23)
live cover recording of:
West Side Story: I Feel Pretty (in 1963-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
2:34
16Misty
producer:
Quincy Jones (in 1963-07)
double bass [bass]:
Charles Williams (bassist) (in 1963-07)
drums (drum set):
George Hughes (in 1963-07)
piano:
Kirk Stuart (in 1963-07)
vocals:
Kirk Stuart (in 1963-07)
recorded at:
Tivoli (Danish amusement park) in Copenhagen, Capital Region of Denmark, Denmark (from 1963-07-18 until 1963-07-23)
live cover recording of:
Misty (in 1963-07)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
is based on:
Misty (original instrumental work)
5:54
17Lover Man (Oh, Where Can You Be)
producer:
Quincy Jones (in 1963-07)
double bass [bass]:
Charles Williams (bassist) (in 1963-07)
drums (drum set):
George Hughes (in 1963-07)
piano:
Kirk Stuart (in 1963-07)
recorded at:
Tivoli (Danish amusement park) in Copenhagen, Capital Region of Denmark, Denmark (from 1963-07-18 until 1963-07-23)
cover recording of:
Lover Man (in 1963-07)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
5:53

Credits

Release

ASIN:FR: B000025BAC [info]