Sweet and Soulful Sounds / Born to be Blue

~ Release by Bobby Timmons (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1The Sweetest Sounds
double bass:
Sam Jones (US jazz bassist) (in 1965-06)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1965-06)
piano:
Bobby Timmons (in 1965-06)
5:00
2Turn Left
double bass:
Sam Jones (US jazz bassist) (in 1965-06)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1965-06)
piano:
Bobby Timmons (in 1965-06)
5:30
3God Bless the Child
piano:
Bobby Timmons (in 1965-06)
instrumental recording of:
God Bless the Child (in 1962-06)
lyricist:
Billie Holiday
composer:
Arthur Herzog, Jr.
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
5:05
4You'd Be So Nice to Come Home To
double bass:
Sam Jones (US jazz bassist) (in 1965-06)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1965-06)
piano:
Bobby Timmons (in 1965-06)
instrumental recording of:
You’d Be So Nice to Come Home To (in 1962-06)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
4:39
5Another Live One
double bass:
Sam Jones (US jazz bassist) (in 1965-06)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1965-06)
piano:
Bobby Timmons (in 1965-06)
4:14
6Alone Together
double bass:
Sam Jones (US jazz bassist) (in 1965-06)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1965-06)
piano:
Bobby Timmons (in 1965-06)
instrumental recording of:
Alone Together (in 1962-06)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
6:03
7Spring Can Really Hang You Up the Most
piano:
Bobby Timmons (in 1965-06)
instrumental recording of:
Spring Can Really Hang You Up the Most (in 1962-06)
lyricist:
Fran Landesman
composer:
Tommy Wolf (US pianist/composer)
publisher:
Wolfland
3:42
8Why Was I Born?
double bass:
Sam Jones (US jazz bassist) (in 1965-06)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1965-06)
piano:
Bobby Timmons (in 1965-06)
instrumental recording of:
Why Was I Born? (in 1962-06)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1929)
composer:
Jerome Kern (in 1929)
5:51
9Born to Be Blue
double bass [bass]:
Sam Jones (US jazz bassist) (on 1963-09-10)
drums (drum set):
Connie Kay (on 1963-09-10)
piano:
Bobby Timmons (on 1963-09-10)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1963-09-10)
instrumental recording of:
Born to Be Blue (on 1963-09-10)
writer:
Mel Tormé (“The Velvet Fog”) and Robert Wells (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and PW 3 ASCAP Songs
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) (ended), Universal Music Publishing France (not for release label use!) and ロックンロール ミュージック (Rock ’n’ Roll Music)
4:27
10Malice Towards None
double bass [bass]:
Sam Jones (US jazz bassist) (on 1963-09-10)
drums (drum set):
Connie Kay (on 1963-09-10)
piano:
Bobby Timmons (on 1963-09-10)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1963-09-10)
recording of:
With Malice Towards None (on 1963-09-10)
composer:
Tom McIntosh
5:00
11Sometimes I Feel Like a Motherless Child
bass:
Ron Carter (US jazz double-bassist) (on 1963-08-12)
drums (drum set):
Connie Kay (on 1963-08-12)
piano:
Bobby Timmons (on 1963-08-12)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1963-08-12)
instrumental recording of:
Sometimes I Feel Like a Motherless Child (on 1963-08-12)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 10072)
4:44
12Know Not One
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1963-08-12)
drums (drum set):
Connie Kay (on 1963-08-12)
piano:
Bobby Timmons (on 1963-08-12)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1963-08-12)
7:57
13The Sit-In
double bass [bass]:
Sam Jones (US jazz bassist) (on 1963-09-10)
drums (drum set):
Connie Kay (on 1963-09-10)
piano:
Bobby Timmons (on 1963-09-10)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1963-09-10)
4:19
14Namely You
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1963-08-12)
drums (drum set):
Connie Kay (on 1963-08-12)
piano:
Bobby Timmons (on 1963-08-12)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1963-08-12)
instrumental recording of:
Namely You (on 1963-08-12)
lyricist:
Johnny Mercer (in 1956)
composer:
Gene de Paul (in 1956)
6:05
15Often Annie
double bass [bass]:
Sam Jones (US jazz bassist) (on 1963-09-10)
drums (drum set):
Connie Kay (on 1963-09-10)
piano:
Bobby Timmons (on 1963-09-10)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1963-09-10)
9:17