Bach - Bachianas (Music by the Bach family)

~ Release by Johann Sebastian Bach; Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel (see all versions of this release, 1 available)

Tracklist

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1▼CD: The Bach Family Before Johann Sebastian
#TitleArtistRatingLength
1Ach, bleib bei uns, Herr Jesu Christ
executive producer:
Dr. Barbara Schwendowius and Dr. Andreas Holschneider
producer:
Heinz Wildhagen (engineer, producer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1986-01)
choir vocals:
Rheinische Kantorei (in 1986-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1986-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-01)
chorus master:
Hermann Max (chorus master and conductor) (in 1986-01)
balance engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1986-01)
recording of:
Ach, bleib bei uns, Herr Jesu Christ (in 1986-01)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
Johann Michael Bach5:27
2Auf, laßt uns den Herren loben
executive producer:
Dr. Barbara Schwendowius and Dr. Andreas Holschneider
producer:
Heinz Wildhagen (engineer, producer)
alto vocals and contralto vocals:
Ulla Groenewold (German contralto) (in 1986-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1986-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-01)
balance engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1986-01)
recording of:
Aria "Auf, lasst uns den Herrn loben" (in 1986-01)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
Johann Michael Bach6:12
3Es ist ein großer Gewinn
executive producer:
Dr. Barbara Schwendowius and Dr. Andreas Holschneider
producer:
Heinz Wildhagen (engineer, producer)
soprano vocals:
Maria Zedelius (soprano) (in 1986-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1986-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-01)
balance engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1986-01)
recording of:
Es ist ein großer Gewinn (in 1986-01)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
Johann Michael Bach3:49
4Liebster Jesu, hör mein Flehen Dialog zum Sonntag Reminiscere
executive producer:
Dr. Barbara Schwendowius and Dr. Andreas Holschneider
producer:
Heinz Wildhagen (engineer, producer)
bass vocals and bass-baritone vocals:
Michael Schopper (bass-baritone) (in 1986-01)
countertenor vocals:
David Cordier (counter tenor) (in 1986-01)
soprano vocals:
Maria Zedelius (soprano) (in 1986-01)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1986-01) and Hein Meens (in 1986-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1986-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-01)
balance engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1986-01)
recording of:
Liebster Jesu, hör mein Flehen (in 1986-01)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
Johann Michael Bach6:54
5Ach, wie sehnlich wart' ich der Zeit
executive producer:
Dr. Barbara Schwendowius and Dr. Andreas Holschneider
producer:
Heinz Wildhagen (engineer, producer)
soprano vocals:
Maria Zedelius (soprano) (in 1986-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1986-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-01)
balance engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1986-01)
recording of:
Ach wie sehnlich wart' ich der Zeit (in 1986-01)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
Johann Michael Bach7:19
6Siehe, wie fein und lieblich Geburtstagskantate (Psalm 133)
executive producer:
Dr. Barbara Schwendowius and Dr. Andreas Holschneider
producer:
Heinz Wildhagen (engineer, producer)
bass vocals and bass-baritone vocals:
Stephen Varcoe (bass-baritone) (in 1986-01)
soprano vocals:
Maria Zedelius (soprano) (in 1986-01)
tenor vocals:
Hein Meens (in 1986-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1986-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-01)
balance engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1986-01)
recording of:
Siehe, wie fein und lieblich ist (in 1986-01)
composer:
Georg Christoph Bach
Georg Christoph Bach6:24
7Meine Freundin, du bist schön Hochzeitskantate
executive producer:
Dr. Barbara Schwendowius and Dr. Andreas Holschneider
producer:
Heinz Wildhagen (engineer, producer)
bass vocals and bass-baritone vocals:
Michael Schopper (bass-baritone) (in 1986-01)
choir vocals:
Rheinische Kantorei (in 1986-01)
countertenor vocals:
David Cordier (counter tenor) (in 1986-01)
soprano vocals:
Maria Zedelius (soprano) (in 1986-01)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1986-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1986-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-01)
chorus master:
Hermann Max (chorus master and conductor) (in 1986-01)
balance engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1986-01)
recording of:
Meine Freundin, du bist schön (in 1986-01)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703)
Johann Christoph Bach21:55
2▼CD: The Bach Family Before Johann Sebastian
#TitleArtistRatingLength
1Es erhub sich ein Streit Kantate zum Michaelissonntag
executive producer:
Dr. Barbara Schwendowius and Dr. Andreas Holschneider
producer:
Heinz Wildhagen (engineer, producer)
alto vocals and contralto vocals:
Ulla Groenewold (German contralto) (in 1986-01)
bass vocals:
Michael Schopper (bass-baritone) (in 1986-01) and Stephen Varcoe (bass-baritone) (in 1986-01)
choir vocals:
Rheinische Kantorei (in 1986-01)
soprano vocals:
Maria Zedelius (soprano) (in 1986-01)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1986-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1986-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-01)
chorus master:
Hermann Max (chorus master and conductor) (in 1986-01)
balance engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Heinz Wildhagen (engineer, producer)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1986-01)
recording of:
Es erhub sich ein Streit im Himmel (in 1986-01)
composer:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703)
Johann Christoph Bach7:22
2Ach, dass ich Wassers g'nug hätte Lamento
executive producer:
Dr. Barbara Schwendowius and Dr. Andreas Holschneider
producer:
Heinz Wildhagen (engineer, producer)
countertenor vocals:
David Cordier (counter tenor) (in 1986-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1986-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-01)
balance engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1986-01)
recording of:
Ach, dass ich Wassers g’nug hätte (attribution doubtful) (in 1986-01)
composer:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703)
previously attributed to:
Heinrich Bach
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/B/9) and Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 2, S. 642)
Johann Christoph Bach7:45
3Herr, wende dich und sei mir gnädig Dialogue
executive producer:
Dr. Barbara Schwendowius and Dr. Andreas Holschneider
producer:
Heinz Wildhagen (engineer, producer)
bass vocals and bass-baritone vocals:
Michael Schopper (bass-baritone) (in 1986-01)
countertenor vocals:
David Cordier (counter tenor) (in 1986-01)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1986-01) and Hein Meens (in 1986-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1986-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-01)
balance engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1986-01)
recording of:
Herr, wende dich und sei mir gnädig (in 1986-01)
composer:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703)
Johann Christoph Bach11:34
4Wie bist du denn, o Gott, in Zorn auf mich entbrannt Lamento
executive producer:
Dr. Barbara Schwendowius and Dr. Andreas Holschneider
producer:
Heinz Wildhagen (engineer, producer)
bass vocals:
Michael Schopper (bass-baritone) (in 1986-01)
choir vocals:
Rheinische Kantorei (in 1986-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1986-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-01)
balance engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1986-01)
recording of:
Wie bist du denn o Gott (in 1986-01)
composer:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703)
Johann Christoph Bach12:05
5Die Furcht des Herren Kantate zu einem Ratswechsel
executive producer:
Dr. Barbara Schwendowius and Dr. Andreas Holschneider
producer:
Heinz Wildhagen (engineer, producer)
alto vocals and contralto vocals:
Ulla Groenewold (German contralto) (in 1986-01)
bass vocals:
Michael Schopper (bass-baritone) (in 1986-01) and Stephen Varcoe (bass-baritone) (in 1986-01)
countertenor vocals:
David Cordier (counter tenor) (in 1986-01)
solo bass-baritone vocals:
Michael Schopper (bass-baritone) (in 1986-01)
soprano vocals:
Maria Zedelius (soprano) (in 1986-01)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1986-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1986-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-01)
balance engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1986-01)
recording of:
Die Furcht des Herren ist der Weisheit Anfang (in 1986-01)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
previously attributed to:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703)
Johann Christoph Bach7:32
6Ich danke dir, Gott Kantate zum 1VII. Sonntag nach Trinitatis
executive producer:
Dr. Barbara Schwendowius and Dr. Andreas Holschneider
producer:
Heinz Wildhagen (engineer, producer)
bass vocals:
Michael Schopper (bass-baritone) (in 1986-01) and Stephen Varcoe (bass-baritone) (in 1986-01)
contralto vocals:
Ulla Groenewold (German contralto) (in 1986-01)
countertenor vocals:
David Cordier (counter tenor) (in 1986-01)
soprano vocals:
Maria Zedelius (soprano) (in 1986-01)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1986-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1986-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-01)
chorus master:
Hermann Max (chorus master and conductor) (in 1986-01)
balance engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Heinz Wildhagen (engineer, producer)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1986-01)
recording of:
Ich danke dir, Gott (in 1986-01)
composer:
Heinrich Bach
Heinrich Bach5:52
3▼CD: Lamento - Bachiana III
#TitleArtistRatingLength
1Ach, dass ich Wassers g'nug hätte Lamento (Score edited by Traugott Fedtke)
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2003-02)
recording of:
Ach, dass ich Wassers g’nug hätte (attribution doubtful) (in 2003-02)
composer:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703)
previously attributed to:
Heinrich Bach
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/B/9) and Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 2, S. 642)
Johann Christoph Bach7:22
2Languet anima mea, App. C (After Conti): I. Recitativo: Languet anima mea
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2003-02)
recording of:
Languet anima mea: I. Recitativo: Languet anima mea amore tuo (in 2003-02)
composer:
Francesco Bartolomeo Conti (composer)
part of:
Languet anima mea
Francesco Bartolomeo Conti0:54
3Languet anima mea, App. C (After Conti): II. Aria: O vulnera, vita coelestis
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2003-02)
recording of:
Languet anima mea: II. Aria: O vulnera, vita coelestis (in 2003-02)
composer:
Francesco Bartolomeo Conti (composer)
part of:
Languet anima mea
Francesco Bartolomeo Conti3:20
4Languet anima mea, App. C (After Conti): III. Recitativo: Amoris tui jaculo
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2003-02)
recording of:
Languet anima mea: III. Recitativo: Amoris tui jaculo (in 2003-02)
composer:
Francesco Bartolomeo Conti (composer)
part of:
Languet anima mea
Francesco Bartolomeo Conti0:39
5Languet anima mea, App. C (After Conti): IV. Aria: Tu lumentis es
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2003-02)
recording of:
Languet anima mea: IV. Aria: Tu lumen mentis es (in 2003-02)
composer:
Francesco Bartolomeo Conti (composer)
part of:
Languet anima mea
Francesco Bartolomeo Conti7:03
6Languet anima mea, App. C (After Conti): V. Alleluja
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2003-02)
recording of:
Languet anima mea: V. Alleluja (in 2003-02)
composer:
Francesco Bartolomeo Conti (composer)
part of:
Languet anima mea
Francesco Bartolomeo Conti1:29
7Vergnügte Ruh, beliebte Seelenlust, Cantata BWV 170: I. "Vergnügte Ruh', beliebte Seelenlust"
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2003-02)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (in 2003-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach4:24
8Vergnügte Ruh, beliebte Seelenlust, Cantata BWV 170: II. "Die Welt, das Sündenhaus"
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2003-02)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": II. Recitativo (Alt) "Die Welt, das Sündenhaus" (in 2003-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach1:21
9Vergnügte Ruh, beliebte Seelenlust, Cantata BWV 170: III. "Wie jammern mich doch die verkehrten Herzen"
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2003-02)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": III. Aria (Alt) "Wie jammern mich doch die verkehrten Herzen" (in 2003-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach6:09
10Vergnügte Ruh, beliebte Seelenlust, Cantata BWV 170: IV. "Wer sollte sich demnach wohl hier zu leben wünschen"
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2003-02)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": IV. Recitativo (Alt) "Wer sollte sich demnach" (in 2003-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach1:06
11Vergnügte Ruh, beliebte Seelenlust, Cantata BWV 170: V. "Mir ekelt mehr zu leben"
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2003-02)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": V. Aria (Alt) "Mir ekelt mehr zu leben" (in 2003-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach4:50
12Cantata "Bekennen will ich seinen Namen" BWV 200: I. Aria: "Bekennen will ich seinen Namen"
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2003-02)
recording of:
Kantate (Aria), BWV 200 "Bekennen will ich seinen Namen" (in 2003-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Gottfried Heinrich Stölzel (composer)
librettist:
[anonymous] (special purpose artist)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1742 until 1743)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 200), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 200), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 200) and Bach Compendium (number: BC A 192)
Johann Sebastian Bach3:21
13Selma, Wq. 236
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2003-02)
recording of:
Selma, H 739 (Wq. 236) (chamber cantata) (in 2003-02)
lyricist:
Johann Heinrich Voß
composer:
Carl Philipp Emanuel Bach (German classical composer) (in 1775)
part of:
Thematisches Verzeichnis der Werke von Carl Philipp Emanuel Bach (Wotquenne [Wq.]) (number: Wq. 236) and Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 739)
Carl Philipp Emanuel Bach2:05
14Die Amerikanerin: Allegretto: Saide, komm!
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2003-02)
recording of:
Die Amerikanerin, BR-JCFB G 47: I. Saide, komm, mein Wunsch, mein Lied! (in 2003-02)
composer:
Johann Christoph Friedrich Bach (composer)
librettist:
Heinrich Wilhelm von Gerstenberg
part of:
Die Amerikanerin, BR-JCFB G 47
Johann Christoph Friedrich Bach2:46
15Die Amerikanerin: Andantino grazioso: Schön ist mein Mädchen: Repr.: Saide, komm
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2003-02)
recording of:
Die Amerikanerin, BR-JCFB G 47: II. Schön ist mein Mädchen, wie die Traube (in 2003-02)
composer:
Johann Christoph Friedrich Bach (composer)
librettist:
Heinrich Wilhelm von Gerstenberg
part of:
Die Amerikanerin, BR-JCFB G 47
Johann Christoph Friedrich Bach2:34
16Die Amerikanerin: Recitativo: Du Quell, der sich durch Goldsand schlängelt
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2003-02)
recording of:
Die Amerikanerin, BR-JCFB G 47: III. Du Quell, der sich durch Goldsand schlängelt (in 2003-02)
composer:
Johann Christoph Friedrich Bach (composer)
librettist:
Heinrich Wilhelm von Gerstenberg
part of:
Die Amerikanerin, BR-JCFB G 47
Johann Christoph Friedrich Bach1:43
17Die Amerikanerin: Allegro: Mein Herz fleucht ihr entgegen: Larghetto graziosos: Wie Ambraduft
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2003-02)
recording of:
Die Amerikanerin, BR-JCFB G 47: IV. Mein Herz, mein Herz fleucht ihr entgegen (in 2003-02)
composer:
Johann Christoph Friedrich Bach (composer)
librettist:
Heinrich Wilhelm von Gerstenberg
part of:
Die Amerikanerin, BR-JCFB G 47
Johann Christoph Friedrich Bach4:08
4▼CD: Bachiana I - Music By The Bach Family
#TitleArtistRatingLength
1Suite in G: Ouverture
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans‐Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2000-09)
recording of:
Overture in G major: I. Ouverture (in 2000-09)
composer:
Johann Ludwig Bach
part of:
Overture in G major
Johann Ludwig Bach6:11
2Suite in G: Air I
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans‐Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2000-09)
recording of:
Overture in G major: II. Air I (in 2000-09)
composer:
Johann Ludwig Bach
part of:
Overture in G major
Johann Ludwig Bach1:58
3Suite in G: Menuet
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans‐Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2000-09)
recording of:
Overture in G major: III. Menuet (in 2000-09)
composer:
Johann Ludwig Bach
part of:
Overture in G major
Johann Ludwig Bach2:18
4Suite in G: Gavotte
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans‐Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2000-09)
recording of:
Overture in G major: IV. Gavotte (in 2000-09)
composer:
Johann Ludwig Bach
part of:
Overture in G major
Johann Ludwig Bach1:24
5Suite in G: Air II
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans‐Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2000-09)
recording of:
Overture in G major: V. Air II (in 2000-09)
composer:
Johann Ludwig Bach
part of:
Overture in G major
Johann Ludwig Bach2:27
6Suite in G: Bourrée
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans‐Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2000-09)
recording of:
Overture in G major: VI. Bourrée (in 2000-09)
composer:
Johann Ludwig Bach
part of:
Overture in G major
Johann Ludwig Bach1:06
7Sonata "a cinque" in C
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans‐Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2000-09)
recording of:
Sonata a cinque no. 1 in C major (in 2000-09)
composer:
Heinrich Bach
Heinrich Bach5:15
8Sonata "a cinque" in F
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans‐Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2000-09)
recording of:
Sonata a cinque no. 2 in F major (in 2000-09)
composer:
Heinrich Bach
Heinrich Bach4:09
9Concerto in D: I. Allegro
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
solo violin [violin I]:
Stephan Schardt (classical violinist) (in 2000-09)
solo violin [violin II]:
Reinhard Goebel (violinist and conductor) (in 2000-09)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans‐Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2000-09)
recording of:
Cantata-Symphony (Concerto) in D major: I. Allegro (in 2000-09)
composer:
Johann Ludwig Bach
part of:
Cantata-Symphony (Concerto) in D major
Johann Ludwig Bach3:45
10Concerto in D: II. Adagio
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
solo violin [violin I]:
Stephan Schardt (classical violinist) (in 2000-09)
solo violin [violin II]:
Reinhard Goebel (violinist and conductor) (in 2000-09)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans‐Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2000-09)
recording of:
Cantata-Symphony (Concerto) in D major: II. Adagio (in 2000-09)
composer:
Johann Ludwig Bach
part of:
Cantata-Symphony (Concerto) in D major
Johann Ludwig Bach2:02
11Concerto in D: III. Allegro
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
solo violin [violin I]:
Stephan Schardt (classical violinist) (in 2000-09)
solo violin [violin II]:
Reinhard Goebel (violinist and conductor) (in 2000-09)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans‐Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2000-09)
recording of:
Cantata-Symphony (Concerto) in D major: III. Allegro (in 2000-09)
composer:
Johann Ludwig Bach
part of:
Cantata-Symphony (Concerto) in D major
Johann Ludwig Bach1:28
12Aria Eberliniana pro dormente Camillo
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
harpsichord:
Léon Berben (Dutch organist & harpsichordist) (in 2000-09)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans‐Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2000-09)
recording of:
Aira Eberliniani pro dormente Camillo (in 2000-09)
composer:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703)
Johann Christoph Bach16:16
13Battaglia: anno 1659 composta
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans‐Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2000-09)
recording of:
Battaglia (in 2000-09)
composer:
Cyriacus Wilche
Cyriacus Wilche7:08
14Sonata & Fantaisie in G minor
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans‐Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2000-09)
recording of:
Sonata & Capriccio in G minor (in 2000-09)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
Signor Pagh7:30
15"Kommt, eilet und laufet" Cantata, BWV 249: "Oster-Oratorium", "Concerto" in D after BWV 249: I. Sinfonia
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans‐Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2000-09)
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (in 2000-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach3:51
16"Kommt, eilet und laufet" Cantata, BWV 249: "Oster-Oratorium", "Concerto" in D after BWV 249: II. Adagio
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans‐Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2000-09)
recording of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major, BWV deest: II. Adagio (in 2000-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
Johann Sebastian Bach3:00
17"Kommt, eilet und laufet" Cantata, BWV 249: "Oster-Oratorium", "Concerto" in D after BWV 249: III. Allegro
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2000-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 2000-09)
balance engineer:
Hans‐Ulrich Bastin and Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2000-09)
recording of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major, BWV deest: III. Allegro (in 2000-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
Johann Sebastian Bach4:47
5▼CD: Bachiana II - Music By The Bach Family: Concertos
#TitleArtistRatingLength
1Sinfonia concertante in A major for Violin, Violoncello, 2 Horns, 2 Oboes, Strings and Basso continuo, T.284/4, CW C34, Cadenza: Stephan Schardt: I. Andante di molto
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
cello:
Joachim Fiedler (cellist) (in 2002-06)
violin:
Stephan Schardt (classical violinist) (in 2002-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2002-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 2002-06)
balance engineer:
Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2002-06)
recording of:
Concertante for Violin and Cello in A major, W. C34 (T 284/4): I. Andante di molto (in 2002-06)
composer:
Johann Christian Bach (German composer, son of JSB)
part of:
Concertante for Violin and Cello in A major, W. C34 (T 284/4)
Johann Christian Bach8:01
2Sinfonia concertante in A major for Violin, Violoncello, 2 Horns, 2 Oboes, Strings and Basso continuo, T.284/4, CW C34: II. Rondeau. Allegro assai
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
cello:
Joachim Fiedler (cellist) (in 2002-06)
violin:
Stephan Schardt (classical violinist) (in 2002-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2002-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 2002-06)
balance engineer:
Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2002-06)
recording of:
Concertante for Violin and Cello in A major, W. C34 (T 284/4): II. Rondeau. Allegro assai (in 2002-06)
composer:
Johann Christian Bach (German composer, son of JSB)
part of:
Concertante for Violin and Cello in A major, W. C34 (T 284/4)
Johann Christian Bach5:11
3Concerto in D major for Traversflute, Strings and Basso continuo, BR WFB C15: I. Un poco Allegro
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
transverse flute:
Verena Fischer (German classical flutist) (in 2002-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2002-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 2002-06)
balance engineer:
Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2002-06)
recording of:
Flute Concerto in D major, BR WFB C 15: I. Un poco allegro (in 2002-06)
composer:
Wilhelm Friedemann Bach (German composer)
part of:
Flute Concerto in D major, BR WFB C 15
Wilhelm Friedemann Bach6:59
4Concerto in D major for Traversflute, Strings and Basso continuo, BR WFB C15: II. Largo
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
transverse flute:
Verena Fischer (German classical flutist) (in 2002-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2002-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 2002-06)
balance engineer:
Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2002-06)
recording of:
Flute Concerto in D major, BR WFB C 15: II. Largo (in 2002-06)
composer:
Wilhelm Friedemann Bach (German composer)
part of:
Flute Concerto in D major, BR WFB C 15
Wilhelm Friedemann Bach8:52
5Concerto in D major for Traversflute, Strings and Basso continuo, BR WFB C15: III. Vivace
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
transverse flute:
Verena Fischer (German classical flutist) (in 2002-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2002-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 2002-06)
balance engineer:
Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2002-06)
recording of:
Flute Concerto in D major, BR WFB C 15: III. Vivace (in 2002-06)
composer:
Wilhelm Friedemann Bach (German composer)
part of:
Flute Concerto in D major, BR WFB C 15
Wilhelm Friedemann Bach4:47
6Concerto in E-flat major for Viola and Fortepiano, 2 Horns, 2 Oboes, Strings and Basso continuo: I. Allegro con brio
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
fortepiano [pianoforte]:
Robert Hill (American harpsichordist) (in 2002-06)
viola:
Reinhard Goebel (violinist and conductor) (in 2002-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2002-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 2002-06)
balance engineer:
Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2002-06)
recording of:
Concerto for Fortepiano and Viola in E-flat major, BR-JCFB C 44: I. Allegro con brio (in 2002-06)
composer:
Johann Christoph Friedrich Bach (composer)
part of:
Concerto for Fortepiano and Viola in E-flat major, BR-JCFB C 44
Johann Christoph Friedrich Bach12:40
7Concerto in E-flat major for Viola and Fortepiano, 2 Horns, 2 Oboes, Strings and Basso continuo: II. Larghetto cantabile
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
fortepiano [pianoforte]:
Robert Hill (American harpsichordist) (in 2002-06)
viola:
Reinhard Goebel (violinist and conductor) (in 2002-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2002-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 2002-06)
balance engineer:
Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2002-06)
recording of:
Concerto for Fortepiano and Viola in E-flat major, BR-JCFB C 44: II. Larghetto cantabile (in 2002-06)
composer:
Johann Christoph Friedrich Bach (composer)
part of:
Concerto for Fortepiano and Viola in E-flat major, BR-JCFB C 44
Johann Christoph Friedrich Bach5:25
8Concerto in E-flat major for Viola and Fortepiano, 2 Horns, 2 Oboes, Strings and Basso continuo: III. Allegretto
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
fortepiano [pianoforte]:
Robert Hill (American harpsichordist) (in 2002-06)
viola:
Reinhard Goebel (violinist and conductor) (in 2002-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2002-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 2002-06)
balance engineer:
Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2002-06)
recording of:
Concerto for Fortepiano and Viola in E-flat major, BR-JCFB C 44: III. Allegretto (in 2002-06)
composer:
Johann Christoph Friedrich Bach (composer)
part of:
Concerto for Fortepiano and Viola in E-flat major, BR-JCFB C 44
Johann Christoph Friedrich Bach7:48
9Concerto doppio in E-flat major for Harpsichord and Fortpiano, 2 Flutes, 2 Horns, Strings and Basso continuo, W.67, H.479: I. Allegro molto
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
fortepiano [pianoforte]:
Robert Hill (American harpsichordist) (in 2002-06)
harpsichord:
Léon Berben (Dutch organist & harpsichordist) (in 2002-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2002-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 2002-06)
balance engineer:
Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2002-06)
recording of:
Konzert für Cembalo, Klavier und Orchester in Es-Dur, Wq 47, H 479: I. Allegro di molto (in 2002-06)
composer:
Carl Philipp Emanuel Bach (German classical composer) (in 1788)
part of:
Konzert für Cembalo, Klavier und Orchester in Es-Dur, Wq 47, H 479
Carl Philipp Emanuel Bach6:44
10Concerto doppio in E-flat major for Harpsichord and Fortpiano, 2 Flutes, 2 Horns, Strings and Basso continuo, W.67, H.479: II. Larghetto
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
fortepiano [pianoforte]:
Robert Hill (American harpsichordist) (in 2002-06)
harpsichord:
Léon Berben (Dutch organist & harpsichordist) (in 2002-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2002-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 2002-06)
balance engineer:
Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2002-06)
recording of:
Konzert für Cembalo, Klavier und Orchester in Es-Dur, Wq 47, H 479: II. Larghetto (in 2002-06)
composer:
Carl Philipp Emanuel Bach (German classical composer) (in 1788)
part of:
Konzert für Cembalo, Klavier und Orchester in Es-Dur, Wq 47, H 479
Carl Philipp Emanuel Bach6:29
11Concerto doppio in E-flat major for Harpsichord and Fortpiano, 2 Flutes, 2 Horns, Strings and Basso continuo, W.67, H.479: III. Presto
executive producer:
Marita Prohmann and Ludwig Rink
producer:
Helmut Burk
fortepiano [pianoforte]:
Robert Hill (American harpsichordist) (in 2002-06)
harpsichord:
Léon Berben (Dutch organist & harpsichordist) (in 2002-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2002-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 2002-06)
balance engineer:
Reinhard Lagemann
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2002-06)
recording of:
Konzert für Cembalo, Klavier und Orchester in Es-Dur, Wq 47, H 479: III. Presto (in 2002-06)
composer:
Carl Philipp Emanuel Bach (German classical composer) (in 1788)
part of:
Konzert für Cembalo, Klavier und Orchester in Es-Dur, Wq 47, H 479
Carl Philipp Emanuel Bach4:09

Credits

Release

manufactured in:E.U. (Europe)
phonographic copyright (℗) by:Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2012)
ASIN:DE: B008CYUZX8 [info]
discography entry:https://www.deutschegrammophon.com/en/cat/4790377?IN_XXSERIES=ARCPRD [info]
Allmusic:https://www.allmusic.com/album/release/mr0003730019 [info]