Radio 2 1000 Klassiekers, Vol. 10

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

℗ «This compilation»
℗ «2018 Sony Music Entertainment Belgium NV/SA»

Annotation last modified on 2021-05-26 09:04 UTC.

Tracklist

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1Digital Media
#TitleArtistRatingLength
1I’m Your Man
producer:
George Michael
arranger:
George Michael
music videos:
I’m Your Man by Wham! (British pop-duo) and I’m Your Man by Wham! (British pop-duo)
part of:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (number: 8)
recording of:
I'm Your Man
lyricist and composer:
George Michael
Wham!44:04
2Valerie (version revisited)
assistant recording engineer:
Iain Gore and Rohan Onraet
recording engineer:
Gabriel Roth, Taz Mattar, Dom Morley, Derek Pacuk and Mark Ronson (British DJ and producer)
producer:
Mark Ronson (British DJ and producer)
assistant mixer:
Dan Parry (British mix/recording engineer)
mixer:
Tom Elmhirst (mixing engineer)
baritone saxophone:
Ian Hendrickson-Smith
bass:
Nick Movshon
guitar:
Thomas Brenneck and Binky Griptite
membranophone:
Homer Steinweiss
percussion:
?uestlove (US drummer, producer and DJ)
tenor saxophone:
Neal Sugarman
trumpet:
Dave Guy
viola:
Rachel Bolt (violist), Peter Lale (violist), Ivo van der Werff and Bruce White (violist)
violin:
Mark Berrow (violinist), Thomas Bowes (violinist), Boguslaw Kostecki (violinist), Julian Leaper (concert master and violinist), Rita Manning (violinist), Everton Nelson (violinist), Jonathan Rees, Jackie Shave, Emlyn Singleton (violinist), Cathy Thompson (violinist), David Woodcock (violinist) and Warren Zielinski (violinist)
guest lead vocals:
Amy Winehouse
conductor:
Chris Elliott (composer and arranger)
strings arranger:
Chris Elliott (composer and arranger)
phonographic copyright (℗) by:
Mark Ronson (British DJ and producer) (in 2007)
recorded at:
Allido Sound (studio for Mark Ronson's Allido label) in New York, New York, United States, Daptone Studios in Bushwick, New York, New York, United States, Metropolis (London) in London (Greater London), England, United Kingdom and SARM West in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
mixed at:
Metropolis (London) in London (Greater London), England, United Kingdom
cover recording of:
Valerie
writer:
Boyan Chowdhury, Dave McCabe (English singer, songwriter and guitarist), Abi Harding, Sean Payne (member of The Big Kids, The Isrites, The Zutons) and Russ Pritchard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Mark Ronson feat. Amy Winehouse43:40
3Me and Bobby McGee
engineer:
Phil Macy (50s-70s engineer)
producer:
Paul Rothchild
acoustic guitar and lead vocals:
Janis Joplin (on 1970-09-25)
bass guitar:
Brad Campbell (bassist, member of Full Tilt Boogie) (on 1970-09-25)
drums (drum set):
Clark Pierson (on 1970-09-25)
guest bongos and guest congas:
Bobbye Hall
guest bongos and congas:
Bobbye Hall (on 1970-09-25)
guest tambourine:
Sandra Crouch (on 1970-09-25)
guitar:
John Till (rock guitarist) (on 1970-09-25)
organ:
Ken Pearson (on 1970-09-25)
piano:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (on 1970-09-25)
background vocals:
Phil Badella (on 1970-09-25), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (on 1970-09-25), Brad Campbell (bassist, member of Full Tilt Boogie) (on 1970-09-25), John Cooke (on 1970-09-25), Janis Joplin (on 1970-09-25), Vince Mitchell (on 1970-09-25), Ken Pearson (on 1970-09-25), Clark Pierson (on 1970-09-25) and John Till (rock guitarist) (on 1970-09-25)
performer:
Full Tilt Boogie (on 1970-09-25)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1970-09-25)
part of:
New York Post: 100 Greatest Covers (2007) (number: 31) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 148)
cover recording of:
Me and Bobby McGee (on 1970-09-25)
lyricist and composer:
Fred Foster and Kris Kristofferson
publisher:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. and Keith Prowse Music Publishing Co. Ltd.
Janis Joplin4.34:28
4Take Me Home, Country Roads
recording engineer:
Ray Hall (engineer)
assistant producer:
Jean Kaplow
producer:
Milt Okun
acoustic guitar [6-string guitar] and lead vocals:
John Denver
banjo and pedal steel guitar:
Eric Weissberg
double bass:
Dick Kniss
guitar:
Bill Danoff and Michael Taylor (Guitarist & former member of the John Denver Band)
membranophone:
Gary Chester (studio drummer and educator)
piano:
Frank Owens (American pianist)
background vocals:
Bill Danoff, Taffy Nivert and Starland Vocal Band
vocals:
John Denver
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 94) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 358)
recording of:
Take Me Home, Country Roads (on 1971-02-04)
anthem of:
West Virginia, United States
writer:
Bill Danoff, John Denver and Taffy Nivert
publisher:
BMG Ruby Songs, Cherry Lane Music Ltd., Dino Park Publishing, JD Legacy Publishing, My Pop’s Songs, Reservoir Media Music and Cherry Lane Music Publishing Company Inc. (in 1971)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
John Denver4.43:08
5Wish I Didn’t Miss You
producer:
Swizz Beatz (US hip hop producer)
phonographic copyright (℗) by:
J Records (US R&B) (from 2001 to present)
samples:
Back Stabbers by The O’Jays
recording of:
Wish I Didn’t Miss You
writer:
Leon Huff II (hip hop producer, aka Pop Trax, son of Leon Huff), Andrea Martin (singer/songwriter for various dance/soul artists), Ivan Matias, Gene McFadden and John Whitehead
Angie Stone44:29
6What I Like About You
producer:
Peter Solley (English pianist, songwriter and producer)
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1979) and Nemperor Records, Inc. (in 1979)
recorded at:
Coconut Recording in Miami, Florida, United States (in 1979-10)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 97) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 483)
recording of:
What I Like About You (in 1979-10)
writer:
Jimmy Marinos (American drummer), Wally Palmar (guitarist and songwriter) and Mike Skill (Singer, bassist, guitarist, songwriter)
publisher:
EMI April Music Inc. and EMI Music Publishing Australia Pty. Limited (not for release label use!)
part of:
Freaky Friday (2003)
The Romantics4.552:55
7Time After Time
additional engineer:
John Jansen (US recording engineer and producer) and Rod O’Brien
assistant engineer:
John Agnello (engineer & producer)
engineer:
William Wittman
associate producer:
William Wittman
producer:
Rick Chertoff
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983), Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1984)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
a cappella versions:
Time After Time by Forte A Cappella (Centerville High School)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 116) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 494)
recording of:
Time After Time
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper4.253:59
8Easy LoverPhilip Bailey & Phil Collins45:00
9Da Doo Ron Ron
engineer:
Larry Levine
producer:
Phil Spector
lead vocals:
LaLa Brooks (in 1963-03)
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-03)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 114) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 366)
recording of:
Da Doo Ron Ron (in 1963-03)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) (ended), ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Intersong (publisher), Mother Bertha Music Inc., Trio Music Co., Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), 日本アブコ音楽出版 (ABKCO Japan Publishing), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (until 2021-06-30), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Crystals52:22
10Poison
recording engineer:
Sir Arthur Payson (from 1988 until 1989)
synthesizer programming:
Steve Deutsch
assistant engineer:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
producer:
Desmond Child
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
additional keyboard:
Paul Chiten (songwriter and producer) (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
additional other instruments [special effects]:
Gregg Mangiafico (from 1988 until 1989)
bass guitar:
Hugh McDonald (bassist) (from 1988 until 1989)
drums (drum set):
Bobby Chouinard (from 1988 until 1989)
guitar:
John McCurry (from 1988 until 1989)
keyboard:
Alan St. John (from 1988 until 1989)
background vocals:
Alan St. John (from 1988 until 1989), Michael Anthony (US bassist, formerly of Van Halen) (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (bassist) (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (American singer-songwriter) (from 1988 until 1989)
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present) (from 1988 until 1989)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recorded at:
Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios (New York) in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (from 1988 until 1989)
recording of:
Poison (from 1988 until 1989)
writer:
Desmond Child, Alice Cooper (the singer, active as a solo artist 1975‐present) and John McCurry
publisher:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Ezra Music Corp. (from 1989 to present)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.44:29
11I Need You
recording engineer:
Michael Vail Blum, Max Martin (Swedish record producer) and Denniz PoP
producer and mixer:
Max Martin (Swedish record producer) and Denniz PoP
background vocals:
3T (Taj, Taryll and TJ Jackson) and Michael Jackson (“King of Pop”)
lead vocals:
TJ Jackson (Tito of Jackson 5's son (Tito Joe Jackson))
phonographic copyright (℗) by:
MJJ Music (in 1995) and MJJ Productions Inc. (rights holder, not an imprint) (in 1996)
produced for:
Cheiron Productions
recorded at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Sweden and Titan Studios in Sherman Oaks, Los Angeles, California, United States
mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Sweden
cover recording of:
I Need You
lyricist and composer:
Eric Carmen
publisher:
C.A.M.-USA, Inc., Eric Carmen Music and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
3T23:55
12Matilda
vocals:
Harry Belafonte (on 1955-08-17)
orchestra:
Tony Scott and His Orchestra (on 1955-08-17)
arranger:
Tony Scott (bop/jazz clarinetist, arranger & conductor)
recording of:
Matilda (on 1955-08-17)
lyricist and composer:
Norman Span
arranger:
Harry Thomas
publisher:
Budde (publisher) (in 1968) and Edition Primus (in 1968)
Harry Belafonte53:38
13Jeanny
producer:
Ferdi Bolland and Rob Bolland
music videos:
Jeanny by Falco (Austrian pop & rock musician)
recording of:
Jeanny (in 1985)
lyricist:
Ferdi Bolland, Rob Bolland and Johann Hölzel (Austrian pop & rock musician)
composer:
Ferdi Bolland and Rob Bolland
publisher:
Amfinold BV, Bolland Music, Edition Falkenhorst, Ferdi Bolland Songs, Nada Bolland Music and Nada Music (Dutch publisher)
Falco4.655:53
14Only the Lonely
recorded in:
Nashville, Tennessee, United States (on 1960-03-26)
producer:
Fred Foster
double bass [bass]:
Bob Moore (U.S. bassist and bandleader) (on 1960-03-26)
drums (drum set) [drums]:
Buddy Harman (Session drummer and songwriter) (on 1960-03-26)
guitar:
Hank Garland (on 1960-03-26) and Harold Bradley (on 1960-03-26)
piano:
Floyd Cramer (on 1960-03-26)
background vocals:
Joe Melson (on 1960-03-26) and The Anita Kerr Singers (mixed vocal group) (on 1960-03-26)
vocals:
Roy Orbison (on 1960-03-26)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 2) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Only the Lonely (Know the Way I Feel) (on 1960-03-26)
writer:
Joe Melson and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK) and Acuff-Rose Publications, Inc. (BMI) (on 1960-05-04)
was commissioned by:
Rondor Music (London) Ltd.
Roy Orbison4.72:26
15Eye of the Tiger
assistant engineer:
Hill Swimmer
engineer:
Phil Bonanno and Mike Clink
producer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographic copyright (℗) by:
Volcano Entertainment III, L.L.C. (in 1985)
recording of:
Eye of the Tiger
writer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
Survivor4.73:49
16You’re My Heart, You’re My Soul (short mix ’84)
recording of:
You’re My Heart, You’re My Soul
lyricist and composer:
Steve Benson (German songwriter Dieter Bohlen)
publisher:
Arabella Musikverlag GmbH, Blue Obsession, Hansa Musikverlag, Hanseatic Musikverlag (German music publishing company owned by Warner Chappell Music), Hanseatic Musikverlag GmbH (since 2017) and Warner Chappell
Modern Talking53:18
2Digital Media
#TitleArtistRatingLength
1Footloose
producer:
Lee DeCarlo and Kenny Loggins
bass guitar:
Nathan East
bass synthesizer:
Michael Boddicker
drums (drum set):
Tris Imboden
guitar:
Buzz Feiten
instruments:
Michael Boddicker
keyboard:
Neil Larsen and Steven Wood (US soundtrack composer, member of Honk)
percussion:
Michael Boddicker and Paulinho da Costa (Brazilian percussionist)
background vocals:
Marilyn Dorman, Richey Washington and Steven Wood (US soundtrack composer, member of Honk)
lead vocals:
Kenny Loggins
remixer:
Humberto Gatica
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1984), Sony BMG Music Entertainment Inc. (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
lyricist:
Dean Pitchford
composer:
Kenny Loggins
publisher:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. and Universal Music Publishers MGB Australia Pty Ltd
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Kenny Loggins4.13:41
2Eres tú
recording of:
Eres tú
lyricist and composer:
Juan Carlos Calderón
Mocedades3:25
3The Free Electric Band
producer:
Albert Hammond
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973)
recording of:
The Free Electric Band
writer:
Albert Hammond and Mike Hazlewood
publisher:
Imagem Songs Ltd. and Landers‐Roberts Music
Albert Hammond3.53:24
4Amalfi
recording of:
Amalfi
Hooverphonic3:16
5Dance Little Sister
recording engineer and mixer:
Phil Legg
producer:
Terence Trent D’Arby (now known as Sananda Maitreya) and Martyn Ware
bass:
Cass Lewis
clavinet, percussion and piano and background vocals and lead vocals:
Terence Trent D’Arby (now known as Sananda Maitreya)
drums (drum set):
Clive Mngaza
guitar:
Pete Glenister, Christian Marsac and Blast Murray
Hammond organ:
Nick Plytas
keyboard:
Andy Whitmore
saxophone:
Mel Collins
additional background vocals:
Phil Legg, Misty Oldland and Martyn Ware
performer:
The Bojangles (Terence Trent D'Arby's backing band)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
recording of:
Dance Little Sister
lyricist and composer:
Terence Trent D’Arby (now known as Sananda Maitreya)
Sananda Maitreya23:54
6Dag vreemde man
phonographic copyright (℗) by:
BMG Ariola (company mostly named as distributor in Europe) (in 1972)
recording of:
Dag vreemde man
writer:
Mary Boduin (Belgian songwriter) and Willy Crombé (Belgian 1970s songwriter)
Ann Christy2:50
7Back for Good (radio mix)
recording of:
Back for Good
lyricist and composer:
Gary Barlow
publisher:
EMI Virgin Music Australia Pty Ltd and EMI Virgin Music Ltd. (do not use this as a release label!)
Take That4:00
8Let’s Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry (engineer), Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Deniece Williams3.64:20
9Shelter From the Storm
assistant engineer:
Glenn Berger
engineer:
Philip Rabinowitz
producer:
Phil Ramone
acoustic guitar, harmonica and lead vocals:
Bob Dylan (in 1974-09)
bass:
Tony Brown (bassist, late ’70s–early ’80s) (in 1974-09)
Hammond organ:
Greg Inhofer (in 1974-09)
steel guitar:
Buddy Cage (in 1974-09)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
recorded at:
A&R Recording Studios (second location, 799 7th Avenue) in Midtown Manhattan, New York, New York, United States (on 1974-09-17)
recording of:
Shelter From the Storm (in 1974-09)
lyricist and composer:
Bob Dylan (in 1974)
publisher:
Ram’s Horn Music (from 1974 until 2002) and Special Rider Music (from 2002 to present)
Bob Dylan, Buddy Cage, Paul Griffin & Tony Brown3.354:59
10Bad
recording engineer and mixer:
Bruce Swedien
drums (drum set) programming:
Douglas Getschal
co-producer:
Michael Jackson (“King of Pop”)
producer:
Quincy Jones
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
David Williams (session guitarist and songwriter)
Hammond organ:
Jimmy Smith (US jazz organist)
percussion:
Paulinho da Costa (Brazilian percussionist) and How Now Brown Cow
saxophone:
Kim Hutchcroft and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
synclavier:
Christopher Currell (arranger)
synthesizer:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay), Michael Boddicker and Greg Phillinganes
trumpet:
Gary Grant (brass) and Jerry Hey
background vocals and lead vocals and lead vocals:
Michael Jackson (“King of Pop”)
vocals:
Michael Jackson (“King of Pop”)
wind instruments arranger:
Jerry Hey
phonographic copyright (℗) by:
MJJ Productions Inc. (rights holder, not an imprint) (in 1987)
recorded at and mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
recording of:
Bad
lyricist and composer:
Michael Jackson (“King of Pop”)
publisher:
Mijac Music and Warner-Tamerlane Publ. Co. (publisher; do NOT use as release label)
part of:
MJ: The Musical
Michael Jackson4.254:07
11Gold
part of:
MIA Award: Song of the Year (number: 2014)
Gabriel Ríos4:11
12I’m Every Woman
programming:
James T. Alfano and Chauncey Mahan
additional engineer:
Richard Joseph (recording engineer and musician) and Acar Key
engineer:
Marc Reyburn and Matt Rohr (Recording Engineer)
additional producer:
Robert Clivillés (record producer, songwriter, arranger, music video director) and David Cole (US musician/producer, member of C+C Music Factory)
producer:
Narada Michael Walden
mixer:
Bob Rosa
additional vocals arranger:
Robert Clivillés (record producer, songwriter, arranger, music video director) and David Cole (US musician/producer, member of C+C Music Factory)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992)
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Tarpan Studios in San Rafael, California, United States
cover recording of:
I’m Every Woman (in 1992)
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Whitney Houston4.24:45
13Music to Watch Girls By
producer:
Nick de Caro
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
cover recording of:
Music to Watch Girls By (on 1967-02-21)
writer:
Sid Ramin and Tony Velona
publisher:
Sidray Enterprises Ltd. and Sony Music Publishing (worldwide except Japan, ended 1995)
Andy Williams4.652:34
14Kronenburg Park
vocals:
Frank Boeijen (Dutch singer, founder of Frank Boeijen Groep)
performer:
Frank Boeijen Groep
recording of:
Kronenburg Park
lyricist and composer:
Frank Boeijen (Dutch singer, founder of Frank Boeijen Groep)
Frank Boeijen Groep4.54:01
15Maneater
assistant engineer:
Bruce Buckhalter (Engineer), Barry Harris (engineer) and Michael Somer-Abbott
engineer:
Neil Kernon
co-producer:
Neil Kernon
producer:
Daryl Hall and John Oates
mixer:
Hugh Padgham
phonographic copyright (℗) by:
BMG Ariola Hamburg GmbH (in 1982), BMG Music (in 1982), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
recording of:
Maneater (in 1981-12)
lyricist:
Sara Allen, Daryl Hall and John Oates
composer:
Daryl Hall and John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music Ltd. (1996–2019)
Daryl Hall & John Oates4.44:31
16Summer in the City
additional electric piano:
Artie Schroeck
lead vocals:
John Sebastian
conductor:
Michael Kamen (American score composer)
phonographic copyright (℗) by:
Buddah Records (revived/renamed in 1998 as Buddha Records) (in 1966), Kama Sutra (in 1966), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1966) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 393)
recording of:
Summer in the City
writer:
Steve Boone, John Sebastian and Mark Sebastian
publisher:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., The Hudson Bay Music Co. (publisher), Trio Music (publisher) and Trio Music Co., Inc.
The Lovin’ Spoonful4.82:38
17Back Stabbers
recording engineer:
Joe Tarsia (engineer) (in 1972)
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
performer:
MFSB (Mother Father Sister Brother) (in 1972)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Back Stabbers (in 1972)
writer:
Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden and John Whitehead
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.73:05
18Felicità
recording of:
Felicità
lyricist:
Cristiano Minellono
composer:
Gino de Stefani and Dario Farina
Al Bano Carrisi33:15
3Digital Media
#TitleArtistRatingLength
1Always on My Mind (remastered)
vocals:
Elvis Presley (“The King of Rock and Roll”)
phonographic copyright (℗) by:
BMG Music (in 1987)
cover recording of:
Always on My Mind
writer:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) and Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) and Screen Gems–EMI Music Ltd.
Elvis Presley3:37
2Bright EyesArt Garfunkel3:55
3Fallin’
recording engineer and programming:
Kerry "Krucial" Brothers
producer:
Alicia Keys
mixer:
Russell Elevado
instruments:
Alicia Keys
violin:
Miri
background vocals:
Andricka Hall, Alicia Keys, Cindy Mizelle and Tammy Saunders
arranger:
Alicia Keys
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2001)
recorded at:
KrucialKeys Studios in New York, New York, United States
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
part of:
My VH1 Music Awards - Damn I Wish I Wrote That! (song of the year) Nominees (2001)
recording of:
Fallin’
lyricist and composer:
Alicia Keys
publisher:
EMI April Music Inc., EMI Music Publishing (do not use as a release label!), Lellow Music Publishing and Lellow Productions, Inc.
Alicia Keys3.853:30
4Lacht nor mij
recording engineer, producer and mixer:
Hans Francken (Belgian keyboardist)
instruments:
Hans Francken (Belgian keyboardist)
arranger:
Hans Francken (Belgian keyboardist)
recorded at:
Popvilla in Essen, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium
recording of:
Lacht nor mij
writer:
Charissa Parassiadis (Flemish rapper) and Hans Francken (Belgian keyboardist)
Slongs Dievanongs3:20
5Gettin’ Jiggy Wit It
recording engineer:
Ken "DURO" Ifill (engineer and producer Ken Ifill)
co-producer:
L.E.S. (QB hip hop producer)
producer:
Poke and Tone
assistant mixer:
Chris Ribando
mixer:
Rich Travali (Engineer)
bass guitar:
Lanar "Kern" Brantley (US bassist)
guitar [lead guitar]:
David Foreman
keyboard [keyboards]:
Timothy "Tyme" Riley (US drummer Timothy Riley)
turntable [scratches]:
DJ Jazzy Jeff (DJ/turntablist)
recorded at:
Right Track Studios in Manhattan, New York, New York, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
samples:
He’s the Greatest Dancer by Sister Sledge and Sang and Dance by The Bar-Kays
recording of:
Gettin’ Jiggy Wit It
writer:
Samuel Barnes (US rapper & hip‐hop producer, aka Tone), Bernard Edwards & Nile Rodgers, Bernard Edwards (American bassist and record producer), David Porter (US soul musician, producer & songwriter), Joey Robinson, Jr. (US Electro funk/hip hop producer, songwriter & engineer), Nile Rodgers and Will Smith (US actor aka The Fresh Prince)
publisher:
Irving Music, Inc., Jelly’s Jams, LLC, Sony/ATV Tunes LLC (ASCAP), Treball Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Will Smith3.853:48
6Jolene
engineer:
Tom Pick
producer:
Bob Ferguson
banjo:
Bobby Thompson (guitar & banjo player) (on 1972-05-03) and Buck Trent (on 1972-05-03)
bass:
Bobby Dyson (on 1972-05-03)
drums (drum set):
Kenny Malone (session drummer/percussion) (on 1972-05-03)
electric guitar:
Jimmy Colvard (American session guitarist) (on 1972-05-03)
fiddle:
Johnny Gimble (on 1972-05-03) and Mack Magaha (Bluegrass Fiddler) (on 1972-05-03)
guitar:
Dolly Parton (on 1972-05-03)
guitar [rhythm guitar]:
Dave Kirby (US country singer/songwriter) (on 1972-05-03)
piano:
Hargus "Pig" Robbins (on 1972-05-03)
steel guitar:
Stu Basore (on 1972-05-03)
background vocals:
Joe Babcock (on 1972-05-03), Dolores Edgin (on 1972-05-03), June Page (on 1972-05-03) and Hurshel Wiginton (on 1972-05-03)
vocals:
Dolly Parton (on 1972-05-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1973) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1972-05-03)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 1), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 28), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 63) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 217)
recording of:
Jolene (on 1972-05-03)
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Neue Welt Musikverlag GmbH (2017 – present), Owepar Publishing Inc. and Velvet Apple Music
Dolly Parton4.252:39
7Torn
producer:
Phil Thornalley
mixer:
Nigel Godrich (English record producer)
lead vocals:
Natalie Imbruglia
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (from 1997 to present) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1997)
part of:
triple j’s Hottest 100 of Australian Songs (number: 32), Cachitos Nochevieja 2022 (number: 60) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 333)
cover recording of:
Torn
lyricist:
Anne Preven
composer:
Scott Cutler, Anne Preven and Phil Thornalley
publisher:
BMG Music Publishing Australia Pty Ltd, BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Natalie Imbruglia4.14:06
8Happy (from “Despicable Me 2”)
assistant recording engineer:
Matthew Desrameaux
recording engineer:
Mike Larson (recording engineer)
producer:
Pharrell Williams
mixer:
Leslie Brathwaite
editor:
Andrew Coleman (recording/mix engineer, Neptunes-associated) and Mike Larson (recording engineer)
background vocals:
Rhea Dummett, Trevon Henderson, Shamika Hightower, Ashley L. Lee, Jasmine Murray and Terrence Rolle
arranger:
Andrew Coleman (recording/mix engineer, Neptunes-associated) and Mike Larson (recording engineer)
recorded at:
Circle House Studios in North Miami, Florida, United States
mixed at:
Music Box Studios (Atlanta) in Atlanta, Georgia, United States
music videos:
Happy by Pharrell Williams and Happy (from Despicable Me 2) (ballroom version) by Pharrell Williams
part of:
Billboard Year-End Hot 100 singles of 2014 (number: 1), Billboard Decade End Chart: Streaming Songs (2010s) (number: 20) and Billboard: Greatest of All Time Hot 100 Songs (number: 88)
recording of:
Happy
lyricist and composer:
Pharrell Williams
publisher:
EMI April Music Inc., More Water From Nazareth Publishing, Inc. and Universal Pictures Music
part of:
The 86th Academy Award for Best Original Song (number: 2)
Pharrell Williams4.23:51
9De Marie Louise
recording of:
De Marie-Louise
lyricist and composer:
Armath (Belgian producer Roland Verlooven)
Bart Kaëll2:53
10All by Myself
assistant engineer:
Joey Barbaria
engineer:
Jack Sherdel
producer:
Jimmy Ienner (producer)
lead vocals:
Eric Carmen (from 1975-08 until 1975-09)
arranger:
Eric Carmen
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) and Arista Records, LLC (holding company - file NO releases here!) (in 1975)
produced for:
CAM Productions (US)
recorded at:
O.D.O. Sound Studios in New York, New York, United States (from 1975-08 until 1975-09)
recording of:
All by Myself (from 1975-08 until 1975-09)
lyricist:
Eric Carmen
composer:
Eric Carmen and Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
is based on:
Let’s Pretend
is based on:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen4.254:51
11Rock the Boat
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974)
recording of:
Rock the Boat
lyricist and composer:
Wally Holmes (songwriter)
publisher:
Origin Network Pty Ltd and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation4.43:06
12Jackson
recorded in:
Nashville, Tennessee, United States (on 1967-01-11)
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
instruments:
Johnny Cash (country music legend)
vocals:
June Carter Cash (American Country singer and songwriter) and Johnny Cash (country music legend)
performer:
June Carter Cash (American Country singer and songwriter)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 112)
cover recording of:
Jackson (on 1967-01-11)
lyricist and composer:
Jerry Leiber (in 1963) and Billy Edd Wheeler (in 1963)
publisher:
Sony/ATV Songs LLC
live cover recording of:
Jackson
lyricist and composer:
Jerry Leiber (in 1963) and Billy Edd Wheeler (in 1963)
publisher:
Sony/ATV Songs LLC
recording of:
Jackson
lyricist and composer:
Jerry Leiber (in 1963) and Billy Edd Wheeler (in 1963)
publisher:
Sony/ATV Songs LLC
Johnny Cash & June Carter Cash42:44
13Oye como va
engineer:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-08)
congas and percussion:
Michael Carabello (percussionist) (on 1970-07-08)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-08)
drums (drum set):
Michael Shrieve (drummer) (on 1970-07-08)
guitar:
Carlos Santana (on 1970-07-08)
keyboard and lead vocals:
Gregg Rolie (keyboardist and vocalist) (on 1970-07-08)
percussion:
Rico Reyes (on 1970-07-08)
tabla:
Steven Saphore (on 1970-07-08)
background vocals:
Rico Reyes (on 1970-07-08) and Carlos Santana (on 1970-07-08)
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-08)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 479)
cover recording of:
Oye como va (on 1970-07-08)
lyricist and composer:
Tito Puente
publisher:
EMI Full Keel Music, Full Keel Music, Planetary Music Publ. Corp., Sony/ATV Music Publishing LLC (1995–2020) and Windswept Pacific Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
Chanchullo
is based on:
Te enseñaré
Santana3.854:16
14Follow Me
recording of:
Follow Me
lyricist:
Amanda Lear
composer:
Anthony Monn
Amanda Lear43:50
4Digital Media
#TitleArtistRatingLength
1That Ole Devil Called Love (remastered)
vocals:
Alison Moyet
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985)
music videos:
That Ole Devil Called Love by Alison Moyet
cover recording of:
That Ole Devil Called Love
lyricist:
Doris Fisher (in 1944)
composer:
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Alison Moyet33:04
2Anyone of Us (Stupid Mistake)
recording of:
Anyone of Us
writer:
Jörgen Elofsson (Swedish songwriter and producer), David Kreuger and Per Magnusson (Swedish music producer and songwriter)
Gareth Gates3:47
3Lady Marmalade (single version)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?)
writer:
Bob Crewe and Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation and TannyBoy Music
LaBelle3:14
4I Don’t Want to Miss a Thing
assistant engineer:
Alex Dejonge (engineer) and Rob Murphy (Engineer)
engineer and mixer:
Dave Thoener
producer:
Matt Serletic
strings arranger:
Suzie Katayama
arranger:
Matt Serletic
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
The Hit Factory in Manhattan, New York, New York, United States
part of:
BILLIONS CLUB and The Downloader’s Music Source Book (number: 228)
recording of:
I Don’t Want to Miss a Thing
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Realsongs (ended), Manatt, Phelps & Phillips, LLP, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 71st Academy Award for Best Original Song (number: 2)
Aerosmith4.054:58
5Tell It to My Heart
producer:
Ric Wake
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987) and Arista Records, LLC (holding company - file NO releases here!) (in 1987)
recording of:
Tell It to My Heart
writer:
Ernie Gold and Seth Swirsky
publisher:
Chappell Music, Inc. (publisher), Goldpoint and Intersong Music
Taylor Dayne3.753:38
650 Ways to Leave Your Lover
recording engineer:
Glenn Berger and Burt Szerlip
engineer:
Phil Ramone
producer:
Phil Ramone and Paul Simon (of Simon & Garfunkel)
acoustic guitar:
Paul Simon (of Simon & Garfunkel)
bass guitar [bass]:
Tony Levin (US rock bassist/Chapman stick player)
drums (drum set):
Steve Gadd (drummer)
electric guitar:
Hugh McCracken and John Tropea
organ:
Kenny Ascher
percussion:
Ralph MacDonald
background vocals:
Patti Austin, Valerie Simpson and Phoebe Snow
vocals:
Paul Simon (of Simon & Garfunkel)
phonographic copyright (℗) by:
Paul Simon (of Simon & Garfunkel) (in 1975, in 1981, in 2004)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975) and Warner Music H.K. Ltd. (in 1997)
recording of:
50 Ways to Leave Your Lover
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), DeShufflin Limited (in 1975) and Paul Simon Music (in 1975)
Paul Simon3.853:37
7Blame It on the Boogie
engineer:
Don Murray (producer / engineer)
executive producer:
Mike Atkinson and Bobby Colomby
mixer:
John Luongo
bass:
Gary King (jazz bassist, arranger and songwriter) (in 1978) and Nathan Watts (in 1978)
congas:
Laudir de Oliveira (in 1978) and Claudio Slon (in 1978)
drums (drum set) and percussion:
Rick Morotta (US drummer/percussionist) (in 1978)
flute, saxophone and trumpet:
Seawind Horns
guitar:
Roland Bautista (in 1978), Tito Jackson (in 1978) and Mike Sembello (in 1978)
keyboard:
Greg Phillinganes (in 1978)
background vocals:
Jackie Jackson (member of the Jackson 5), Marlon Jackson and Randy Jackson (brother of Michael and Janet)
lead vocals:
Michael Jackson (“King of Pop”) (in 1978)
horn arranger:
Jerry Hey
arranger:
Michael Jackson (“King of Pop”)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States, Dawnbreakers Studios in Los Angeles, California, United States, Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States and Total Experience Recording Studios in Hollywood, Los Angeles, California, United States
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
cover recording of:
Blame It on the Boogie (in 1978)
writer:
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) and Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. and Peterman & Co. Ltd.
part of:
MJ: The Musical
recording of:
Blame It on the Boogie
writer:
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) and Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. and Peterman & Co. Ltd.
part of:
MJ: The Musical
The Jacksons4.153:32
8Ain’t No Sunshine
recording engineer:
Bill Halverson (in 1971) and Bill Lazarus (in 1971)
producer:
Booker T. Jones
mixer:
John Golden (mastering engineer)
acoustic guitar:
Stephen Stills (in 1971)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
electric bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
lead vocals:
Bill Withers (in 1971)
strings arranger:
Booker T. Jones
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
part of:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 280) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 309)
recording of:
Ain’t No Sunshine (in 1971)
lyricist and composer:
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Bill Withers4.552:03
9Hallelujah (radio edit)
recording of:
Hallelujah
lyricist and composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-publisher:
Sony/ATV Music Publishing (Hong Kong)
cover recording of:
Hallelujah
lyricist and composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-publisher:
Sony/ATV Music Publishing (Hong Kong)
Jeff Buckley4:15
10Reggae NightJimmy Cliff4:09
11Stop Loving You
recording engineer and producer:
Bill Payne, George Massenburg and Toto (US rock group)
recording of:
Stop Loving You
writer:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) and David Paich
publisher:
BMG Songs, Hudmar Publishing Co. Inc., Inactive and Rehtakul Veets Music
Toto44:26
12Put Your Head on My Shoulder
recording of:
Put Your Head on My Shoulder
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Spanka Music (ended), Chrysalis Standards Inc. and Epa Publishing
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Paul Anka & Joe Sherman2:34
13Yes Sir, I Can Boogie
producer:
Rolf Soja
phonographic copyright (℗) by:
BMG Ariola Hamburg GmbH (in 1977) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1977)
recording of:
Yes Sir, I Can Boogie (original English version)
lyricist:
Frank Dostal
composer:
Rolf Soja
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music and Peermusic (UK) Ltd.
Baccara4.754:33
5Digital Media
#TitleArtistRatingLength
1Sing Hallelujah! (short)
engineer:
Gundars Rullis (choir vocals)
co-producer:
Douglas Carr (Swedish songwriter)
producer and mixer:
Denniz PoP
background vocals:
Giovanna Bragazzi
choir vocals:
Berit Cullberg, Björn Klingvall, Johanna Nyström and Joakim Sanden
remixer:
Douglas Carr (Swedish songwriter)
produced for:
SweMix Productions
recorded at and mixed at:
SweMix Studio in Stockholm, Stockholms län (Stockholm county), Sweden
engineered at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden (choir vocals)
recording of:
Sing Hallelujah!
lyricist:
Dr. Alban
composer:
Douglas Carr (Swedish songwriter) and Denniz PoP
publisher:
BMG Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Songs of Logic, SweMix Music and SweMix Songs
Dr. Alban34:01
2We Didn’t Start the Fire
keyboard programming:
Kevin Jones (keyboard & synth) (in 1989)
assistant engineer:
Dana Becker, Tim Crish, David Dorn, Suzanne Hollander, Joe Pirerra and Gary Solomon
engineer:
Jay Healy
producer:
Billy Joel (American singer‐songwriter and pianist) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
mixer:
Tom Lord‐Alge
clavinet and lead vocals:
Billy Joel (American singer‐songwriter and pianist) (in 1989)
drums (drum set):
Liberty DeVitto (US drummer) (in 1989)
electric bass guitar:
Schuyler Deale (in 1989)
guitar:
David Brown (guitarist for Billy Joel) (in 1989) and Joey Hunting (in 1989)
keyboard:
John Mahoney (R&B/jazz keyboardist) (in 1989)
other instruments [sound effects]:
Doug Kleeger (in 1989)
percussion:
Liberty DeVitto (US drummer) (in 1989), Billy Joel (American singer‐songwriter and pianist) (in 1989) and Crystal Taliefero (American multi‐instrumentalist and vocalist) (in 1989)
percussion [electronic percussion]:
Sammy Merendino (in 1989)
synthesizer:
Jeff Jacobs (in 1989)
background vocals:
Crystal Taliefero (American multi‐instrumentalist and vocalist) (in 1989)
arranger:
Doug Kleeger
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
music videos:
We Didn’t Start the Fire by Billy Joel (American singer‐songwriter and pianist)
part of:
Cachitos Nochevieja 2022 (number: 55)
recording of:
We Didn’t Start the Fire (in 1989)
lyricist and composer:
Billy Joel (American singer‐songwriter and pianist)
publisher:
EMI Songs Ltd., Impulsive Music, Universal Music Ltd. (UK sound recording / publishing company) and Joelsongs (in 1989)
arrangement of:
We Didn’t Start the Slop Stream
Billy Joel4.34:48
3So Long, Marianne
producer:
John Simon (US producer, arranger, composer, songwriter and musician)
lead vocals:
Leonard Cohen (Canadian singer‐songwriter and poet)
conductor:
John Simon (US producer, arranger, composer, songwriter and musician)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
So Long, Marianne (in 1967)
lyricist and composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Sony/ATV Music Publishing LLC (1995–2020)
Leonard Cohen4.255:36
4Paid My Dues
recording engineer:
“Young” Dave Scheuer (in 2001) and Thomas R. Yezzi (in 2001: lead vocals)
miscellaneous support:
Marc Russell (task: production coordinator)
drums (drum set) [drum] programming:
Richie Jones (in 2001)
additional producer:
Richie Jones
producer:
Ric Wake
assistant mixer:
Jim Annunziato
mixer:
Dan Hetzel and Richie Jones
bass guitar:
Marc Russell (in 2001)
guitar [guitars] and keyboard [keyboards]:
Eric Kupper (in 2001)
background vocals:
Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”) (in 2001), LaMenga Kafi (in 2001), Danny Madden (in 2001) and Nicki Richards (in 2001)
arranger:
Richie Jones and Ric Wake
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2001)
produced for:
W&R Group
recorded at:
Cove City Sound Studios in Glen Cove, New York, United States (in 2001) and Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States (in 2001)
mixed at:
Cove City Sound Studios in Glen Cove, New York, United States
music videos:
Paid My Dues by Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
recording of:
Paid My Dues (in 2001)
writer:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Greg Lawson (US songwriter), LaMenga Kafi and Damon Sharpe
publisher:
Annotation Music, BMG Platinum Songs US, Connotation Music, Damon Sharpe Music, GQ Romeo Music, Locoriya’s Songs, Poho Productions, Universal Music Corp. (USA, affiliated with ASCAP), VMG Notation Copyrights, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WB Music Corp (1929–2019)
Anastacia3.53:21
5Rose Garden (single version)
cover recording of:
Rose Garden
lyricist and composer:
Joe South
publisher:
BMG Music Publishing Ltd. and Sony/ATV Songs LLC
Lynn Anderson2:55
6I Want You Back
Natalia4:04
7Walk Like an Egyptian
producer:
David Kahne
mixer:
David Leonard (US producer and engineer)
bass guitar:
Michael Steele (American bassist, guitarist, songwriter, and singer)
drums (drum set):
Debbi Peterson (drummer for The Bangles)
guitar:
Susanna Hoffs and Vicki Peterson
lead vocals:
Susanna Hoffs, Vicki Peterson and Michael Steele (American bassist, guitarist, songwriter, and singer)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1985) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 14)
recording of:
Walk Like an Egyptian
lyricist and composer:
Liam Sternberg (until 1984-01)
publisher:
Peer International Corporation (BMI)
part of:
ジョジョの奇妙な冒険 Part3 スターダストクルセイダース (JoJo’s Bizarre Adventure Part 3: Stardust Crusaders, 2014 anime soundtrack)
The Bangles4.23:23
8(Don’t Fear) The Reaper (single version)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976, in 1978)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 397) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 449)
recording of:
(Don’t Fear) The Reaper
lyricist and composer:
Donald Roeser (singer, lead guitarist and songwriter)
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.43:48
9Fire
producer:
Richard Perry (producer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
cover recording of:
Fire
lyricist and composer:
Bruce Springsteen (in 1977-05)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Pointer Sisters4.353:25
10September
producer:
Maurice White (Earth, Wind & Fire)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975, in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 16) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 65)
recording of:
September
writer:
Al McKay, Maurice White (Earth, Wind & Fire) and Allee Willis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Earth, Wind & Fire4.63:34
11Walk on the Wild Side
producer:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
baritone saxophone:
Ronnie Ross (in 1972-08)
double bass and electric bass guitar:
Herbie Flowers (in 1972-08)
drums (drum set):
John Halsey (in 1972-08)
background vocals:
The Thunder Thighs (70s UK vocal group) (in 1972-08)
lead vocals:
Lou Reed (in 1972-08)
brass arranger and strings arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1972-08)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
samples from:
Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
part of:
Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 221)
recording of:
Walk on the Wild Side (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Six Continents Music Publishing Inc.
Lou Reed4.254:14
12Allemaal
additional recording engineer:
Guido Maes
recording engineer and producer:
Peter Bulkens (Belgian recording engineer) and Ronald Vanhuffel
sampler [samples] programming and synthesizer [synths] programming:
Ronald Vanhuffel
mixer:
Peter Bulkens (Belgian recording engineer)
acoustic guitar and electric guitar:
Eric Melaerts (Belgian guitarist & producer)
bass guitar:
Vincent Pierins (Belgian bass player)
drums (drum set):
Herman Cambré (Belgian session drummer)
piano:
Peter Bauwens
background vocals:
Adriana Romijn (Dutch singer and vocal coach) and Ingrid Simons
lead vocals:
Wim Soutaer (Belgian singer)
recorded at:
The Groove (opnamestudio The Groove, Schelle) in Schelle, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium
recording of:
Allemaal
writer:
Walter Mannaerts, Edwin Schimscheimer (Dutch composer, arranger, pianist, guitarist and singer) and Wim Patrick Paulette Soutaer (Belgian singer)
arranger:
Ronald Vanhuffel
publisher:
BMG Unisong Music Publishing nv/sa and Toy Town Music
Wim Soutaer3:24
13Down Under
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
bass:
John Rees
drums (drum set):
Jerry Speiser (drummer for Men at Work)
guitar:
Ron Strykert
keyboard and woodwind:
Greg Ham (member of Men at Work)
vocals:
Colin Hay
phonographic copyright (℗) by:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) and Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
part of:
triple j’s Hottest 100 of Australian Songs (number: 21) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
lyricist:
Colin Hay
composer:
Colin Hay and Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Men at Work3.953:41
14Bridge Over Troubled Water
recording engineer:
Ted Brosnan (on 1969-11-09)
engineer:
Roy Halee
producer:
Arthur Garfunkel, Roy Halee and Paul Simon (of Simon & Garfunkel)
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter) (on 1969-11-09)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1969-11-09)
guitar:
Fred Carter, Jr. (on 1969-11-09) and Paul Simon (of Simon & Garfunkel) (on 1969-11-09)
keyboard:
Larry Knechtel (on 1969-11-09)
strings:
Ernie Freeman (on 1969-11-09) and Jimmie Haskell (on 1969-11-09)
vocals:
Art Garfunkel (on 1969-11-09) and Paul Simon (of Simon & Garfunkel) (on 1969-11-09)
phonographic copyright (℗) by:
Paul Simon (of Simon & Garfunkel) (in 1969)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 1), The Co-Op: Top 10 British Funeral Songs (number: 9), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 47), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 58) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 66)
recording of:
Bridge Over Troubled Water (on 1969-11-09)
lyricist:
Paul Simon (of Simon & Garfunkel)
composer:
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Simon & Garfunkel4.054:51
15Funny Funny
producer:
Phil Wainman
recording of:
Funny Funny
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
Phil Wainman Music (in 1971)
The Sweet52:45

Credits

Release

purchase for download and streaming page:https://music.apple.com/be/album/1442517353 [info]

Release group

part of:1000 klassiekers: De absolute top (Series of compilation albums by Belgian radio station Radio 2) (order: 10)