Good Old Broadway

~ Release by Coleman Hawkins (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1I Talk to the Trees
recording engineer:
Rudy van Gelder (on 1962-01-02)
producer:
Esmond Edwards
double bass [bass]:
Major Holley (on 1962-01-02)
drums (drum set):
Eddie Locke (on 1962-01-02)
piano:
Tommy Flanagan (on 1962-01-02)
tenor saxophone:
Coleman Hawkins (on 1962-01-02)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-01-02)
instrumental recording of:
I Talk to the Trees (Paint Your Wagon) (on 1962-01-02)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
part of:
Paint Your Wagon (full musical)
4:24
2Smoke Gets in Your Eyes
recording engineer:
Rudy van Gelder (on 1962-01-02)
producer:
Esmond Edwards
double bass [bass]:
Major Holley (on 1962-01-02)
drums (drum set):
Eddie Locke (on 1962-01-02)
piano:
Tommy Flanagan (on 1962-01-02)
tenor saxophone:
Coleman Hawkins (on 1962-01-02)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-01-02)
instrumental recording of:
Smoke Gets in Your Eyes (on 1962-01-02)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
4:40
3Wanting You
recording engineer:
Rudy van Gelder (on 1962-01-02)
producer:
Esmond Edwards
double bass [bass]:
Major Holley (on 1962-01-02)
drums (drum set):
Eddie Locke (on 1962-01-02)
piano:
Tommy Flanagan (on 1962-01-02)
tenor saxophone:
Coleman Hawkins (on 1962-01-02)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-01-02)
instrumental recording of:
Wanting You (on 1962-01-02)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) and Sigmund Romberg
2:27
4Strange Music
recording engineer:
Rudy van Gelder (on 1962-01-02)
producer:
Esmond Edwards
double bass [bass]:
Major Holley (on 1962-01-02)
drums (drum set):
Eddie Locke (on 1962-01-02)
piano:
Tommy Flanagan (on 1962-01-02)
tenor saxophone:
Coleman Hawkins (on 1962-01-02)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-01-02)
instrumental recording of:
Song of Norway: Strange Music (on 1962-01-02)
lyricist:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
composer:
George Forrest (American composer and lyricist), Edvard Grieg (composer) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Chappell & Co., Inc. (USA)
is based on:
Lyriske stykker, hefte V, op. 54: No. 4: Notturno (Lyric Pieces, Book V, op. 54 no. 4: Nocturne, original for piano)
is based on:
Lyriske stykker, hefte VIII, op. 65: No. 6: Bryllupsdag på Troldhaugen (Lyric Pieces, Book 8, op. 65: No. 6. Wedding Day at Troldhaugen, for piano)
part of:
Song of Norway
6:18
5The Man That Got Away
recording engineer:
Rudy van Gelder (on 1962-01-02)
producer:
Esmond Edwards
double bass [bass]:
Major Holley (on 1962-01-02)
drums (drum set):
Eddie Locke (on 1962-01-02)
piano:
Tommy Flanagan (on 1962-01-02)
tenor saxophone:
Coleman Hawkins (on 1962-01-02)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-01-02)
instrumental recording of:
The Man That Got Away (A Star Is Born) (on 1962-01-02)
lyricist:
Ira Gershwin (in 1953)
composer:
Harold Arlen (in 1953)
publisher:
Chappell/Morris Ltd., Harwin Music Corporation, MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and WB Music Corp. (1929–2019)
part of:
The 27th Academy Award for Best Original Song (number: 2)
4:08
6Get Out of Town
recording engineer:
Rudy van Gelder (on 1962-01-02)
producer:
Esmond Edwards
double bass [bass]:
Major Holley (on 1962-01-02)
drums (drum set):
Eddie Locke (on 1962-01-02)
piano:
Tommy Flanagan (on 1962-01-02)
tenor saxophone:
Coleman Hawkins (on 1962-01-02)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-01-02)
instrumental recording of:
Get Out of Town (on 1962-01-02)
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
4:14
7Here I'll Stay
recording engineer:
Rudy van Gelder (on 1962-01-02)
producer:
Esmond Edwards
double bass [bass]:
Major Holley (on 1962-01-02)
drums (drum set):
Eddie Locke (on 1962-01-02)
piano:
Tommy Flanagan (on 1962-01-02)
tenor saxophone:
Coleman Hawkins (on 1962-01-02)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-01-02)
instrumental recording of:
Here I’ll Stay (from “Love Life”) (on 1962-01-02)
lyricist:
Alan Jay Lerner
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
Love Life (Musical by Lerner & Weill)
4:09
8A Fellow Needs a Girl
recording engineer:
Rudy van Gelder (on 1962-01-02)
producer:
Esmond Edwards
double bass [bass]:
Major Holley (on 1962-01-02)
drums (drum set):
Eddie Locke (on 1962-01-02)
piano:
Tommy Flanagan (on 1962-01-02)
tenor saxophone:
Coleman Hawkins (on 1962-01-02)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-01-02)
instrumental recording of:
A Fellow Needs a Girl (from "Allegro") (on 1962-01-02)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music, Inc.
part of:
Allegro (Rodgers & Hammerstein musical)
4:47

Credits

Release

ASIN:US: B000040OHJ [info]