AM Gold: 1978

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Hot Child in the City
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1976, nel 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1990)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 22)
registrazione di:
Hot Child in the City
autore:
Nick Gilder e Jim McCulloch (Canadian guitarist for Sweeney Todd/Nick Gilder)
editore:
Beechwood Music Canada e Beechwood Music Corp.
Nick Gilder53:10
2Love Is Like Oxygen
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978)
registrazione di:
Love Is Like Oxygen
autore:
Trevor Griffin e Andy Scott (Member of Sweet)
editore:
Maxwood Music Ltd., Sweet Publishing Ltd. e Warner Bros. Music (publisher; do NOT use as release label)
Sweet3:48
3Don't Look Back
assistente tecnico:
Eric Carr (Engineer), Dennis Coscia e Rob Rosati
tecnico e produttore:
Tom Scholz
tecnico di missaggio:
Wally Traugott (engineer, mastering engineer, cutting engineer, remastering, mixing engineer lacquer-cutting)
basso e percussione :
Fran Sheehan
batteria e percussione :
Sib Hashian
chitarra a 12 corde, chitarra acustica, basso, chitarra elettrica, organo e pianoforte :
Tom Scholz
chitarra, percussione e chitarra slide :
Barry Goudreau
voce:
Brad Delp
arrangiatore:
Tom Scholz
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1978) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
registrata presso e mixata presso:
Tom Scholz Hideaway Studio in Massachusetts, Stati Uniti
registrazione di:
Don’t Look Back
paroliere e compositore:
Tom Scholz
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Pure Songs (nel 1978)
Boston36:12
4Love Is in the Air
diritti fonografici (℗) detenuti da:
All American Music Group (nel 1978) e J. Albert & Son Pty. Ltd. (nel 1978)
parte di:
Cachitos Nochevieja 2022 (numero: 78)
registrazione di:
Love Is in the Air
autore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
John Paul Young3:32
5Sentimental Lady
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1977, nel 1989) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1977)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 23)
registrazione di:
Sentimental Lady
paroliere, autore e compositore:
Bob Welch (early member of Fleetwood Mac)
editore:
CMI America, Crosstown UK (Palan), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spirit One Music, フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e Kingstreet Media Publishing Limited (nel 1972)
Bob Welch52:57
6Reminiscing
registrata a:
Australia
prodotta a:
Australia
produttore:
John Boylan e Little River Band
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (nel 1978) e EMI Australia (company credits only; file no releases here!) (nel 1978)
registrazione di:
Reminiscing
paroliere e compositore:
Graeham Goble
editore:
American Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) e Wheatley Music Pty Ltd.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Little River Band53:32
7Baby Come Back
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1977)
registrazione di:
Baby Come Back (Player song) (nel 1977)
autore:
Peter Beckett (lead singer of Player) e John Charles Crowley II
editore:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 大洋音楽 (Taiyō Music)
Player53:38
8Love Will Find a Way
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1978)
registrazione di:
Love Will Find a Way
autore:
David Jenkins (US guitarist for Pablo Cruise & Southern Pacific) e Cory Lerios
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), Irving Music, Inc., Pablo Cruise Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Pablo Cruise4:01
9Feels So Good
diritti fonografici (℗) detenuti da:
A&M Records (nel 1977) e A&M Records, Inc. (nel 1978)
registrazione di:
Feels So Good (instrumental)
compositore:
Chuck Mangione
editore:
Gates Music e Primary Wave Music (management, publishing and marketing company)
Chuck Mangione2.753:33
10Three Times a Lady
produttore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
voce principale:
Lionel Richie
arrangiatore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1978), Motown Record Corporation (company credits only; do NOT use as release label) (nel 1978, nel 1979) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 10)
registrazione di:
Three Times a Lady
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. e Libren Music
The Commodores3.653:39
11Shadow Dancing
produttore:
Albhy Galuten, Barry Gibb e Karl Richardson
diritti fonografici (℗) detenuti da:
Peta Gibb (nel 1978)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1978) e Robert Stigwood Organisation Ltd. (nel 1978)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 55)
registrazione di:
Shadow Dancing
autore:
Andy Gibb, Barry Gibb, Maurice Gibb e Robin Gibb
editore:
Andy Gibb Music, Crompton Songs, Gibb Brothers Music, Hugh and Barbara Gibb Music, Joy USA Music Company, Stigwood Music, Inc. e Unichappell Music, Inc.
Andy Gibb4.654:33
12If I Can't Have You
produttore:
Freddie Perren
basso :
Scott Edwards (bassist)
batteria :
James Gadson (American drummer)
chitarra :
Bob Bowles
percussione :
Bob Zimmitti, Paulinho da Costa (Brazilian percussionist) e Freddie Perren
pianoforte :
Sonny Burke (soul/jazz/funk keyboardist)
sintetizzatore e tastiera :
Freddie Perren
voce di accompagnamento [additional background vocals] e voce principale:
Yvonne Elliman
voce di accompagnamento [girl-group background vocals]:
Marti McCall (session vocalist), Julia Waters e Maxine Waters
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1977) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 19) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 343)
registrazione di:
If I Can’t Have You
scritta a:
Francia
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., Stigwood Music, Inc. (nel 1978) e Unichappell Music (nel 1978)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Yvonne Elliman4.253:00
13Le Freak
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1978)
registrazione di:
Le Freak (nel 1978)
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4.43:36
14Kiss You All Over
diritti fonografici (℗) detenuti da:
Curb Records (nel 1978), RAK Records (copyrights holder) (nel 1978), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1993)
edit di:
Kiss You All Over di Exile (American country band)
registrazione di:
Kiss You All Over
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation), BMG Songs, Inc., Downtown DLJ Songs, Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Exile53:32
15Use Ta Be My Girl
diritti fonografici (℗) detenuti da:
Philadelphia International Records (nel 1977)
edit di:
Used ta Be My Girl di The O’Jays
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 42)
registrazione di:
Use ta Be My Girl
paroliere e compositore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays53:29
16Here You Come Again
voce:
Dolly Parton
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1977) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 60)
registrazione cover di:
Here You Come Again
paroliere:
Cynthia Weil
compositore:
Barry Mann
editore:
Dyad Music Ltd., EMI Music Publishing Australia Pty. Limited (not for release label use!), Screen Gems–EMI Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Summerhill Music Songs e Summerhill Songs
Dolly Parton43:00
17Thunder Island
diritti fonografici (℗) detenuti da:
Asylum Records (Warner Music subsidiary) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 50)
registrazione di:
Thunder Island
paroliere e compositore:
Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
editore:
Painless Music
Jay Ferguson3:32
18I Just Wanna Stop
tecnico di registrazione e tecnico di missaggio:
Norm Kinney
assistente tecnico:
Chris Desmond
produttore:
Gino Vannelli, Joe Vannelli (Canadian musician, composer and record producer) e Ross Vannelli
assistente tecnico di missaggio:
Paul Aronoff e Betsy Banghart (engineer)
batteria :
Mark Craney
chitarra :
Carlos Rios (producer/guitarist)
percussione :
Manuel Badrena
pianoforte elettrico e sintetizzatore :
Joe Vannelli (Canadian musician, composer and record producer)
sassofono tenore :
Ernie Watts (jazz and blues saxophonist)
sintetizzatore basso [synthesized electric bass] :
Leon Gaer
voce di accompagnamento:
Julia Tillman Waters, Maxine Willard Waters, Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) e Ross Vannelli
voce principale:
Gino Vannelli
arrangiatore:
Gino Vannelli, Joe Vannelli (Canadian musician, composer and record producer) e Ross Vannelli
diritti fonografici (℗) detenuti da:
A&M Records e A&M Records, Inc. (nel 1978)
registrata presso:
Davlen Sound Studios in North Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Group IV Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
I Just Wanna Stop
paroliere e compositore:
Ross Vannelli
editore:
Ross Vannelli Publishing e 日音 Synch事業部 (NICHION, INC. Synch Division)
Gino Vannelli3.13:38
19Time Passages
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1978)
edit di:
Time Passages di Al Stewart (UK folk singer/songwriter)
registrazione di:
Time Passages
autore:
Al Stewart (UK folk singer/songwriter) e Peter White (smooth jazz/jazz fusion guitarist)
editore:
Approximate Music, PolyGram Music Publishing, Universal–Songs of PolyGram International, Inc., DJM Music (nel 1978) e Frabjous Music (nel 1978)
Al Stewart4:40
20How Much I Feel
produttore:
Freddie Piro
basso :
Joe Puerta
batteria , percussione e voce di accompagnamento:
Burleigh Drummond
chitarra , tastiera e voce principale:
David Pack
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1978) e Warner Music H.K. Ltd. (nel 1997)
registrazione di:
How Much I Feel
paroliere e compositore:
David Pack
editore:
EMI Longitude Music e Longitude Music Co.
Ambrosia54:46

Accreditamenti

Pubblicazione

stampata a:Stati Uniti
note di libretto:Billy Altman (Journalist)
tecnico:Steve Carr (Washington, DC area producer and engineer)
produttore esecutivo:Robert Hull (Production)
materiale grafico:GOLD & Associates
fabbricata da:PolyGram Special Markets (US only)
copyright (©) detenuto da:Time Life Inc. (nel 1997)
diritti fonografici (℗) detenuti da:PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1997)
licenziata da:Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
BMG Special Products
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States)
EMI‐Capitol Music Special Markets
PolyGram Special Markets (US only)
Sony Music Special Products
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
fabbricata per:Time–Life Music
remastering effettuato presso:Hit and Run Studios (Rockville, MD based studio) in Rockville, Maryland, Stati Uniti
Discogs:https://www.discogs.com/release/4142163 [info]
ASIN:US: B000O9GS80 [info]
altri database:https://rateyourmusic.com/release/comp/various_artists_f2/am_gold___1978.p/ [info]
Allmusic:https://www.allmusic.com/album/release/mr0002442253 [info]

Gruppo di pubblicazioni

parte di:AM Gold (Time-Life Music) (numero: 25) (ordine: 25)