100 Hits: Pop

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1(You’re the) Devil in Disguise
bass:
Bob Moore (U.S. bassist and bandleader) (from 1963-05-26 until 1963-05-27)
drums (drum set):
D.J. Fontana (from 1963-05-26 until 1963-05-27) and Buddy Harman (Session drummer and songwriter) (from 1963-05-26 until 1963-05-27)
guitar:
Harold Bradley (from 1963-05-26 until 1963-05-27), Jerry Kennedy (from 1963-05-26 until 1963-05-27), Grady Martin (country/rockabilly guitarist) (from 1963-05-26 until 1963-05-27) and Scotty Moore (American guitarist and recording engineer) (from 1963-05-26 until 1963-05-27)
piano:
Floyd Cramer (from 1963-05-26 until 1963-05-27)
saxophone, shakers and vibraphone [vibes]:
Boots Randolph (from 1963-05-26 until 1963-05-27)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1963-05-26)
vocals:
The Jordanaires (southern gospel group) (from 1963-05-26 until 1963-05-27) and Millie Kirkham (from 1963-05-26 until 1963-05-27)
phonographic copyright (℗) by:
BMG Entertainment (in 1963), BMG Music (in 1963) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (from 1963-05-26 until 1963-05-27)
cover recording of:
(You’re the) Devil in Disguise (from 1963-05-26 until 1963-05-27)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
publisher:
Carlin Music Corporation and R&H Music
Elvis Presley2.752:23
2Ring of Fire
recording of:
Ring of Fire
writer:
June Carter Cash (American Country singer and songwriter) and Merle Kilgore
publisher:
Painted Desert Music Corporation
Johnny Cash2:36
3Oh, Pretty Woman
recorded in:
Nashville, Tennessee, United States (on 1964-08-01)
producer:
Fred Foster
12 string guitar [12 string guitar Epiphone] and lead vocals:
Roy Orbison (on 1964-08-01)
double bass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (on 1964-08-01)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1964-08-01)
guitar:
Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (guitar) (on 1964-08-01)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-08-01)
percussion:
Paul Garrison (on 1964-08-01)
piano:
Floyd Cramer (on 1964-08-01)
saxophone:
Boots Randolph (on 1964-08-01)
vocals:
Roy Orbison
phonographic copyright (℗) by:
Orbison Records, Orbison Records, Inc. and Monument Record Corp. (not for release label use!) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (on 1964-08-01)
lyricist and composer:
Bill Dees (songwriter, singer, guitarist) and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (on 1964-08-26) and Acuff-Rose (BMI) (in 1972)
Roy Orbison4.33:01
4When Will I Be Loved
phonographic copyright (℗) by:
Cadence (NYC-based label founded by Archie Bleyer) (in 1960)
recording of:
When Will I Be Loved? (on 1960-02-18)
lyricist and composer:
Phil Everly
publisher:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers2:04
5Let’s Dance
lead vocals:
Chris Montez
recording of:
Let’s Dance
lyricist and composer:
Jim Lee (“Let’s Dance” writer/producer)
publisher:
Chappell Morris Ltd., DeVorzon Music, Rondell Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chris Montez32:27
6Happy Birthday Sweet SixteenNeil Sedaka2:35
724 Hours From Tulsa
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 36)
recording of:
Twenty Four Hours From Tulsa
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Gene Pitney2.53:00
8Can’t Take My Eyes Off You
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
cover recording of:
Can’t Take My Eyes Off You (1967 song)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. and Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Andy Williams43:12
9To Love Somebody
recording engineer:
Ray Hall (engineer) and Mike Moran (American engineer, associated with RCA)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
drums (drum set):
Don Alias (in 1967)
piano and lead vocals:
Nina Simone (in 1967)
conductor:
Jimmy Wisner
arranger:
Jimmy Wisner
phonographic copyright (℗) by:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-12-20)
cover recording of:
To Love Somebody (on 1967-12-20)
written in:
New York, New York, United States (in 1967)
writer:
Barry Gibb (in 1967) and Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) and Universal Music Careers
part of:
50/50
Nina Simone3.52:40
10Will You Love Me Tomorrow
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (in 1960)
kettle drum:
Carole King (in 1960)
piano:
Paul Griffin (American pianist, session musician) (in 1960)
lead vocals:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) and Beverly Lee (singer for The Shirelles) (in 1960)
phonographic copyright (℗) by:
HHO Licensing Ltd.
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Shirelles3.82:43
11Soul Deep
recording of:
Soul Deep
writer:
Wayne Carson Thompson
publisher:
Lovolar Music
The Box Tops3.52:27
12Out on the Floor
Dobie Gray2:54
13Light My Fire
producer:
Rick Jarrard
strings arranger:
George Tipton (American composer, musical arranger and conductor, born 1932)
cover recording of:
Light My Fire (on 1968-01-06)
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. and 日音 Synch事業部 (NICHION, INC. Synch Division)
José Feliciano33:34
14Somebody to Love
recording engineer:
David Hassinger (on 1966-11-03)
producer:
Rick Jarrard (from 1966-10-31 until 1966-11-22)
bass:
Jack Casady (from 1966-10-31 until 1966-11-22)
drums (drum set):
Spencer Dryden (from 1966-10-31 until 1966-11-22)
guitar [lead guitar]:
Jorma Kaukonen (American blues, folk, and rock guitarist) (from 1966-10-31 until 1966-11-22)
guitar [rhythm guitar]:
Paul Kantner (from 1966-10-31 until 1966-11-22)
lead vocals:
Grace Slick (from 1966-10-31 until 1966-11-22)
vocals:
Marty Balin (from 1966-10-31 until 1966-11-22) and Paul Kantner (from 1966-10-31 until 1966-11-22)
phonographic copyright (℗) by:
BMG Music (in 1967) and RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (in 1967)
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (from 1966-10-31 until 1966-11-22)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 274)
recording of:
Somebody to Love (Jefferson Airplane song) (from 1966-10-31 until 1966-11-22)
lyricist and composer:
Darby Slick
publisher:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.552:58
15Turn! Turn! Turn! (To Everything There Is a Season)
cover recording of:
Turn! Turn! Turn! (To Everything There Is a Season)
lyricist:
[traditional] (special purpose artist)
composer:
Pete Seeger (in 1959)
publisher:
Melody Trails and TRO Essex Music Ltd.
The Byrds3:52
16Do You Believe in Magic
phonographic copyright (℗) by:
Kama Sutra (in 1965)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 216) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 224)
recording of:
Do You Believe in Magic?
lyricist and composer:
John Sebastian
publisher:
Alley Music Corp., Koppelman–Rubin Enterprises, Inc. and Trio Music Co., Inc.
The Lovin’ Spoonful4.52:02
17Let’s Go to San Francisco
recording of:
Let’s Go to San Francisco
writer:
John Carter (songwriter & producer, b. 1942) and Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
publisher:
Peermusic Ltd. (BMI)
The Flower Pot Men33:35
18Up Up and Away
engineer:
“Bones” Howe
producer:
Johnny Rivers (Singer, songwriter, and guitarist) and Marc Gordon (soul songwriter, producer, and manager)
bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist)
conductor:
Jim Webb (US songwriter, composer, producer, pianist & singer)
brass [horns] arranger and strings arranger:
Marty Paich
arranger:
Jim Webb (US songwriter, composer, producer, pianist & singer)
recorded at:
Sound Recorders, Hollywood (founded by Armin Steiner, 1965-1971) in Hollywood, Los Angeles, California, United States
recording of:
Up, Up and Away
lyricist and composer:
Jim Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Johnny Rivers Music
The 5th Dimension2.52:38
19Over Under Sideways Down
recording of:
Over Under Sideways Down
writer:
Jeff Beck (English rock guitarist), Chris Dreja, Jim McCarty (UK drummer, Yardbirds member), Keith Relf and Paul Samwell-Smith
publisher:
Glenwood Music Corp. and Henrees Music co.
The Yardbirds2:25
20Raindrops Keep Falling on My Head
vocals:
B.J. Thomas
conductor:
Burt Bacharach
phonographic copyright (℗) by:
Scepter (a/k/a Scepter Records) (in 1970)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 4) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 345)
recording of:
Raindrops Keep Fallin’ on My Head
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
part of:
The 42nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1969 winner)
B.J. Thomas43:02
2CD
#TitleArtistRatingLength
1Shake Your Body Down
recorded in:
Los Angeles, California, United States (in 1978-08)
drums (drum set):
Ed Green (US violinist/percussionist) (in 1978-08)
guitar:
Tito Jackson (in 1978-08)
keyboard and synthesizer:
Mike Boddicker (in 1978-08) and Greg Phillinganes (in 1978-08)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1978-08)
background vocals:
Jackie Jackson (member of the Jackson 5) (in 1978-08), Marlon Jackson (in 1978-08), Randy Jackson (brother of Michael and Janet) (in 1978-08) and Tito Jackson (in 1978-08)
lead vocals:
Michael Jackson (“King of Pop”) (in 1978-08)
recording of:
Shake Your Body (Down to the Ground) (in 1978-08)
lyricist and composer:
Michael Jackson (“King of Pop”) and Randy Jackson (brother of Michael and Janet)
publisher:
Mijac Music, Peacock Music Publishing Company, Ranjack Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Jacksons4.253:48
2Harvest for the World
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recording of:
Harvest for the World
writer:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley and Chris Jasper
publisher:
Bovina Music Inc., EMI April Music Inc. and EMI Songs Ltd.
The Isley Brothers3:54
3Let’s Stay Together
producer:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
drums (drum set):
Howard Grimes and Al Jackson, Jr. (Booker T & The MGs drummer)
electric bass guitar:
Leroy Hodges
guitar family:
Mabon Hodges (“Teenie”, soul guitarist)
organ and piano:
Charles Hodges (soul organist)
saxophone:
James Mitchell (US saxophonist/arranger)
tenor saxophone:
Ed Logan
trombone:
Jack Hale (trombone)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
background vocals:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes and Sandra Rhodes
vocals:
Al Green (US soul singer, songwriter, pastor and record producer)
phonographic copyright (℗) by:
Cream Records (70s Los Angeles) (in 1971) and HI Records Inc. (in 1971)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 34), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 60), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 84)
recording of:
Let’s Stay Together
writer:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. and Irving Music, Inc.
Al Green4.553:17
4Ain’t No Stopping Us Now
edit of:
Ain’t No Stoppin’ Us Now (LP version) by McFadden & Whitehead
recording of:
Ain’t No Stoppin’ Us Now
writer:
Jerry Cohen, Gene McFadden and John Whitehead
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
McFadden & Whitehead43:36
5Gonna Make You a Star
recording of:
Gonna Make You a Star
lyricist and composer:
David Essex
publisher:
April (publisher) and Rock On Music
David Essex3:36
6Children of the Revolution
recording of:
Children of the Revolution
lyricist and composer:
Marc Bolan
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Wizard (Bahamas) Ltd. and Wizard Publishing Ltd. (publisher, Marc Bolan)
T. Rex4.52:29
7Summerlove Sensation
recording of:
Summerlove Sensation
writer:
Phil Coulter and Bill Martin (Scottish songwriter & producer)
publisher:
Martin-Coulter Music Ltd
Bay City Rollers3:16
8Silver Lady
phonographic copyright (℗) by:
David Soul (in 1977)
recording of:
Silver Lady (in 1977)
writer:
Tony Macaulay and Geoff Stephens
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Macaulay Music Ltd., Polygram International Music Publishing Ltd. and PolyGram Music Publishing
David Soul53:41
93 Steps to Heaven
engineer:
Dave Hunt (engineer, producer and occasional writer, worked predominantly in the genres of post-punk and experimental music)
producer:
Mike Hurst (musician and record producer from London, England)
cover recording of:
Three Steps to Heaven
writer:
Bob Cochran and Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
Belsize Music Ltd.
Showaddywaddy2:58
10American Woman
producer:
Nimbus 9 and Jack Richardson
phonographic copyright (℗) by:
RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (in 1970) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 3) and Huffington Post: 100 Best Canadian Songs Ever (number: 4)
recording of:
American Woman (from 1969-08 until 1969-11)
writer:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) and Garry Peterson (Canadian drummer for The Guess Who)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music and Unichappell Music, Inc.
The Guess Who4.15:08
11Sex & Drugs & Rock & Roll
drums (drum set):
Charley Charles (UK drummer) (in 1976)
electric bass guitar:
Norman Watt-Roy (in 1976)
electric guitar:
Chaz Jankel (English musician and songwriter) (in 1976)
lead vocals:
Ian Dury (in 1976)
phonographic copyright (℗) by:
Stiff Records (in 1977) and Templemill Music Ltd (in 1977)
recorded at:
Alvic Studios (Wimbledon) in Wimbledon, Merton, London (Greater London), England, United Kingdom (in 1976)
recording of:
Sex & Drugs & Rock & Roll (in 1976)
lyricist:
Ian Dury
composer:
Chaz Jankel (English musician and songwriter)
publisher:
Blackhill Music Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Ian Dury3.83:07
12Because the Night
producer:
Jimmy Iovine
mixer:
Jimmy Iovine and Shelly Yakus
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978, in 1988) and Arista Records, LLC (holding company - file NO releases here!) (in 1978)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 72)
recording of:
Because the Night
publisher:
Bruce Springsteen and Bruce Springsteen (in 1975)
lyricist:
Patti Smith (in 1977) and Bruce Springsteen (in 1977)
composer:
Bruce Springsteen (in 1977)
publisher:
Bruce Springsteen Music, Rondor Music, Rondor Music (Australia) Pty Ltd, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Patti Smith Group4.553:24
13Play That Funk Music
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
edit of:
Play That Funky Music by Wild Cherry (1970s US funk rock band, known for “Play That Funky Music”)
recording of:
Play That Funky Music (in 1976)
lyricist and composer:
Robert W. Parissi (Rob Parissi)
publisher:
Bema Music (publisher), RWP Music, Sweet City Records Inc. and Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry4.153:12
14Family Affair
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 57) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 138)
recording of:
Family Affair
lyricist and composer:
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone4.352:59
15Lady Marmalade
producer:
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 411) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 479)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (in 1974)
writer:
Bob Crewe and Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation and TannyBoy Music
LaBelle3.33:57
16Emotion
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
synthesizer [synthesizers]:
James Newton Howard (American score composer)
background vocals:
Barry Gibb and Robin Gibb
vocals:
Samantha Sang
phonographic copyright (℗) by:
Private Stock Records (not for release label use, for copyrights relationships only; “Private Stock Records™ a division of 43 North Broadway, LLC”) (in 1977) and Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1978)
produced for:
CAM Productions (US)
recorded at and remixed at:
Criteria Sound in Miami, Florida, United States
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 14)
cover recording of:
Emotion
writer:
Barry Gibb and Robin Gibb
publisher:
Barry Gibb Music, Gibb Brothers Music, Stigwood Music, Unichappell Music, Universal Music Publishing MGB Australia and Warner/Chappell Music Australia Pty. Ltd.
Samantha Sang3.53:54
17Boogie Wonderland
producer:
Al McKay and Maurice White (Earth, Wind & Fire)
vocals:
The Emotions (Chicago soul, disco and R&B female vocal group) (in 1979)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
samples from:
I Am by Earth, Wind & Fire (in 1979)
recording of:
Boogie Wonderland (in 1979)
lyricist:
Allee Willis
composer:
Jon Lind
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd., International Music Network, Irving Music (BMI) and Rondor Music (London) Ltd.
Earth, Wind & Fire4.24:49
18More More More
producer:
Gregg Diamond
mixer:
Tom Moulton
arranger:
Gregg Diamond
phonographic copyright (℗) by:
Buddah Records, Inc. (in 1975)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
More, More, More
lyricist and composer:
Gregg Diamond
publisher:
Buddah Music, MRI Music, Buddah (ffor company credits related to the US label Buddah Records) (in 1976) and Gee Diamond Music (in 1976)
Andrea True Connection46:16
19Knock on Wood
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
cover recording of:
Knock on Wood
writer:
Steve Cropper and Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
adaptations:
Potkraj na les
recording of:
Knock on Wood
writer:
Steve Cropper and Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
adaptations:
Potkraj na les
Amii Stewart4:08
20Rasputin
producer:
Frank Farian
background vocals and lead vocals:
Marcia Barrett, Frank Farian and Liz Mitchell
phonographic copyright (℗) by:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1978)
recording of:
Rasputin
lyricist and composer:
Frank Farian, Fred Jay and George Reyam
publisher:
BMG Music and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Boney M.44:28
3CD
#TitleArtistRatingLength
1Ghostbusters
producer:
Ray Parker Jr.
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (from 2016 to present)
part of:
Billboard Hot 100: 2025-11-15 (number: 22)
recording of:
Ghostbusters
lyricist and composer:
Ray Parker Jr.
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Golden Torch Music Corp. (in 1984) and Raydiola Music (in 1984)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
is based on:
I Want a New Drug
Ray Parker Jr.3.94:07
2Let’s Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry (engineer), Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Deniece Williams3.64:22
3We Built This City
assistant engineer:
Paul Ericksen (recording engineer)
engineer:
Jeremy Smith (producer/engineer)
producer:
Jeremy Smith (producer/engineer) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixer:
Bill Bottrell
other vocals [DJ voice]:
Les Garland (American entertainment executive) (in 1985)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographic copyright (℗) by:
BMG Music (in 1985) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
remixed at:
The Soundcastle (former LA location) in Silver Lake, Los Angeles, California, United States
recording of:
We Built This City (in 1985)
writer:
Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) and Zomba Enterprises, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship3.94:52
4Maneater
assistant engineer:
Bruce Buckhalter (Engineer), Barry Harris (engineer) and Michael Somer-Abbott
engineer:
Neil Kernon
co-producer:
Neil Kernon
producer:
Daryl Hall and John Oates
mixer:
Hugh Padgham
phonographic copyright (℗) by:
BMG Ariola Hamburg GmbH (in 1982), BMG Music (in 1982), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
recording of:
Maneater (in 1981-12)
lyricist:
Sara Allen, Daryl Hall and John Oates
composer:
Daryl Hall and John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music Ltd. (1996–2019)
Hall & Oates4.44:32
5Together Forever
keyboard [Fairlight] programming:
Ian Curnow (in 1987)
additional engineer:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) and Karen Hewitt
assistant engineer:
Boky, Gordon Dennis (engineer at PWL Studios), Jonathan King and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
engineer:
Mark McGuire (UK producer/engineer)
producer:
Aitken, Stock (of Stock Aitken Waterman) and Waterman
mixer:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”)
drums (drum set) [drums]:
A Linn (Linn 9000) (in 1987)
guitar [guitars]:
Matt Aitken (in 1987)
keyboard [keyboards]:
Mike Stock (of Stock Aitken Waterman) and Matt Aitken (in 1987)
background vocals [backing vocals]:
Dee Lewis (in 1987), Shirley Lewis (in 1987), Mae McKenna (vocalist) (in 1987) and Suzanne Rhatigan (in 1987)
vocals:
Rick (English singer, songwriter and radio personality) (in 1987)
arranger:
Gordon Jenkins
phonographic copyright (℗) by:
Pete Waterman Ltd. (copyrights holder) (in 1987)
miscellaneous support:
PWL (task: original sound recordings made by)
recorded at:
PWL Studio 1 (in 1987) and PWL Studio 2 (in 1987)
mixed at:
PWL Studio 1 and PWL Studio 2
recording of:
Together Forever (in 1987)
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music Ltd., Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. and Terrace Music (from 1987 to present)
Rick Astley4.653:27
6Antmusic
producer:
Chris Hughes (producer, aka “Merrick”)
acoustic guitar, harmonica, piano and lead vocals:
Adam Ant (English new wave singer and actor)
bass guitar:
Kevin Mooney
drums (drum set):
Merrick (producer, aka “Merrick”) and Terry Lee Miall
electric guitar:
Marco Pirroni (British musician and producer)
vocals:
Kevin Mooney
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1980, in 2004), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1980)
music videos:
Antmusic by Adam and the Ants (English new wave band)
part of:
The Downloader’s Music Source Book (number: 139)
recording of:
Antmusic
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) and Universal Music Publishing MGB Ltd.
Adam and the Ants43:38
7Love Plus One
producer:
Bob Sargeant
drums (drum set):
Blair Cunningham
guitar:
Graham Jones (Haircut 100)
instruments:
Leslie Nemes
percussion:
Marc Fox (Percussionist for the 80s New Wave band Haircut 100)
saxophone:
Phil Smith (Saxophonist)
vocals:
Nick Heyward
phonographic copyright (℗) by:
BMG Eurodisc Ltd. (in 1982) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 90)
recording of:
Love Plus One
lyricist and composer:
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut One Hundred43:33
8I Could Be HappyAltered Images53:32
9Love Resurrection
producer:
Steve Jolley and Tony Swain (songwriter, producer)
drums (drum set):
Tim Goldsmith
keyboard:
Tony Swain (songwriter, producer)
background vocals and lead vocals:
Alison Moyet
music videos:
Love Resurection by Alison Moyet
recording of:
Love Resurrection
writer:
Steve Jolley, Alison Moyet and Tony Swain (songwriter, producer)
Alison Moyet33:53
10I Feel the Earth Move
drums (drum set) [drum programming] programming:
Michael Jay (producer/engineer) (from 1988-04 until 1988-05)
assistant engineer:
Peter Arata, Ric Butz, John Hegedes, Greg Loskorn (American sound engineer) and Karen Siegel (engineer)
engineer and mixer:
Michael McDonald (engineer)
producer:
Michael Jay (producer/engineer)
additional keyboard [keyboards]:
Claude Gaudette (session musician, songwriter, composer) (from 1988-04 until 1988-05)
guitar:
Don Kirkpatrick (guitarist/songwriter) (from 1988-04 until 1988-05)
keyboard [keyboards]:
Greg Smith (Producer/Keyboards) (from 1988-04 until 1988-05)
background vocals:
Donna DeLory (from 1988-04 until 1988-05), Rick Jude Palombi (from 1988-04 until 1988-05) and Mona Lisa Young (US funk / soul singer) (from 1988-04 until 1988-05)
arranger:
Michael Jay (producer/engineer)
vocals arranger:
Michael Jay (producer/engineer) and Martika (American singer‐songwriter and actress)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1988)
recorded at:
Trax Recording Studio in Hollywood, Los Angeles, California, United States (from 1988-04 until 1988-05)
mixed at:
Garden Rake Studio in Studio City, Los Angeles, California, United States
cover recording of:
I Feel the Earth Move (from 1988-04 until 1988-05)
lyricist and composer:
Carole King
publisher:
Colgems-EMI Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) and Screen Gems–EMI Music Ltd. (in 1988)
Martika24:15
11Break My Stride
drums (drum set) programming:
John Gilston (in 1983)
producer:
Peter Bunetta, Rick Chudacoff and Bill Elliott (keyboardist/composer)
analog synthesizer [Prophet-5]:
Bill Elliott (keyboardist/composer) (in 1983) and Matthew Wilder (in 1983)
drum machine [Oberheim DMX], drums (drum set) and percussion:
Peter Bunetta (in 1983)
guitar:
Dennis Herring (in 1983)
background vocals:
Greg Prestopino (in 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (in 1983) and Matthew Wilder (in 1983)
lead vocals:
Matthew Wilder (in 1983)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
recorded at:
Pasha Studios in Hollywood, Los Angeles, California, United States (in 1983)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 39)
recording of:
Break My Stride (in 1983)
writer:
Greg Prestopino and Matthew Wilder
publisher:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) and Streetwise Music (US publisher) (in 1983)
Matthew Wilder3.43:03
12Dr. Beat
lead vocals:
Gloria Estefan
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Dr. Beat
lyricist and composer:
Enrique Garcia (Miami Sound Machine)
publisher:
EMI Songs Ltd. and Foreign Imported Productions & Publishing, Inc.
Miami Sound Machine3.854:23
13Automatic
recorded in:
Los Angeles, California, United States (in 1983)
recording engineer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) (in 1983)
drum machine programming:
Brock Walsh (singer, producer, songwriter) (in 1983)
associate producer:
Glen Ballard and Brock Walsh (singer, producer, songwriter)
producer:
Richard Perry (producer)
bass:
Eddie N. Watkins Jr. (in 1983)
guitar:
Mark Goldenberg (in 1983) and Dennis Herring (in 1983)
Minimoog and synthesizer:
John Van Tongeren (in 1983)
synthesizer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983), Howie Rice (in 1983) and Brock Walsh (singer, producer, songwriter) (in 1983)
lead vocals:
Ruth Pointer (in 1983)
remixer:
Bill Schnee
recording of:
Automatic (in 1983)
composer:
Brock Patrick Walsh (singer, producer, songwriter) and Mark Goldenberg
The Pointer Sisters44:48
14System Addict
recording of:
System Addict
writer:
Gary Bell and Billy Livsey
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Five Star4:04
15Building a Bridge to Your Heart
recording of:
Bridge to Your Heart
writer:
Andrew Gold and Graham Gouldman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music (Island Music Ltd.), Island Music Ltd., Sluggogsongs and St. Anne’s Music Ltd.
Wax4:13
16Safety Dance
producer:
Marc Durand (Canadian producer)
phonographic copyright (℗) by:
Statik Records (in 1982) and Marc Durand Production (in 1983)
edit of:
The Safety Dance by Men Without Hats (Canadian new wave/synthpop group)
music videos:
The Safety Dance by Men Without Hats (Canadian new wave/synthpop group)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 39) and Huffington Post: 100 Best Canadian Songs Ever (number: 48)
recording of:
The Safety Dance (from 1982-01 until 1982-03)
lyricist and composer:
Ivan Doroschuk (Men Without Hats)
publisher:
Betty Songs, Ivan Ltd., Polygram Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Texas City Music Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Tactik Music (publisher) (in 1982) and Wintrup Musik (in 1982)
Men Without Hats3.82:47
17My Camera Never Lies
recording of:
My Camera Never Lies
writer:
Andy Hill (English producer & songwriter) and Nichola Martin (songwriter)
publisher:
Big Note Music Ltd., Paper Music Ltd. and Universal Music Publishing MGB Limited
Bucks Fizz4:03
18Boys (Summertime Love)
producer:
Claudio Cecchetto (Italian record producer & talent scout)
produced for:
Five Record (Italian label owned by Fininvest)
recording of:
Boys (Summertime Love)
lyricist:
Claudio Cecchetto (Italian record producer & talent scout) and Malcolm Charlton
composer:
Matteo Bonsanto and Roberto Rossi (composer)
publisher:
Budde Music France, Canale 5 Music, D.J.'s Gang, Melmax, RTI SpA (not for release label use!), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sabrina Salerno3.63:57
19Sign of the Times
engineer:
Phil Chapman (engineer), Pete Hammond (UK producer aka “Mixmaster”), Phil Harding (engineer, producer and remixer) and Julian Mendelsohn (Australian record producer and engineer)
producer:
Peter Collins (producer)
alto saxophone:
Miranda Joyce
bass guitar:
Lesley Shone
drums (drum set):
Judy Parsons
guitar:
Sarah‐Jane Owen
lead vocals:
Jennie Matthias
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1983)
recording of:
Sign of the Times
writer:
Stella Barker, Clare Hirst, Miranda Joyce, Jennie Matthias, Sarah‐Jane Owen, Judy Parsons and Lesley Shone
The Belle Stars4.52:55
20Good Thing Going
recording of:
We’ve Got a Good Thing Going
writer:
The Corporation (Motown songwriters), Berry Gordy, Fonce Mizell, Freddie Perren and Deke Richards (American songwriter and record producer)
publisher:
Jobete Music (UK) Ltd.
Sugar Minott3.53:34
4CD
#TitleArtistRatingLength
1Boom! Shake the Room
recording of:
Boom! Shake the Room
writer:
Lee Haggard, Keith Mayberry, Will Smith (US actor aka The Fresh Prince) and Wayne Williams (DJ, producer, promoter and record label executive from Chicago.)
DJ Jazzy Jeff3:49
2Waterfalls
recording of:
Waterfalls
writer:
Marqueze Ethridge, Lisa “Left Eye” Lopes and Organized Noize (Atlanta hip-hop production group)
publisher:
BELT STAR MUSIC, Hitco Music, Organized Noize Music, Pebbitone Music, Red Light & Incense Music, Stiff Shirt Music, Inc., TIZBIZ Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
TLC4:40
3Don’t Walk Away
recording of:
Don't Walk Away
writer:
Vassal Benford and Ronald Spearman
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and MCA Music Ltd.
Jade4:08
4Gonna Make You Sweat
assistant producer:
Ricky Crespo and Alan Friedman
producer:
Robert Clivillés (record producer, songwriter, arranger, music video director) and David Cole (US musician/producer, member of C+C Music Factory)
additional drums (drum set):
Alan Friedman
drums (drum set) and percussion:
Robert Clivillés (record producer, songwriter, arranger, music video director)
keyboard:
Ricky Crespo and Dave Cole (US musician/producer, member of C+C Music Factory)
vocals:
Martha Wash and Freedom Williams
keyboard arranger:
Robert Clivillés (record producer, songwriter, arranger, music video director)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
part of:
Cachitos Nochevieja 2022 (number: 116) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 402)
recording of:
Gonna Make You Sweat (Everybody Dance Now)
writer:
Robert Clivillés (record producer, songwriter, arranger, music video director) and Frederick B. Williams (UK dance vocalist aka Freedom Williams)
publisher:
Cole/Clivillés Music, EMI Virgin Music Ltd. (do not use this as a release label!), R.B.G. Dome Music, WB Music Corp. (1929–2019), Cole/Clivillés Music Enterprises (from 1990 to ????) and Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (from 1990 to ????)
C+C Music Factory4.154:05
5Let’s Get Ready to RhumblePJ & Duncan3:56
6Doin’ the Do
producer:
The Beatmasters (British producer trio), Boo (British dance music singer-songwriter) (task: pre-production) and King John (task: pre-production)
phonographic copyright (℗) by:
Rhythm King (in 1990)
recorded at:
The Strongroom in Shoreditch, Hackney, London (Greater London), England, United Kingdom
recording of:
Doin’ the Do
publisher:
Rhythm King Music (Publishing arm of Rhythm King Records)
Betty Boo3:42
7Mr. Loverman
guest vocals and guest performer:
Chevelle Franklyn
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
recording of:
Mr. Loverman
writer:
Mikey Bennett, Hopeton Lindo and Shabba Ranks
publisher:
Greensleeves Publishing Ltd.
Shabba Ranks2.53:35
8Sunday Shining
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1997)
recording of:
Sunday Shining
writer:
Bob Marley (Jamaican reggae artist) and Finley Quaye
publisher:
Blue Mountain Music Ltd, EMI Music Publishing Ltd. (PRS‐affiliated) and Spirit Songs
Finley Quaye43:38
9Beautiful Ones
producer:
Ed Buller
recording of:
Beautiful Ones
writer:
Brett Anderson (Suede) and Richard Oakes
publisher:
BMG Rights Management (UK) LTD (C) (not for release label use! see annotation), PolyGram Music Publishing Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) (ended), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) (ended), Universal Music Publishing France (not for release label use!), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Suede33:30
10Rocks
additional engineer:
David Bianco (American engineer and record producer) and Jeffrey Reed
engineer:
David Bianco (American engineer and record producer) and Jeff Powell (engineer)
additional producer:
George Drakoulias
co-producer:
David Bianco (American engineer and record producer)
producer:
Tom Dowd
remixer:
George Drakoulias
phonographic copyright (℗) by:
Creation Records Ltd. (in 1994) and Sire Records Company (not for release label use!) (in 1994)
recorded at:
Ardent Studios in Memphis, Tennessee, United States and Ocean Way Recording in Hollywood, Los Angeles, California, United States
recording of:
Rocks
writer:
Bobby Gillespie, Andrew Innes and Robert Young (British guitarist, of Primal Scream)
publisher:
Complete Music Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated)
Primal Scream3.63:36
11Some Kind of Bliss
recording of:
Some Kind of Bliss
lyricist:
Kylie Minogue
writer:
James Dean Bradfield, Kylie Minogue and Sean Moore (Manic Street Preachers)
publisher:
Mushroom Music Publishing and Sony Music Publishing (worldwide except Japan, ended 1995)
Kylie Minogue4:02
12You Gotta Be
drum machine programming:
Kevin Clarke (in 1999)
co-producer:
Des’ree and Ashley Ingram
mixer:
Mark “Spike” Stent (producer, engineer)
bass and keyboard:
Ashley Ingram (in 1999)
strings arranger:
Ashley Ingram
recording of:
You Gotta Be (in 1999)
writer:
Des’ree and Ashley Ingram
Des’ree3.34:05
13Love II Love
Damage4:06
14Each Time
additional producer:
Mark Jolley
producer:
Beckford, Reid and Reid
guitar:
Andrew Smith (UK bassist/guitarist)
remixer:
Marcellus Fernandes (aka Mark Frank) and Mark Jolley
phonographic copyright (℗) by:
Telstar Records Ltd. (in 1998)
mixed for:
Jerv Management Ltd
produced for:
Jerv Management Ltd and Prima Productions
recorded at:
E17 Studios and Sarm West Recording Studio in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Each Time
writer:
Jon Beckford, Terry Coldwell, Brian Harvey (E-17), John Hendy, Ivor Reid and Mark Reid
publisher:
PolyGram Music Publishing Ltd. and Strongsongs Ltd
East 1723:56
15One for Sorrow
recording of:
One For Sorrow
writer:
Lance Ellington (Strictly Come Dancing), Mark Topham and Karl Twigg
publisher:
All Boys Music Ltd.
Steps4:13
16Everybody
engineer:
Tommie Hicks Jr. and Joe Smith (US recording/mixing engineer)
producer:
Max Martin (Swedish record producer) and Denniz PoP
other vocals:
Bonnie Brewster, Andrea M. Majied and Susan McCall
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1997)
recording of:
Everybody (Backstreet’s Back)
writer:
Max Martin (Swedish record producer) and Denniz PoP
publisher:
Maratone AB (ended), MXM Music AB (ended), Grantsville Publishing Ltd., GV-Maratone, GV-MXM, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc., Zomba Music Publishers Limited (UK subsidiary of Zomba Music Publishing) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Backstreet Boys4.14:48
17Two Princes
engineer:
Frank Aversa and Spin Doctors
producer:
Frank Aversa, Peter Denenberg, Frankie LaRocka and Spin Doctors
mixer:
Peter Denenberg, Frankie LaRocka and Spin Doctors
bass guitar:
Mark White (Spin Doctors)
guitar:
Eric Schenkman
Hammond organ, drums (drum set) and percussion:
Aaron Comess
guest background vocals:
John Popper
vocals:
Chris Barron
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1991), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1991) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Two Princes
writer:
Chris Barron, Aaron Comess, Eric Schenkman and Mark White (Spin Doctors)
publisher:
Mow B'jow Music, Sony Songs Inc. and Sony/ATV Music Publishing Ltd.
Spin Doctors4.24:19
18Drop Dead Gorgeous
drums (drum set):
Dave Barbarossa
guest instruments:
Johnny Male
guest keyboard:
Pete Davis (solo project of math rock band Invalids)
keyboard:
Tim Dorney and Andy Todd (UK electronic producer/keyboardist, member of Republica)
lead vocals:
Saffron (singer of Republica)
recording of:
Drop Dead Gorgeous
writer:
Tim Dorney, Johnny Male, Saffron (singer of Republica) and Andy Todd (UK electronic producer/keyboardist, member of Republica)
publisher:
BMG Music Publishing Ltd. and Momentum Music (publisher)
Republica33:33
19Groovy Train
engineer:
Gary Wilkinson
producer:
Graham McPherson and Mark Saunders (UK record producer)
mixer:
Mark Saunders (UK record producer)
phonographic copyright (℗) by:
Produce Records (UK label owned by the band The Farm)
music videos:
Groovy Train (music video) by The Farm (90s UK indie/synth-pop band)
recording of:
Groovy Train
lyricist:
Peter Hooton
composer:
Steve Grimes (The Farm)
publisher:
Virgin Music (publisher and label, only for releases with Virgin MUSIC logo)
The Farm44:10
20Marvellous
engineer:
Cenzo Townshend (engineer)
producer:
Ian Broudie and Simon Rogers
recording of:
Marvellous
lyricist and composer:
Ian Broudie
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
The Lightning Seeds3:43
5CD
#TitleArtistRatingLength
1Just the Way I’m Feeling
producer:
Grant Nicholas and Gil Norton (British record producer)
mixer:
Adrian Bushby
cello:
Sophie Harris (cellist), Joy Hawley and Ann Lines
viola:
Jane Atkins, Peter Collyer and Susan Dench (violist)
violin:
Richard George (violinist), Jayne Harris, Kathy Shore, Helen Paterson, Chris Tombling (violinist) and Gregory Warren Wilson (British violinist and poet)
strings arranger:
Audrey Riley
additional arranger:
Grant Nicholas and Gil Norton (British record producer)
phonographic copyright (℗) by:
The Echo Label Limited (in 2002)
recording of:
Just the Way I’m Feeling
lyricist and composer:
Grant Nicholas
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Feeder44:22
2Juxtaposed With U
engineer:
Chris Shaw (US producer & engineer) and Eric Tew
producer:
Chris Shaw (US producer & engineer) and Super Furry Animals
cello:
Nick Cooper (UK cellist) and Sophie Harris (cellist)
flute:
John Telfer (sax/flute)
harp:
Beti Rhys
percussion:
Kris Jenkins (Catatonia, Super Furry Animals)
viola:
Nick Barr (viola player) and Clare Smith (violinist/violist)
violin:
Harriet Harris (violinist), Jackie Norrie, S. Herbert (violinist, composer, and conductor) and Sonia Slany (violinist)
strings arranger:
SFA and Sonia Slany (violinist)
phonographic copyright (℗) by:
Rights Management (UK) Limited (not for release label use! see annotation) (in 2021)
mixed at:
Metropolis Studios (London) in London (Greater London), England, United Kingdom
recording of:
Juxtapozed With U
writer:
Huw Bunford, Cian Ciaran, Dafydd Ieuan, Guto Pryce and Gruff Rhys
Super Furry Animals2.053:11
3The Time Is Now
engineer and mixer:
Mark Brydon
producer:
Moloko (English‐Irish electronic music duo)
phonographic copyright (℗) by:
The Echo Label Ltd. (in 2000)
edit of:
The Time Is Now (album version) by Moloko (English‐Irish electronic music duo)
recording of:
The Time Is Now
writer:
Mark Brydon and Róisín Murphy
publisher:
Chrysalis Music Publishing
Moloko3.154:30
4Touch
Amerie3:39
5Shorty Got Her Eyes on Me
recording of:
Shorty (Got Her Eyes on Me)
writer:
Wesley Hogges, Donell Jones, Melvin Lewis (R&B writer Melvin O’Conner Lewis), Thomas Martin (Thomas Herbert Martin, writer) and Eric Williams (of Blackstreet)
Donell Jones43:14
6Dumb
recording of:
Dumb
The 4112:49
7Call My NameCharlotte Church42:59
8Cheeky Song (Touch My Bum)The Cheeky Girls3:22
9Spirit in the Sky
lead vocals:
Gareth Gates
phonographic copyright (℗) by:
19 Recordings Limited (not for release label use! record company founded by Simon Fuller) (in 2003)
music videos:
Spirit in the Sky by Gareth Gates with special guests The Kumars
cover recording of:
Spirit in the Sky (in 2003)
lyricist and composer:
Norman Greenbaum
publisher:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) and Westminster Music Ltd.
Gareth Gates33:30
10Don’t Wanna Let You Go
recording of:
Don’t Wanna Let You Go
writer:
Richard Breen, Jason Paul Brown (Five), Sean Conlon, Julian Gallagher (songwriter, producer) and Richard Stannard
publisher:
EMI Music Publishing Limited (PRS‐affiliated), Sony/ATV Music Publishing Ltd. and Universal Music Publishing Limited (UK subsidiary of Universal Music Publishing Group)
Five3:39
11Pop*NSYNC3.22:57
12Teenage Dirtbag
recording engineer and producer:
Philip A. Jimenez and Wheatus
mixer:
David Thoener
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2000)
recording of:
Teenage Dirtbag
lyricist and composer:
Brendan B. Brown (Wheatus singer/guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Blackwood Music Inc. (in 2000) and Montauk Mantis Productions (in 2000)
Wheatus2.54:03
13Dancing in the Moonlight
engineer:
Alan Douglas (Scottish born engineer)
producer:
George Drakoulias
mixer:
Dave Shiftman (American producer/audio engineer) and Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2000)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom
mixed at:
Ocean Wave Studios
cover recording of:
Dancing in the Moonlight
lyricist and composer:
Sherman Kelly
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., St. Nathanson Music Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Toploader4.53:49
14It Just Won’t Do
guest vocals:
Sam Obernik
recording of:
It Just Won't Do
writer:
Tim Liken (Timothy Andrew Liken) and Ben Onono
Tim Deluxe3:20
15Don’t Falter
Mint Royale4:13
16Hungry
recording of:
Hungry
writer:
Darren Beale, Sian Evans and Mark Morrison (drum n bass producer aka Substance)
publisher:
Tairona Songs
Kosheen3:27
17Favourite Things
Big Brovaz3:43
18Out of Touch
Uniting Nations2:48
19Falling Stars
contains samples by:
Boy Meets Girl
cover recording of:
Waiting for a Star to Fall
writer:
George Merrill and Shannon Rubicam
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (from 1987 to present) and Irving Music (BMI) (from 1987 to present)
Sunset Strippers3.353:19
20Buggin’ Me
True Steppers & Dane Bowers3:32

Credits

Release group

part of:100 Hits (UK Demon Music Group) (number: 13) (order: 45)