Time for Love: The Best of Julie London

~ Veröffentlichung von Julie London (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Cry Me a River
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 15)
recording of:
Cry Me a River (in 1955-08)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
4.652:58
2In the Middle of a Kiss
Techniker(in):
Ted Keep
Produzent(in):
Bobby Troup
vocals:
Julie London
Orchester:
Pete King and His Orchestra
recording of:
In the Middle of a Kiss
Verfasser(in):
Sam Coslow
42:21
3You'd Be So Nice to Come Home To
Techniker(in):
John Kraus (1950s US engineer)
Produzent(in):
Si Waronker
Gitarre:
Al Viola (am 1960-03-04)
Klavier:
Jimmy Rowles (am 1960-03-04)
Kontrabass:
Don Bagley (am 1960-03-04)
Schlagzeug:
Earl Palmer (am 1960-03-04)
Trompete:
Bob Flanigan (am 1960-03-04)
Vibraphon:
Emil Richards (am 1960-03-04)
vocals:
Julie London (am 1960-03-04)
Orchester:
The Jimmy Rowles Orchestra (am 1960-03-04)
aufgenommen bei:
Julie London’s living room (am 1960-03-04)
cover recording of:
You’d Be So Nice to Come Home To (am 1960-03-04)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
42:17
4No Moon at All
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
recording of:
No Moon at All (in 1955-08)
Texter:
Redd Evans
Komponist(in):
David Mann (American songwriter)
publisher:
Mann David Music Company, Music Sales Corporation (American copyright holder in both popular and classical music) und Rytvoc, Inc. (ASCAP)
41:54
5June in January
Produzent(in):
Bobby Troup
conductor:
Pete King (composer/arranger) (in 1956-05)
arranger:
Pete King (composer/arranger)
cover recording of:
June in January (in 1956-05)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Ralph Rainger
publisher:
Sony/ATV Harmony UK
42:10
6'Round Midnight
Techniker(in):
John Kraus (1950s US engineer)
Produzent(in):
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (in 1960-08)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1960-08)
cover recording of:
’Round Midnight (in 1960-08)
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
42:56
7In the Still of the Night
Techniker(in) und Produzent(in):
Richard Bock (record producer)
Bass:
Monty Budwig (von 1965-07-12 bis 1965-07-16)
Gitarre:
Joe Pass (jazz guitarist) (von 1965-07-12 bis 1965-07-16)
Holzblasinstrumente:
Bud Shank (von 1965-07-12 bis 1965-07-16)
Instrumente:
The Bud Shank Quintet (von 1965-07-12 bis 1965-07-16)
Klavier:
Russ Freeman (pianist) (von 1965-07-12 bis 1965-07-16)
membranophone und Schlagzeug:
Colin Bailey (drummer) (von 1965-07-12 bis 1965-07-16)
vocals:
Julie London (von 1965-07-12 bis 1965-07-16)
Interpret(in):
The Bud Shank Quintet
arranger:
Russ Freeman (pianist)
aufgenommen bei:
Pacific Jazz Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1965-07-12 bis 1965-07-16)
cover recording of:
In the Still of the Night (Cole Porter song) (von 1965-07-12 bis 1965-07-16)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) und Chappell & Co., Inc. (USA)
2:43
8My Heart Belongs to Daddy
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-07)
Produzent(in):
Felix Slatkin
cover recording of:
My Heart Belongs to Daddy (in 1961-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. und Chappell Music Ltd.
2:44
9Invitation to the Blues
Techniker(in):
Ted Keep und Val Valentin
Produzent(in):
Bobby Troup
vocals:
Julie London
Orchester:
Russ Garcia & His Orchestra
conductor:
Russell Garcia
arranger:
Russell Garcia
recording of:
Invitation to the Blues (von 1956 bis 1957)
Verfasser(in):
Allan Roberts (songwriter), Doris Fisher und Arthur Gershwin
32:58
10Easy Street
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
cover recording of:
Easy Street (in 1955-08)
Texter und Komponist(in):
Alan Rankin Jones
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Johnstone-Montei Music und Robert Mellin Ltd.
43:15
11Go Slow
Produzent(in):
Bobby Troup
vocals:
Julie London
Orchester:
Russ Garcia & His Orchestra
conductor:
Russell Garcia
arranger:
Russell Garcia
recording of:
Go Slow
Texter:
Ned Kronk
Komponist(in):
Russell Garcia
42:16
12The Thrill Is Gone
Techniker(in):
John Kraus (1950s US engineer)
Produzent(in):
Si Waronker
vocals:
Julie London
Orchester:
The Jimmy Rowles Orchestra
aufgenommen bei:
Julie London’s living room
cover recording of:
The Thrill Is Gone (Henderson/Brown song, first performed in 1931)
Texter:
Lew Brown
Komponist(in):
Ray Henderson
publisher:
DeSylva, Brown and Henderson, Inc. und Redwood Music Ltd. (Carlin)
3:23
13I Surrender, Dear
Techniker(in):
Chuck Britz und Joe Sidore
Produzent(in):
Calvin Carter
vocals:
Julie London
arranger:
Don Bagley
recording of:
I Surrender Dear
Texter:
Gordon Clifford (in 1931)
Komponist(in):
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
3:47
14Two Sleepy People
Techniker(in):
Ted Keep und Bill Putnam
Produzent(in):
Bobby Troup
vocals:
Julie London (von 1959-08 bis 1959-09)
conductor:
André Previn (pianist, conductor, composer, arranger) (von 1959-08 bis 1959-09)
arranger:
André Previn (pianist, conductor, composer, arranger)
cover recording of:
Two Sleepy People (from the 1938 film "Thanks for the Memory") (von 1959-08 bis 1959-09)
Texter:
Frank Loesser
Komponist(in):
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK und Sony/ATV Music Publishing LLC (1995–2020)
43:14
15A Cottage for Sale
Produzent(in):
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London (von 1962-08 bis 1962-09)
arranger:
Pete King (composer/arranger)
cover recording of:
A Cottage for Sale (von 1962-08 bis 1962-09)
Texter:
Larry Conley (jazz bandleader/songwriter/trombonist)
Komponist(in):
Willard Robison
publisher:
Chappell & Co.
2:36
16Daddy
Techniker(in):
Ted Keep
Produzent(in):
Felix Slatkin und Bobby Troup
vocals:
Julie London (in 1957-10)
Orchester:
The Jimmy Rowles Orchestra (in 1957-10)
conductor:
Jimmy Rowles (in 1957-10)
cover recording of:
Daddy (in 1957-10)
Texter und Komponist(in):
Robert W. Troup, Jr.
42:15
17Gone With the Wind
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
cover recording of:
Gone With the Wind (in 1955-08)
Texter:
Herb Magidson
Komponist(in):
Herb Magidson und Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
42:08
18I'm in the Mood for Love
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel (in 1955-08)
Kontrabass [bass]:
Ray Leatherwood (in 1955-08)
vocals:
Julie London (in 1955-08)
recording of:
I’m in the Mood for Love (in 1955-08)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
42:32