Faschingsschwank aus Wien / Waldszenen / Romanzen / Arabeske

~ Release by Robert Schumann; Maria João Pires (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Waldszenen, op. 82: I. Eintritt - Nicht zu schnell
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: I. Eintritt. Nicht zu schnell (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann1:53
2Waldszenen, op. 82: II. Jäger auf der Lauer - Höchst lebhaft
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: II. Jäger auf der Lauer. Höchst lebhaft (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann1:19
3Waldszenen, op. 82: III. Einsame Blumen - Einfach
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: III. Einsame Blumen. Einfach (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann1:49
4Waldszenen, op. 82: IV. Verrufene Stelle - Ziemlich langsam
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: IV. Verrufene Stelle. Ziemlich langsam (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann3:04
5Waldszenen, op. 82: V. Freundliche Landschaft - Schnell
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: V. Freundliche Landschaft. Schnell (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann1:02
6Waldszenen, op. 82: VI. Herberge - Mäßig
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: VI. Herberge. Mäßig (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann2:01
7Waldszenen, op. 82: VII. Vogel als Prophet - Langsam, sehr zart
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: VII. Vogel als Prophet. Langsam, sehr zart (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann2:57
8Waldszenen, op. 82: VIII. Jagdlied - Rasch, kräftig
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: VIII. Jagdlied. Rasch, kräftig (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann2:24
9Waldszenen, op. 82: IX. Abschied - Nicht zu schnell
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: IX. Abschied. Nicht zu schnell (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann3:08
10Arabeske, op. 18: I. Leicht und zart
recording engineer:
Rainer Hebborn (in 1991-10)
producer:
Karl-August Naegler (balance engineer)
piano:
Maria João Pires (pianist) (in 1991-10)
balance engineer:
Karl-August Naegler (balance engineer) (in 1991-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1991-10)
partial recording of:
Arabeske in C major, op. 18 (in 1991-10)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Works of Robert Schumann by opus number (number: op. 18)
Robert Schumann0:55
11Arabeske, op. 18: II. Minore I - Etwas langsamer
recording engineer:
Rainer Hebborn (in 1991-10)
producer:
Karl-August Naegler (balance engineer)
piano:
Maria João Pires (pianist) (in 1991-10)
balance engineer:
Karl-August Naegler (balance engineer) (in 1991-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1991-10)
partial recording of:
Arabeske in C major, op. 18 (in 1991-10)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Works of Robert Schumann by opus number (number: op. 18)
Robert Schumann3:03
12Arabeske, op. 18: III. Minore II - Etwas langsamer
recording engineer:
Rainer Hebborn (in 1991-10)
producer:
Karl-August Naegler (balance engineer)
piano:
Maria João Pires (pianist) (in 1991-10)
balance engineer:
Karl-August Naegler (balance engineer) (in 1991-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1991-10)
partial recording of:
Arabeske in C major, op. 18 (in 1991-10)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Works of Robert Schumann by opus number (number: op. 18)
Robert Schumann1:40
13Arabeske, op. 18: IV. Zum Schluß - Langsamer
recording engineer:
Rainer Hebborn (in 1991-10)
producer:
Karl-August Naegler (balance engineer)
piano:
Maria João Pires (pianist) (in 1991-10)
balance engineer:
Karl-August Naegler (balance engineer) (in 1991-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1991-10)
partial recording of:
Arabeske in C major, op. 18 (in 1991-10)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Works of Robert Schumann by opus number (number: op. 18)
Robert Schumann1:34
14Drei Romanzen, op. 28: I. Sehr markiert
recording engineer:
Klaus Behrens (engineer) (in 1992-09)
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (in 1992-09)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1992-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Musica Théâtre (1837-2003) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1992-09)
recording of:
Drei Romanzen für Pianoforte, op. 28: I. Sehr markiert (in 1992-09)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Drei Romanzen für Pianoforte, op. 28
Robert Schumann3:48
15Drei Romanzen, op. 28: II. Einfach
recording engineer:
Klaus Behrens (engineer) (in 1992-09)
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (in 1992-09)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1992-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Musica Théâtre (1837-2003) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1992-09)
recording of:
Drei Romanzen für Pianoforte, op. 28: II. Einfach (in 1992-09)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Drei Romanzen für Pianoforte, op. 28
Robert Schumann4:46
16Drei Romanzen, op. 28: III. Sehr markiert - Intermezzo - I. Presto - Intermezzo II. Etwas langsamer, wie vorher
recording engineer:
Klaus Behrens (engineer) (in 1992-09)
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (in 1992-09)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1992-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Musica Théâtre (1837-2003) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1992-09)
recording of:
Drei Romanzen für Pianoforte, op. 28: III. Sehr markiert (in 1992-09)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Drei Romanzen für Pianoforte, op. 28
Robert Schumann8:03
17Faschingsschwank aus Wien, op. 26: I. Allegro. Sehr lebhaft
recording engineer:
Wolf‐Dieter Karwatky (from 1993-09 until 1993-10)
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (from 1993-09 until 1993-10)
recording of:
Faschingsschwank aus Wien, op. 26: I. Allegro. Sehr lebhaft (from 1993-09 until 1993-10)
composer:
Robert Schumann (German classical composer) (until 1839)
part of:
Faschingsschwank aus Wien, op. 26
Robert Schumann9:49
18Faschingsschwank aus Wien, op. 26: II. Romanze. Ziemlich langsam
recording engineer:
Wolf‐Dieter Karwatky (from 1993-09 until 1993-10)
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (from 1993-09 until 1993-10)
recording of:
Faschingsschwank aus Wien, op. 26: II. Romanze. Ziemlich langsam (from 1993-09 until 1993-10)
composer:
Robert Schumann (German classical composer) (until 1839)
part of:
Faschingsschwank aus Wien, op. 26
Robert Schumann2:22
19Faschingsschwank aus Wien, op. 26: III. Scherzino
recording engineer:
Wolf‐Dieter Karwatky (from 1993-09 until 1993-10)
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (from 1993-09 until 1993-10)
recording of:
Faschingsschwank aus Wien, op. 26: III. Scherzino (from 1993-09 until 1993-10)
composer:
Robert Schumann (German classical composer) (until 1839)
part of:
Faschingsschwank aus Wien, op. 26
Robert Schumann2:07
20Faschingsschwank aus Wien, op. 26: IV. Intermezzo. Mit größter Energie
recording engineer:
Wolf‐Dieter Karwatky (from 1993-09 until 1993-10)
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (from 1993-09 until 1993-10)
recording of:
Faschingsschwank aus Wien, op. 26: IV. Intermezzo. Mit größter Energie (from 1993-09 until 1993-10)
composer:
Robert Schumann (German classical composer) (until 1839)
part of:
Faschingsschwank aus Wien, op. 26
Robert Schumann2:31
21Faschingsschwank aus Wien, op. 26: V. Finale. Höchst lebhaft
recording engineer:
Wolf‐Dieter Karwatky (from 1993-09 until 1993-10)
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (from 1993-09 until 1993-10)
recording of:
Faschingsschwank aus Wien, op. 26: V. Finale. Höchst lebhaft (from 1993-09 until 1993-10)
composer:
Robert Schumann (German classical composer) (until 1839)
part of:
Faschingsschwank aus Wien, op. 26
Robert Schumann5:59

Credits

Release

manufactured in:Germany
printed in:Germany
art direction:Nikolaus Boddin
photography:Christian Steiner (photographer of classical musicians and pianist) (task: artist photo)
liner notes:Joan Chissell
Siegmar Keil (musicologist)
Jean-Claude Poyet
Piero Rattalino (pianist / musicologist)
executive producer:Christopher Alder (editor/engineer/producer)
design:Holger Matthies (task: cover design)
Discogs:https://www.discogs.com/release/8578704 [info]
ASIN:US: B000025WRH [info]