Pirates of the Caribbean: Dead Men Tell No Tales

~ Release by Geoff Zanelli (see all versions of this release, 4 available)

Annotation

© «2017 Disney Enterprises, Inc.»
℗ «2017 Walt Disney Records»

Annotation last modified on 2022-09-03 13:45 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Dead Men Tell No Tales
additional recording engineer:
Geoff Foster (sound engineer)
recording engineer:
Kevin Globerman, Alan Meyerson and Adam Michalak (US film score engineer)
additional assistant engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Alex Ferguson (engineer), Bradley Giroux (Engineer), Collin Kadlec, Dylan Nelson and Alfredo Pasquel
additional engineer:
John Witt Chapman (engineer) and Seth Waldmann
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
additional editor:
Kenneth Karman
assistant editor:
Allegra de Souza
editor:
Peter Snell (editor)
choir vocals:
Metro Voices
choir vocals [choirmaster]:
Jenny O’Grady
conductor:
Nick Glennie‐Smith and Gavin Greenaway
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Rick Giovinazzo and Suzette Moriarty
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States and Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Dead Men Tell No Tales
composer:
Bob Badami and Geoff Zanelli (American score composer)
part of:
Pirates of the Caribbean: Dead Men Tell No Tales (2017 film soundtrack)
Geoff Zanelli2.751:51
2Salazar
additional recording engineer:
Geoff Foster (sound engineer)
recording engineer:
Kevin Globerman, Alan Meyerson and Adam Michalak (US film score engineer)
additional assistant engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Alex Ferguson (engineer), Bradley Giroux (Engineer), Collin Kadlec, Dylan Nelson and Alfredo Pasquel
additional engineer:
John Witt Chapman (engineer) and Seth Waldmann
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
additional editor:
Kenneth Karman
assistant editor:
Allegra de Souza
editor:
Peter Snell (editor)
choir vocals:
Metro Voices
choir vocals [choirmaster]:
Jenny O’Grady
conductor:
Nick Glennie‐Smith and Gavin Greenaway
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Rick Giovinazzo and Suzette Moriarty
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States and Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Salazar
composer:
Bob Badami and Geoff Zanelli (American score composer)
part of:
Pirates of the Caribbean: Dead Men Tell No Tales (2017 film soundtrack)
Geoff Zanelli2.54:27
3No Woman Has Ever Handled My Herschel
additional recording engineer:
Geoff Foster (sound engineer)
recording engineer:
Kevin Globerman, Alan Meyerson and Adam Michalak (US film score engineer)
additional assistant engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Alex Ferguson (engineer), Bradley Giroux (Engineer), Collin Kadlec, Dylan Nelson and Alfredo Pasquel
additional engineer:
John Witt Chapman (engineer) and Seth Waldmann
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
additional editor:
Kenneth Karman
assistant editor:
Allegra de Souza
editor:
Peter Snell (editor)
choir vocals:
Metro Voices
choir vocals [choirmaster]:
Jenny O’Grady
conductor:
Nick Glennie‐Smith and Gavin Greenaway
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Rick Giovinazzo and Suzette Moriarty
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States and Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
No Woman Has Ever Handled My Herschel
composer:
Bob Badami, Phill Boucher, Zak McNeil, Paul Mounsey, Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: Dead Men Tell No Tales (2017 film soundtrack)
Geoff Zanelli2.53:59
4You Speak of the Trident
additional recording engineer:
Geoff Foster (sound engineer)
recording engineer:
Kevin Globerman, Alan Meyerson and Adam Michalak (US film score engineer)
additional assistant engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Alex Ferguson (engineer), Bradley Giroux (Engineer), Collin Kadlec, Dylan Nelson and Alfredo Pasquel
additional engineer:
John Witt Chapman (engineer) and Seth Waldmann
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
additional editor:
Kenneth Karman
assistant editor:
Allegra de Souza
editor:
Peter Snell (editor)
choir vocals:
Metro Voices
choir vocals [choirmaster]:
Jenny O’Grady
conductor:
Nick Glennie‐Smith and Gavin Greenaway
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Rick Giovinazzo and Suzette Moriarty
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States and Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
You Speak of the Trident
composer:
Bob Badami, Phill Boucher, Zak McNeil and Geoff Zanelli (American score composer)
part of:
Pirates of the Caribbean: Dead Men Tell No Tales (2017 film soundtrack)
Geoff Zanelli2.751:58
5The Devil’s Triangle
additional recording engineer:
Geoff Foster (sound engineer)
recording engineer:
Kevin Globerman, Alan Meyerson and Adam Michalak (US film score engineer)
additional assistant engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Alex Ferguson (engineer), Bradley Giroux (Engineer), Collin Kadlec, Dylan Nelson and Alfredo Pasquel
additional engineer:
John Witt Chapman (engineer) and Seth Waldmann
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
additional editor:
Kenneth Karman
assistant editor:
Allegra de Souza
editor:
Peter Snell (editor)
choir vocals:
Metro Voices
choir vocals [choirmaster]:
Jenny O’Grady
conductor:
Nick Glennie‐Smith and Gavin Greenaway
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Rick Giovinazzo and Suzette Moriarty
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States and Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
The Devil’s Triangle
composer:
Bob Badami, Phill Boucher, Paul Mounsey, Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: Dead Men Tell No Tales (2017 film soundtrack)
Geoff Zanelli2.52:45
6Shansa
additional recording engineer:
Geoff Foster (sound engineer)
recording engineer:
Kevin Globerman, Alan Meyerson and Adam Michalak (US film score engineer)
additional assistant engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Alex Ferguson (engineer), Bradley Giroux (Engineer), Collin Kadlec, Dylan Nelson and Alfredo Pasquel
additional engineer:
John Witt Chapman (engineer) and Seth Waldmann
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
additional editor:
Kenneth Karman
assistant editor:
Allegra de Souza
editor:
Peter Snell (editor)
choir vocals:
Metro Voices
choir vocals [choirmaster]:
Jenny O’Grady
conductor:
Nick Glennie‐Smith and Gavin Greenaway
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Rick Giovinazzo and Suzette Moriarty
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States and Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Shansa
composer:
Bob Badami, Phill Boucher, Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: Dead Men Tell No Tales (2017 film soundtrack)
Geoff Zanelli2.253:12
7Kill the Filthy Pirate, I’ll Wait
additional recording engineer:
Geoff Foster (sound engineer)
recording engineer:
Kevin Globerman, Alan Meyerson and Adam Michalak (US film score engineer)
additional assistant engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Alex Ferguson (engineer), Bradley Giroux (Engineer), Collin Kadlec, Dylan Nelson and Alfredo Pasquel
additional engineer:
John Witt Chapman (engineer) and Seth Waldmann
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
additional editor:
Kenneth Karman
assistant editor:
Allegra de Souza
editor:
Peter Snell (editor)
choir vocals:
Metro Voices
choir vocals [choirmaster]:
Jenny O’Grady
conductor:
Nick Glennie‐Smith and Gavin Greenaway
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Rick Giovinazzo and Suzette Moriarty
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States and Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Kill the Filthy Pirate, I’ll Wait
composer:
Bob Badami, Paul Mounsey, Anthony Willis, Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: Dead Men Tell No Tales (2017 film soundtrack)
Geoff Zanelli2.54:49
8The Dying Gull
additional recording engineer:
Geoff Foster (sound engineer)
recording engineer:
Kevin Globerman, Alan Meyerson and Adam Michalak (US film score engineer)
additional assistant engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Alex Ferguson (engineer), Bradley Giroux (Engineer), Collin Kadlec, Dylan Nelson and Alfredo Pasquel
additional engineer:
John Witt Chapman (engineer) and Seth Waldmann
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
additional editor:
Kenneth Karman
assistant editor:
Allegra de Souza
editor:
Peter Snell (editor)
choir vocals:
Metro Voices
choir vocals [choirmaster]:
Jenny O’Grady
conductor:
Nick Glennie‐Smith and Gavin Greenaway
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Rick Giovinazzo and Suzette Moriarty
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States and Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
The Dying Gull
composer:
Bob Badami, Paul Mounsey, Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: Dead Men Tell No Tales (2017 film soundtrack)
Geoff Zanelli2.751:01
9El matador del mar
additional recording engineer:
Geoff Foster (sound engineer)
recording engineer:
Kevin Globerman, Alan Meyerson and Adam Michalak (US film score engineer)
additional assistant engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Alex Ferguson (engineer), Bradley Giroux (Engineer), Collin Kadlec, Dylan Nelson and Alfredo Pasquel
additional engineer:
John Witt Chapman (engineer) and Seth Waldmann
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
additional editor:
Kenneth Karman
assistant editor:
Allegra de Souza
editor:
Peter Snell (editor)
choir vocals:
Metro Voices
choir vocals [choirmaster]:
Jenny O’Grady
conductor:
Nick Glennie‐Smith and Gavin Greenaway
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Rick Giovinazzo and Suzette Moriarty
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States and Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
El matador del mar
composer:
Bob Badami, Anthony Willis, Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: Dead Men Tell No Tales (2017 film soundtrack)
Geoff Zanelli2.58:05
10Kill the Sparrow
additional recording engineer:
Geoff Foster (sound engineer)
recording engineer:
Kevin Globerman, Alan Meyerson and Adam Michalak (US film score engineer)
additional assistant engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Alex Ferguson (engineer), Bradley Giroux (Engineer), Collin Kadlec, Dylan Nelson and Alfredo Pasquel
additional engineer:
John Witt Chapman (engineer) and Seth Waldmann
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
additional editor:
Kenneth Karman
assistant editor:
Allegra de Souza
editor:
Peter Snell (editor)
choir vocals:
Metro Voices
choir vocals [choirmaster]:
Jenny O’Grady
conductor:
Nick Glennie‐Smith and Gavin Greenaway
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Rick Giovinazzo and Suzette Moriarty
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States and Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Kill the Sparrow
composer:
Bob Badami, Phill Boucher, Paul Mounsey, Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: Dead Men Tell No Tales (2017 film soundtrack)
Geoff Zanelli2.56:16
11She Needs the Sea
additional recording engineer:
Geoff Foster (sound engineer)
recording engineer:
Kevin Globerman, Alan Meyerson and Adam Michalak (US film score engineer)
additional assistant engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Alex Ferguson (engineer), Bradley Giroux (Engineer), Collin Kadlec, Dylan Nelson and Alfredo Pasquel
additional engineer:
John Witt Chapman (engineer) and Seth Waldmann
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
additional editor:
Kenneth Karman
assistant editor:
Allegra de Souza
editor:
Peter Snell (editor)
choir vocals:
Metro Voices
choir vocals [choirmaster]:
Jenny O’Grady
conductor:
Nick Glennie‐Smith and Gavin Greenaway
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Rick Giovinazzo and Suzette Moriarty
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States and Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
She Needs the Sea
composer:
Bob Badami, Phill Boucher, Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: Dead Men Tell No Tales (2017 film soundtrack)
Geoff Zanelli2.752:32
12The Brightest Star in the North
additional recording engineer:
Geoff Foster (sound engineer)
recording engineer:
Kevin Globerman, Alan Meyerson and Adam Michalak (US film score engineer)
additional assistant engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Alex Ferguson (engineer), Bradley Giroux (Engineer), Collin Kadlec, Dylan Nelson and Alfredo Pasquel
additional engineer:
John Witt Chapman (engineer) and Seth Waldmann
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
additional editor:
Kenneth Karman
assistant editor:
Allegra de Souza
editor:
Peter Snell (editor)
choir vocals:
Metro Voices
choir vocals [choirmaster]:
Jenny O’Grady
conductor:
Nick Glennie‐Smith and Gavin Greenaway
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Rick Giovinazzo and Suzette Moriarty
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States and Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
The Brightest Star in the North
composer:
Bob Badami and Geoff Zanelli (American score composer)
part of:
Pirates of the Caribbean: Dead Men Tell No Tales (2017 film soundtrack)
Geoff Zanelli2.756:00
13I’ve Come With the Butcher’s Bill
additional recording engineer:
Geoff Foster (sound engineer)
recording engineer:
Kevin Globerman, Alan Meyerson and Adam Michalak (US film score engineer)
additional assistant engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Alex Ferguson (engineer), Bradley Giroux (Engineer), Collin Kadlec, Dylan Nelson and Alfredo Pasquel
additional engineer:
John Witt Chapman (engineer) and Seth Waldmann
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
additional editor:
Kenneth Karman
assistant editor:
Allegra de Souza
editor:
Peter Snell (editor)
choir vocals:
Metro Voices
choir vocals [choirmaster]:
Jenny O’Grady
conductor:
Nick Glennie‐Smith and Gavin Greenaway
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Rick Giovinazzo and Suzette Moriarty
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States and Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
I’ve Come With the Butcher’s Bill
composer:
Bob Badami, Steve Mazzaro (Composer, producer and arranger from Los Angeles, USA), Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: Dead Men Tell No Tales (2017 film soundtrack)
Geoff Zanelli2.56:41
14The Power of the Sea
additional recording engineer:
Geoff Foster (sound engineer)
recording engineer:
Kevin Globerman, Alan Meyerson and Adam Michalak (US film score engineer)
additional assistant engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Alex Ferguson (engineer), Bradley Giroux (Engineer), Collin Kadlec, Dylan Nelson and Alfredo Pasquel
additional engineer:
John Witt Chapman (engineer) and Seth Waldmann
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
additional editor:
Kenneth Karman
assistant editor:
Allegra de Souza
editor:
Peter Snell (editor)
choir vocals:
Metro Voices
choir vocals [choirmaster]:
Jenny O’Grady
conductor:
Nick Glennie‐Smith and Gavin Greenaway
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Rick Giovinazzo and Suzette Moriarty
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States and Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
The Power of the Sea
composer:
Bob Badami, Phill Boucher and Geoff Zanelli (American score composer)
part of:
Pirates of the Caribbean: Dead Men Tell No Tales (2017 film soundtrack)
Geoff Zanelli2.54:07
15Treasure
additional recording engineer:
Geoff Foster (sound engineer)
recording engineer:
Kevin Globerman, Alan Meyerson and Adam Michalak (US film score engineer)
additional assistant engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Alex Ferguson (engineer), Bradley Giroux (Engineer), Collin Kadlec, Dylan Nelson and Alfredo Pasquel
additional engineer:
John Witt Chapman (engineer) and Seth Waldmann
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
additional editor:
Kenneth Karman
assistant editor:
Allegra de Souza
editor:
Peter Snell (editor)
choir vocals:
Metro Voices
choir vocals [choirmaster]:
Jenny O’Grady
conductor:
Nick Glennie‐Smith and Gavin Greenaway
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Rick Giovinazzo and Suzette Moriarty
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States and Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Treasure
composer:
Bob Badami, Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: Dead Men Tell No Tales (2017 film soundtrack)
Geoff Zanelli2.755:43
16My Name Is Barbossa
additional recording engineer:
Geoff Foster (sound engineer)
recording engineer:
Kevin Globerman, Alan Meyerson and Adam Michalak (US film score engineer)
additional assistant engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Alex Ferguson (engineer), Bradley Giroux (Engineer), Collin Kadlec, Dylan Nelson and Alfredo Pasquel
additional engineer:
John Witt Chapman (engineer) and Seth Waldmann
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
additional editor:
Kenneth Karman
assistant editor:
Allegra de Souza
editor:
Peter Snell (editor)
choir vocals:
Metro Voices
choir vocals [choirmaster]:
Jenny O’Grady
conductor:
Nick Glennie‐Smith and Gavin Greenaway
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Rick Giovinazzo and Suzette Moriarty
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States and Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
My Name Is Barbossa
composer:
Bob Badami, Zak McNeil, Paul Mounsey, Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: Dead Men Tell No Tales (2017 film soundtrack)
Geoff Zanelli2.755:34
17Beyond My Beloved Horizon
additional recording engineer:
Geoff Foster (sound engineer)
recording engineer:
Kevin Globerman, Alan Meyerson and Adam Michalak (US film score engineer)
additional assistant engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Alex Ferguson (engineer), Bradley Giroux (Engineer), Collin Kadlec, Dylan Nelson and Alfredo Pasquel
additional engineer:
John Witt Chapman (engineer) and Seth Waldmann
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
additional editor:
Kenneth Karman
assistant editor:
Allegra de Souza
editor:
Peter Snell (editor)
choir vocals:
Metro Voices
choir vocals [choirmaster]:
Jenny O’Grady
conductor:
Nick Glennie‐Smith and Gavin Greenaway
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Rick Giovinazzo and Suzette Moriarty
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States and Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Beyond My Beloved Horizon
composer:
Bob Badami, Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: Dead Men Tell No Tales (2017 film soundtrack)
Geoff Zanelli2.752:41
18He’s a Pirate
recording of:
He’s a Pirate (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar (American composer)
composer:
Klaus Badelt (German score composer), Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean (Live in Prague)
part of:
Pirates of the Caribbean: Dead Man's Chest (2006 film soundtrack)
part of:
Pirates of the Caribbean: Dead Men Tell No Tales (2017 film soundtrack)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Hans Zimmer vs Dimitri Vegas & Like Mike3:31