The Complete Classical Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

shrinkwrapped box, closed at one end, holds all the cds in individual thin cardboard sleeves

barcode is a Code128 internal 4 digit identifier

Annotation last modified on 2018-01-16 10:38 UTC.

Tracklist

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1▼CD: Johann Sebastian Bach
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1Ave Maria
tenor vocals:
Ricardo Casinelli (tenor, Alfred Scholz related)
orchestra:
Orchestra of the Württemberg State Opera (Alfred Scholz related; not the “Orchester der Württembergischen Staatsoper Stuttgart”)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Johann Sebastian Bach arr. Charles‐François Gounod2:57
2Toccata & Fugue in D minor BWV 565
organ:
Otto Winter (organist, harpsichordist and pianist)
recording of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 565) and Bach Compendium (number: BC J 37)
Johann Sebastian Bach9:26
3Air on the G String BWV 1068, 2nd movement from Orchestral Suite no. 3 in D
orchestra:
The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) and Philharmonic Orchestra London (Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:21
4Brandenburg Concerto no. 3 in G BWV 1048: I. Allegro
violin:
J. Brezina (violinist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Collegium Aureum, Hamburger Symphoniker, Members of the Philharmonia Slavonia (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Gabor Ötvös and Rudolf Pribil (pseudonym for Alfred Scholz)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach6:37
5Brandenburg Concerto no. 3 in G BWV 1048: II. Adagio
violin:
J. Brezina (violinist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) and Rudolf Pribil (pseudonym for Alfred Scholz)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
Johann Sebastian Bach0:14
6Brandenburg Concerto no. 3 in G BWV 1048: III. Allegro
violin:
J. Brezina (violinist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Musici di San Marco (an Alfred Scholz pseudonym), Oregon Bach Festival Chamber Orchestra, Oregon Bach Festival Orchestra, Philharmonia Slavonia (Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Rudolf Pribil (pseudonym for Alfred Scholz) and Helmuth Rilling (conductor)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach3:23
7Concerto no. 3 in D minor for 2 Violins, Strings and Basso Continuo BWV 1043: I. Vivace
violin:
Joseph Brezina (violinist), Feliz Elias (violinist), Alberto Tozzi and Tomasco Vecchi
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), London Symphony Orchestra and Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym) and Francesco Macci (an Alfred Scholz pseudonym)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach4:03
8Concerto no. 3 in D minor for 2 Violins, Strings and Basso Continuo BWV 1043: II. Largo, ma non troppo
violin:
Joseph Brezina (violinist), Feliz Elias (violinist), Alberto Tozzi and Tomasco Vecchi
orchestra:
Camerata Romana (an Alfred Scholz pseudonym) and Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach7:16
9Concerto no. 3 in D minor for 2 Violins, Strings and Basso Continuo BWV 1043: III. Allegro
violin:
Joseph Brezina (violinist), Feliz Elias (violinist), Alberto Tozzi and Tomasco Vecchi
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym) and Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym) and Francesco Macci (an Alfred Scholz pseudonym)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach5:14
10St. Matthew Passion BWV 244: Wir setzen uns mit Tränen nieder
choir vocals:
Westminster Church Choir (connected to Kenneth Dowley)
orchestra:
Westminster Church Orchestra (connected to Kenneth Dowley)
conductor:
Kenneth Dowley (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:47
11Italian Concerto BWV 971: I. Moderato
producer:
Udo Unger
piano and solo piano:
Dubravka Tomšič (pianist)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro]) (in 1987)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Johann Sebastian Bach4:26
12Italian Concerto BWV 971: II. Andante
producer:
Udo Unger
piano and solo piano:
Dubravka Tomšič (pianist)
recording of:
Italienisches Konzert F-Dur, BWV 971: II. Andante (Italian Concerto in F major, BWV 971: II. Andante) (in 1987)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Johann Sebastian Bach5:29
13Italian Concerto BWV 971: III. Allegro vivace
producer:
Udo Unger
piano and solo piano:
Dubravka Tomšič (pianist)
recording of:
Italienisches Konzert F-Dur, BWV 971: III. Presto (Italian Concerto in F major, BWV 971: III. Presto) (in 1987)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro])
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Johann Sebastian Bach3:24
2▼CD: Ludwig van Beethoven
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1Symphony no. 5 in C minor, op. 67: Allegro con brio
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:26
2Violin Concerto in D major, op. 61: Rondo
violin:
Jan Czerkow (violinist, an Alfred Scholz pseudonym)
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven9:40
3Symphony no. 6 in F major, op. 68, “Pastoral”: Shepherd’s Song. Happy and Thankful Feelings After the Storm. Allegretto
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym)
conductor:
Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Symphony No. 6 in F major, Op. 68 "Pastorale": V. "Shepherds' song: Cheerful and thankful feelings after the storm" Allegretto)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven10:36
4Piano Concerto no. 5 in E flat major, op. 73, “Emperor”: Rondo. Allegro
piano:
Dubravka Tomšič (pianist)
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven10:49
5Romance for Violin no. 1 in G major, op. 40
violin:
Jan Czerkow (violinist, an Alfred Scholz pseudonym)
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Romance for Violin and Orchestra no. 1 in G major, op. 40
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1802)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 40)
Ludwig van Beethoven6:40
6“Moonlight” Sonata op. 27/2 in C sharp minor: Adagio sostenuto
audio engineer:
Südwest Tonstudio (engineering)
grand piano and solo piano:
Dubravka Tomšič (pianist)
piano:
Silvia Čápová (pianist), Debra Ruth Zobel and Dubravka Tomšič (pianist) (in 1986-04)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (in 1986-04)
composer:
Ludwig van Beethoven (German composer) (in 1801)
included in:
end of starchild (video game soundtrack)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven6:04
7Symphony no. 9 in D minor, op. 125: Finale - Final Chorus to Schiller’s “Ode to Joy”. Allegro assai
choir vocals:
Soloists and Choir of the “Pro Musica” Consort
lead vocals:
Choir of the “Pro Musica” Consort
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym)
conductor:
Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”, S. 464 no. 9: IV. Presto – Allegro assai “Ode to Joy” (for piano, Liszt)
composer:
Ludwig van Beethoven (German composer) (from 1823 until 1824)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
arrangement of:
Symphony No. 9 in D Minor, Op. 125: IV. Song Of Joy (arrangement for piano by Steven Hodgson)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”, S. 464 no. 9 (for piano, Liszt)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven12:39
3▼CD: Georges Bizet
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1Carmen Suite no. 1 : I. Prelude
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato
composer:
Georges Bizet (French composer)
part of:
Carmen Suite no. 1
Georges Bizet1:22
2Carmen Suite no. 1 : II. Aragonaise
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
Georges Bizet2:14
3Carmen Suite no. 1 : III. Intermezzo
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:41
4Carmen Suite no. 1 : IV. Seguidille
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville »)
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
part of:
Carmen Suite no. 1
Georges Bizet1:53
5Carmen Suite no. 1 : V. Les dragons d’Alcala
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
part of:
Carmen Suite no. 1
Georges Bizet1:38
6Carmen Suite no. 1 : IV. Les toréadors
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Georges Bizet2:21
7Carmen : “L’amour est un oiseau rebelle”
mezzo-soprano vocals and mezzo-soprano vocals [Carmen]:
Rita Noël (American operatic mezzo-soprano and trained violist)
orchestra:
Danube Philharmonic Orchestra (probably fictitious, or Alfred Scholz pseudonym), Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra) and Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor) and Anton Nanut (Alfred Scholz pseudonym)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:47
8Carmen : “La fleur que tu m’avais jetée”
tenor vocals:
José Pérez (Peruvian tenor)
orchestra:
Nurnberg Symphony Orchestra (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet3:46
9Carmen : “Les voici, voici la quadrille”
choir vocals:
Choir of the Budapest State Opera
orchestra:
Orchestra of the Budapest State Opera (Hungarian State Opera Orchestra, Hungarian State Opera Orchestra)
conductor:
Josif Conta (conductor)
recording of:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet4:05
10L’Arlésienne Suite no. 1: Ouverture. Allegro deciso (tempo di Marcia). Andantino. Andante molto
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet6:46
11L’Arlésienne Suite no. 1: Menuetto. Allegro giocoso
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
L’Arlésienne Suite no. 1: II. Minuet, Allegro giocoso (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet2:46
12L’Arlésienne Suite no. 1: Adagietto - Adagio
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet2:52
13L’Arlésienne Suite no. 1: Carillon. Allegretto moderato - Andantino
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet4:52
14L’Arlésienne Suite no. 2: Pastorale. Andante sostenuto assai - Andantino
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
L’Arlésienne Suite no. 2: I. Pastorale (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet5:14
15L’Arlésienne Suite no. 2: Intermezzo. Andante moderato ma con moto - Allegretto moderato
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
L’Arlésienne Suite no. 2: II. Intermezzo (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:42
16L’Arlésienne Suite no. 2: Menuetto. Andantino quasi allegretto
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
L’Arlésienne Suite no. 2: III. Menuet (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:59
17L’Arlésienne Suite no. 2: Farandole. Allegro deciso (tempo di marcia) - Allegro
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:36
18Symphony no. 1 in C major: Allegro vivace
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Symphonie no. 1 en ut majeur : IV. Finale. Allegro vivace (Symphony no. 1 in C major: IV. Allegro vivace)
composer:
Georges Bizet (French composer) (from 1855-10 until 1855-11)
part of:
Symphonie no. 1 en ut majeur
Georges Bizet5:40
4▼CD: Johannes Brahms
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1Hungarian Dance no. 1 in G minor: Allegro molto
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym), Orchestre Symphonique de Dresde (Dresden Philharmonic Orchestra), Philharmonia Slavonica (Alfred Scholz pseudonym) and Prague Festival Orchestra
conductor:
Julian Armstrong (conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Edvard Kronau (an Alfred Scholz pseudonym), Alfred Scholz and Pavel Urbanek (an Alfred Scholz pseudonym)
recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 1 in G minor (Allegro molto) (catch-all for unknown and one-off orchestrations)
orchestrator:
Johannes Brahms (German composer) (in 1873)
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, no. 1 in G minor: Allegro molto
part of:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
Johannes Brahms3:28
2Hungarian Dance no. 3 in F major: Allegretto
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), Festivalový orchestr Praha (Prague Festival Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym), Orchestre Symphonique de Dresde (Dresden Philharmonic Orchestra) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Julian Armstrong (conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Edvard Kronau (an Alfred Scholz pseudonym), Alfred Scholz and Pavel Urbanek (an Alfred Scholz pseudonym)
recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 3 in F major (Allegretto) (catch-all for unknown and one-off orchestrations)
orchestrator:
Johannes Brahms (German composer) (in 1873)
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 3 in F major: Allegretto
part of:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, no. 3 in F major: Allegretto (Brahms orchestration)
orchestrator:
Johannes Brahms (German composer) (in 1873)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 3 in F major: Allegretto
part of:
Hungarian Dances for orchestra, WoO 1, Book 1
Johannes Brahms2:15
3Hungarian Dance no. 4 in F minor: Poco sostenuto
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), London Festival Orchestra (Alfred Scholz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, no. 4 in F-sharp minor: Poco sostenuto - Vivace (Juon orchestration)
publisher:
Anton Bejamin
orchestrator:
Павел Фёдорович Юон (Paul Juon, Russian-Swiss composer)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 4 in F minor: Poco sostenuto – Vivace
Johannes Brahms5:06
4Hungarian Dance no. 5 in F sharp minor: Allegro
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), Festivalový orchestr Praha (Prague Festival Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Symphonique de Dresde (Dresden Philharmonic Orchestra) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Julian Armstrong (conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Edvard Kronau (an Alfred Scholz pseudonym), Alfred Scholz and Pavel Urbanek (an Alfred Scholz pseudonym)
performer:
London Festival Orchestra (Alfred Scholz pseudonym)
recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 5 in G minor (Allegro) (catch-all for unknown and one-off orchestrations)
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
recording of:
Hungarian Dance no. 5 (catch-all for arrangements)
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
arrangement of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, No. 5 in G minor: Allegro - Vivace (Hungarian Dance No. 5, orch. Schmeling)
orchestrator:
Martin Schmeling
composer:
Johannes Brahms (German composer)
publisher:
Breitkopf & Härtel
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
Hungarian Dances for orchestra (Schmeling orchestration)
recording of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
part of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1
Johannes Brahms2:23
5Hungarian Dance no. 6 in D flat major: Vivace
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), Festivalový orchestr Praha (Prague Festival Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Symphonique de Dresde (Dresden Philharmonic Orchestra) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Julian Armstrong (conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Edvard Kronau (an Alfred Scholz pseudonym), Alfred Scholz and Pavel Urbanek (an Alfred Scholz pseudonym)
recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 6 in D major (Vivace) (catch-all for unknown and one-off orchestrations)
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 2, No. 6 in D-flat major: Vivace
part of:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 2, no. 6 in D major: Vivace (orchestrated by Schmeling)
orchestrator:
Martin Schmeling
composer:
Johannes Brahms (German composer)
publisher:
Breitkopf & Härtel
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 2, No. 6 in D-flat major: Vivace
part of:
Hungarian Dances for orchestra (Schmeling orchestration)
Johannes Brahms3:27
6Hungarian Dance no. 10 in F major: Presto
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), Festivalový orchestr Praha (Prague Festival Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym), Orchestre Symphonique de Dresde (Dresden Philharmonic Orchestra) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Julian Armstrong (conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Edvard Kronau (an Alfred Scholz pseudonym), Alfred Scholz and Pavel Urbanek (an Alfred Scholz pseudonym)
recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 10 in F major (Presto) (catch-all for unknown and one-off orchestrations)
orchestrator:
Johannes Brahms (German composer) (in 1873)
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 2, no. 10 in E major: Presto
part of:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 2, no. 10 in F major: Presto (Brahms orchestration)
orchestrator:
Johannes Brahms (German composer) (in 1873)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 2, no. 10 in E major: Presto
part of:
Hungarian Dances for orchestra, WoO 1, Book 2
Johannes Brahms2:01
7Variations on a Theme of Haydn in B flat major, op. 56a, “St. Anthony Chorale”
orchestra:
ORF-Symphonieorchester (ORF Symphony Orchestra, Alfred Scholz pseudonym, for the real ORF orchestra use Radio-Symphonieorchester Wien) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Milan Horvat (Alfred Scholz pseudonym) and Carlo Pantelli (Alfred Scholz pseudonym)
recording of:
Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)
premiered in:
Wien (Vienna), Austria (on 1873-11-02)
orchestrator:
Johannes Brahms (German composer)
composer:
Johannes Brahms (German composer) (in 1873)
premiered by:
Johannes Brahms (German composer) (on 1873-11-02) and Wiener Philharmoniker (Vienna Philharmonic) (on 1873-11-02)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 56a)
orchestration of:
Variations on a Theme by Joseph Haydn, op. 56b (for two pianos)
Johannes Brahms17:42
8Intermezzo in E flat major, op. 117/1
piano:
Dieter Goldman (pianist, Alfred Scholz related)
recording of:
3 intermezzi, op. 117: Nr. 1 in Es‐Dur. Andante moderato (3 Intermezzi, op. 117: No. 1 in E-flat major. Andante moderato)
premiered in:
London (Greater London), England, United Kingdom (on 1893-01-30)
composer:
Johannes Brahms (German composer) (in 1892)
part of:
3 intermezzi, op. 117
Johannes Brahms4:56
9Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace
violin:
Iwan Czerkow (violinist, an Alfred Scholz pseudonym)
orchestra:
Munich Symphony Orchestra (an Alfred Scholz pseudonym, not the former Symphonie‐Orchester Graunke)
conductor:
Helmut Bucher (conductor, an Alfred Scholz pseudonym)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: III. Allegro giocoso, ma non troppo vivace (Concerto for Violin and Orchestra in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms8:11
10Piano concerto no. 1 in D minor, op. 15: III. Rondo. Allegro ma non troppo
piano:
Dubravka Tomšič (pianist)
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Concerto for Piano and Orchestra no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo
composer:
Johannes Brahms (German composer) (from 1854 until 1859)
part of:
Concerto for Piano and Orchestra no. 1 in D minor, op. 15
Johannes Brahms11:58
5▼CD: Frederic Chopin
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1Etude in C minor, “Revolution”, op. 10/12
piano:
Silvia Čápová (pianist), Vitalij Margulis and Marián Pivka (pianist)
solo piano:
Marián Pivka (pianist)
recording of:
Étude in C minor, op. 10 no. 12 “Revolutionary”: Allegro con fuoco
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1831)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 25) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 67)
part of:
Études, op. 10
Fryderyk Chopin2:50
2Prelude in A, op. 28/7
piano:
Ida Černecká (pianist)
recording of:
Prélude no. 7 in A major, op. 28: Andantino
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 100) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 172)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin1:00
3Prelude in D flat, “Raindrop”, op. 28/15
piano:
Marián Pivka (pianist)
recording of:
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 107) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 180)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin5:39
4Waltz in E flat, “Grande valse brillante”, op. 18/1
piano:
Peter Schmalfuss (pianist)
recording of:
Waltz no. 1 in E‐flat major, op. 18 “Grande Valse brillante”
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1833)
dedicated to:
Laura Harsford
part of:
Works of Fryderyk Chopin by opus number (number: op. 18), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 62) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 207)
Fryderyk Chopin5:15
5Waltz in A flat, op. 34/1
piano:
Peter Schmalfuss (pianist)
recording of:
Waltz no. 2 in A‐flat major, op. 34 no. 1
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1835 until 1838)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 94) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 208)
part of:
Waltzes, op. 34
Fryderyk Chopin4:56
6Waltz in D flat, “Minute”, op. 64/1
piano:
Silvia Čápová (pianist) and Marián Pivka (pianist)
recording of:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz”
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 212)
part of:
Waltzes, op. 64
Fryderyk Chopin1:55
7Waltz in C sharp minor, op. 64/2
piano:
Peter Schmalfuss (pianist)
recording of:
Waltz no. 7 in C‐sharp minor, op. 64 no. 2
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 213)
part of:
Waltzes, op. 64
Fryderyk Chopin3:31
8Waltz in G flat, op. 70/1
piano:
Peter Schmalfuss (pianist)
recording of:
Waltz no. 11 in G‐flat major, op. 70 no. 1
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1832)
part of:
Chopin National Edition: WN Catalogue (number: WN 42), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 92) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 217)
part of:
Waltzes, op. 70
Fryderyk Chopin2:26
9Nocturne in B flat minor, op. 9/1
piano:
Ida Černecká (pianist)
recording of:
Nocturne no. 1 in B‐flat minor, op. 9 no. 1: Larghetto
composer:
Frédéric Chopin (composer) (from 1830 until 1832)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 108)
part of:
Nocturnes, op. 9 (original for piano)
Fryderyk Chopin5:26
10Nocturne in E flat, op. 9/2
piano:
Peter Schmalfuss (pianist)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Classic 100: Piano (2025) (number: 3), Classic 100: Piano (2004) (number: 18) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 109)
part of:
Nocturnes, op. 9 (original for piano)
Fryderyk Chopin24:46
11Nocturne in F sharp, op. 15/2
piano:
Peter Schmalfuss (pianist)
recording of:
Nocturne no. 5 in F‐sharp major, op. 15 no. 2: Larghetto (ended)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 55) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 112)
part of:
Nocturnes, op. 15
Fryderyk Chopin3:25
12Nocturne in D flat, op. 27/2
piano:
Peter Schmalfuss (pianist)
recording of:
Nocturne no. 8 in D‐flat major, op. 27 no. 2: Lento sostenuto
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 96) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 115)
part of:
Nocturnes, op. 27
Fryderyk Chopin5:34
13Polonaise in C sharp minor, op. 26/1
piano:
Ida Czemekan (pianist)
recording of:
Polonaise in C‐sharp minor, op. 26 no. 1 (ended)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1835)
part of:
List of numbered polonaises by Fryderyk Chopin (in composition date order) (number: 1) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 150)
part of:
Polonaises, op. 26
Fryderyk Chopin7:54
14Impromptu in C sharp minor, “Fantasie impromptu”, op. 66
piano:
Dubravka Tomšič (pianist)
recording of:
Fantaisie‐impromptu in C‐sharp minor, op. 66
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1834)
part of:
Classic 100: Piano (2004) (number: 13), Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 46), Chopin National Edition: WN Catalogue (number: WN 46), Works of Fryderyk Chopin by opus number (number: op. 66) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 87)
Fryderyk Chopin5:20
15Mazurka in A minor, op. 68/2
piano:
Ida Czemekan (pianist)
recording of:
Mazurka no. 47 in A minor, op. 68 no. 2
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Chopin National Edition: WN Catalogue (number: WN 14), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 18) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 97)
part of:
Mazurkas, op. 68
Fryderyk Chopin2:54
6▼CD: Antonin Dvořák
#TitleArtistRatingLength
1Slavonic Dances, op. 72: no. 1
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) and Royal Philharmonic Orchestra
conductor:
Alfred Scholz, Frank Shipway (British conductor) and Thomas Waldham
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1984)
recording of:
Slavonic Dances, op. 46, B. 83: No. 1 in C major (Furiant)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
recording of:
Slavonic Dances, op. 72: No. 1 in B major: Molto vivace (for orchestra)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
premiered at:
[concert] (1887-01-06)
part of:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák3:27
2Slavonic Dances, op. 72: no. 2
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Slavonica (Alfred Scholz pseudonym) and Royal Philharmonic Orchestra
conductor:
Alfred Scholz
recording of:
Slavonic Dances, op. 72: No. 2 in E minor: Allegretto grazioso (for orchestra)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
premiered at:
[concert] (1887-01-06)
orchestration of:
Slawische Tänze, op. 72 no. 2 e-Moll (Slavonic Dance, op. 72 no. 2 in E minor, for Piano, four hands)
part of:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák5:38
3Slavonic Dances, op. 72: no. 8
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
Slavonic Dances, op. 72: No. 8 in A-flat major: Grazioso e lento, ma non troppo, quasi tempo di Valse (for orchestra)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
part of:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák4:44
4Cello Concerto in B minor, op. 104: I. Allegro
cello:
Herbert Krepela (cellist, an Alfred Scholz pseudonym)
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Cello Concerto in B minor, op. 104: I. Allegro
composer:
Antonín Dvořák (composer) (from 1894-11-08 until 1895-02-09)
part of:
Cello Concerto in B minor, op. 104
Antonín Dvořák14:48
5“Humoresque” in G flat major, op. 101/7
piano:
Leonard Hokanson (pianist)
recording of:
Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano)
composer:
Antonín Dvořák (composer) (from 1894-08-07 until 1894-08-27)
part of:
8 Humoresques, B. 187, op. 101
Antonín Dvořák2:48
6Symphony no. 9 in E minor, op. 95, “from the New World”: II. Largo
orchestra:
London Philharmonic Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym) and Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor) and Victor de Stradelli (an Alfred Scholz pseudonym)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák12:15
7Stabat Mater, op. 58: X. “Quando corpus morietur” Andante con moto
bass vocals:
Franjo Petrušanec
choir vocals:
Chamber Choir of Radio-Television Ljubljana (RTV Slovenia Chamber Choir) and Consortium Musicum Ljubljana
choir vocals [mixed choir]:
Obala Koper
mezzo-soprano vocals:
Eva Novšak Houška
soprano vocals:
Ana Pusar Jerič
tenor vocals:
Jurij Rega
orchestra:
Consortium Musicum and Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Marko Munih (conductor)
recording of:
Stabat Mater, op. 58, B. 71: X. Andante con moto "Quando corpus morietur" (Quartetto e Coro)
lyricist:
Jacopone da Todi
composer:
Antonín Dvořák (composer) (from 1876-02-19 until 1876-05-07, from 1877-10 until 1877-11-13)
part of:
Stabat Mater, op. 58, B. 71
Antonín Dvořák7:12
8Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo
orchestra:
O.R.F. Symphony Orchestra (ORF Symphony Orchestra, Alfred Scholz pseudonym, for the real ORF orchestra use Radio-Symphonieorchester Wien), Philharmonia Slavonica (Alfred Scholz pseudonym) and Stuttgarter Kammerorchester (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Milan Horvat (Alfred Scholz pseudonym), Alfred Scholz and Martin Sieghart (an Alfred Scholz pseudonym)
phonographic copyright (℗) by:
PILZ (German budget label) (in 1993)
recording of:
Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák9:54
7▼CD: Edvard Grieg
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1Peer Gynt Suite I, op. 46: Morning Mood
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Bratislava Radio Symphony Orchestra (Slovak Radio Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Philharmonique de la Slovaquie (Slovak State Philharmonic Orchestra, Košice), Slowakische Staatsphilharmonie (Slovak Philharmonic) and Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Libor Pesek (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Róbert Stankovský and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:52
2Peer Gynt Suite I, op. 46: Aases Death
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonic Ensemble Pro Musica (Alfred Scholz related), Slowakische Staatsphilharmonie (Slovak Philharmonic), Slowakische Staatsphilharmonie and Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Herbert Fleischmann, Libor Pešek (conductor) and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Peer Gynt Suite no. 1, op. 46: II. Åses død (Peer Gynt Suite no. 1, op. 46: II. Åse’s Death)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 3. akt: Åses død
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:32
3Peer Gynt Suite I, op. 46: Anitra’s Dance
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Slowakische Philharmonie (Slovak Philharmonic) and Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Alfred Gehardt (fictitious conductor), Libor Pesek (conductor) and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Peer Gynt Suite no. 1, op. 46: III. Anitras dans (Peer Gynt Suite no. 1, op. 46: III. Anitra’s Dance)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt: Anitras dans
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg43:30
4Peer Gynt Suite I, op. 46: In the Hall of the Mountain King
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) and Slovak Philharmonic Orchestra (Slovak Philharmonic)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Libor Pešek (conductor) and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
phonographic copyright (℗) by:
GMS (in 1986)
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg2:21
5Peer Gynt Suite II, op. 55: The Abduction (Ingrid’s Lament)
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym) and Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Peter Stern (fictitious conductor, Alfred Scholz pseudonym) and Yuri Ahronovich (Yuri Ahronovitch, conductor)
recording of:
Peer Gynt Suite no. 2, op. 55: I. Bruderovet. Ingrids klage (Peer Gynt Suite no. 2, op. 55: I. The Abduction of the Bride. Ingrid’s Lament)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 2. akt, prelude: Bruderovet. Ingrids klage
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg4:34
6Peer Gynt Suite II, op. 55: Arabian Dance
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym) and Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Peter Stern (fictitious conductor, Alfred Scholz pseudonym) and Yuri Ahronovitch (conductor)
recording of:
Peer Gynt Suite no. 2, op. 55: II. Arabisk dans (Peer Gynt Suite no. 2, op. 55: II. Arabian Dance)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Arabisk dans
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg4:28
7Peer Gynt Suite II, op. 55: Peer Gynt’s Home-Coming (Stormy Evening on the Coast)
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym)
conductor:
Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Peer Gynt Suite no. 2, op. 55: III. Peer Gynts hjemfart (Stormfull aften på havet) (Peer Gynt Suite no. 2, op. 55: III. Peer Gynt’s Homecoming (Stormy Evening on the Coast))
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 5. akt: Peer Gynts hjemfart
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg3:41
8Peer Gynt Suite II, op. 55: Solveig’s Song
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym)
conductor:
Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, do not use if there is a singer)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Solveigs sang
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg4:33
9Piano Concerto in A minor, op. 16: Allegro molto moderato
piano:
Dubravka Tomšič (pianist)
orchestra:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra) and Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Anton Nanut (conductor) and Anton Nanut (Alfred Scholz pseudonym)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: I. Allegro molto moderato
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg13:12
10Piano Concerto in A minor, op. 16: Adagio
piano:
Dubravka Tomšič (pianist)
orchestra:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg6:06
11Piano Concerto in A minor, op. 16: Allegro moderato molto e marcato - Quasi presto andante maestoso
piano:
Dubravka Tomšič (pianist)
orchestra:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: III. Allegro moderato molto e marcato
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg10:21
8▶CD: George Frederick Handel
9▶CD: Franz Joseph Haydn
10▶CD: Franz Liszt
11▶CD: Felix Mendelssohn
12▶CD: Wolfgang Amadeus Mozart
13▶CD: Maurice Ravel
14▶CD: Erik Satie
15▶CD: Franz Schubert
16▶CD: Johann Strauss II
17▶CD: Peter Ilyich Tchaikovsky
18▶CD: Giuseppe Verdi
19▶CD: Antonio Vivaldi
20▶CD: Richard Wagner

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copyrighted (©) by and phonographic copyright (℗) by:The Music Marketeers (active in the Netherlands and Poland) (in 2010)
licensed from:Intermusic S.A. (not for release label use, for copyrights use only)
ASIN:US: B00C0RENXG [info]