Varèse Sarabande: 40 Years of Great Film Music 1978-2018

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1The Adventures Of Robin Hood: Main Title / Coronation Procession
Erich Wolfgang Korngold4:45
2Witness: Building the Barn
co-producer:
Michel Mention
producer:
Maurice Jarre (composer and conductor)
mixer:
Humberto Gatica
recording of:
Building the Barn (from Witness)
composer:
Maurice Jarre (composer and conductor)
Maurice Jarre5:00
3Raising Arizona: Way Out There
engineer:
Sebastian Niessen (engineer)
producer:
Carter Burwell (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recording of:
Way Out There
composer:
Carter Burwell (American score composer)
Carter Burwell1:56
4The Right Stuff: Yeagers Triumph
recording engineer:
Eric Tomlinson (British recording engineer)
producer:
Bill Conti
orchestra:
London Symphony Orchestra
conductor:
Bill Conti
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1985-11-25)
recording of:
The Right Stuff: Yeager’s Triumph
composer:
Bill Conti
Bill Conti5:14
5Aliens: Futile Escape
recording engineer:
Jonathan Allen (engineer)
assistant engineer:
Richard Hale (recording engineer)
producer:
Robert Townson (soundtrack producer)
orchestra:
Royal Scottish National Orchestra (from 1996-07-31 until 1996-08-06)
conductor:
Cliff Eidelman (from 1996-07-31 until 1996-08-06)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
City Halls (Glasgow) in Glasgow, Scotland, United Kingdom (from 1996-07-31 until 1996-08-06)
recording of:
Futile Escape (Aliens) (from 1996-07-31 until 1996-08-06)
composer:
James Horner (American score composer)
publisher:
Rewind Music, Inc. and WB Music Corp. (1929–2019)
sub-publisher:
Warner Chappell Music France
James Horner5:49
6The Milagro Beanfield War: Theme (from Screen Themes)
Dave Grusin4:01
7Peggy Sue Got Married: Peggy Sue's Homecoming
producer:
John Barry (English score composer) and Paul Gurian
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Peggy Sue's Homecoming (from Peggy Sue Got Married)
composer:
John Barry (English score composer)
John Barry3:29
8My Left Foot: Mother
Elmer Bernstein3:40
9The Secret Garden: Colin Opens His Eyes
Zbigniew Preisner2:02
10A Little Princess: The Good-Bye
Patrick Doyle4:20
11The Player: The Player
engineer:
John Vigran
producer:
Bill Bernstein, Thomas Newman (American score composer) and John Vigran
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
remixer:
John Vigran
phonographic copyright (℗) by:
New Line Cinema Corporation
recording of:
The Player (The Player)
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
Thomas Newman3:08
12Pee-wee’s Big Adventure: Breakfast Machine
engineer:
Dave Knight (engineer) and Mike Ross (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
John Coleman
remixer:
Bobby Fernandez (engineer)
phonographic copyright (℗) by:
Warner Bros., Inc. (not for release label use!)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
remixed at:
The Sound Factory in West Hollywood, California, United States
recording of:
Breakfast Machine
composer:
Danny Elfman (American singer and score composer)
Danny Elfman32:39
13Back To The Future, Part III: End Credits
assistant engineer:
Dann Thompson (sound engineer)
engineer:
Dennis Sands (American sound engineer)
assistant producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks)
executive producer:
Robert Townson (soundtrack producer)
producer:
Alan Silvestri (US score composer)
orchestra:
The Outatime Orchestra
conductor:
Alan Silvestri (US score composer)
orchestrator:
James Campbell (orchestrator)
recorded at:
The Burbank Studios in Burbank, California, United States
recording of:
End Credits (Back to the Future, Part III)
orchestrator:
James Campbell (orchestrator)
composer:
Alan Silvestri (US score composer)
part of:
Back to the Future, Part III (original score of the 1990 film of the same name)
Alan Silvestri4:03
14Agnes Of God: End Credits
flute:
Sara Andon
orchestra:
Varèse Sarabande Symphony Orchestra (American symphonic orchestra)
conductor:
David Newman (American score composer)
Georges Delerue3:28
15Driving Miss Daisy: End Titles
recorded at:
Media Ventures in Santa Monica, California, United States
recording of:
End Titles
composer:
Hans Zimmer (German score composer)
Hans Zimmer4:54
16Father Of The Bride: Main Title
Alan Silvestri2:30
17Emma: Theme
orchestra:
Royal Scottish National Orchestra
conductor:
Joel McNeely (American score composer)
Rachel Portman2:58
18Unfaithful: Unfaithful
recording engineer:
John Rodd (engineer)
engineer:
Rafał Paczkowski (engineer) and Bill Talbott
producer:
Jan A.P. Kaczmarek (composer)
mixer:
Rafał Paczkowski (engineer)
editor:
Christopher Kennedy
orchestra:
Hollywood Studio Symphony
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at and mixed at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
Unfaithful
orchestrator:
Bruce Babcock, Jan A.P. Kaczmarek (composer) and Dylan Maulucci
composer:
Jan A.P. Kaczmarek (composer)
Jan A.P. Kaczmarek2:37
19Elf: Buddys Journey
John Debney2:39
20Pleasantville: Real Rain
assistant recording engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
recording engineer and mixer:
Dennis Sands (American sound engineer)
producer:
Bruno Coon and Randy Newman (American singer‐songwriter and score composer)
editor:
Bruno Coon
orchestrator:
Don Davis (American score composer) and Randy Newman (American singer‐songwriter and score composer)
phonographic copyright (℗) by:
New Line Cinema
edit of:
Real Rain (extended version) by Randy Newman (American singer‐songwriter and score composer)
recording of:
Real Rain
composer:
Randy Newman (American singer‐songwriter and score composer)
Randy Newman4:35
21Rudy: Main Title
conductor:
Jerry Goldsmith (American score composer)
recording of:
Rudy: Main Title
orchestrator:
Alexander Courage and Arthur Morton
composer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith3:36
2▼CD
#TitleArtistRatingLength
1Spartacus: Main Title
Alex North3:18
2Vertigo: Prelude and Rooftop
conductor:
Muir Mathieson
phonographic copyright (℗) by:
Varese Sarabande Records (not for release label use!) (in 1996)
recording of:
Prelude (Vertigo)
composer:
Bernard Herrmann (composer)
part of:
Vertigo (1958 film)
recording of:
Rooftop (Vertigo)
composer:
Bernard Herrmann (composer)
part of:
Vertigo (1958 film)
Bernard Herrmann4:42
32001: A Space Odyssey: Space Station Docking
Alex North2:23
4The Matrix: Main Title / Trinity Infinity
recording engineer:
John Rodd (engineer)
assistant engineer:
John Fuchs
producer:
Don Davis (American score composer)
mixer:
Armin Steiner
editor:
Jordan Corngold, Lori Eschler-Frystak and Brenda Heins
orchestra:
Hollywood Studio Symphony
conductor:
Don Davis (American score composer)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases)
recording of:
Main Title (The Matrix)
part of:
The Matrix
recording of:
Main Title (The Matrix)
part of:
The Matrix
recording of:
Trinity Infinity (The Matrix)
orchestrator and composer:
Don Davis (American score composer)
part of:
The Matrix
recording of:
Trinity Infinity (The Matrix)
orchestrator and composer:
Don Davis (American score composer)
part of:
The Matrix
Don Davis23:51
5The Omen: Ave Satani
engineer:
John Richards (engineer)
producer:
Jerry Goldsmith (American score composer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) and Lionel Newman
recording of:
Ave Satani (The Omen)
orchestrator:
Arthur Morton
lyricist and composer:
Jerry Goldsmith (American score composer)
part of:
The 49th Academy Award for Best Original Song (number: 2)
Jerry Goldsmith52:34
6The Crow: Birth of a Legend
Graeme Revell3:10
7Scream: Sydney’s Lament
Marco Beltrami1:39
8The Sixth Sense: De Profundis
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
James Newton Howard (American score composer)
editor:
Thomas Drescher (US film music editor)
conductor:
Pete Anthony (American conductor and orchestrator.)
orchestrator:
Jeff Atmajian, Brad Dechter, Robert Elhai and James Newton Howard (American score composer)
phonographic copyright (℗) by:
Spyglass Entertainment Group
recording of:
De Profundis (The Sixth Sense)
composer:
James Newton Howard (American score composer)
James Newton Howard2:23
9The Last Of The Mohicans: Main Title
recording engineer:
Jonathan Allen (engineer) (on 2000-05-04)
assistant engineer:
Richard Hale (recording engineer)
producer:
Robert Townson (soundtrack producer)
orchestra:
Royal Scottish National Orchestra (on 2000-05-04)
conductor:
Joel McNeely (American score composer) (on 2000-05-04)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
City Halls (Glasgow) in Glasgow, Scotland, United Kingdom (on 2000-05-04)
recording of:
Main Title (The Last of the Mohicans) (on 2000-05-04)
composer:
Randy Edelman (American score composer) and Trevor Jones (South African score composer)
part of:
The Last of the Mohicans (1992 film soundtrack)
Trevor Jones1:53
10Nanny McPhee: Snow in August
Patrick Doyle7:03
11Million Dollar Baby: Blue Morgan (End Credits)
Clint Eastwood4:30
12Cast Away: End Credits
Alan Silvestri3:46
13Lost: Season 4: There’s No Place Like Home
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
There's No Place Like Home
composer:
Michael Giacchino (American score composer)
Michael Giacchino2:35
14L.A. Confidential: Bloody Christmas
producer:
Jerry Goldsmith (American score composer)
mixer and field recordings:
Bruce Botnick
editor:
Ken Hall (music editor)
orchestra:
Hollywood Studio Symphony
conductor:
Jerry Goldsmith (American score composer)
phonographic copyright (℗) by:
Monarchy Enterprises B.V. (in 1997) and Regency Entertainment (USA) Inc. (in 1997)
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
Bloody Christmas (L.A. Confidential)
composer:
Jerry Goldsmith (American score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
recording of:
Bloody Christmas (From “L.A. Confidential”)
composer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:52
15Rush Hour 2: Main Title
producer:
Lalo Schifrin (pianist & composer)
editor:
Darrell Hall
orchestra:
Hollywood Studio Symphony
phonographic copyright (℗) by:
New Line Productions Inc. (in 2001)
recording of:
Main Title
orchestrator and composer:
Lalo Schifrin (pianist & composer)
Lalo Schifrin2:22
16Fast Five: Fast Five
Brian Tyler3:05
17The Bourne Supremacy: Bim Bam Smash
additional recording engineer and additional mixer:
Steve Kempster
recording engineer and mixer:
Dennis Sands (American sound engineer)
programming and producer:
John Powell (English score composer)
additional editor:
Peter Myles (editing Engineer)
editor:
Tom Carlson (editor)
orchestra:
Hollywood Studio Symphony
conductor:
Pete Anthony (American conductor and orchestrator.)
arranger:
John Powell (English score composer)
concertmaster:
Bruce Dukov
recorded at:
The Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Bim Bam Smash
orchestrator:
Elizabeth Finch, Bruce Fowler (trombone, composer, arranger, orchestrator), Walt Fowler, Rick Giovinazzo and Suzette Moriarty
composer:
John Powell (English score composer)
John Powell5:09
18House Of Cards: Theme
orchestra:
Hollywood Studio Symphony
conductor:
Jeff Beal (American score composer)
recorded at:
Many Rooms Music in Agoura, California, United States
Jeff Beal1:51
19Sicario: The Beast
additional recording engineer:
Francesco Donadello and Ólafur Björn Ólafsson
recording engineer:
Buczkó Gábor (Hungarian sound engineer)
sound engineer:
BJ Nilsen
producer:
Jóhann Jóhannsson (Icelandic musician and score composer)
mixer:
Daniel Kresco
editor:
Joseph S. DeBeasi (composer, music editor and producer)
bass:
Skúli Sverrisson
cello and solo cello:
Hildur Guðnadóttir (Icelandic musician and score composer)
guitar:
Shahzad Ismaily
keyboard and piano:
Jóhann Jóhannsson (Icelandic musician and score composer)
percussion:
Andrea Belfi, Danny Frankel, Shahzad Ismaily, Ólafur Björn Ólafsson and Zoltan Varga (percussion)
synthesizer:
Shahzad Ismaily and Jóhann Jóhannsson (Icelandic musician and score composer)
vocals:
Robert Aiki Aubrey Lowe
conductor:
Anthony Weeden (Conductor and orchestrator)
arranger:
Jóhann Jóhannsson (Icelandic musician and score composer)
orchestrator:
Jóhann Jóhannsson (Icelandic musician and score composer), Stan Koch and Anthony Weeden (Conductor and orchestrator)
phonographic copyright (℗) by:
Starr Score Holdings, LLC (in 2015)
additionally recorded at:
Gufunes Radió in Reykjavík, Höfuðborgarsvæðið (Capital Region), Iceland, NTOV (Berlin) in Berlin, Germany and The Bank in Burbank, California, United States
recorded at:
Studio 22 (Magyar Rádió) in Budapest, Hungary
mixed at:
Remote Control Studio B in Los Angeles, California, United States
edited at:
Calyx Mastering in Berlin, Germany
recording of:
The Beast
composer:
Jóhann Jóhannsson (Icelandic musician and score composer)
Jóhann Jóhannsson3:15
20Whiplash: Overture
Justin Hurwitz3:20
21Three Billboards Outside Ebbing, Missouri: Mildred Goes to War
recording engineer and mixer:
Michael Farrow
editor:
John Warhurst
additional conductor:
Susie Gillis
conductor:
Carter Burwell (American score composer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
The Body Studio (Carter Burwell's personal studio) in Suffolk County, New York, United States
recording of:
Mildred Goes to War
orchestrator and composer:
Carter Burwell (American score composer)
Carter Burwell1:24
22Shrek: Transformation and The End
recording engineer:
Nick Wollage
producer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
mixer:
Alan Meyerson
editor:
Brian Richards (engineer)
conductor:
Gavin Greenaway
orchestrator:
Bruce L. Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Dreamworks L.L.C.
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Media Ventures in Santa Monica, California, United States
recording of:
Shrek: Transformation / The End
composer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
Harry Gregson‐Williams and John Powell2.753:27
23How to Train Your Dragon: This Is Berk
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
executive producer:
Sunny Park (former head of music at DreamWorks, currently director of music at Netflix) and Robert Townson (soundtrack producer)
producer:
John Powell (English score composer)
assistant mixer:
Marc Viner (engineer)
mixer:
Shawn Murphy (producer/engineer)
editor:
David Channing and Adam Smalley
conductor:
Gavin Greenaway
orchestrator:
John Ashton Thomas
phonographic copyright (℗) by:
DreamWorks Animation L.L.C.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
5 Cat Studios in Los Angeles, California, United States
recording of:
This Is Berk
composer:
John Powell (English score composer)
John Powell54:12
24Star Trek: Enterprising Young Men
recording engineer and mixer:
Dan Wallin
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Enterprising Young Men (Star Trek, 2009 film)
orchestrator:
Tim Simonec
composer:
Michael Giacchino (American score composer)
is based on:
Star Trek: Main Title (2009)
Michael Giacchino2:42