Oasen der Ruhe

~ Release by Royal Philharmonic Orchestra (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Kanon
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Carney (violinist, conductor and concertmaster)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel5:37
2"Wachet auf" aus der Kantate "Wachet auf", BWV 140
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Carney (violinist, conductor and concertmaster)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
adaptations:
Prelude to Peace
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach5:15
3Suite: II. Slow Air
orchestra:
Royal Philharmonic Orchestra
conductor:
Barry Wordsworth (conductor)
recording of:
Suite: II. Slow Air
composer:
Henry Purcell (Baroque composer)
arranger:
Albert Coates (conductor)
Henry Purcell2:15
4Fantasia on a Theme by Thomas Tallis
orchestra:
Royal Philharmonic Orchestra
conductor:
Christopher Seaman (conductor)
recording of:
Fantasia on a Theme by Thomas Tallis
composer:
Ralph Vaughan Williams (English composer) (in 1910)
is based on:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
Ralph Vaughan Williams15:05
5"Schafe können sicher weiden" aus der Kantate "Was mir behagt, ist nur die muntre Jagd!" (Jagdkantate), BWV 208
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Carney (violinist, conductor and concertmaster)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:59
6Capriol Suite: V. Pieds-en-l'air
orchestra:
Royal Philharmonic Orchestra
conductor:
Barry Wordsworth (conductor)
recording of:
Capriol Suite: V. Pieds‐en‐l’air (for orchestra)
composer:
Peter Warlock (British composer)
publisher:
Public Domain (refers to works that are in the public domain)
orchestration of:
Capriol Suite: V. Pieds-en-l’air (for piano duet)
part of:
Capriol Suite (for orchestra)
Peter Warlock2:42
7Violinkonzert F-Dur, op. 8 Nr. 3 "Der Herbst": II. Adagio
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Carney (violinist, conductor and concertmaster)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi2:45
8Henry V.: Passacaglia. The death of Falstaff
orchestra:
Royal Philharmonic Orchestra
conductor:
Barry Wordsworth (conductor)
recording of:
Two Pieces for Strings from “Henry V”: Passacaglia: Death of Falstaff (for string orchestra, Walton)
composer:
William Walton (British composer and conductor)
part of:
Two Pieces for Strings from “Henry V” (for string orchestra, Walton)
Sir William Walton3:24
9Henry V.: Touch her soft lips and part
orchestra:
Royal Philharmonic Orchestra
conductor:
Barry Wordsworth (conductor)
recording of:
Two Pieces for Strings from “Henry V”: Touch her soft lips and part (for string orchestra, Walton)
composer:
William Walton (British composer and conductor)
part of:
Two Pieces for Strings from “Henry V” (for string orchestra, Walton)
Sir William Walton2:09
10Violinkonzert f-moll, op. 8 Nr. 4 "Der Winter": II. Largo
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Carney (violinist, conductor and concertmaster)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:09
11"Jesus bleibet meine Freude" aus der Kantate "Herz und Mund und Tat und Leben", BWV 147
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Carney (violinist, conductor and concertmaster)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach7:50
12Suite Nr. 3 D-Dur, BWV 1068: Air
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Carney (violinist, conductor and concertmaster)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:00
2▼CD
#TitleArtistRatingLength
1Irmelin Prelude
orchestra:
Royal Philharmonic Orchestra
conductor:
Christopher Seaman (conductor)
recording of:
Irmelin Prelude, RT VI/27
composer:
Frederick Delius (English composer) (in 1931)
part of:
Delius Catalogue of Works (DCW) (number: DCW 43) and Works of Frederick Delius by RT number (number: RT VI/27)
Frederick Delius5:16
2Karelia-Suite, op. 11: II. Ballade
orchestra:
Royal Philharmonic Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Karelia-sarja, op. 11: II. Ballade (Karelia Suite, op. 11: II. Ballade, for orchestra)
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Karelia-sarja, op. 11 (Karelia Suite, op. 11)
Jean Sibelius7:21
3Der Schwan von Tuonela, op. 22
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Carney (violinist, conductor and concertmaster)
recording of:
Lemminkäis-sarja (Neljä legendaa), op. 22: II. Tuonelan joutsen (Lemminkäinen Suite, op. 22: II. The Swan of Tuonela)
composer:
Jean Sibelius (Finnish composer) (in 1895)
part of:
Lemminkäis-sarja (Neljä legendaa), op. 22 (Lemminkäinen Suite, op. 22)
Jean Sibelius8:18
4Aquarelle Nr. 2
orchestra:
Royal Philharmonic Orchestra
conductor:
Barry Wordsworth (conductor)
recording of:
Two Aquarelles: II. Gaily, but not quick
composer:
Frederick Delius (English composer)
arranger:
Eric Fenby (in 1932)
version of:
To Be Sung of a Summer Night on the Water, RT iv/5: II. Gaily but not quick
part of:
Two Aquarelles
Frederick Delius2:15
5Peer-Gynt-Suite Nr. 1, op. 46: Ases Tod
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Mark Ermler (conductor) (in 1993-10)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Peer Gynt Suite no. 1, op. 46: II. Åses død (Peer Gynt Suite no. 1, op. 46: II. Åse’s Death) (in 1993-10)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 3. akt: Åses død
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg5:18
6Brook Green Suite: II. Air
orchestra:
Royal Philharmonic Orchestra (in 1994-08)
conductor:
Barry Wordsworth (conductor) (in 1994-08)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-08)
recording of:
Brook Green Suite: II. Air (in 1994-08)
composer:
Gustav Holst (composer) (in 1933)
part of:
Brook Green Suite, H. 190
Gustav Holst2:46
7The Lark Ascending, Romanze für Violine und Orchester
solo violin [Violine]:
Jonathan Carney (violinist, conductor and concertmaster)
orchestra:
Royal Philharmonic Orchestra
conductor:
Christopher Seaman (conductor)
recording of:
The Lark Ascending (for violin and orchestra)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams14:48
8Aquarelle Nr. 1
orchestra:
Royal Philharmonic Orchestra
conductor:
Barry Wordsworth (conductor)
recording of:
Two Aquarelles: I. Lento, ma non troppo
composer:
Frederick Delius (English composer)
arranger:
Eric Fenby (in 1932)
version of:
To Be Sung of a Summer Night on the Water, RT iv/5: I. Slow, but not dragging
part of:
Two Aquarelles
Frederick Delius2:38
9Scheherazade, op. 35: III. Vom jungen Prinzen und der jungen Prinzessin
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Barry Wordsworth (conductor) (in 1993-10)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Scheherazade, op. 35: III. The Young Prince and the Young Princess (Andantino quasi allegretto) (in 1993-10)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Nicolai Rimsky-Korssakow10:41
10Die Planeten, Suite, op. 32: VII. Neptun, der Mystische
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1993-10)
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Vernon Handley (conductor) (in 1993-10)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1993-10)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
The Planets, op. 32: VII. Neptune, the Mystic (in 1993-10)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: VII. Neptune, the Mystic (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst6:48
3▼CD
#TitleArtistRatingLength
1Klavierkonzert C-Dur, KV 467: II. Andante
piano and solo piano [Klavier]:
Ronan O’Hora (British pianist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Carney (violinist, conductor and concertmaster)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:08
2Sinfonie Nr. 1: II. Andante
orchestra:
Royal Philharmonic Orchestra
conductor:
Jacques Delacôte (conductor)
recording of:
Symphonie no. 1 en ut majeur : II. Andante (Adagio) (Symphony No. 1 in C major: II. Adagio)
composer:
Georges Bizet (French composer) (from 1855-10 until 1855-11)
part of:
Symphonie no. 1 en ut majeur
Georges Bizet10:13
3Sinfonie d-Moll: II. Allegretto
orchestra:
Royal Philharmonic Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
recording of:
Symphonie en ré mineur: II. Allegretto (Symphony in D minor: II. Allegretto)
composer:
César Franck (Belgian‐born French composer) (from 1886 until 1888)
part of:
Symphonie en ré mineur op. 48 (Symphony in D minor, op. 48)
César Franck10:43
4Sinfonie Nr. 4 A-Dur, op. 90 "Italienische": II. Andante con moto
orchestra:
Royal Philharmonic Orchestra (in 1994-05)
conductor:
Stefan Sanderling (conductor) (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto (in 1994-05)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn5:36
5Cellokonzert e-Moll, op. 85: III. Adagio
solo cello [Cello]:
Yoohong Lee
orchestra:
Royal Philharmonic Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Cello Concerto in E minor, op. 85: III. Adagio
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar5:03
6Sinfonie Nr. 2 D-Dur, op. 36: II. Larghetto
orchestra:
Royal Philharmonic Orchestra
conductor:
James Lockhart (conductor and pianist)
recording of:
Symphony no. 2 in D major, op. 36: II. Larghetto (Symphony No. 2 in D major, Op. 36: II. Larghetto)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Symphony no. 2 in D major, op. 36
Ludwig van Beethoven11:32
7Sinfonie concertante Es-Dur, KV 364: II. Andante
solo viola [Viola]:
Andrew Williams (viola player)
solo violin [Violine]:
Jonathan Carney (violinist, conductor and concertmaster)
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Carney (violinist, conductor and concertmaster)
recording of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d
Wolfgang Amadeus Mozart11:51