Holst: The Collector's Edition

~ Release by Gustav Holst (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1The Planets, Suite, op. 32 H125: I. Mars, the bringer of War. Allegro
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-05-12 until 1978-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1978-05-12 until 1978-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom
recording of:
The Planets, op. 32: I. Mars, the Bringer of War (from 1978-05-12 until 1978-07-31)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: I. Mars, the Bringer of War (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
8:03
2The Planets, Suite, op. 32 H125: II. Venus, the bringer of Peace. Adagio
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-05-12 until 1978-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1978-05-12 until 1978-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom
recording of:
The Planets, op. 32: II. Venus, the Bringer of Peace (from 1978-05-12 until 1978-07-31)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: II. Venus, the Bringer of Peace (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
7:27
3The Planets, Suite, op. 32 H125: III. Mercury, the winged Messenger. Vivace
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-05-12 until 1978-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1978-05-12 until 1978-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom
recording of:
The Planets, op. 32: III. Mercury, the Winged Messenger (from 1978-05-12 until 1978-07-31)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: III. Mercury, the Winged Messenger (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
3:48
4The Planets, Suite, op. 32 H125: IV. Jupiter, the bringer of Jolity. Allegro giocoso
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-05-12 until 1978-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1978-05-12 until 1978-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (from 1978-05-12 until 1978-07-31)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
7:59
5The Planets, Suite, op. 32 H125: V. Saturn, the bringer of Old Age. Adagio
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-05-12 until 1978-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1978-05-12 until 1978-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom
recording of:
The Planets, op. 32: V. Saturn, the Bringer of Old Age (from 1978-05-12 until 1978-07-31)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: V. Saturn, the Bringer of Old Age (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
8:23
6The Planets, Suite, op. 32 H125: VI. Uranus, the Magician. Allegro
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-05-12 until 1978-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1978-05-12 until 1978-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom
recording of:
The Planets, op. 32: VI. Uranus, the Magician (from 1978-05-12 until 1978-07-31)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: VI. Uranus, the Magician (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
6:27
7The Planets, Suite, op. 32 H125: VII. Neptune, the Mystic. Andante
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Geoffrey Mitchell Choir (from 1978-05-12 until 1978-07-31)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-05-12 until 1978-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1978-05-12 until 1978-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom
recording of:
The Planets, op. 32: VII. Neptune, the Mystic (from 1978-05-12 until 1978-07-31)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: VII. Neptune, the Mystic (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
6:27
8The Perfect Fool, op. 39 H150: I. Andante –
producer:
John Willan (producer)
orchestra:
London Symphony Orchestra (from 1974-08-03 until 1974-08-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-08-03 until 1974-08-04)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-08-03 until 1974-08-04)
recording of:
The Perfect Fool, op. 39: Ballet Music: I. Andante (from 1974-08-03 until 1974-08-04)
composer:
Gustav Holst (composer)
part of:
The Perfect Fool, op. 39: Ballet Music
0:57
9The Perfect Fool, op. 39 H150: II. Danse of Spirits of Earth –
producer:
John Willan (producer)
orchestra:
London Symphony Orchestra (from 1974-08-03 until 1974-08-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-08-03 until 1974-08-04)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-08-03 until 1974-08-04)
recording of:
The Perfect Fool, op. 39: Ballet Music: II. Dance of Spirits of Earth (from 1974-08-03 until 1974-08-04)
composer:
Gustav Holst (composer)
part of:
The Perfect Fool, op. 39: Ballet Music
3:39
10The Perfect Fool, op. 39 H150: III. Danse of Spirits of Water
producer:
John Willan (producer)
orchestra:
London Symphony Orchestra (from 1974-08-03 until 1974-08-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-08-03 until 1974-08-04)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-08-03 until 1974-08-04)
recording of:
The Perfect Fool, op. 39: Ballet Music: III. Dance of Spirits of Water (from 1974-08-03 until 1974-08-04)
composer:
Gustav Holst (composer)
part of:
The Perfect Fool, op. 39: Ballet Music
2:47
11The Perfect Fool, op. 39 H150: IV. Danse of Spirits of Fire
producer:
John Willan (producer)
orchestra:
London Symphony Orchestra (from 1974-08-03 until 1974-08-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-08-03 until 1974-08-04)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-08-03 until 1974-08-04)
recording of:
The Perfect Fool, op. 39: Ballet Music: IV. Dance of Spirits of Fire (from 1974-08-03 until 1974-08-04)
composer:
Gustav Holst (composer)
part of:
The Perfect Fool, op. 39: Ballet Music
3:20
12Egdon Heath, op. 47 H172
producer:
John Willan (producer)
orchestra:
London Symphony Orchestra (from 1974-08-03 until 1974-08-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-08-03 until 1974-08-04)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-08-03 until 1974-08-04)
recording of:
Egdon Heath, op. 47 (from 1974-08-03 until 1974-08-04)
composer:
Gustav Holst (composer) (in 1927)
premiered at:
New York City Center in New York, New York, United States (on 1928-02-12)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 172)
14:38
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1A Somerset Rhapsody, op. 21 no. 2 H87
orchestra:
Bournemouth Sinfonietta (from 1980-08-29 until 1980-08-30)
conductor:
Norman Del Mar (conductor) (from 1980-08-29 until 1980-08-30)
recorded at:
O₂ Guildhall Southampton in Southampton, England, United Kingdom (from 1980-08-29 until 1980-08-30)
recording of:
A Somerset Rhapsody, op. 21 no. 2 (from 1980-08-29 until 1980-08-30)
composer:
Gustav Holst (composer) (from 1906 until 1907)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1910-04-06)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 87)
9:38
2Brook Green Suite, H190: I. Prelude
orchestra:
Bournemouth Sinfonietta (from 1980-08-29 until 1980-08-30)
conductor:
Norman Del Mar (conductor) (from 1980-08-29 until 1980-08-30)
recorded at:
O₂ Guildhall Southampton in Southampton, England, United Kingdom (from 1980-08-29 until 1980-08-30)
recording of:
Brook Green Suite: I. Prelude (from 1980-08-29 until 1980-08-30)
composer:
Gustav Holst (composer) (in 1933)
part of:
Brook Green Suite, H. 190
1:25
3Brook Green Suite, H190: II. Air
orchestra:
Bournemouth Sinfonietta (from 1980-08-29 until 1980-08-30)
conductor:
Norman Del Mar (conductor) (from 1980-08-29 until 1980-08-30)
recorded at:
O₂ Guildhall Southampton in Southampton, England, United Kingdom (from 1980-08-29 until 1980-08-30)
recording of:
Brook Green Suite: II. Air (from 1980-08-29 until 1980-08-30)
composer:
Gustav Holst (composer) (in 1933)
part of:
Brook Green Suite, H. 190
2:35
4Brook Green Suite, H190: III. Dance
orchestra:
Bournemouth Sinfonietta (from 1980-08-29 until 1980-08-30)
conductor:
Norman Del Mar (conductor) (from 1980-08-29 until 1980-08-30)
recorded at:
O₂ Guildhall Southampton in Southampton, England, United Kingdom (from 1980-08-29 until 1980-08-30)
recording of:
Brook Green Suite: III. Dance (from 1980-08-29 until 1980-08-30)
composer:
Gustav Holst (composer) (in 1933)
part of:
Brook Green Suite, H. 190
2:25
5A Fugal Concerto, op. 40 no. 2 H152: I. Moderato
flute:
Jonathan Snowden (flutist) (from 1993-04-05 until 1993-04-07)
oboe:
David Theodore (oboist) (from 1993-04-05 until 1993-04-07)
orchestra:
English Chamber Orchestra (from 1993-04-05 until 1993-04-07)
conductor:
Yehudi Menuhin (violinist) (from 1993-04-05 until 1993-04-07)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (from 1993-04-05 until 1993-04-07)
recording of:
A Fugal Concerto, op. 40 no. 2: I. Moderato (from 1993-04-05 until 1993-04-07)
composer:
Gustav Holst (composer) (in 1923)
part of:
A Fugal Concerto, op. 40 no. 2
2:07
6A Fugal Concerto, op. 40 no. 2 H152: II. Adagio
flute:
Jonathan Snowden (flutist) (from 1993-04-05 until 1993-04-07)
oboe:
David Theodore (oboist) (from 1993-04-05 until 1993-04-07)
orchestra:
English Chamber Orchestra (from 1993-04-05 until 1993-04-07)
conductor:
Yehudi Menuhin (violinist) (from 1993-04-05 until 1993-04-07)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (from 1993-04-05 until 1993-04-07)
recording of:
A Fugal Concerto, op. 40 no. 2: II. Adagio (from 1993-04-05 until 1993-04-07)
composer:
Gustav Holst (composer) (in 1923)
part of:
A Fugal Concerto, op. 40 no. 2
3:14
7A Fugal Concerto, op. 40 no. 2 H152: III. Allegro
flute:
Jonathan Snowden (flutist) (from 1993-04-05 until 1993-04-07)
oboe:
David Theodore (oboist) (from 1993-04-05 until 1993-04-07)
orchestra:
English Chamber Orchestra (from 1993-04-05 until 1993-04-07)
conductor:
Yehudi Menuhin (violinist) (from 1993-04-05 until 1993-04-07)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (from 1993-04-05 until 1993-04-07)
recording of:
A Fugal Concerto, op. 40 no. 2: III. Allegro (from 1993-04-05 until 1993-04-07)
composer:
Gustav Holst (composer) (in 1923)
part of:
A Fugal Concerto, op. 40 no. 2
3:12
8Beni Mora (Oriental Suite), op. 29 no. 1 H114: I. First Dance
orchestra:
BBC Symphony Orchestra (on 1956-08-29)
conductor:
Sir Malcolm Sargent (conductor) (on 1956-08-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1956-08-29)
recording of:
Beni Mora, op. 29 no. 1: I. First Dance (on 1956-08-29)
composer:
Gustav Holst (composer) (in 1909)
part of:
Beni Mora, op. 29 no. 1
5:24
9Beni Mora (Oriental Suite), op. 29 no. 1 H114: II. Second Dance
orchestra:
BBC Symphony Orchestra (on 1956-08-29)
conductor:
Sir Malcolm Sargent (conductor) (on 1956-08-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1956-08-29)
recording of:
Beni Mora, op. 29 no. 1: II. Second Dance (on 1956-08-29)
composer:
Gustav Holst (composer) (in 1910)
part of:
Beni Mora, op. 29 no. 1
2:55
10Beni Mora (Oriental Suite), op. 29 no. 1 H114: III. Finale. In the Street of the Ouled Naïls
orchestra:
BBC Symphony Orchestra (on 1956-08-29)
conductor:
Sir Malcolm Sargent (conductor) (on 1956-08-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1956-08-29)
recording of:
Beni Mora, op. 29 no. 1: III. Finale: In the Street of Ouled Naïls (on 1956-08-29)
composer:
Gustav Holst (composer) (in 1910)
part of:
Beni Mora, op. 29 no. 1
5:54
11St. Paul’s Suite, op. 29 no. 2 H118: I. Jig. Vivace
orchestra:
Royal Philharmonic Orchestra (from 1965-01-04 until 1965-01-05)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-01-04 until 1965-01-05)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-01-04 until 1965-01-05)
recording of:
St. Paul’s Suite for String Orchestra, op. 29 no. 2: I. Jig. Vivace (from 1965-01-04 until 1965-01-05)
composer:
Gustav Holst (composer) (in 1912)
part of:
St. Paul’s Suite for String Orchestra, op. 29 no. 2
3:18
12St. Paul’s Suite, op. 29 no. 2 H118: II. Ostinato. Presto
orchestra:
Royal Philharmonic Orchestra (from 1965-01-04 until 1965-01-05)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-01-04 until 1965-01-05)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-01-04 until 1965-01-05)
recording of:
St. Paul’s Suite for String Orchestra, op. 29 no. 2: II. Ostinato. Presto (from 1965-01-04 until 1965-01-05)
composer:
Gustav Holst (composer) (in 1912)
part of:
St. Paul’s Suite for String Orchestra, op. 29 no. 2
1:47
13St. Paul’s Suite, op. 29 no. 2 H118: III. Intermezzo. Andante con moto - Vivace
orchestra:
Royal Philharmonic Orchestra (from 1965-01-04 until 1965-01-05)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-01-04 until 1965-01-05)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-01-04 until 1965-01-05)
recording of:
St. Paul’s Suite for String Orchestra, op. 29 no. 2: III. Intermezzo. Andante con moto - Vivace (from 1965-01-04 until 1965-01-05)
composer:
Gustav Holst (composer) (in 1912)
part of:
St. Paul’s Suite for String Orchestra, op. 29 no. 2
4:03
14St. Paul’s Suite, op. 29 no. 2 H118: IV. Finale (The Dargason). Allegro
orchestra:
Royal Philharmonic Orchestra (from 1965-01-04 until 1965-01-05)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-01-04 until 1965-01-05)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-01-04 until 1965-01-05)
recording of:
St. Paul’s Suite for String Orchestra, op. 29 no. 2: IV. Finale (The Dargason). Allegro (from 1965-01-04 until 1965-01-05)
composer:
Gustav Holst (composer) (in 1912)
part of:
St. Paul’s Suite for String Orchestra, op. 29 no. 2
3:30
15Hymns from the Rig Veda – 2nd Group, op. 26 no. 2 H98: I. To Varuna (God of the Waters)
choir vocals:
London Symphony Chorus (on 1977-01-26)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1977-01-26)
conductor:
Sir Charles Groves (conductor) (on 1977-01-26)
chorus master:
Richard Hickox (conductor) (on 1977-01-26)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1977-01-26)
recording of:
Choral Hymns from the Rig Veda: Second Group, op. 26 no. 2: No. 1. To Varuna (God of the Waters) (on 1977-01-26)
composer:
Gustav Holst (composer) (in 1909)
part of:
Choral Hymns from the Rig Veda: Second Group, op. 26 no. 2
7:55
16Hymns from the Rig Veda – 2nd Group, op. 26 no. 2 H98: II. To Agni (God of Fire)
choir vocals:
London Symphony Chorus (on 1977-01-26)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1977-01-26)
conductor:
Sir Charles Groves (conductor) (on 1977-01-26)
chorus master:
Richard Hickox (conductor) (on 1977-01-26)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1977-01-26)
recording of:
Choral Hymns from the Rig Veda: Second Group, op. 26 no. 2: No. 2. To Agni (God of Fire) (on 1977-01-26)
composer:
Gustav Holst (composer) (in 1909)
part of:
Choral Hymns from the Rig Veda: Second Group, op. 26 no. 2
2:03
17Hymns from the Rig Veda – 2nd Group, op. 26 no. 2 H98: III. Funeral Chant
choir vocals:
London Symphony Chorus (on 1977-01-26)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1977-01-26)
conductor:
Sir Charles Groves (conductor) (on 1977-01-26)
chorus master:
Richard Hickox (conductor) (on 1977-01-26)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1977-01-26)
recording of:
Choral Hymns from the Rig Veda: Second Group, op. 26 no. 2: No. 3. Funeral Chant (on 1977-01-26)
composer:
Gustav Holst (composer) (in 1909)
part of:
Choral Hymns from the Rig Veda: Second Group, op. 26 no. 2
3:54
18Ode to Death, op. 38, H144
choir vocals:
London Symphony Chorus (on 1977-01-27)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1977-01-27)
conductor:
Sir Charles Groves (conductor) (on 1977-01-27)
chorus master:
Richard Hickox (conductor) (on 1977-01-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1977-01-27)
recording of:
Ode to Death, op. 38 (on 1977-01-27)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Gustav Holst (composer) (in 1919)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1923-12-19)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 144)
11:07
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1Psalm 86, H117 no. 1
organ:
Ralph Downes (on 1963-09-23)
tenor vocals:
Ian Partridge (tenor) (on 1963-09-23)
vocals:
Purcell Singers (founded 1952, Imogen Holst) (on 1963-09-23)
orchestra:
English Chamber Orchestra (on 1963-09-23)
conductor:
Imogen Holst (composer) (on 1963-09-23)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (on 1963-09-23)
recording of:
Two Psalms: To My Humble Supplication (Psalm 86) (on 1963-09-23)
composer:
Gustav Holst (composer) (in 1912)
part of:
Two Psalms
8:05
2A Choral Fantasia, op. 51 H177
organ:
Ralph Downes (on 1963-09-23)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1963-09-23)
vocals:
Purcell Singers (founded 1952, Imogen Holst) (on 1963-09-23)
orchestra:
English Chamber Orchestra (on 1963-09-23)
conductor:
Imogen Holst (composer) (on 1963-09-23)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (on 1963-09-23)
recording of:
A Choral Fantasia (op. 51, H. 177) (on 1963-09-23)
lyricist:
Robert Bridges (poet)
composer:
Gustav Holst (composer) (in 1930)
premiered at:
Gloucester Cathedral in Gloucester, Gloucestershire, England, United Kingdom (on 1931-09-08)
part of:
Works of Gustav Holst by opus number (number: op. 51) and A thematic catalogue of Gustav Holst’s music (number: H. 177)
17:16
3First Suite in E-flat, op. 28 no. 1 H105: I. Chaconne
instruments:
Central Band of the Royal Air Force (on 1965-07-19)
conductor:
Imogen Holst (composer) (on 1965-07-19)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-07-19)
recording of:
First Suite in E-flat for Military Band, op. 28 no. 1: I. Chaconne (on 1965-07-19)
composer:
Gustav Holst (composer) (in 1909)
part of:
First Suite in E-flat for Military Band, op. 28 no. 1
3:59
4First Suite in E-flat, op. 28 no. 1 H105: II. Intermezzo
instruments:
Central Band of the Royal Air Force (on 1965-07-19)
conductor:
Imogen Holst (composer) (on 1965-07-19)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-07-19)
recording of:
First Suite in E-flat for Military Band, op. 28 no. 1: II. Intermezzo (on 1965-07-19)
composer:
Gustav Holst (composer) (in 1909)
part of:
First Suite in E-flat for Military Band, op. 28 no. 1
2:57
5First Suite in E-flat, op. 28 no. 1 H105: III. March
instruments:
Central Band of the Royal Air Force (on 1965-07-19)
conductor:
Imogen Holst (composer) (on 1965-07-19)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-07-19)
recording of:
First Suite in E-flat for Military Band, op. 28 no. 1: III. March (on 1965-07-19)
composer:
Gustav Holst (composer) (in 1909)
part of:
First Suite in E-flat for Military Band, op. 28 no. 1
3:09
6Second Suite in F, op. 28 no. 2 H106: I. March
instruments:
Central Band of the Royal Air Force (on 1965-07-19)
conductor:
Imogen Holst (composer) (on 1965-07-19)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-07-19)
recording of:
Second Suite in F for Military Band, op. 28 no. 2: I. March: Morris dance, Swansea Town, Claudy Banks (on 1965-07-19)
composer:
Gustav Holst (composer) (in 1911)
part of:
Second Suite in F for Military Band, op. 28 no. 2
4:46
7Second Suite in F, op. 28 no. 2 H106: II. Song without Words
instruments:
Central Band of the Royal Air Force (on 1965-07-19)
conductor:
Imogen Holst (composer) (on 1965-07-19)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-07-19)
recording of:
Second Suite in F for Military Band, op. 28 no. 2: II. Song Without Words, 'I'll Love My Love' (on 1965-07-19)
composer:
Gustav Holst (composer) (in 1911)
part of:
Second Suite in F for Military Band, op. 28 no. 2
1:56
8Second Suite in F, op. 28 no. 2 H106: III. The Song of the Blacksmith
instruments:
Central Band of the Royal Air Force (on 1965-07-19)
conductor:
Imogen Holst (composer) (on 1965-07-19)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-07-19)
recording of:
Second Suite in F for Military Band, op. 28 no. 2: III. Song of the Blacksmith (on 1965-07-19)
composer:
Gustav Holst (composer) (in 1911)
part of:
Second Suite in F for Military Band, op. 28 no. 2
1:23
9Second Suite in F, op. 28 no. 2 H106: IV. Fantasia on the Dargason
instruments:
Central Band of the Royal Air Force (on 1965-07-19)
conductor:
Imogen Holst (composer) (on 1965-07-19)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-07-19)
recording of:
Second Suite in F for Military Band, op. 28 no. 2: IV. Fantasia on the "Dargason" (on 1965-07-19)
composer:
Gustav Holst (composer) (in 1911)
part of:
Second Suite in F for Military Band, op. 28 no. 2
3:39
10A Moorside Suite, H173: I. Scherzo
instruments:
BMC Band (Oxford) (on 1965-08-20)
conductor:
Imogen Holst (composer) (on 1965-08-20)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-20)
recording of:
A Moorside Suite, H. 173: I. Scherzo (on 1965-08-20)
composer:
Gustav Holst (composer) (in 1928)
part of:
A Moorside Suite, H. 173 (for brass band)
3:17
11A Moorside Suite, H173: II. Nocturne
instruments:
BMC Band (Oxford) (on 1965-08-20)
conductor:
Imogen Holst (composer) (on 1965-08-20)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-20)
recording of:
A Moorside Suite, H. 173: II. Nocturne (on 1965-08-20)
composer:
Gustav Holst (composer) (in 1928)
part of:
A Moorside Suite, H. 173 (for brass band)
6:23
12A Moorside Suite, H173: III. March
instruments:
BMC Band (Oxford) (on 1965-08-20)
conductor:
Imogen Holst (composer) (on 1965-08-20)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-20)
recording of:
A Moorside Suite, H. 173: III. March (on 1965-08-20)
composer:
Gustav Holst (composer) (in 1928)
part of:
A Moorside Suite, H. 173 (for brass band)
4:20
13Hammersmith, op. 52, H178: I. Prelude
instruments:
Central Band of the Royal Air Force (on 1965-07-19)
conductor:
Wing Commander J. L. Wallace (wing commander of the UK’s Royal Air Force) (on 1965-07-19)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-07-19)
partial recording of:
Hammersmith: Prelude and Scherzo, op. 52 (for military band) (on 1965-07-19)
premiered in:
Pittsburgh, Pennsylvania, United States (on 1954-04-14)
composer:
Gustav Holst (composer) (in 1930)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 178)
3:38
14Hammersmith, op. 52, H178: II. Scherzo
instruments:
Central Band of the Royal Air Force (on 1965-07-19)
conductor:
Wing Commander J. L. Wallace (wing commander of the UK’s Royal Air Force) (on 1965-07-19)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-07-19)
partial recording of:
Hammersmith: Prelude and Scherzo, op. 52 (for military band) (on 1965-07-19)
premiered in:
Pittsburgh, Pennsylvania, United States (on 1954-04-14)
composer:
Gustav Holst (composer) (in 1930)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 178)
9:46
4▼CD
#TitleRatingLength
1Hymns from the Rig Veda – 4th Group, op. 26 no. 4 H100: III. Hymn to Manas
choir vocals:
Baccholian Singers of London (from 1974-09-16 until 1974-09-18)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-09-16 until 1974-09-18)
partial recording of:
Choral Hymns from the Rig Veda: Fourth Group, op. 26 no. 4 (from 1974-09-16 until 1974-09-18)
composer:
Gustav Holst (composer) (in 1912)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1914-03-18)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 100)
part of:
Choral Hymns from the Rig Veda, op. 26
3:49
2The Homecoming, H120
choir vocals:
Baccholian Singers of London (from 1974-09-16 until 1974-09-18)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-09-16 until 1974-09-18)
recording of:
The Homecoming, H. 120 (from 1974-09-16 until 1974-09-18)
lyricist:
Thomas Hardy (poet)
composer:
Gustav Holst (composer) (in 1913)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 120)
6:02
3A Dirge for Two Veterans H121
instruments:
Philip Jones Brass Ensemble (from 1974-09-16 until 1974-09-18)
choir vocals:
Baccholian Singers of London (from 1974-09-16 until 1974-09-18)
conductor:
Ian Humphris (composer / singer / broadcaster) (from 1974-09-16 until 1974-09-18)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-09-16 until 1974-09-18)
recording of:
A Dirge for Two Veterans (H. 121) (from 1974-09-16 until 1974-09-18)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Gustav Holst (composer) (in 1914)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 121)
6:15
4Six Choral Folk Songs, H136: I. I sowed the seeds of love
choir vocals:
Baccholian Singers of London (from 1974-09-16 until 1974-09-18)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-09-16 until 1974-09-18)
recording of:
Six Choral Folk Songs, op. 36b: I. I Sowed the Seeds of Love (from 1974-09-16 until 1974-09-18)
lyricist:
[traditional] (special purpose artist)
composer:
Gustav Holst (composer) (in 1916)
part of:
Six Choral Folk Songs, op. 36b
3:07
5Six Choral Folk Songs, H136: III. Matthew, Mark, Luke and John
choir vocals:
Baccholian Singers of London (from 1974-09-16 until 1974-09-18)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-09-16 until 1974-09-18)
recording of:
Six Choral Folk Songs, op. 36b: III. Matthew, Mark, Luke and John (from 1974-09-16 until 1974-09-18)
lyricist:
[traditional] (special purpose artist)
composer:
Gustav Holst (composer) (in 1916)
part of:
Six Choral Folk Songs, op. 36b
2:24
6Six Choral Folk Songs, H136: IV. The Song of the Blacksmith
choir vocals:
Baccholian Singers of London (from 1974-09-16 until 1974-09-18)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-09-16 until 1974-09-18)
recording of:
Six Choral Folk Songs, op. 36b: IV. The Song of the Blacksmith (from 1974-09-16 until 1974-09-18)
lyricist:
[traditional] (special purpose artist)
composer:
Gustav Holst (composer) (in 1916)
part of:
Six Choral Folk Songs, op. 36b
1:17
7Six Choral Folk Songs, H136: V. I love my love
choir vocals:
Baccholian Singers of London (from 1974-09-16 until 1974-09-18)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-09-16 until 1974-09-18)
recording of:
Six Choral Folk Songs, op. 36b: V. I Love My Love (from 1974-09-16 until 1974-09-18)
lyricist:
[traditional] (special purpose artist)
composer:
Gustav Holst (composer) (in 1916)
part of:
Six Choral Folk Songs, op. 36b
4:05
8Six Choral Folk Songs, H136: VI. Swansea Town
choir vocals:
Baccholian Singers of London (from 1974-09-16 until 1974-09-18)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-09-16 until 1974-09-18)
recording of:
Six Choral Folk Songs, op. 36b: VI. Swansea Town (from 1974-09-16 until 1974-09-18)
lyricist:
[traditional] (special purpose artist)
composer:
Gustav Holst (composer) (in 1916)
part of:
Six Choral Folk Songs, op. 36b
2:50
9Six Choruses, op. 53 H186: I. Intercession
choir vocals:
Baccholian Singers of London (from 1974-09-16 until 1974-09-18)
orchestra:
English Chamber Orchestra (from 1974-09-16 until 1974-09-18)
conductor:
Ian Humphris (composer / singer / broadcaster) (from 1974-09-16 until 1974-09-18)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-09-16 until 1974-09-18)
recording of:
Six Choruses for Male Voices, op. 53, H. 186: II. Intercession (from 1974-09-16 until 1974-09-18)
lyricist:
Helen Waddell
composer:
Gustav Holst (composer) (from 1931 until 1932)
part of:
Six Choruses for Male Voices, op. 53, H. 186
3:45
10Six Choruses, op. 53 H186: II. Good Friday
choir vocals:
Baccholian Singers of London (from 1974-09-16 until 1974-09-18)
orchestra:
English Chamber Orchestra (from 1974-09-16 until 1974-09-18)
conductor:
Ian Humphris (composer / singer / broadcaster) (from 1974-09-16 until 1974-09-18)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-09-16 until 1974-09-18)
recording of:
Six Choruses for Male Voices, op. 53, H. 186: I. Good Friday (from 1974-09-16 until 1974-09-18)
lyricist:
Helen Waddell
composer:
Gustav Holst (composer) (from 1931 until 1932)
part of:
Six Choruses for Male Voices, op. 53, H. 186
4:20
11Six Choruses, op. 53 H186: III. Drinking Song
choir vocals:
Baccholian Singers of London (from 1974-09-16 until 1974-09-18)
orchestra:
English Chamber Orchestra (from 1974-09-16 until 1974-09-18)
conductor:
Ian Humphris (composer / singer / broadcaster) (from 1974-09-16 until 1974-09-18)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-09-16 until 1974-09-18)
recording of:
Six Choruses for Male Voices, op. 53, H. 186: V. Drinking Song (from 1974-09-16 until 1974-09-18)
lyricist:
Helen Waddell
composer:
Gustav Holst (composer) (from 1931 until 1932)
part of:
Six Choruses for Male Voices, op. 53, H. 186
2:11
12Six Choruses, op. 53 H186: IV. A Love Song
choir vocals:
Baccholian Singers of London (from 1974-09-16 until 1974-09-18)
orchestra:
English Chamber Orchestra (from 1974-09-16 until 1974-09-18)
conductor:
Ian Humphris (composer / singer / broadcaster) (from 1974-09-16 until 1974-09-18)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-09-16 until 1974-09-18)
recording of:
Six Choruses for Male Voices, op. 53, H. 186: IV. A Love Song (from 1974-09-16 until 1974-09-18)
lyricist:
Helen Waddell
composer:
Gustav Holst (composer) (from 1931 until 1932)
part of:
Six Choruses for Male Voices, op. 53, H. 186
2:12
13Six Choruses, op. 53 H186: VI. Before Sleep
choir vocals:
Baccholian Singers of London (from 1974-09-16 until 1974-09-18)
orchestra:
English Chamber Orchestra (from 1974-09-16 until 1974-09-18)
conductor:
Ian Humphris (composer / singer / broadcaster) (from 1974-09-16 until 1974-09-18)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-09-16 until 1974-09-18)
recording of:
Six Choruses for Male Voices, op. 53, H. 186: VI. Before Sleep (from 1974-09-16 until 1974-09-18)
lyricist:
Helen Waddell
composer:
Gustav Holst (composer) (from 1931 until 1932)
part of:
Six Choruses for Male Voices, op. 53, H. 186
3:23
14Eight Canons, H187: III. The Fields of Sorrow
choir vocals:
Baccholian Singers of London (from 1974-09-16 until 1974-09-18)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-09-16 until 1974-09-18)
recording of:
Eight Canons, H. 187: 3. The Fields of Sorrow (from 1974-09-16 until 1974-09-18)
composer:
Gustav Holst (composer)
part of:
Eight Canons, H. 187
1:02
15Eight Canons, H187: IV. David's Lament for Jonathan
choir vocals:
Baccholian Singers of London (from 1974-09-16 until 1974-09-18)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-09-16 until 1974-09-18)
recording of:
Eight Canons, H. 187: 4. David's Lament for Jonathan (from 1974-09-16 until 1974-09-18)
composer:
Gustav Holst (composer)
part of:
Eight Canons, H. 187
1:20
16Eight Canons, H187: VI. Truth of all Truth
choir vocals:
Baccholian Singers of London (from 1974-09-16 until 1974-09-18)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-09-16 until 1974-09-18)
recording of:
Eight Canons, H. 187: 6. Truth of all Truth (from 1974-09-16 until 1974-09-18)
composer:
Gustav Holst (composer)
part of:
Eight Canons, H. 187
4:01
17Bring Us in Good Ale, op. 34 no. 4 H131
other vocals:
The King’s Singers (from 1987-07-20 until 1987-07-23)
balance engineer:
David Flower (engineer)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (from 1987-07-20 until 1987-07-23)
recording of:
Bring Us In Good Ale, op. 34 no. 4 (from 1987-07-20 until 1987-07-23)
lyricist:
[traditional] (special purpose artist)
composer:
Gustav Holst (composer) (in 1916)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 131)
part of:
4 Choruses, op. 34
1:04
18Vedic Hymns – 1st Group op. 24 H90: II. Varuna
piano:
Gerald Moore (pianist) (on 1966-08-16)
baritone vocals:
Frederick Harvey (baritone) (on 1966-08-16)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1966-08-16)
recording of:
Hymns From the Rig Veda, op. 24, H. 90: 2. Varuna I (Sky) (on 1966-08-16)
composer:
Gustav Holst (composer) (from 1907 until 1908)
translator:
Gustav Holst (composer)
part of:
Hymns From the Rig Veda, op. 24, H. 90
3:26
19Three Festival Choruses, op. 36a H134: II. Turn back, O man
organ:
Richard Seal (conductor) (from 1966-07-22 until 1966-07-24)
choir vocals:
Chichester Cathedral Choir (from 1966-07-22 until 1966-07-24)
conductor:
John Birch (organist) (from 1966-07-22 until 1966-07-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Chichester Cathedral in Chichester, West Sussex, England, United Kingdom (from 1966-07-22 until 1966-07-24)
recording of:
Turn back, O man, op. 36a no. 2 (from 1966-07-22 until 1966-07-24)
lyricist:
Clifford Bax
composer:
Gustav Holst (composer) (in 1916)
part of:
Three Festival Choruses
4:26
20Lullay my liking, op. 34 no. 2 H129
choir vocals:
London Boy Singers (from 1965-01-07 until 1965-01-08)
conductor:
Jonathan Steele (from 1965-01-07 until 1965-01-08)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-01-07 until 1965-01-08)
recording of:
Lullay My Liking, op. 34 no. 2 (from 1965-01-07 until 1965-01-08)
composer:
Gustav Holst (composer) (in 1916)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 129)
version of:
Lullay, Mine Liking
part of:
4 Choruses, op. 34
3:42
21Three Carols, H133: II. Christmas Song: Personent hodie
choir vocals:
The Bach Choir (from 1965-01-06 until 1965-01-08)
orchestra:
Jacques Orchestra (from 1965-01-06 until 1965-01-08)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1965-01-06 until 1965-01-08)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-01-06 until 1965-01-08)
recording of:
Personent Hodie (arr. Holst; aka “On This Day”; “Christmas Song”) (from 1965-01-06 until 1965-01-08)
lyricist and composer:
[anonymous] (special purpose artist)
arranger:
Gustav Holst (composer) (in 1916)
version of:
Personent hodie (1582 version)
part of:
Three Carols
2:41
22Hymn: In the bleak midwinter, H73 no. 1
organ:
Edwin Bates (from 1966-01-25 until 1966-01-27)
choir vocals:
Rodney Christian Fellowship Choir (from 1966-01-25 until 1966-01-27)
conductor:
Rodney Smith Bishton (from 1966-01-25 until 1966-01-27)
recorded at:
Bristol Cathedral in Bristol, England, United Kingdom (from 1966-01-25 until 1966-01-27)
recording of:
In the Bleak Midwinter (Gustav Holst version) (from 1966-01-25 until 1966-01-27)
lyricist:
Christina Rossetti
composer:
Gustav Holst (composer) (in 1906)
part of:
The New English Hymnal (hymn book) (number: 28)
is based on:
Cranham (hymn tune)
version of:
In the Bleak Midwinter (poem)
part of:
3 Hymns for the English Hymnal
3:56
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1The Hymn of Jesus, op. 37 H140: Prelude: Vexilla Regis prodeunt
choir vocals:
London Symphony Chorus (from 1977-03-07 until 1977-03-08)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1977-03-07 until 1977-03-08)
conductor:
Christopher Dearnley (organist) (from 1977-03-07 until 1977-03-08) and Sir Charles Groves (conductor) (from 1977-03-07 until 1977-03-08)
chorus master:
Richard Hickox (conductor) (from 1977-03-07 until 1977-03-08)
performer:
Choristers of St. Paul's Cathedral (London) (from 1977-03-07 until 1977-03-08)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03-07 until 1977-03-08)
recording of:
The Hymn of Jesus, op. 37 "Prelude": Senza misura - Lento (from 1977-03-07 until 1977-03-08)
lyricist:
[traditional] (special purpose artist)
composer and translator:
Gustav Holst (composer)
part of:
The Hymn of Jesus, op. 37
5:15
2The Hymn of Jesus, op. 37 H140: Hymn: Glory to thee, Father!
choir vocals:
London Symphony Chorus (from 1977-03-07 until 1977-03-08)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1977-03-07 until 1977-03-08)
conductor:
Christopher Dearnley (organist) (from 1977-03-07 until 1977-03-08) and Sir Charles Groves (conductor) (from 1977-03-07 until 1977-03-08)
chorus master:
Richard Hickox (conductor) (from 1977-03-07 until 1977-03-08)
performer:
Choristers of St. Paul's Cathedral (London) (from 1977-03-07 until 1977-03-08)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03-07 until 1977-03-08)
partial recording of:
The Hymn of Jesus, op. 37 "The Hymn": Moderato maestoso (from 1977-03-07 until 1977-03-08)
lyricist:
[traditional] (special purpose artist)
composer and translator:
Gustav Holst (composer)
part of:
The Hymn of Jesus, op. 37
2:34
3The Hymn of Jesus, op. 37 H140: Hymn: Fain would I be saved
choir vocals:
London Symphony Chorus (from 1977-03-07 until 1977-03-08)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1977-03-07 until 1977-03-08)
conductor:
Christopher Dearnley (organist) (from 1977-03-07 until 1977-03-08) and Sir Charles Groves (conductor) (from 1977-03-07 until 1977-03-08)
chorus master:
Richard Hickox (conductor) (from 1977-03-07 until 1977-03-08)
performer:
Choristers of St. Paul's Cathedral (London) (from 1977-03-07 until 1977-03-08)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03-07 until 1977-03-08)
partial recording of:
The Hymn of Jesus, op. 37 "The Hymn": Moderato maestoso (from 1977-03-07 until 1977-03-08)
lyricist:
[traditional] (special purpose artist)
composer and translator:
Gustav Holst (composer)
part of:
The Hymn of Jesus, op. 37
2:09
4The Hymn of Jesus, op. 37 H140: Hymn: Divine Grace is dancing
choir vocals:
London Symphony Chorus (from 1977-03-07 until 1977-03-08)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1977-03-07 until 1977-03-08)
conductor:
Christopher Dearnley (organist) (from 1977-03-07 until 1977-03-08) and Sir Charles Groves (conductor) (from 1977-03-07 until 1977-03-08)
chorus master:
Richard Hickox (conductor) (from 1977-03-07 until 1977-03-08)
performer:
Choristers of St. Paul's Cathedral (London) (from 1977-03-07 until 1977-03-08)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03-07 until 1977-03-08)
partial recording of:
The Hymn of Jesus, op. 37 "The Hymn": Moderato maestoso (from 1977-03-07 until 1977-03-08)
lyricist:
[traditional] (special purpose artist)
composer and translator:
Gustav Holst (composer)
part of:
The Hymn of Jesus, op. 37
3:31
5The Hymn of Jesus, op. 37 H140: Hymn: Give ye heed unto my dancing
choir vocals:
London Symphony Chorus (from 1977-03-07 until 1977-03-08)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1977-03-07 until 1977-03-08)
conductor:
Christopher Dearnley (organist) (from 1977-03-07 until 1977-03-08) and Sir Charles Groves (conductor) (from 1977-03-07 until 1977-03-08)
chorus master:
Richard Hickox (conductor) (from 1977-03-07 until 1977-03-08)
performer:
Choristers of St. Paul's Cathedral (London) (from 1977-03-07 until 1977-03-08)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03-07 until 1977-03-08)
partial recording of:
The Hymn of Jesus, op. 37 "The Hymn": Moderato maestoso (from 1977-03-07 until 1977-03-08)
lyricist:
[traditional] (special purpose artist)
composer and translator:
Gustav Holst (composer)
part of:
The Hymn of Jesus, op. 37
8:42
6Short Festival Te Deum, H145
choir vocals:
London Symphony Chorus (from 1977-01-27 until 1977-03-08)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1977-01-27 until 1977-03-08)
conductor:
Sir Charles Groves (conductor) (from 1977-01-27 until 1977-03-08)
chorus master:
Richard Hickox (conductor) (from 1977-01-27 until 1977-03-08)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-01-27 until 1977-03-08)
recording of:
Short Festival Te Deum (from 1977-01-27 until 1977-03-08)
composer:
Gustav Holst (composer)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 145)
4:42
7Choral Symphony, op. 41 H155: Prelude: Invocation to Pan
soprano vocals:
Felicity Palmer (mezzo-soprano) (from 1974-03-05 until 1974-03-09)
vocals:
London Philharmonic Choir (from 1974-03-05 until 1974-03-09)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1974-03-05 until 1974-03-09)
conductor:
Sir Adrian Boult (conductor) (from 1974-03-05 until 1974-03-09)
chorus master:
John Alldis (chorusmaster and conductor) (from 1974-03-05 until 1974-03-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-03-05 until 1974-03-09)
recording of:
First Choral Symphony, op. 41: I. Prelude: Invocation to Pan (from 1974-03-05 until 1974-03-09)
composer:
Gustav Holst (composer) (from 1923 until 1924)
part of:
First Choral Symphony, op. 41
2:55
8Choral Symphony, op. 41 H155: I. Song and Bacchanal
soprano vocals:
Felicity Palmer (mezzo-soprano) (from 1974-03-05 until 1974-03-09)
vocals:
London Philharmonic Choir (from 1974-03-05 until 1974-03-09)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1974-03-05 until 1974-03-09)
conductor:
Sir Adrian Boult (conductor) (from 1974-03-05 until 1974-03-09)
chorus master:
John Alldis (chorusmaster and conductor) (from 1974-03-05 until 1974-03-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-03-05 until 1974-03-09)
recording of:
First Choral Symphony, op. 41: II. Song and Bacchanal (from 1974-03-05 until 1974-03-09)
composer:
Gustav Holst (composer) (from 1923 until 1924)
part of:
First Choral Symphony, op. 41
10:01
9Choral Symphony, op. 41 H155: II. Ode on a Grecian Urn
soprano vocals:
Felicity Palmer (mezzo-soprano) (from 1974-03-05 until 1974-03-09)
vocals:
London Philharmonic Choir (from 1974-03-05 until 1974-03-09)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1974-03-05 until 1974-03-09)
conductor:
Sir Adrian Boult (conductor) (from 1974-03-05 until 1974-03-09)
chorus master:
John Alldis (chorusmaster and conductor) (from 1974-03-05 until 1974-03-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-03-05 until 1974-03-09)
recording of:
First Choral Symphony, op. 41: III. Ode on a Grecian Urn (from 1974-03-05 until 1974-03-09)
composer:
Gustav Holst (composer) (from 1923 until 1924)
part of:
First Choral Symphony, op. 41
12:58
10Choral Symphony, op. 41 H155: III. Scherzo. Fancy – Folly's Song
soprano vocals:
Felicity Palmer (mezzo-soprano) (from 1974-03-05 until 1974-03-09)
vocals:
London Philharmonic Choir (from 1974-03-05 until 1974-03-09)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1974-03-05 until 1974-03-09)
conductor:
Sir Adrian Boult (conductor) (from 1974-03-05 until 1974-03-09)
chorus master:
John Alldis (chorusmaster and conductor) (from 1974-03-05 until 1974-03-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-03-05 until 1974-03-09)
recording of:
First Choral Symphony, op. 41: V. Folly’s Song (from 1974-03-05 until 1974-03-09)
composer:
Gustav Holst (composer) (from 1923 until 1924)
part of:
First Choral Symphony, op. 41
5:32
11Choral Symphony, op. 41 H155: IV. Finale
soprano vocals:
Felicity Palmer (mezzo-soprano) (from 1974-03-05 until 1974-03-09)
vocals:
London Philharmonic Choir (from 1974-03-05 until 1974-03-09)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1974-03-05 until 1974-03-09)
conductor:
Sir Adrian Boult (conductor) (from 1974-03-05 until 1974-03-09)
chorus master:
John Alldis (chorusmaster and conductor) (from 1974-03-05 until 1974-03-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-03-05 until 1974-03-09)
recording of:
First Choral Symphony, op. 41: VI: Finale (from 1974-03-05 until 1974-03-09)
composer:
Gustav Holst (composer) (from 1923 until 1924)
part of:
First Choral Symphony, op. 41
18:45
6▼CD
#TitleRatingLength
1The Wandering Scholar, op. 50 H176: I. When boughs are green in April
producer:
John Willan (producer)
bass vocals [Louis]:
Michael Rippon (operatic bass) (from 1974-07-17 until 1974-07-19)
soprano vocals [Alison]:
Norma Burrowes (soprano) (from 1974-07-17 until 1974-07-19)
orchestra:
English Chamber Orchestra (from 1974-07-17 until 1974-07-19) and English Opera Group (from 1974-07-17 until 1974-07-19)
conductor:
Steuart Bedford (conductor) (from 1974-07-17 until 1974-07-19)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-19)
partial recording of:
The Wandering Scholar, op. 50 (from 1974-07-17 until 1974-07-19)
composer:
Gustav Holst (composer)
librettist:
Clifford Bax
premiered at:
David Lewis Theatre in Liverpool, Merseyside, England, United Kingdom (on 1934-01-31)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 176)
1:22
2The Wandering Scholar, op. 50 H176: II. Ho there, old dog
producer:
John Willan (producer)
bass vocals [Louis]:
Michael Rippon (operatic bass) (from 1974-07-17 until 1974-07-19)
soprano vocals [Alison]:
Norma Burrowes (soprano) (from 1974-07-17 until 1974-07-19)
orchestra:
English Chamber Orchestra (from 1974-07-17 until 1974-07-19) and English Opera Group (from 1974-07-17 until 1974-07-19)
conductor:
Steuart Bedford (conductor) (from 1974-07-17 until 1974-07-19)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-19)
partial recording of:
The Wandering Scholar, op. 50 (from 1974-07-17 until 1974-07-19)
composer:
Gustav Holst (composer)
librettist:
Clifford Bax
premiered at:
David Lewis Theatre in Liverpool, Merseyside, England, United Kingdom (on 1934-01-31)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 176)
1:39
3The Wandering Scholar, op. 50 H176: III. The most beautiful piece
producer:
John Willan (producer)
bass vocals [Father Philippe]:
Michael Langdon (from 1974-07-17 until 1974-07-19)
soprano vocals [Alison]:
Norma Burrowes (soprano) (from 1974-07-17 until 1974-07-19)
orchestra:
English Chamber Orchestra (from 1974-07-17 until 1974-07-19) and English Opera Group (from 1974-07-17 until 1974-07-19)
conductor:
Steuart Bedford (conductor) (from 1974-07-17 until 1974-07-19)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-19)
partial recording of:
The Wandering Scholar, op. 50 (from 1974-07-17 until 1974-07-19)
composer:
Gustav Holst (composer)
librettist:
Clifford Bax
premiered at:
David Lewis Theatre in Liverpool, Merseyside, England, United Kingdom (on 1934-01-31)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 176)
1:52
4The Wandering Scholar, op. 50 H176: IV. The time, then, was well chosen
producer:
John Willan (producer)
bass vocals [Father Philippe]:
Michael Langdon (from 1974-07-17 until 1974-07-19)
soprano vocals [Alison]:
Norma Burrowes (soprano) (from 1974-07-17 until 1974-07-19)
orchestra:
English Chamber Orchestra (from 1974-07-17 until 1974-07-19) and English Opera Group (from 1974-07-17 until 1974-07-19)
conductor:
Steuart Bedford (conductor) (from 1974-07-17 until 1974-07-19)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-19)
partial recording of:
The Wandering Scholar, op. 50 (from 1974-07-17 until 1974-07-19)
composer:
Gustav Holst (composer)
librettist:
Clifford Bax
premiered at:
David Lewis Theatre in Liverpool, Merseyside, England, United Kingdom (on 1934-01-31)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 176)
2:06
5The Wandering Scholar, op. 50 H176: V. Someone is coming!
producer:
John Willan (producer)
bass vocals [Father Philippe]:
Michael Langdon (from 1974-07-17 until 1974-07-19)
soprano vocals [Alison]:
Norma Burrowes (soprano) (from 1974-07-17 until 1974-07-19)
tenor vocals [Pierre]:
Robert Tear (tenor) (from 1974-07-17 until 1974-07-19)
orchestra:
English Chamber Orchestra (from 1974-07-17 until 1974-07-19) and English Opera Group (from 1974-07-17 until 1974-07-19)
conductor:
Steuart Bedford (conductor) (from 1974-07-17 until 1974-07-19)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-19)
partial recording of:
The Wandering Scholar, op. 50 (from 1974-07-17 until 1974-07-19)
composer:
Gustav Holst (composer)
librettist:
Clifford Bax
premiered at:
David Lewis Theatre in Liverpool, Merseyside, England, United Kingdom (on 1934-01-31)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 176)
1:38
6The Wandering Scholar, op. 50 H176: VI. Before that I was twenty
producer:
John Willan (producer)
bass vocals [Father Philippe]:
Michael Langdon (from 1974-07-17 until 1974-07-19)
tenor vocals [Pierre]:
Robert Tear (tenor) (from 1974-07-17 until 1974-07-19)
orchestra:
English Chamber Orchestra (from 1974-07-17 until 1974-07-19) and English Opera Group (from 1974-07-17 until 1974-07-19)
conductor:
Steuart Bedford (conductor) (from 1974-07-17 until 1974-07-19)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-19)
partial recording of:
The Wandering Scholar, op. 50 (from 1974-07-17 until 1974-07-19)
composer:
Gustav Holst (composer)
librettist:
Clifford Bax
premiered at:
David Lewis Theatre in Liverpool, Merseyside, England, United Kingdom (on 1934-01-31)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 176)
3:33
7The Wandering Scholar, op. 50 H176: VII. So learned a clerk
producer:
John Willan (producer)
bass vocals [Father Philippe]:
Michael Langdon (from 1974-07-17 until 1974-07-19)
soprano vocals [Alison]:
Norma Burrowes (soprano) (from 1974-07-17 until 1974-07-19)
tenor vocals [Pierre]:
Robert Tear (tenor) (from 1974-07-17 until 1974-07-19)
orchestra:
English Chamber Orchestra (from 1974-07-17 until 1974-07-19) and English Opera Group (from 1974-07-17 until 1974-07-19)
conductor:
Steuart Bedford (conductor) (from 1974-07-17 until 1974-07-19)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-19)
partial recording of:
The Wandering Scholar, op. 50 (from 1974-07-17 until 1974-07-19)
composer:
Gustav Holst (composer)
librettist:
Clifford Bax
premiered at:
David Lewis Theatre in Liverpool, Merseyside, England, United Kingdom (on 1934-01-31)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 176)
1:54
8The Wandering Scholar, op. 50 H176: VIII. Heigho, a pretty knave!
producer:
John Willan (producer)
bass vocals [Father Philippe]:
Michael Langdon (from 1974-07-17 until 1974-07-19)
soprano vocals [Alison]:
Norma Burrowes (soprano) (from 1974-07-17 until 1974-07-19)
orchestra:
English Chamber Orchestra (from 1974-07-17 until 1974-07-19) and English Opera Group (from 1974-07-17 until 1974-07-19)
conductor:
Steuart Bedford (conductor) (from 1974-07-17 until 1974-07-19)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-19)
partial recording of:
The Wandering Scholar, op. 50 (from 1974-07-17 until 1974-07-19)
composer:
Gustav Holst (composer)
librettist:
Clifford Bax
premiered at:
David Lewis Theatre in Liverpool, Merseyside, England, United Kingdom (on 1934-01-31)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 176)
3:22
9The Wandering Scholar, op. 50 H176: IX. He'll lie all day in the sun
producer:
John Willan (producer)
bass vocals [Louis]:
Michael Rippon (operatic bass) (from 1974-07-17 until 1974-07-19)
soprano vocals [Alison]:
Norma Burrowes (soprano) (from 1974-07-17 until 1974-07-19)
tenor vocals [Pierre]:
Robert Tear (tenor) (from 1974-07-17 until 1974-07-19)
orchestra:
English Chamber Orchestra (from 1974-07-17 until 1974-07-19) and English Opera Group (from 1974-07-17 until 1974-07-19)
conductor:
Steuart Bedford (conductor) (from 1974-07-17 until 1974-07-19)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-19)
partial recording of:
The Wandering Scholar, op. 50 (from 1974-07-17 until 1974-07-19)
composer:
Gustav Holst (composer)
librettist:
Clifford Bax
premiered at:
David Lewis Theatre in Liverpool, Merseyside, England, United Kingdom (on 1934-01-31)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 176)
1:34
10The Wandering Scholar, op. 50 H176: X. As I was walking
producer:
John Willan (producer)
bass vocals [Louis]:
Michael Rippon (operatic bass) (from 1974-07-17 until 1974-07-19)
soprano vocals [Alison]:
Norma Burrowes (soprano) (from 1974-07-17 until 1974-07-19)
tenor vocals [Pierre]:
Robert Tear (tenor) (from 1974-07-17 until 1974-07-19)
orchestra:
English Chamber Orchestra (from 1974-07-17 until 1974-07-19) and English Opera Group (from 1974-07-17 until 1974-07-19)
conductor:
Steuart Bedford (conductor) (from 1974-07-17 until 1974-07-19)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-19)
partial recording of:
The Wandering Scholar, op. 50 (from 1974-07-17 until 1974-07-19)
composer:
Gustav Holst (composer)
librettist:
Clifford Bax
premiered at:
David Lewis Theatre in Liverpool, Merseyside, England, United Kingdom (on 1934-01-31)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 176)
3:52
11The Wandering Scholar, op. 50 H176: XI. Monster! Villain!
producer:
John Willan (producer)
bass vocals [Louis]:
Michael Rippon (operatic bass) (from 1974-07-17 until 1974-07-19)
soprano vocals [Alison]:
Norma Burrowes (soprano) (from 1974-07-17 until 1974-07-19)
tenor vocals [Pierre]:
Robert Tear (tenor) (from 1974-07-17 until 1974-07-19)
orchestra:
English Chamber Orchestra (from 1974-07-17 until 1974-07-19) and English Opera Group (from 1974-07-17 until 1974-07-19)
conductor:
Steuart Bedford (conductor) (from 1974-07-17 until 1974-07-19)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-19)
partial recording of:
The Wandering Scholar, op. 50 (from 1974-07-17 until 1974-07-19)
composer:
Gustav Holst (composer)
librettist:
Clifford Bax
premiered at:
David Lewis Theatre in Liverpool, Merseyside, England, United Kingdom (on 1934-01-31)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 176)
1:43
12At the Boar’s Head, op. 42 H156: I. Of all the birds
vocals:
Royal Liverpool Philharmonic Choir (from 1981-05-12 until 1981-05-13)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1981-05-12 until 1981-05-13)
conductor:
David Atherton (conductor) (from 1981-05-12 until 1981-05-13)
chorus master:
Edmund Walters (from 1981-05-12 until 1981-05-13)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1981-05-12 until 1981-05-13)
partial recording of:
At the Boar's Head, op. 42 (from 1981-05-12 until 1981-05-13)
composer and librettist:
Gustav Holst (composer) (in 1925)
premiered at:
Manchester Opera House in Manchester, Greater Manchester, England, United Kingdom (on 1925-04-03)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 156)
3:25
13At the Boar’s Head, op. 42 H156: II. Are not you a coward?
vocals:
Royal Liverpool Philharmonic Choir (from 1981-05-12 until 1981-05-13)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1981-05-12 until 1981-05-13)
conductor:
David Atherton (conductor) (from 1981-05-12 until 1981-05-13)
chorus master:
Edmund Walters (from 1981-05-12 until 1981-05-13)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1981-05-12 until 1981-05-13)
partial recording of:
At the Boar's Head, op. 42 (from 1981-05-12 until 1981-05-13)
composer and librettist:
Gustav Holst (composer) (in 1925)
premiered at:
Manchester Opera House in Manchester, Greater Manchester, England, United Kingdom (on 1925-04-03)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 156)
1:28
14At the Boar’s Head, op. 42 H156: III. I am a rogue
vocals:
Royal Liverpool Philharmonic Choir (from 1981-05-12 until 1981-05-13)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1981-05-12 until 1981-05-13)
conductor:
David Atherton (conductor) (from 1981-05-12 until 1981-05-13)
chorus master:
Edmund Walters (from 1981-05-12 until 1981-05-13)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1981-05-12 until 1981-05-13)
partial recording of:
At the Boar's Head, op. 42 (from 1981-05-12 until 1981-05-13)
composer and librettist:
Gustav Holst (composer) (in 1925)
premiered at:
Manchester Opera House in Manchester, Greater Manchester, England, United Kingdom (on 1925-04-03)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 156)
5:07
15At the Boar’s Head, op. 42 H156: IV. We two saw your four
vocals:
Royal Liverpool Philharmonic Choir (from 1981-05-12 until 1981-05-13)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1981-05-12 until 1981-05-13)
conductor:
David Atherton (conductor) (from 1981-05-12 until 1981-05-13)
chorus master:
Edmund Walters (from 1981-05-12 until 1981-05-13)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1981-05-12 until 1981-05-13)
partial recording of:
At the Boar's Head, op. 42 (from 1981-05-12 until 1981-05-13)
composer and librettist:
Gustav Holst (composer) (in 1925)
premiered at:
Manchester Opera House in Manchester, Greater Manchester, England, United Kingdom (on 1925-04-03)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 156)
3:46
16At the Boar’s Head, op. 42 H156: V. I know you all
vocals:
Royal Liverpool Philharmonic Choir (from 1981-05-12 until 1981-05-13)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1981-05-12 until 1981-05-13)
conductor:
David Atherton (conductor) (from 1981-05-12 until 1981-05-13)
chorus master:
Edmund Walters (from 1981-05-12 until 1981-05-13)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1981-05-12 until 1981-05-13)
partial recording of:
At the Boar's Head, op. 42 (from 1981-05-12 until 1981-05-13)
composer and librettist:
Gustav Holst (composer) (in 1925)
premiered at:
Manchester Opera House in Manchester, Greater Manchester, England, United Kingdom (on 1925-04-03)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 156)
3:50
17At the Boar’s Head, op. 42 H156: VI. Do thou stand
vocals:
Royal Liverpool Philharmonic Choir (from 1981-05-12 until 1981-05-13)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1981-05-12 until 1981-05-13)
conductor:
David Atherton (conductor) (from 1981-05-12 until 1981-05-13)
chorus master:
Edmund Walters (from 1981-05-12 until 1981-05-13)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1981-05-12 until 1981-05-13)
partial recording of:
At the Boar's Head, op. 42 (from 1981-05-12 until 1981-05-13)
composer and librettist:
Gustav Holst (composer) (in 1925)
premiered at:
Manchester Opera House in Manchester, Greater Manchester, England, United Kingdom (on 1925-04-03)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 156)
9:52
18At the Boar’s Head, op. 42 H156: VII. I' faith, sweetheart
vocals:
Royal Liverpool Philharmonic Choir (from 1981-05-12 until 1981-05-13)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1981-05-12 until 1981-05-13)
conductor:
David Atherton (conductor) (from 1981-05-12 until 1981-05-13)
chorus master:
Edmund Walters (from 1981-05-12 until 1981-05-13)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1981-05-12 until 1981-05-13)
partial recording of:
At the Boar's Head, op. 42 (from 1981-05-12 until 1981-05-13)
composer and librettist:
Gustav Holst (composer) (in 1925)
premiered at:
Manchester Opera House in Manchester, Greater Manchester, England, United Kingdom (on 1925-04-03)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 156)
4:32
19At the Boar’s Head, op. 42 H156: VIII. Devouring Time
vocals:
Royal Liverpool Philharmonic Choir (from 1981-05-12 until 1981-05-13)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1981-05-12 until 1981-05-13)
conductor:
David Atherton (conductor) (from 1981-05-12 until 1981-05-13)
chorus master:
Edmund Walters (from 1981-05-12 until 1981-05-13)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1981-05-12 until 1981-05-13)
partial recording of:
At the Boar's Head, op. 42 (from 1981-05-12 until 1981-05-13)
composer and librettist:
Gustav Holst (composer) (in 1925)
premiered at:
Manchester Opera House in Manchester, Greater Manchester, England, United Kingdom (on 1925-04-03)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 156)
3:28
20At the Boar’s Head, op. 42 H156: IX. How now! What news?
vocals:
Royal Liverpool Philharmonic Choir (from 1981-05-12 until 1981-05-13)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1981-05-12 until 1981-05-13)
conductor:
David Atherton (conductor) (from 1981-05-12 until 1981-05-13)
chorus master:
Edmund Walters (from 1981-05-12 until 1981-05-13)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1981-05-12 until 1981-05-13)
partial recording of:
At the Boar's Head, op. 42 (from 1981-05-12 until 1981-05-13)
composer and librettist:
Gustav Holst (composer) (in 1925)
premiered at:
Manchester Opera House in Manchester, Greater Manchester, England, United Kingdom (on 1925-04-03)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 156)
2:31
21At the Boar’s Head, op. 42 H156: X. Harry is valiant
vocals:
Royal Liverpool Philharmonic Choir (from 1981-05-12 until 1981-05-13)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1981-05-12 until 1981-05-13)
conductor:
David Atherton (conductor) (from 1981-05-12 until 1981-05-13)
chorus master:
Edmund Walters (from 1981-05-12 until 1981-05-13)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1981-05-12 until 1981-05-13)
partial recording of:
At the Boar's Head, op. 42 (from 1981-05-12 until 1981-05-13)
composer and librettist:
Gustav Holst (composer) (in 1925)
premiered at:
Manchester Opera House in Manchester, Greater Manchester, England, United Kingdom (on 1925-04-03)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 156)
7:15
22At the Boar’s Head, op. 42 H156: XI. For God's sake
vocals:
Royal Liverpool Philharmonic Choir (from 1981-05-12 until 1981-05-13)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1981-05-12 until 1981-05-13)
conductor:
David Atherton (conductor) (from 1981-05-12 until 1981-05-13)
chorus master:
Edmund Walters (from 1981-05-12 until 1981-05-13)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1981-05-12 until 1981-05-13)
partial recording of:
At the Boar's Head, op. 42 (from 1981-05-12 until 1981-05-13)
composer and librettist:
Gustav Holst (composer) (in 1925)
premiered at:
Manchester Opera House in Manchester, Greater Manchester, England, United Kingdom (on 1925-04-03)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 156)
2:43
23At the Boar’s Head, op. 42 H156: XII. Now comes in the sweetest morsel
vocals:
Royal Liverpool Philharmonic Choir (from 1981-05-12 until 1981-05-13)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1981-05-12 until 1981-05-13)
conductor:
David Atherton (conductor) (from 1981-05-12 until 1981-05-13)
chorus master:
Edmund Walters (from 1981-05-12 until 1981-05-13)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1981-05-12 until 1981-05-13)
partial recording of:
At the Boar's Head, op. 42 (from 1981-05-12 until 1981-05-13)
composer and librettist:
Gustav Holst (composer) (in 1925)
premiered at:
Manchester Opera House in Manchester, Greater Manchester, England, United Kingdom (on 1925-04-03)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 156)
3:13