Andre Kostelanetz plays Music of Villa-Lobos & Conducts Music from Spain

~ Release by André Kostelanetz (see all versions of this release, 1 available)

Tracklist

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1▼Hybrid SACD (CD layer)
#TitleArtistRatingLength
1Suite from "Magdalena": I. The Seed of God
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Suite from Magdalena: I. The Seed of God
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
part of:
Suite from Magdalena
Heitor Villa‐Lobos3:03
2Suite from "Magdalena": II. Food for Thought
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Suite from Magdalena: II. Food for Thought
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
part of:
Suite from Magdalena
Heitor Villa‐Lobos2:41
3Suite from "Magdalena": III. The Omen Bird
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Suite from Magdalena: III. The Omen Bird
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
part of:
Suite from Magdalena
Heitor Villa‐Lobos2:10
4Suite from "Magdalena": IV. The Emerald
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Suite from Magdalena: IV. The Emerald
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
part of:
Suite from Magdalena
Heitor Villa‐Lobos1:48
5Suite from "Magdalena": V. The Singing Tree
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Suite from Magdalena: V. The Singing Tree
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
part of:
Suite from Magdalena
Heitor Villa‐Lobos1:53
6Suite from "Magdalena": VI. Magdalena
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Suite from Magdalena: VI. Magdalena
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
part of:
Suite from Magdalena
Heitor Villa‐Lobos1:50
7Suite from "Magdalena": VII. A Spanish Waltz
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Suite from Magdalena: VII. A Spanish Waltz
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
part of:
Suite from Magdalena
Heitor Villa‐Lobos4:03
8Bachianas Brasileiras No. 5
cello:
Nathan Stutch (cellist)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Bachianas Brasileiras nº 5, W389 (for voice and cellos)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Appleby Catalogue (W) (number: W389)
part of:
Bachianas Brasileiras
Heitor Villa‐Lobos3:34
9The Little Train of the Caipira
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Bachianas Brasileiras nº 2, W247: IV. Toccata (O trenzinho do caipira) (for orchestra)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1930)
part of:
Bachianas Brasileiras nº 2, W247 (for orchestra)
Heitor Villa‐Lobos4:02
10Prelude & Introduction no. 1 from Bachianas Brasileiras no. 4
solo piano:
André Kostelanetz (conductor)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Bachianas Brasileiras nº 4, W424: I. Prelúdio (Introdução) (for orchestra)
orchestrator:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1942)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1941)
version of:
Bachianas Brasileiras nº 4, W264: I. Prelúdio (Introdução) (for piano)
part of:
Bachianas Brasileiras nº 4, W424 (for orchestra)
Heitor Villa‐Lobos3:47
11Modinha Prelúdio
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Bachianas Brasileiras nº 1, W246: II. Prelúdio (Modinha)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1930)
part of:
Bachianas Brasileiras nº 1, W246
Heitor Villa‐Lobos6:51
12Jota (Final dance) from "The Three-Cornered Hat"
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
El sombrero de tres picos, suite no. 2: III. Danza final (jota) (The Three Cornered Hat, Suite No. 2: III. Final Dance (Jota))
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos, suite no. 2 (The Three-Cornered Hat, Suite No. 2)
Manuel de Falla4:56
13Triana from "Iberia"
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Iberia, B. 47: Book II: III. Triana (orchestrated by Arbós)
orchestrator:
Enrique Fernández Arbós (Spanish violinist, composer and conductor)
composer:
Isaac Albéniz (Spanish composer)
orchestration of:
Iberia, B. 47: Book II: III. Triana
Isaac Albéniz4:43
14Marinela From "La canción del olvido"
soprano vocals:
Maralin Niska (American soprano)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
La canción del olvido: Marinela, Marinela
composer:
José Serrano (Spanish composer)
part of:
La canción del olvido
José Serrano2:35
15El amor brujo: Dance of Terror / Magic Circle (The Fisherman's Story) / Midnight: Witchcraft
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
El amor brujo: V. Danza del terror
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
recording of:
El amor brujo: VI. El círculo mágico (Romance del pescador)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
recording of:
El amor brujo: VII. A medianoche (Los sortilegios)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla5:16
16La morena de mi copla
soprano vocals:
Maralin Niska (American soprano)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
La morena de mi copla (Paso Doble)
lyricist:
Alfonso Jofre de Villegas
composer:
Carlos Castellanos Gómez (Spanish composer)
Carlos Castellanos Gómez1:43
17The Lady and the Nightingale from "Goyescas"
soprano vocals:
Maralin Niska (American soprano)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Goyescas, H.65: Cuadro III. La maja y el ruiseñor (opera piece)
composer:
Enrique Granados (composer)
part of:
Goyescas, H.65 (opera)
Enrique Granados6:40
18Jota aragonesa
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Испанская увертюра № 1 «Блестящее каприччио на тему Арагонской хоты» (Spanish Overture no. 1 “Capriccio Brilliante on the Jota Aragonesa”)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (in 1850)
composer:
Михаил Иванович Глинка (Mikhail Glinka, Russian composer) (in 1845)
Mikhail Glinka7:28
19Song of the Birds
solo cello:
Lorne Munroe (cellist)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
El cant dels ocells (The Song of the Birds, for cello and piano, Casals)
composer:
[traditional] (special purpose artist)
cello arranger:
Pau Casals (cellist, aka Pablo Casals)
publisher:
Tetra Music Corp.
arrangement of:
El cant dels ocells
Pau Casals3:55
20Sant Martí Del Canigó
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Sant Martí del Canigó (Sardana)
composer:
Pau Casals (cellist, aka Pablo Casals)
Pau Casals4:45
2▼Hybrid SACD (SACD layer): Stereo mix
#TitleArtistRatingLength
1Suite from "Magdalena": I. The Seed of God
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Suite from Magdalena: I. The Seed of God
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
part of:
Suite from Magdalena
Heitor Villa‐Lobos3:00
2Suite from "Magdalena": II. Food for Thought
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Suite from Magdalena: II. Food for Thought
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
part of:
Suite from Magdalena
Heitor Villa‐Lobos2:39
3Suite from "Magdalena": III. The Omen Bird
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Suite from Magdalena: III. The Omen Bird
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
part of:
Suite from Magdalena
Heitor Villa‐Lobos2:07
4Suite from "Magdalena": IV. The Emerald
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Suite from Magdalena: IV. The Emerald
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
part of:
Suite from Magdalena
Heitor Villa‐Lobos1:45
5Suite from "Magdalena": V. The Singing Tree
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Suite from Magdalena: V. The Singing Tree
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
part of:
Suite from Magdalena
Heitor Villa‐Lobos1:50
6Suite from "Magdalena": VI. Magdalena
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Suite from Magdalena: VI. Magdalena
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
part of:
Suite from Magdalena
Heitor Villa‐Lobos1:46
7Suite from "Magdalena": VII. A Spanish Waltz
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Suite from Magdalena: VII. A Spanish Waltz
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
part of:
Suite from Magdalena
Heitor Villa‐Lobos3:59
8Bachianas Brasileiras No. 5
cello:
Nathan Stutch (cellist)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Bachianas Brasileiras nº 5, W389 (for voice and cellos)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Appleby Catalogue (W) (number: W389)
part of:
Bachianas Brasileiras
Heitor Villa‐Lobos3:30
9The Little Train of the Caipira
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Bachianas Brasileiras nº 2, W247: IV. Toccata (O trenzinho do caipira) (for orchestra)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1930)
part of:
Bachianas Brasileiras nº 2, W247 (for orchestra)
Heitor Villa‐Lobos3:58
10Prelude & Introduction no. 1 from Bachianas Brasileiras no. 4
solo piano:
André Kostelanetz (conductor)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Bachianas Brasileiras nº 4, W424: I. Prelúdio (Introdução) (for orchestra)
orchestrator:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1942)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1941)
version of:
Bachianas Brasileiras nº 4, W264: I. Prelúdio (Introdução) (for piano)
part of:
Bachianas Brasileiras nº 4, W424 (for orchestra)
Heitor Villa‐Lobos3:41
11Modinha Prelúdio
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Bachianas Brasileiras nº 1, W246: II. Prelúdio (Modinha)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1930)
part of:
Bachianas Brasileiras nº 1, W246
Heitor Villa‐Lobos6:46
12Jota (Final dance) from "The Three-Cornered Hat"
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
El sombrero de tres picos, suite no. 2: III. Danza final (jota) (The Three Cornered Hat, Suite No. 2: III. Final Dance (Jota))
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos, suite no. 2 (The Three-Cornered Hat, Suite No. 2)
Manuel de Falla4:53
13Triana from "Iberia"
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Iberia, B. 47: Book II: III. Triana (orchestrated by Arbós)
orchestrator:
Enrique Fernández Arbós (Spanish violinist, composer and conductor)
composer:
Isaac Albéniz (Spanish composer)
orchestration of:
Iberia, B. 47: Book II: III. Triana
Isaac Albéniz4:41
14Marinela From "La canción del olvido"
soprano vocals:
Maralin Niska (American soprano)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
La canción del olvido: Marinela, Marinela
composer:
José Serrano (Spanish composer)
part of:
La canción del olvido
José Serrano2:33
15El amor brujo: Dance of Terror / Magic Circle (The Fisherman's Story) / Midnight: Witchcraft
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
El amor brujo: V. Danza del terror
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
recording of:
El amor brujo: VI. El círculo mágico (Romance del pescador)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
recording of:
El amor brujo: VII. A medianoche (Los sortilegios)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla5:16
16La morena de mi copla
soprano vocals:
Maralin Niska (American soprano)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
La morena de mi copla (Paso Doble)
lyricist:
Alfonso Jofre de Villegas
composer:
Carlos Castellanos Gómez (Spanish composer)
Carlos Castellanos Gómez1:41
17The Lady and the Nightingale from "Goyescas"
soprano vocals:
Maralin Niska (American soprano)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Goyescas, H.65: Cuadro III. La maja y el ruiseñor (opera piece)
composer:
Enrique Granados (composer)
part of:
Goyescas, H.65 (opera)
Enrique Granados6:38
18Jota aragonesa
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Испанская увертюра № 1 «Блестящее каприччио на тему Арагонской хоты» (Spanish Overture no. 1 “Capriccio Brilliante on the Jota Aragonesa”)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (in 1850)
composer:
Михаил Иванович Глинка (Mikhail Glinka, Russian composer) (in 1845)
Mikhail Glinka7:26
19Song of the Birds
solo cello:
Lorne Munroe (cellist)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
El cant dels ocells (The Song of the Birds, for cello and piano, Casals)
composer:
[traditional] (special purpose artist)
cello arranger:
Pau Casals (cellist, aka Pablo Casals)
publisher:
Tetra Music Corp.
arrangement of:
El cant dels ocells
Pau Casals3:51
20Sant Martí Del Canigó
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Sant Martí del Canigó (Sardana)
composer:
Pau Casals (cellist, aka Pablo Casals)
Pau Casals4:45
3▼Hybrid SACD (SACD layer): Quad mix
#TitleArtistRatingLength
1Suite from "Magdalena": I. The Seed of God (quad mix)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Suite from Magdalena: I. The Seed of God
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
part of:
Suite from Magdalena
Heitor Villa‐Lobos3:00
2Suite from "Magdalena": II. Food for Thought (quad mix)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Suite from Magdalena: II. Food for Thought
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
part of:
Suite from Magdalena
Heitor Villa‐Lobos2:39
3Suite from "Magdalena": III. The Omen Bird (quad mix)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Suite from Magdalena: III. The Omen Bird
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
part of:
Suite from Magdalena
Heitor Villa‐Lobos2:07
4Suite from "Magdalena": IV. The Emerald (quad mix)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Suite from Magdalena: IV. The Emerald
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
part of:
Suite from Magdalena
Heitor Villa‐Lobos1:45
5Suite from "Magdalena": V. The Singing Tree (quad mix)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Suite from Magdalena: V. The Singing Tree
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
part of:
Suite from Magdalena
Heitor Villa‐Lobos1:50
6Suite from "Magdalena": VI. Magdalena (quad mix)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Suite from Magdalena: VI. Magdalena
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
part of:
Suite from Magdalena
Heitor Villa‐Lobos1:46
7Suite from "Magdalena": VII. A Spanish Waltz (quad mix)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Suite from Magdalena: VII. A Spanish Waltz
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
part of:
Suite from Magdalena
Heitor Villa‐Lobos3:59
8Bachianas Brasileiras No. 5 (quad mix)
cello:
Nathan Stutch (cellist)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Bachianas Brasileiras nº 5, W389 (for voice and cellos)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Appleby Catalogue (W) (number: W389)
part of:
Bachianas Brasileiras
Heitor Villa‐Lobos3:30
9The Little Train of the Caipira (quad mix)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Bachianas Brasileiras nº 2, W247: IV. Toccata (O trenzinho do caipira) (for orchestra)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1930)
part of:
Bachianas Brasileiras nº 2, W247 (for orchestra)
Heitor Villa‐Lobos3:58
10Prelude & Introduction no. 1 from Bachianas Brasileiras no. 4 (quad mix)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Bachianas Brasileiras nº 4, W424: I. Prelúdio (Introdução) (for orchestra)
orchestrator:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1942)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1941)
version of:
Bachianas Brasileiras nº 4, W264: I. Prelúdio (Introdução) (for piano)
part of:
Bachianas Brasileiras nº 4, W424 (for orchestra)
Heitor Villa‐Lobos3:41
11Modinha Prelúdio (quad mix)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Bachianas Brasileiras nº 1, W246: II. Prelúdio (Modinha)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1930)
part of:
Bachianas Brasileiras nº 1, W246
Heitor Villa‐Lobos6:46
12Jota (Final dance) from "The Three-Cornered Hat" (quad mix)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
El sombrero de tres picos, suite no. 2: III. Danza final (jota) (The Three Cornered Hat, Suite No. 2: III. Final Dance (Jota))
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos, suite no. 2 (The Three-Cornered Hat, Suite No. 2)
Manuel de Falla4:53
13Triana from "Iberia" (quad mix)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Iberia, B. 47: Book II: III. Triana (orchestrated by Arbós)
orchestrator:
Enrique Fernández Arbós (Spanish violinist, composer and conductor)
composer:
Isaac Albéniz (Spanish composer)
orchestration of:
Iberia, B. 47: Book II: III. Triana
Isaac Albéniz4:41
14Marinela From "La canción del olvido" (quad mix)
soprano vocals:
Maralin Niska (American soprano)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
La canción del olvido: Marinela, Marinela
composer:
José Serrano (Spanish composer)
part of:
La canción del olvido
José Serrano2:33
15El amor brujo: Dance of Terror / Magic Circle (The Fisherman's Story) / Midnight: Witchcraft (quad mix)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
El amor brujo: V. Danza del terror
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
recording of:
El amor brujo: VI. El círculo mágico (Romance del pescador)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
recording of:
El amor brujo: VII. A medianoche (Los sortilegios)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla5:16
16La morena de mi copla (quad mix)
soprano vocals:
Maralin Niska (American soprano)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
La morena de mi copla (Paso Doble)
lyricist:
Alfonso Jofre de Villegas
composer:
Carlos Castellanos Gómez (Spanish composer)
Carlos Castellanos Gómez1:41
17The Lady and the Nightingale from "Goyescas" (quad mix)
soprano vocals:
Maralin Niska (American soprano)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Goyescas, H.65: Cuadro III. La maja y el ruiseñor (opera piece)
composer:
Enrique Granados (composer)
part of:
Goyescas, H.65 (opera)
Enrique Granados6:38
18Jota aragonesa (quad mix)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Испанская увертюра № 1 «Блестящее каприччио на тему Арагонской хоты» (Spanish Overture no. 1 “Capriccio Brilliante on the Jota Aragonesa”)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (in 1850)
composer:
Михаил Иванович Глинка (Mikhail Glinka, Russian composer) (in 1845)
Mikhail Glinka7:26
19Song of the Birds (quad mix)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
El cant dels ocells (The Song of the Birds, for cello and piano, Casals)
composer:
[traditional] (special purpose artist)
cello arranger:
Pau Casals (cellist, aka Pablo Casals)
publisher:
Tetra Music Corp.
arrangement of:
El cant dels ocells
Pau Casals3:51
20Sant Martí del Canigó (quad mix)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
André Kostelanetz (conductor)
recording of:
Sant Martí del Canigó (Sardana)
composer:
Pau Casals (cellist, aka Pablo Casals)
Pau Casals4:45