Spectre: Music From the Motion Picture (10th Anniversary Expanded Edition)

~ Release by Thomas Newman (see all versions of this release, 10 available)

Tracklist

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1CD: Score Presentation
#TitleArtistRatingLength
1Gun Barrel (From "Spectre")
Thomas Newman0:53
2Los muertos vivos están (film version)
Thomas Newman5:08
3Building Down
Thomas Newman0:57
4Sciarra Chase
Thomas Newman0:51
5Helicopter Fight
Thomas Newman2:14
6Writing's on the Wall
assistant recording engineer:
Gordon Davidson (engineer, Abbey Road Studios), Darren Heelis (music engineer, producer, programming, additional production), Mike Horner, Toby Hulbert, Christina Paakkari and Charles Wong
recording engineer:
Steve Fitzmaurice (Irish mixer, songwriter and producer), Darren Heelis (music engineer, producer, programming, additional production) and Steve Price (UK recording engineer/producer/orchestrator/arranger)
additional programming:
Steve Fitzmaurice (Irish mixer, songwriter and producer), Guy Lawrence (Disclosure) and Howard Lawrence (Disclosure)
additional producer:
Disclosure (UK electronic duo Guy & Howard Lawrence)
producer:
Steve Fitzmaurice (Irish mixer, songwriter and producer), Guy Lawrence (Disclosure) and Jimmy Napes
mixer:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
bass synthesizer [Korg Bass]:
Darren Heelis (music engineer, producer, programming, additional production)
piano:
James Napes
vocals:
Sam Smith (English singer‐songwriter)
conductor:
Simon Hale
orchestrator:
Simon Hale
concertmaster:
Everton Nelson (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, RAK Studios in London (Greater London), England, United Kingdom and The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom
mixed at:
The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Writing’s on the Wall (Sam Smith song)
writer:
Jimmy Napes and Sam Smith (English singer‐songwriter)
part of:
The 88th Academy Award for Best Original Song (number: 1), James Bond themes and Academy Award for Best Original Song (number: 2015 winner)
Sam Smith34:40
7Courtyard / M's Message
Thomas Newman2:49
8Vauxhall Bridge (extended version)
Thomas Newman2:34
9The Eternal City (extended version)
Thomas Newman7:00
10Donna Lucia (extended version)
Thomas Newman2:11
11A Place Without Mercy
additional recording engineer:
Shinnosuke Miyazawa (engineer)
assistant engineer:
Gordon Davidson (engineer, Abbey Road Studios), Lewis Jones (engineer) and Matt Jones (production music composer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Bill Bernstein, Peter Clarke (music editor) and Yann McCullough (engineer, composer)
conductor:
Thomas Newman (American score composer)
additional arranger:
Simon Franglen (English score composer)
orchestrator:
J.A.C. Redford
concertmaster:
Thomas Bowes (violinist)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
A Place Without Mercy
composer:
Thomas Newman (American score composer)
publisher:
United Lion Music Inc.
Thomas Newman2.51:05
12Palazzo Meeting
Thomas Newman1:45
13Enter Hinx
Thomas Newman0:34
14Cuckoo
Thomas Newman0:40
15Backfire (film version)
Thomas Newman6:53
16Nine Eyes Meeting
Thomas Newman2:05
17The Pale King (extended version)
Thomas Newman3:33
18Kite in a Hurricane
additional recording engineer:
Shinnosuke Miyazawa (engineer)
assistant engineer:
Gordon Davidson (engineer, Abbey Road Studios), Lewis Jones (engineer) and Matt Jones (production music composer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Bill Bernstein, Peter Clarke (music editor) and Yann McCullough (engineer, composer)
conductor:
Thomas Newman (American score composer)
additional arranger:
Simon Franglen (English score composer)
orchestrator:
J.A.C. Redford
concertmaster:
Thomas Bowes (violinist)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Kite in a Hurricane
composer:
Thomas Newman (American score composer)
publisher:
United Lion Music Inc.
Thomas Newman1.52:08
19Photo of Madeleine
Thomas Newman0:56
20Crows Klinik
additional recording engineer:
Shinnosuke Miyazawa (engineer)
assistant engineer:
Gordon Davidson (engineer, Abbey Road Studios), Lewis Jones (engineer) and Matt Jones (production music composer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Bill Bernstein, Peter Clarke (music editor) and Yann McCullough (engineer, composer)
conductor:
Thomas Newman (American score composer)
additional arranger:
Simon Franglen (English score composer)
orchestrator:
J.A.C. Redford
concertmaster:
Thomas Bowes (violinist)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Crows Klinik
composer:
Thomas Newman (American score composer)
publisher:
United Lion Music Inc.
Thomas Newman2.51:47
21I Kill People / SPECTRE Ring
Thomas Newman2:16
22Snow Plane (extended version)
Thomas Newman5:35
23Hinx Lives
Thomas Newman0:55
24L'Americain (extended version)
Thomas Newman2:53
25Secret Room (extended version)
Thomas Newman5:55
26Madeleine (extended version)
Thomas Newman3:57
27Hinx (film version)
Thomas Newman1:22
2CD: Score Presentation (continued) / Additional Music
#TitleRatingLength
1Writing's on the Wall (film version, instrumental)
0:54
2Silver Wraith
additional recording engineer:
Shinnosuke Miyazawa (engineer)
assistant engineer:
Gordon Davidson (engineer, Abbey Road Studios), Lewis Jones (engineer) and Matt Jones (production music composer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Bill Bernstein, Peter Clarke (music editor) and Yann McCullough (engineer, composer)
conductor:
Thomas Newman (American score composer)
additional arranger:
Simon Franglen (English score composer)
orchestrator:
J.A.C. Redford
concertmaster:
Thomas Bowes (violinist)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Silver Wraith
composer:
Thomas Newman (American score composer)
publisher:
United Lion Music Inc.
22:15
3Compound Bedrooms
1:45
4A Reunion (extended version)
7:16
5Torture Room
7:06
6Tempus Fugit (film version)
1:20
7Safe House (extended version)
4:26
8Blindfold
additional recording engineer:
Shinnosuke Miyazawa (engineer)
assistant engineer:
Gordon Davidson (engineer, Abbey Road Studios), Lewis Jones (engineer) and Matt Jones (production music composer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Bill Bernstein, Peter Clarke (music editor) and Yann McCullough (engineer, composer)
conductor:
Thomas Newman (American score composer)
additional arranger:
Simon Franglen (English score composer)
orchestrator:
J.A.C. Redford
concertmaster:
Thomas Bowes (violinist)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Blindfold
composer:
Thomas Newman (American score composer)
publisher:
United Lion Music Inc.
2.51:29
9Careless (extended version)
6:28
10Detonation (extended version)
4:17
11Westminster Bridge
additional recording engineer:
Shinnosuke Miyazawa (engineer)
assistant engineer:
Gordon Davidson (engineer, Abbey Road Studios), Lewis Jones (engineer) and Matt Jones (production music composer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Bill Bernstein, Peter Clarke (music editor) and Yann McCullough (engineer, composer)
conductor:
Thomas Newman (American score composer)
additional arranger:
Simon Franglen (English score composer)
orchestrator:
J.A.C. Redford
concertmaster:
Thomas Bowes (violinist)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Westminster Bridge
composer:
Thomas Newman (American score composer)
publisher:
United Lion Music Inc.
2.754:13
12Out of Bullets (extended version)
1:57
13The James Bond Theme (From "Spectre")
1:17
14Spectre (End Title)
additional recording engineer:
Shinnosuke Miyazawa (engineer)
assistant engineer:
Gordon Davidson (engineer, Abbey Road Studios), Lewis Jones (engineer) and Matt Jones (production music composer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Bill Bernstein, Peter Clarke (music editor) and Yann McCullough (engineer, composer)
conductor:
Thomas Newman (American score composer)
additional arranger:
Simon Franglen (English score composer)
orchestrator:
J.A.C. Redford
concertmaster:
Thomas Bowes (violinist)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Spectre (end titles)
composer:
Thomas Newman (American score composer)
publisher:
United Lion Music Inc.
2.755:45
15Writing's on the Wall (instrumental)
additional recording engineer:
Shinnosuke Miyazawa (engineer)
assistant engineer:
Gordon Davidson (engineer, Abbey Road Studios), Lewis Jones (engineer) and Matt Jones (production music composer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Bill Bernstein, Peter Clarke (music editor) and Yann McCullough (engineer, composer)
additional arranger:
Simon Franglen (English score composer)
orchestrator:
Simon Hale
concertmaster:
Thomas Bowes (violinist)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
instrumental recording of:
Writing’s on the Wall (Sam Smith song)
writer:
Jimmy Napes and Sam Smith (English singer‐songwriter)
part of:
The 88th Academy Award for Best Original Song (number: 1), James Bond themes and Academy Award for Best Original Song (number: 2015 winner)
32:11
16Los muertos vivos están
additional recording engineer:
Shinnosuke Miyazawa (engineer)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Gordon Davidson (engineer, Abbey Road Studios), Lewis Jones (engineer) and Matt Jones (production music composer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
editor:
Bill Bernstein, Peter Clarke (music editor) and Yann McCullough (engineer, composer)
conductor:
Thomas Newman (American score composer)
additional arranger:
Simon Franglen (English score composer)
orchestrator:
J.A.C. Redford
concertmaster:
Thomas Bowes (violinist)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Los muertos vivos estan
composer:
Thomas Newman (American score composer)
publisher:
United Lion Music Inc.
is based on:
James Bond Theme
3.252:48
17Marimba Float Drums
0:52
18Day of the Dead
additional recording engineer:
Shinnosuke Miyazawa (engineer)
assistant engineer:
Gordon Davidson (engineer, Abbey Road Studios), Lewis Jones (engineer) and Matt Jones (production music composer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Bill Bernstein, Peter Clarke (music editor) and Yann McCullough (engineer, composer)
conductor:
Thomas Newman (American score composer)
additional arranger:
Simon Franglen (English score composer)
orchestrator:
J.A.C. Redford
concertmaster:
Thomas Bowes (violinist)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Day of the Dead
lyricist:
Bill Bernstein and Tambuco
composer:
Thomas Newman (American score composer)
publisher:
United Lion Music Inc.
21:26
19Photo of Madeleine (alternate)
0:59
20Backfire
additional recording engineer:
Shinnosuke Miyazawa (engineer)
assistant engineer:
Gordon Davidson (engineer, Abbey Road Studios), Lewis Jones (engineer) and Matt Jones (production music composer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Bill Bernstein, Peter Clarke (music editor) and Yann McCullough (engineer, composer)
conductor:
Thomas Newman (American score composer)
additional arranger:
Simon Franglen (English score composer)
orchestrator:
J.A.C. Redford
concertmaster:
Thomas Bowes (violinist)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Backfire
composer:
Thomas Newman (American score composer)
publisher:
United Lion Music Inc.
2.754:54
21Secret Room
additional recording engineer:
Shinnosuke Miyazawa (engineer)
assistant engineer:
Gordon Davidson (engineer, Abbey Road Studios), Lewis Jones (engineer) and Matt Jones (production music composer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Bill Bernstein, Peter Clarke (music editor) and Yann McCullough (engineer, composer)
conductor:
Thomas Newman (American score composer)
additional arranger:
Simon Franglen (English score composer)
orchestrator:
J.A.C. Redford
concertmaster:
Thomas Bowes (violinist)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Secret Room
composer:
Thomas Newman (American score composer)
publisher:
United Lion Music Inc.
2.755:24
22Madeleine
additional recording engineer:
Shinnosuke Miyazawa (engineer)
assistant engineer:
Gordon Davidson (engineer, Abbey Road Studios), Lewis Jones (engineer) and Matt Jones (production music composer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Bill Bernstein, Peter Clarke (music editor) and Yann McCullough (engineer, composer)
conductor:
Thomas Newman (American score composer)
additional arranger:
Simon Franglen (English score composer)
orchestrator:
J.A.C. Redford
concertmaster:
Thomas Bowes (violinist)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Madeleine
composer:
Thomas Newman (American score composer)
publisher:
United Lion Music Inc.
22:58
23Hinx
additional recording engineer:
Shinnosuke Miyazawa (engineer)
assistant engineer:
Gordon Davidson (engineer, Abbey Road Studios), Lewis Jones (engineer) and Matt Jones (production music composer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Bill Bernstein, Peter Clarke (music editor) and Yann McCullough (engineer, composer)
conductor:
Thomas Newman (American score composer)
additional arranger:
Simon Franglen (English score composer)
orchestrator:
J.A.C. Redford
concertmaster:
Thomas Bowes (violinist)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Hinx
composer:
Thomas Newman (American score composer)
publisher:
United Lion Music Inc.
2.51:21
24Tempus Fugit
additional recording engineer:
Shinnosuke Miyazawa (engineer)
assistant engineer:
Gordon Davidson (engineer, Abbey Road Studios), Lewis Jones (engineer) and Matt Jones (production music composer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Bill Bernstein, Peter Clarke (music editor) and Yann McCullough (engineer, composer)
conductor:
Thomas Newman (American score composer)
additional arranger:
Simon Franglen (English score composer)
orchestrator:
J.A.C. Redford
concertmaster:
Thomas Bowes (violinist)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Tempus fugit
composer:
Thomas Newman (American score composer)
publisher:
United Lion Music Inc.
2.751:20