Triple Feature: Give Me the Reason / Never Let Me Go / Power of Love

~ Release by Luther Vandross (see all versions of this release, 1 available)

Tracklist

| |
1▼CD: Give Me the Reason
#TitleRatingLength
1Stop to Love
engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Luther Vandross
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986, in 1987) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
Stop to Love
lyricist and composer:
Nat Adderley, Jr. and Luther Vandross
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd., SBK Songs (publisher), April Music Inc. (in 1986), Dillard Music (in 1986) and Uncle Ronnie's Music Co. Inc. (in 1986)
?:??
2See Me
engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
See Me
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
CBS Songs Ltd., MCA Music Ltd., SBK Songs (publisher), April Music Inc. (in 1986), Sunset Burgundy, Inc. (in 1986) and Uncle Ronnie's Music Co. Inc. (in 1986)
?:??
3I Gave It Up (When I Fell in Love)
engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
solo saxophone:
Kirk Whalum
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1986) and CBS, Inc. (US broadcasting company; file no releases here!) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
I Gave It Up (When I Fell in Love)
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd., April Music Inc. (in 1986), Sunset Burgundy, Inc. (in 1986) and Uncle Ronnie's Music Co. Inc. (in 1986)
?:??
4So Amazing
recording engineer, engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Marcus Miller (jazz musician) and Luther Vandross
horn arranger and strings arranger:
Nat Adderley, Jr. and Paul Riser
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
So Amazing
lyricist and composer:
Luther Vandross
publisher:
EMI April Music Inc., SBK Songs (publisher), Uncle Ronnie’s Music, April Music Inc. (in 1986) and Uncle Ronnie's Music Co. Inc. (in 1986)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
3.5?:??
5Give Me the Reason
recording engineer, engineer and mixer:
Ray Bardani
synthesizer programming:
Wayne Warnecke
executive producer:
Larkin Arnold
producer:
Marcus Miller (jazz musician) and Luther Vandross
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1986), CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
recorded at:
Minot Sound in White Plains, New York, United States
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
Give Me the Reason
writer:
Nat Adderley and Luther Vandross
publisher:
April Music Inc. (, in 1986), CBS Songs, CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dillard Music (, in 1986), EMI April Music Inc., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd., SBK Songs (publisher) and Uncle Ronnie's Music Co. Inc. (in 1986)
4?:??
6There's Nothing Better Than Love
recording engineer, engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Marcus Miller (jazz musician) and Luther Vandross
guest vocals:
Gregory Hines
performer:
Gregory Hines
arranger:
Nat Adderley, Jr. and John “Skip” Anderson (funk/soul producer and songwriter)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986, in 1987) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
There’s Nothing Better Than Love
writer:
John Anderson (funk/soul producer and songwriter) and Luther Vandross
publisher:
Eaton Music Limited, EMI April Music Inc., JVA Publishing Co., SBK Songs Ltd., The 2 P(i)eters, April Music Inc. (in 1986), JVA Music (in 1986) and Uncle Ronnie's Music Co. Inc. (in 1986)
?:??
7I Really Didn't Mean It
engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
guitar:
Ira Siegel
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
I Really Didn’t Mean It
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), SBK Songs (publisher), SBK Songs Ltd., April Music Inc. (in 1986), Sunset Burgundy Music (in 1986) and Uncle Ronnie's Music Co. Inc. (in 1986)
?:??
8Because It's Really Love
engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
Because It’s Really Love
lyricist and composer:
Luther Vandross
publisher:
April Music Inc. (in 1986) and Uncle Ronnie's Music Co. Inc. (in 1986)
?:??
9Anyone Who Had a Heart
recording engineer, engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Marcus Miller (jazz musician) and Luther Vandross
solo saxophone:
Kirk Whalum
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1986), CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
cover recording of:
Anyone Who Had a Heart
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Carlin Music Corp., WB Music Corp. (1929–2019), Blue Seas Music, Inc. (in 1963), JAC Music Co., Inc. (in 1963) and U.S. Songs, Inc. (in 1963)
?:??
2▼CD: Never Let Me Go
#TitleRatingLength
1Little Miracles
drum machine and percussion programming:
Marcus Miller (jazz musician)
assistant engineer:
Jim Labinski and Chad Munsey
engineer:
Ray Bardani, Mike Morongell and Shelly Yakus
producer:
Marcus Miller (jazz musician) and Luther Vandross
mixer:
Ray Bardani
bass and keyboard:
Marcus Miller (jazz musician)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
background vocals:
Tawatha Agee, Lisa Fischer (American vocalist), Cissy Houston, Paulette McWilliams, Cindy Mizelle, Kevin Owens, Tamira C. Sanders, Fonzi Thornton and Brenda White‐King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
recorded at and mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Little Miracles (Happen Every Day)
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
EMI April Music Inc. (in 1993), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1993), Thriller Miller Music (in 1993) and Uncle Ronnie's Music Co. Inc. (in 1993)
?:??
2Heaven Knows
drum machine and keyboard programming:
Reed Vertelney
drum machine programming:
Marcus Miller (jazz musician)
keyboard programming:
Philippe Saisse
assistant engineer:
Jim Labinski and Chad Munsey
engineer:
Ray Bardani, Mike Morongell and Shelly Yakus
producer:
Marcus Miller (jazz musician) and Luther Vandross
mixer:
Ray Bardani
bass and keyboard:
Marcus Miller (jazz musician)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
membranophone:
Ivan Hampden
piano and synthesizer:
Philippe Saisse
background vocals:
Tawatha Agee, Phillip Ballou, Michelle Cobbs, Cissy Houston, Paulette McWilliams, Fonzi Thornton and Brenda White‐King
arranger:
Marcus Miller (jazz musician) and Reed Vertelney
vocals arranger:
Luther Vandross
recorded at and mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Heaven Knows
writer:
Luther Vandross and Reed Vertelney
publisher:
EMI April Music Inc. (in 1993), EMI Blackwood Music Inc. (in 1993), Reed Vertelney Music (in 1993) and Uncle Ronnie's Music Co. Inc. (in 1993)
?:??
3Love Me Again
drum machine and percussion programming:
Marcus Miller (jazz musician)
assistant engineer:
Jim Labinski and Chad Munsey
engineer:
Ray Bardani, Mike Morongell and Shelly Yakus
producer:
Marcus Miller (jazz musician) and Luther Vandross
mixer:
Ray Bardani
bass and keyboard:
Marcus Miller (jazz musician)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
background vocals:
Tawatha Agee, Lisa Fischer (American vocalist), Cissy Houston, Paulette McWilliams, Cindy Mizelle, Fonzi Thornton and Brenda White‐King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
recorded at and mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Love Me Again
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
EMI April Music Inc. (in 1993), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1993), Thriller Miller Music (in 1993) and Uncle Ronnie's Music Co. Inc. (in 1993)
?:??
4Can't Be Doin That Now
additional drum machine programming:
Marcus Miller (jazz musician)
drum machine and keyboard programming:
Reed Vertelney
assistant engineer:
Jim Labinski and Chad Munsey
engineer:
Ray Bardani, Mike Morongell and Shelly Yakus
producer:
Marcus Miller (jazz musician) and Luther Vandross
mixer:
Ray Bardani
bass and keyboard:
Marcus Miller (jazz musician)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
background vocals:
Tawatha Agee, Cissy Houston, Paulette McWilliams and Brenda White‐King
arranger:
Marcus Miller (jazz musician) and Reed Vertelney
vocals arranger:
Luther Vandross
recorded at and mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Can’t Be Doin’ That Now
writer:
Alan Roy Scott, Luther Vandross and Reed Vertelney
publisher:
EMI April Music Inc. (in 1993), EMI Blackwood Music Inc. (in 1993), Kyushu Boy Music (in 1993), Reed Vertelney Music (in 1993) and Uncle Ronnie's Music Co. Inc. (in 1993)
?:??
5Too Far Down
drum machine and percussion programming:
Marcus Miller (jazz musician)
assistant engineer:
Jim Labinski and Chad Munsey
engineer:
Ray Bardani, Mike Morongell and Shelly Yakus
producer:
Marcus Miller (jazz musician) and Luther Vandross
mixer:
Ray Bardani
bass and keyboard:
Marcus Miller (jazz musician)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
background vocals:
Tawatha Agee, Lisa Fischer (American vocalist), Cissy Houston, Paulette McWilliams, Cindy Mizelle, Kevin Owens, Tamira C. Sanders, Fonzi Thornton and Brenda White‐King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
recorded at and mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Too Far Down
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
EMI April Music Inc. (in 1993), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1993), Thriller Miller Music (in 1993) and Uncle Ronnie's Music Co. Inc. (in 1993)
?:??
6Love Is on the Way (Real Love)
additional recording engineer:
Bruce Miller (Recording / mixing engineer & producer) (background vocals)
recording engineer:
Bruce Miller (Recording / mixing engineer & producer)
drum machine and percussion programming:
Marcus Miller (jazz musician)
assistant engineer:
Jim Labinski and Chad Munsey
engineer:
Ray Bardani, Mike Morongell and Shelly Yakus
producer:
Marcus Miller (jazz musician) and Luther Vandross
mixer:
Ray Bardani
bass and keyboard:
Marcus Miller (jazz musician)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
background vocals:
Tawatha Agee, Cissy Houston, Paulette McWilliams, Myrna Smith, Fonzi Thornton and Brenda White‐King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
additionally recorded at:
Hit Factory (The Hit Factory) in Manhattan, New York, New York, United States (background vocals)
recorded at and mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Love Is on the Way (Real Love)
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
EMI April Music Inc. (in 1993), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1993), Thriller Miller Music (in 1993) and Uncle Ronnie's Music Co. Inc. (in 1993)
?:??
7Hustle
drum machine and percussion programming:
Marcus Miller (jazz musician)
assistant engineer:
Jim Labinski and Chad Munsey
engineer:
Ray Bardani, Mike Morongell and Shelly Yakus
producer:
Marcus Miller (jazz musician) and Luther Vandross
mixer:
Ray Bardani
bass and keyboard:
Marcus Miller (jazz musician)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
background vocals:
Tawatha Agee, Cissy Houston, Paulette McWilliams, Myrna Smith, Fonzi Thornton and Brenda White‐King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
recorded at and mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Hustle
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
EMI April Music Inc. (in 1993), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1993), Thriller Miller Music (in 1993) and Uncle Ronnie's Music Co. Inc. (in 1993)
?:??
8Emotion Eyes
keyboard programming:
Hubert Eaves III
assistant engineer:
Jim Labinski and Chad Munsey
engineer:
Ray Bardani, Mike Morongell and Shelly Yakus
producer:
Marcus Miller (jazz musician) and Luther Vandross
mixer:
Ray Bardani
bass and keyboard:
Marcus Miller (jazz musician)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
background vocals:
Tawatha Agee, Cissy Houston, Paulette McWilliams and Brenda White‐King
arranger:
Hubert Eaves III
vocals arranger:
Luther Vandross
recorded at and mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Emotion Eyes
writer:
Hubert Eaves III and Luther Vandross
publisher:
EMI April Music Inc. (in 1993), Sallyson Music (in 1993) and Uncle Ronnie's Music Co. Inc. (in 1993)
?:??
9Lady, Lady
drum machine and percussion programming:
Marcus Miller (jazz musician)
assistant engineer:
Jim Labinski and Chad Munsey
engineer:
Ray Bardani, Mike Morongell and Shelly Yakus
producer:
Marcus Miller (jazz musician) and Luther Vandross
mixer:
Ray Bardani
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
keyboard:
Marcus Miller (jazz musician)
background vocals:
Tawatha Agee, Phillip Ballou, Cissy Houston, Paulette McWilliams, Cindy Mizelle, Tamira C. Sanders, Fonzi Thornton and Brenda White‐King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
recorded at and mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Lady, Lady
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
EMI April Music Inc. (in 1993), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1993), Thriller Miller Music (in 1993) and Uncle Ronnie's Music Co. Inc. (in 1993)
?:??
10Medley: How Deep Is Your Love / Love Don't Love Nobody
assistant engineer:
Jim Labinski and Chad Munsey
engineer:
Ray Bardani, Mike Morongell and Shelly Yakus
producer:
Marcus Miller (jazz musician) and Luther Vandross
mixer:
Ray Bardani
additional keyboard and bass:
Marcus Miller (jazz musician)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) and Doc Powell
keyboard:
Nat Adderley, Jr.
solo saxophone:
Kirk Whalum
background vocals:
Tawatha Agee, Cissy Houston, Paulette McWilliams, Myrna Smith, Fonzi Thornton and Brenda White‐King
arranger:
Nat Adderley, Jr. and Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
recorded at and mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
medley including a cover recording of:
How Deep Is Your Love (Bee Gees song)
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Songs of Universal, Inc. (BMI), Universal Music Careers, Universal Music Publishing International MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gibb Brothers Music (in 1977)
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
medley including a instrumental cover recording of:
Love Don’t Love Nobody
writer:
Joseph Jefferson (70s soul/funk) and Charles Simmons (70s soul/funk)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1974)
?:??
11Never Let Me Go
programming:
Eric Persing
assistant engineer:
Jim Labinski and Chad Munsey
engineer:
Ray Bardani, Mike Morongell and Shelly Yakus
producer:
Marcus Miller (jazz musician) and Luther Vandross
mixer:
Ray Bardani
additional keyboard and bass:
Marcus Miller (jazz musician)
drums (drum set):
Ivan Hampden
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) and Doc Powell
keyboard:
Nat Adderley, Jr.
solo saxophone:
Kirk Whalum
arranger:
Nat Adderley, Jr.
vocals arranger:
Luther Vandross
recorded at and mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
cover recording of:
Never Let Me Go
lyricist and composer:
Joseph Scott (Joseph Wade Scott)
publisher:
Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!) and Duchess Music Corporation (BMI-affiliated) (in 1954)
?:??
3▼CD: Power of Love
#TitleRatingLength
1She Doesn't Mind
synthesizer programming:
Jason Miles (jazz producer/keyboardist), Marcus Miller (jazz musician) and Reed Vertelney
engineer and mixer:
Ray Bardani
producer:
Marcus Miller (jazz musician) and Luther Vandross
keyboard:
Marcus Miller (jazz musician)
background vocals:
Tawatha Agee, Lisa Fischer (American vocalist), Cissy Houston, Darlene Love, Paulette McWilliams, Fonzi Thornton and Brenda White‐King
arranger:
Marcus Miller (jazz musician) and Reed Vertelney
vocals arranger:
Luther Vandross
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
She Doesn’t Mind
writer:
Luther Vandross and Reed Vertelney
publisher:
EMI April Music Inc. (in 1991), EMI Blackwood Music Inc. (in 1991), Reed Vertelney Music (in 1991) and Uncle Ronnie's Music Co. Inc. (in 1991)
?:??
2Power of Love/Love Power
synthesizer programming:
Jason Miles (jazz producer/keyboardist) and Marcus Miller (jazz musician)
engineer and mixer:
Ray Bardani
producer:
Marcus Miller (jazz musician) and Luther Vandross
bass guitar and keyboard:
Marcus Miller (jazz musician)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
piano:
Nat Adderley, Jr.
wind chime:
Paulinho DaCosta (Brazilian percussionist)
background vocals:
Tawatha Agee, Lisa Fischer (American vocalist), Cissy Houston, Genobia Jeter, Pat Joyner, Darlene Love, Paulette McWilliams, Marcus Miller (jazz musician), Kevin Owens, Tamira C. Sanders, Fonzi Thornton and Brenda White‐King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Power of Love / Love Power
writer:
Marcus Miller (jazz musician), Luther Vandross and Teddy Vann
medley of:
Love Power
medley of:
Power of Love
4?:??
3I'm Gonna Start Today
synthesizer programming:
Jason Miles (jazz producer/keyboardist) and Marcus Miller (jazz musician)
engineer and mixer:
Ray Bardani
producer:
Marcus Miller (jazz musician) and Luther Vandross
bass guitar and keyboard:
Marcus Miller (jazz musician)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
background vocals:
Tawatha Agee, Cissy Houston, Paulette McWilliams and Brenda White‐King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
I’m Gonna Start Today
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
EMI April Music Inc. (in 1991), Thriller Miller Music (in 1991) and Uncle Ronnie's Music Co. Inc. (in 1991)
?:??
4The Rush
synthesizer programming:
Jason Miles (jazz producer/keyboardist) and Marcus Miller (jazz musician)
engineer and mixer:
Ray Bardani
producer:
Marcus Miller (jazz musician) and Luther Vandross
bass guitar and keyboard:
Marcus Miller (jazz musician)
arranger:
Marcus Miller (jazz musician)
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
The Rush
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
EMI April Music Inc. (in 1991), Thriller Miller Music (in 1991) and Uncle Ronnie's Music Co. Inc. (in 1991)
?:??
5I Want the Night to Stay
recording engineer, engineer and mixer:
Ray Bardani
programming:
Jason Miles (jazz producer/keyboardist)
synthesizer programming:
Nat Adderley, Jr.
producer:
Marcus Miller (jazz musician) and Luther Vandross
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
keyboard:
Nat Adderley, Jr.
percussion:
Paulinho DaCosta (Brazilian percussionist)
background vocals:
Tawatha Agee, Cindy Mizelle, Fonzi Thornton and Brenda White‐King
strings arranger:
Nat Adderley, Jr.
arranger:
Nat Adderley, Jr.
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
I Want the Night to Stay
writer:
Nat Adderley, Jr. and Luther Vandross
publisher:
Dillard Music (in 1991), EMI April Music Inc. (in 1991) and Uncle Ronnie's Music Co. Inc. (in 1991)
?:??
6Don't Want to Be a Fool
recording engineer, engineer and mixer:
Ray Bardani
synthesizer programming:
Jason Miles (jazz producer/keyboardist) and Marcus Miller (jazz musician)
producer:
Marcus Miller (jazz musician) and Luther Vandross
bass guitar and keyboard:
Marcus Miller (jazz musician)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho DaCosta (Brazilian percussionist)
background vocals:
Tawatha Agee, Cissy Houston, Paulette McWilliams, Cindy Mizelle and Brenda White‐King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1991) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Don’t Want to Be a Fool
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
EMI April Music Inc. (in 1991), Thriller Miller Music (in 1991) and Uncle Ronnie's Music Co. Inc. (in 1991)
?:??
7I Can Tell You That
synthesizer programming:
Hubert Eaves III and Jason Miles (jazz producer/keyboardist)
engineer and mixer:
Ray Bardani
producer:
Marcus Miller (jazz musician) and Luther Vandross
additional keyboard:
Marcus Miller (jazz musician)
keyboard:
Hubert Eaves III
background vocals:
Tawatha Agee, Cissy Houston, Paulette McWilliams and Brenda White‐King
arranger:
Hubert Eaves III
vocals arranger:
Luther Vandross
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
I Can Tell You That
writer:
Hubert Eaves III and Luther Vandross
publisher:
EMI April Music Inc. (in 1991), EMI Blackwood Music Inc. (in 1991), Huemar Music, Inc. (in 1991) and Uncle Ronnie's Music Co. Inc. (in 1991)
?:??
8Sometimes It's Only Love
synthesizer programming:
John “Skip” Anderson (funk/soul producer and songwriter), Jason Miles (jazz producer/keyboardist) and Marcus Miller (jazz musician)
engineer and mixer:
Ray Bardani
producer:
Marcus Miller (jazz musician) and Luther Vandross
additional keyboard:
Marcus Miller (jazz musician)
keyboard:
John “Skip” Anderson (funk/soul producer and songwriter)
percussion:
Paulinho da Costa (Brazilian percussionist)
arranger:
John “Skip” Anderson (funk/soul producer and songwriter)
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Sometimes It’s Only Love
writer:
John “Skip” Anderson (funk/soul producer and songwriter) and Luther Vandross
publisher:
EMI April Music Inc. (in 1991), JVA Publishing Co. (in 1991) and Uncle Ronnie's Music Co. Inc. (in 1991)
?:??
9Emotional Love
synthesizer programming:
Hubert Eaves III and Jason Miles (jazz producer/keyboardist)
engineer and mixer:
Ray Bardani
producer:
Marcus Miller (jazz musician) and Luther Vandross
additional keyboard:
Marcus Miller (jazz musician)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
keyboard:
Hubert Eaves III
background vocals:
Michelle Cobbs, Genobia Jeter, Darlene Love, Paulette McWilliams and Brenda White‐King
arranger:
Hubert Eaves III
vocals arranger:
Luther Vandross
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Emotional Love
writer:
Hubert Eaves III and Luther Vandross
publisher:
EMI April Music Inc. (in 1991), EMI Blackwood Music Inc. (in 1991), Huemar Music, Inc. (in 1991) and Uncle Ronnie's Music Co. Inc. (in 1991)
?:??
10I (Who Have Nothing)
synthesizer programming:
Nat Adderley, Jr. and Jason Miles (jazz producer/keyboardist)
engineer and mixer:
Ray Bardani
producer:
Marcus Miller (jazz musician) and Luther Vandross
bass guitar:
Marcus Miller (jazz musician)
keyboard:
Nat Adderley, Jr.
percussion:
Paulinho DaCosta (Brazilian percussionist)
solo saxophone:
Kirk Whalum
guest vocals:
Martha Wash
strings arranger:
Nat Adderley, Jr.
arranger:
Nat Adderley, Jr.
vocals arranger:
Luther Vandross
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
cover recording of:
I (Who Have Nothing)
lyricist:
Jerry Leiber and Mike Stoller
writer:
Mogol (Italian lyricist)
composer:
Carlo Donida
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Orange Sky Music Ltd., Shapiro Bernstein & Co. Ltd., Sony/ATV Songs LLC, Cotillion Music Inc. (BMI) (in 1961, in 1963), Milky Way Publishing Co., Inc. (in 1961, in 1963), Trio Music Co., Inc. (in 1961, in 1963), Walden Music (publisher) (in 1979) and Yellow Dog Music (in 1979)
translated version of:
Uno dei tanti
?:??