Classic Country: Golden ’70s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1▼CD
#TitoloArtistaValutazioneDurata
1What I’ve Got in Mind
registrazione di:
What I’ve Got in Mind
paroliere e compositore:
Kenny O’Dell
Billie Jo Spears2:45
2Southern Nights
diritti fonografici (℗) detenuti da:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (nel 1977)
registrazione cover di:
Southern Nights
paroliere e compositore:
Allen Toussaint
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Glen Campbell3.73:01
3Mamas, Don’t Let Your Babies Grow Up to Be Cowboys
armonica (a bocca) e chitarra [guitar harmony] :
Gordon Payne (nel 1977-11)
basso :
Sherman Hayes (nel 1977-11)
batteria :
Richie Albright (nel 1977-11)
chitarra :
John Hug (nel 1977-11), Waylon Jennings (US country musician) (nel 1977-11), Chips Moman (nel 1977-11), Gordon Payne (nel 1977-11), Rance Wasson (nel 1977-11) e Reggie Young (guitarist and songwriter) (nel 1977-11)
chitarra steel :
Sherman Hayes (nel 1977-11) e Ralph Mooney (nel 1977-11)
organo e tastiera :
Barny Robertson (nel 1977-11)
voce:
Waylon Jennings (US country musician) (nel 1977-11) e Willie Nelson (nel 1977-11)
voce di accompagnamento:
Barny Robertson (nel 1977-11), Gordon Payne (nel 1977-11), Carter Robertson (nel 1977-11), Rance Wasson (nel 1977-11) e Becky Williams (country vocals) (nel 1977-11)
voce principale:
Waylon Jennings (US country musician) (nel 1977-11) e Willie Nelson (nel 1977-11)
esecutore:
Waylon Jennings (US country musician)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1977), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1978) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 2003)
registrata presso:
American Studios in Nashville, Tennessee, Stati Uniti (nel 1977-11)
registrazione cover di:
Mammas Don’t Let Your Babies Grow Up to Be Cowboys (nel 1977-11)
autore:
Ed Bruce (American country music songwriter, singer and actor) e Patsy Bruce
editore:
Tree Publishing Inc.
versione di:
Mama Don't Let Your Cowboys Grow Up to Be Babies
Waylon Jennings & Willie Nelson42:33
4(I’d Be a) Legend in My Time
Ronnie Milsap2:58
5Heartbreaker
registrazione cover di:
Heartbreaker
autore:
Carole Bayer Sager e David Wolfert
Dolly Parton3.53:31
6You’ll Lose a Good Thing
voce di accompagnamento [girl-group background vocals]:
The Poppies (60s US girl group)
esecutore:
Freddy Fender
registrazione cover di:
You’ll Lose a Good Thing
paroliere e compositore:
Barbara Lynn Ozen
editore:
Crazy Cajun Music (This is the publisher. Label is Crazy Cajun only), Dandelion Music Co. e Jamie Music Publishing Co.
Freddy Fender32:54
7(Old Dogs, Children and) Watermelon Wine
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 50)
registrazione di:
Old Dogs, Children, and Watermelon Wine
paroliere e compositore:
Tom T. Hall
editore:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
Tom T. Hall44:12
8The Grand Tour
basso :
Bob Moore (U.S. bassist and bandleader) (il 1974-01-22)
batteria :
Willie Ackerman (US studio drummer) (il 1974-01-22)
chitarra :
Tommy Allsup (il 1974-01-22), Ray Edenton (il 1974-01-22) e Glenn Keener (il 1974-01-22)
chitarra elettrica :
Pete Wade (il 1974-01-22)
chitarra steel :
Pete Drake (steel guitar player) (il 1974-01-22)
pianoforte :
Larry Butler (US country music producer, songwriter & pianist) (il 1974-01-22)
voce:
George Jones (US country music vocalist) (il 1974-01-22)
voce di accompagnamento:
The Jordanaires (southern gospel group) (il 1974-01-22)
parte di:
Rolling Stone: 40 Saddest Country Songs of All Time (2019 re-issued) (numero: 38) e Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 40)
registrazione di:
The Grand Tour (il 1974-01-22)
autore:
George Richey, Carmol Taylor e Norris “Norro” Wilson
George Jones43:08
9A Very Special Love Song
tecnico:
Lou Bradley (American producer, engineer, also songwriter) e Ron Reynolds
produttore:
Billy Sherrill (US songwriter/producer/arranger)
arrangiatore archi :
Bill McElhiney
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1974) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1974)
registrata presso:
Columbia Studios (Nashville) in Nashville, Tennessee, Stati Uniti
registrazione di:
A Very Special Love Song (1974 song)
autore:
Billy Sherrill (US songwriter/producer/arranger) e Norris “Norro” Wilson
Charlie Rich2:47
10She’s Too Good to Be True
Charley Pride2:53
11After the Fire Is Gone
produttore:
Owen Bradley
basso elettrico [6-string electric bass guitar] :
Harold Bradley (il 1970-11-09)
batteria [drums] :
Tommy Markham (country music songwriter) (il 1970-11-09)
chitarra acustica :
Ray Edenton (il 1970-11-09)
chitarra elettrica :
Herman Wade (il 1970-11-09)
chitarra steel :
John Hughey (il 1970-11-09)
contrabbasso [bass] :
Bob Moore (U.S. bassist and bandleader) (il 1970-11-09)
pianoforte :
Hargus Robbins (il 1970-11-09)
voce:
Loretta Lynn (il 1970-11-09) e Conway Twitty (il 1970-11-09)
voce di accompagnamento:
Hoyt Hawkins (il 1970-11-09), Neal Matthews (il 1970-11-09), Mildred Kirkham (il 1970-11-09), Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1970-11-09) e Ray Walker (US bass singer, Jordanaires member) (il 1970-11-09)
registrata presso:
Bradley’s Barn in Mt. Juliet, Tennessee, Stati Uniti (il 1970-11-09)
parte di:
Grammy Award: Best Country Performance by a Duo or Group nominees (numero: 1972 winner)
registrazione di:
After the Fire Is Gone (il 1970-11-09)
paroliere e compositore:
L.E. White (bluegrass fiddler and songwriter)
Conway Twitty & Loretta Lynn2:40
12Till the Rivers All Run Dry
registrazione di:
Till the Rivers All Run Dry
autore:
Wayland Holyfield e Don Williams (country singer-songwriter)
Don Williams3:29
13When You’re Hot, You’re Hot
registrazione di:
When You’re Hot, You’re Hot
paroliere e compositore:
Jerry Reed
Jerry Reed2:21
14’til I Can Make It on My Way
registrazione di:
’Til I Can Make It on My Own
autore:
George Richey, Billy Sherrill (US songwriter/producer/arranger) e Tammy Wynette
editore:
EMI Algee Music Corp., EMI Blackwood Music Inc. e EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette13:04
15Chantilly Lace
registrazione di:
Chantilly Lace
paroliere e compositore:
J.P. Richardson (known as The Big Bopper)
editore:
Glad Music Co.
Jerry Lee Lewis2:49
2▼CD
#TitoloArtistaValutazioneDurata
1When You’re in Love With a Beautiful Woman
registrazione di:
When You’re in Love With a Beautiful Woman
paroliere e compositore:
Even Stevens (singer / songwriter)
editore:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook5:15
2Blue Skies
registrazione cover di:
Blue Skies
paroliere e compositore:
Irving Berlin (nel 1926)
editore:
Francis, Day & Hunter Ltd., Irving Berlin Music Company e Williamson Music Company
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Willie Nelson3:36
3Baby Don’t Get Hooked on Me
registrazione di:
Baby, Don’t Get Hooked on Me
autore:
Mac Davis (US country singer, songwriter & actor)
editore:
EMI Music Publishing Australia Pty. Limited (not for release label use!)
Mac Davis3:01
4(If Loving You Is Wrong) I Don’t Want to Be Right
registrazione cover di:
(If Loving You Is Wrong) I Don’t Want to Be Right
autore:
Homer Banks (soul singer and songwriter), Carl Hampton (pianist, songwriter and producer) e Raymond Jackson (songwriter, guitarist and producer)
editore:
East/Memphis Music, Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Barbara Mandrell43:08
5Hello Darlin’
registrazione di:
Hello Darlin’
paroliere e compositore:
Conway Twitty
Conway Twitty2:28
6It Must Be Love
registrazione di:
It Must Be Love (Song by Don Williams)
paroliere e compositore:
Bob McDill
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Don Williams2:31
7Satin Sheets
registrazione cover di:
Satin Sheets
paroliere e compositore:
Willis Alan Ramsey
The Bellamy Brothers4:06
8The Pool Shark
registrazione di:
The Pool Shark
paroliere e compositore:
T. T. Hall
editore:
Unichappell Music, Inc.
Dave Dudley3:01
9Amanda
tecnico di registrazione:
Kyle Lehning (dal 1974-07-15 al 1979-04-09)
produttore:
Waylon Jennings (US country musician) e Ken Mansfield
armonica (a bocca) :
Roger Crabtree (dal 1974-07-15 al 1979-04-09)
basso :
Jerry Bridges (dal 1974-07-15 al 1979-04-09) e Duke Goff (dal 1974-07-15 al 1979-04-09)
batteria :
Richie Albright (dal 1974-07-15 al 1979-04-09)
chitarra :
Carl Gay (dal 1974-07-15 al 1979-04-09), Waylon Jennings (US country musician) (dal 1974-07-15 al 1979-04-09), Fred Newell (dal 1974-07-15 al 1979-04-09), Billy Ray Reynolds (dal 1974-07-15 al 1979-04-09), Larry Whitmore (dal 1974-07-15 al 1979-04-09) e John Wilkin (dal 1974-07-15 al 1979-04-09)
chitarra steel :
Ralph Mooney (dal 1974-07-15 al 1979-04-09)
tastiera :
Kyle Lehning (dal 1974-07-15 al 1979-04-09)
voce:
Garth Fundis (dal 1974-07-15 al 1979-04-09)
voce principale:
Waylon Jennings (US country musician) (dal 1974-07-15 al 1979-04-09)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1974), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1974, nel 1979) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1979, nel 1980)
registrata presso:
Glaser Sound Studios, Inc. (now known as Compass Sound Studio) in Nashville, Tennessee, Stati Uniti (il 1974-07-15) e American Studios in Nashville, Tennessee, Stati Uniti (il 1979-04-09)
registrazione cover di:
Amanda (dal 1974-07-15 al 1979-04-09)
paroliere e compositore:
Bob McDill
editore:
Gold Dust Music, Ranger Bob Music e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Waylon Jennings43:01
10Why Have You Left the One You Left Me For
registrazione di:
Why Have You Left the One You Left Me For
paroliere e compositore:
Mark True
Crystal Gayle2:58
11It’s Just a Matter of Time
Sonny James2:37
12Family Tradition
registrazione di:
Family Tradition
paroliere e compositore:
Randall Hank Williams
Hank Williams, Jr.4:01
13Please Don’t Stop Loving Me
voce:
Dolly Parton e Porter Wagoner
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1974)
registrazione di:
Please Don’t Stop Loving Me
autore:
Dolly Parton e Porter Wagoner
editore:
Velvet Apple Music
Porter Wagoner & Dolly Parton3.352:48
14Room Full of Roses
Mickey Gilley2:51
15Everything Is Beautiful
tecnico:
Charlie Tallent
produttore:
Ray Stevens (US singer‐songwriter & comedian)
arrangiatore:
Ray Stevens (US singer‐songwriter & comedian)
diritti fonografici (℗) detenuti da:
Barnaby Records, Inc. (nel 1970)
registrazione di:
Everything Is Beautiful (1970 song)
paroliere e compositore:
Ray Stevens (US singer‐songwriter & comedian)
editore:
J. Albert & Son Pty. Ltd.
Ray Stevens3:31

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Gruppo di pubblicazioni

parte di:Classic Country (Time-Life Music) (numero: 8) (ordine: 8)
Classic Country (Time-Life Music) (numero: TL626/09) (ordine: 37)