Dick Clark’s #1’s: 50s to 70s "When AM Radio Was King"

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD: EMI-Capitol Music Special Markets
#TitoloArtistaValutazioneDurata
1Whole Lot of Shakin' Goin' On
produttore:
Jack Clement e Sam Phillips (founder of Sun Records) (nel 1957)
batteria :
Jimmy Van Eaton (il 1957-02-05)
chitarra :
Roland Janes (il 1957-02-05)
pianoforte :
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (il 1957-02-05)
voce:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (il 1957-02-05)
diritti fonografici (℗) detenuti da:
Sun (US label founded in 1952) (nel 1957), Sun Record Company (nel 1957) e Charly Records (dal 2008 a oggi)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1957-02-05)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 1) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 61)
registrazione cover di:
Whole Lotta Shakin’ Goin’ On (il 1957-02-05)
autore:
Roy Hall (US rockabilly pianist & songwriter) e Dave “Curly” Williams
editore:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) e Whole Lotta Shakin' Music
registrazione di:
Whole Lotta Shakin’ Goin’ On
autore:
Roy Hall (US rockabilly pianist & songwriter) e Dave “Curly” Williams
editore:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) e Whole Lotta Shakin' Music
Jerry Lee Lewis4.652:52
2Bye Bye Love
registrazione di:
Bye Bye Love
autore:
Boudleaux Bryant e Felice Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Music Publishing LLC (1995–2020)
The Everly Brothers2:26
3Blueberry Hill
produttore:
Dave Bartholomew
diritti fonografici (℗) detenuti da:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (nel 1957) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1991)
registrata presso:
Master Recorders in Hollywood, Los Angeles, California, Stati Uniti
edit di:
Blueberry Hill (Imperial) di Fats Domino
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 81) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 147)
registrazione cover di:
Blueberry Hill (il 1956-06-27)
paroliere:
Al Lewis (Tin Pan Alley era lyricist) e Larry Stock
compositore:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company e Victoria Music Publishing Co. Ltd.
parte di:
12 Monkeys Soundtrack
Fats Domino4.652:21
4Walk, Don't Run
registrazione cover di:
Walk, Don’t Run
compositore:
Johnny Smith (jazz guitarist)
editore:
Forshay Music, Inc., On Board Music (publisher), Peer Music (“Peermusic—the global independent”) e Windswept Pacific Music Ltd.
The Ventures2:05
5Good Vibrations
tecnico di registrazione:
Bruce Botnick (dal 1966-02 al 1966-06), Chuck Britz (dal 1966-02 al 1966-06) e Larry Levine (dal 1966-02 al 1966-06)
tecnico:
Chuck Britz e Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band) e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Derry FitzGerald
voce:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06)
voce principale:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06) e Carl Wilson (Beach Boys) (dal 1966-02 al 1966-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06), Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06) e Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 53)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version) (dal 1966-02 al 1966-06)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:37
6The Lion Sleeps Tonight (Wimoweh)
registrazione di:
The Lion Sleeps Tonight (nel 1961)
paroliere:
George David Weiss (nel 1961)
autore:
Luigi Creatore, Hugo Peretti e Albert Stanton (pseudonym for Al Brackman)
compositore:
Solomon Linda
editore:
Abilene Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Luigi Creatore Music (ASCAP) e Memory Lane Music Ltd.
si basa su:
Mbube
si basa su:
Wimoweh
versione di:
Wimoweh
parte di:
The Lion King (stage musical)
parte di:
The Lion King (2019 film soundtrack)
The Tokens2:43
7Save the Last Dance for Me
registrazione di:
Save the Last Dance for Me
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (nel 1974) e Trio Music (publisher) (nel 1974)
The Drifters2:29
8He's So Fine
registrazione di:
He’s So Fine (nel 1962)
paroliere e compositore:
Ronnie Mack (1960s US songwriter)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Chiffons3.351:54
9Runaround Sue
registrazione di:
Runaround Sue
paroliere:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
compositore:
Ernie Maresca
editore:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. e Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion2:43
10This Diamond Ring
registrazione di:
This Diamond Ring
paroliere:
Bob Brass (American songwriter, collaborated with Irwin Levine, and also Al Kooper) e Irwin Levine
compositore:
Al Kooper
editore:
Warner/Chappell Music Ltd. (1996–2019)
Gary Lewis & the Playboys2:15
11Build Me Up Buttercup
video musicali:
Build Me Up Buttercup di The Foundations (British soul band, active from 1967 to 1970)
parte di:
Cachitos Nochevieja 2022 (numero: 43) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 252)
registrazione di:
Build Me Up Buttercup
autore:
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann) e Tony Macaulay
editore:
A. Schroeder Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI United Partnership Ltd., Immediate Music Ltd. e Welbeck Music (publisher)
The Foundations3.53:00
12Summer in the City
registrazione di:
Summer in the City
autore:
Steve Boone, John Sebastian e Mark Sebastian
editore:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., Trio Music (publisher) e Trio Music Co., Inc.
The Lovin’ Spoonful2:42
13Surf City
registrazione di:
Surf City
autore:
Jan Berry e Brian Wilson (Beach Boys co‐founder)
editore:
EMI Music Publishing (do not use as a release label!) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Jan & Dean2:29
14Will You Love Me Tomorrow
batteria [drums] :
Gary Chester (studio drummer and educator) (nel 1960)
pianoforte :
Paul Griffin (American pianist, session musician) (nel 1960)
timpano :
Carole King (nel 1960)
voce:
Doris Coley (nel 1960), Addie Harris (nel 1960) e Beverly Lee (singer for The Shirelles) (nel 1960)
voce principale:
Shirley Owens (nel 1960)
diritti fonografici (℗) detenuti da:
HHO Licensing Ltd.
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 151)
registrazione di:
Will You Love Me Tomorrow (Carole King song) (nel 1960)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Shirelles3.82:42
15Raindrops Keep Falling on My Head
registrazione di:
Raindrops Keep Fallin’ on My Head
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
parte di:
The 42nd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1969 winner)
B.J. Thomas3:16
2▼CD: Universal Special Markets
#TitoloArtistaValutazioneDurata
1Personality
registrazione di:
Personality (nel 1959)
paroliere e compositore:
Harold Logan e Lloyd Price (US R&B/soul singer)
Lloyd Price2:37
2Please Mr. Postman
registrazione di:
Please Mr. Postman
autore:
Robert Bateman (R&B singer/songwriter/record producer) (nel 1961), Georgia Dobbins (nel 1961), William Garrett (nel 1961), Freddie Gorman (nel 1961) e Brian Holland (Motown producer & songwriter) (nel 1961)
editore:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division e United Partnership Ltd.
The Marvelettes2:30
3Sheila
Tommy Roe2:04
4Dancing in the Street
produttore:
William Stevenson (Motown songwriter)
altri strumenti [tire iron] :
Ivy Jo Hunter (il 1964-06-29)
batteria :
Marvin Gaye (il 1964-06-29)
chitarra :
Joe Messina (il 1964-06-29), Robert White (US funk/soul guitarist) (il 1964-06-29) e Eddie Willis (il 1964-06-29)
chitarra basso :
James Jamerson (il 1964-06-29)
percussione , tamburello e vibrafono [vibes] :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-06-29)
sassofono baritono :
Thomas Bowles (il 1964-06-29)
sassofono tenore :
Henry Cosby (il 1964-06-29)
tromba :
Russell Conway (trumpet player) (il 1964-06-29) e Herbert Williams (trumpet player) (il 1964-06-29)
trombone :
George Bohanon (il 1964-06-29) e Paul Riser (il 1964-06-29)
voce di accompagnamento:
Rosalind Ashford (il 1964-06-29), Ivy Jo Hunter (il 1964-06-29), Betty Kelly (il 1964-06-29) e William Stevenson (Motown songwriter) (il 1964-06-29)
voce principale:
Martha Reeves (il 1964-06-29)
editore:
EMI Music Publishing (do not use as a release label!)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 130) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 403)
registrazione di:
Dancing in the Street (il 1964-06-29)
autore:
I. Hunter, M. Gaye e W. Stevenson (Motown songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Martha and the Vandellas3.552:40
5Our Day Will Come
registrazione di:
Our Day Will Come
paroliere:
Bob Hilliard
compositore:
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Francis, Day & Hunter (publisher), Leeds Music Corp., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Ruby & the Romantics2:31
6Baby Love
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1964-08-13)
batteria :
Richard "Pistol" Allen (il 1964-08-13)
calpestio di piedi [footstomps] :
Michael Valvano (il 1964-08-13)
chitarra :
Eddie Willis (il 1964-08-13)
pianoforte :
Earl Van Dyke (il 1964-08-13)
sassofono baritono :
Mike Terry (60s US soul arranger/conductor) (il 1964-08-13)
sassofono tenore :
Henry Cosby (il 1964-08-13)
strumenti:
The Funk Brothers (il 1964-08-13)
vibrafono :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-08-13)
voce di accompagnamento:
Florence Ballard (il 1964-08-13) e Mary Wilson (il 1964-08-13)
voce principale:
Diana Ross (il 1964-08-13)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1964-08-13)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 324) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 499)
registrazione di:
Baby Love (il 1964-08-13)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd. e Stone Agate Music Division
The Supremes4.452:36
7Chapel of Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 18) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 279)
registrazione di:
Chapel of Love
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Dixie Cups42:49
8My Guy
basso :
James Jamerson (nel 1964)
batteria :
Benny Benjamin (US drummer) (nel 1964)
chitarra :
Robert White (US funk/soul guitarist) (nel 1964) e Eddie Willis (nel 1964)
organo :
Earl Van Dyke (nel 1964)
pianoforte :
Johnny Griffith (nel 1964)
strumenti:
The Funk Brothers (nel 1964)
tromba :
Russell Conway (trumpet player) (nel 1964) e Herbert Williams (trumpet player) (nel 1964)
trombone :
George Bohanon (nel 1964) e Paul Riser (nel 1964)
vibrafono :
Dave Hamilton (US guitar/vibraphone player) (nel 1964)
voce di accompagnamento:
The Andantes (nel 1964), Marlene Barrow (nel 1964), Louvain Demps (nel 1964) e Jackie Hicks (nel 1964)
voce principale:
Mary Wells (Motown singer) (nel 1964)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1964)
registrazione di:
My Guy (nel 1964)
paroliere e compositore:
Smokey Robinson
editore:
Jobette Music (UK) Ltd.
Mary Wells4.22:49
9My Girl
produttore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
archi :
Detroit Symphony Orchestra (dal 1964-09-25 al 1964-11-17)
basso :
James Jamerson (dal 1964-09-25 al 1964-11-17)
batteria :
Benny Benjamin (US drummer) (dal 1964-09-25 al 1964-11-17)
chitarra :
Robert White (US funk/soul guitarist) (dal 1964-09-25 al 1964-11-17)
strumenti:
The Funk Brothers (dal 1964-09-25 al 1964-11-17)
voce di accompagnamento:
Eddie Kendricks (dal 1964-09-25 al 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (dal 1964-09-25 al 1964-11-17) e Paul Williams (member of The Temptations) (dal 1964-09-25 al 1964-11-17)
voce principale:
David Ruffin (soul singer, member of The Temptations) (dal 1964-09-25 al 1964-11-17)
esecutore:
The Temptations (Motown soul vocal group) (dal 1964-09-25 al 1964-11-17)
arrangiatore archi :
Paul Riser
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1964-09-25 al 1964-11-17)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 43) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 88)
registrazione di:
My Girl (dal 1964-09-25 al 1964-11-17)
paroliere:
Smokey Robinson
compositore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Temptations4.52:56
10You Don't Own Me
produttore:
Quincy Jones
arrangiatore:
Claus Ogerman
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 28)
registrazione di:
You Don’t Own Me (nel 1963)
autore:
John Madara (nel 1963) e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors) (nel 1963)
editore:
Merjoda Music Inc. e Unichappell Music, Inc. (nel 1963)
Lesley Gore3.852:30
11The Name Game
registrazione di:
The Name Game
autore:
Lincoln Chase (songwriter) e Shirley Ellis
editore:
Embassy Music Corporation e EMI Al Gallico Music Corp.
Shirley Ellis3:00
12Game of Love
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (not for release label use!) (nel 1965)
registrazione cover di:
Game of Love
paroliere e compositore:
Clint Ballard, Jr.
Wayne Fontana & The Mindbenders4.52:08
13Monday, Monday
tecnico:
Bones Howe
produttore:
Lou Adler
esecutore:
The Mamas & the Papas (American folk rock vocal group) (il 1965-12-16)
diritti fonografici (℗) detenuti da:
Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1965-12-16)
registrazione di:
Monday, Monday (il 1965-12-16)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Trousdale Music e Universal/MCA Music Ltd. (not for release label use!)
The Mamas & the Papas4.13:25
14(You're My) Soul and Inspiration
registrazione di:
(You’re My) Soul and Inspiration
autore:
Barry Mann e Cynthia Weil
editore:
Screen Gems–Columbia Music, Inc.
The Righteous Brothers3:22
15Eve of Destruction
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1965)
registrazione di:
Eve of Destruction (nel 1965)
paroliere e compositore:
P.F. Sloan
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barry McGuire4.63:35
3▼CD: Warner Special Products
#TitoloArtistaValutazioneDurata
1The Loco-Motion
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 1) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 351)
registrazione di:
The Loco‐Motion (aka Locomotion) (nel 1962)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (dal 1962 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Little Eva22:31
2Downtown
voce:
Petula Clark (English singer & actress) (nel 1964)
arrangiatore:
Tony Hatch
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1964)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 227)
registrazione di:
Downtown (nel 1964)
paroliere e compositore:
Tony Hatch
editore:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Welbeck Music Ltd.
sub-editore:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Petula Clark4.43:05
3Can't Take My Eyes off You
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 151)
registrazione di:
Can’t Take My Eyes Off You (1967 song)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. e Seasons Four Music Corp. (nel 1967)
sub-editore:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Frankie Valli3.753:24
4Cherish
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966)
registrazione di:
Cherish
paroliere e compositore:
Terry Kirkman
editore:
Beechwood Music Corp., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Association33:27
5Big Girls Don't Cry
tecnico:
Gordon Clark (recording engineer)
produttore:
Bob Crewe
chitarra :
Tommy DeVito
chitarra basso :
Nick Massi
pianoforte e tastiera :
Bob Gaudio
voce:
Bob Gaudio, Tommy DeVito, Nick Massi e Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
direttore d'orchestra:
Charles Calello
esecutore:
The Four Seasons (aka Frankie Valli and the Four Seasons)
arrangiatore voci:
Nick Massi
orchestratore:
Charles Calello
lavorazione tecnica effettuata presso:
Stea-Phillips in New York, New York, Stati Uniti
registrazione di:
Big Girls Don’t Cry
autore:
Crewe e Gaudio
editore:
BoBoB Music Corp., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Reservoir 416 e Claridge Music (publisher) (nel 1962)
The Four Seasons42:28
6Last Train to Clarksville
registrazione di:
Last Train to Clarksville
autore:
Tommy Boyce (US songwriter of Boyce and Hart) e Bobby Hart
editore:
Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees2:45
7Crimson and Clover
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1968)
registrazione di:
Crimson and Clover
autore:
Tommy James (American musician, singer, songwriter and record producer) e Pete Lucia Jr.
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), Planetary Nom (publisher) e Big Seven Music Corp. (nel 1987)
Tommy James & the Shondells3:25
8I Got You Babe
voce:
Sonny Bono (nel 1965) e Cher (nel 1965)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 331) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 444)
registrazione di:
I Got You Babe (nel 1965)
paroliere e compositore:
Sonny Bono
editore:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) e Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:12
9Time in a Bottle
produttore:
Terry Cashman e Tommy West
voce:
Jim Croce (il 1971-10-11)
diritti fonografici (℗) detenuti da:
R2M Music (BMI) (nel 1972), BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (nel 1973), Lastrada Entertainment Co., Ltd. (nel 1973) e LeFrak-Moelis Records (nel 1973)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti (il 1971-10-11)
registrazione di:
Time in a Bottle (il 1971-10-11)
paroliere e compositore:
Jim Croce
editore:
American Broadcasting Music, Inc., Blendingwell Music, Inc., DenJac Music Company e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.52:29
10Good Lovin'
registrazione di:
Good Lovin’
autore:
Rudy Clark (US songwriter) e Arthur Resnick (songwriter, producer)
editore:
Alley Music Corp., Carlin Music Corporation, Hudson Bay Music e Trio Music Company
The Rascals2:33
11When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (drummer and producer) (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:54
12Chain of Fools
registrata a:
New York, New York, Stati Uniti
tecnico di registrazione e tecnico di missaggio:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-06-23)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-06-23) e Joe South (il 1967-06-23)
chitarra basso :
Tommy Cogbill (il 1967-06-23)
pianoforte :
Aretha Franklin (il 1967-06-23)
pianoforte elettrico :
Spooner Oldham (il 1967-06-23)
cori:
Carolyn Franklin (il 1967-06-23), Erma Franklin (il 1967-06-23), Ellie Greenwich (il 1967-06-23) e The Sweet Inspirations (il 1967-06-23)
voce:
Aretha Franklin (il 1967-06-23)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-06-23)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 249) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 306)
registrazione di:
Chain of Fools (il 1967-06-23)
paroliere e compositore:
Don Covay
editore:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adattamento di:
Verlga norih
Aretha Franklin4.252:49
13Tighten Up
registrazione di:
Tighten Up
paroliere:
Billy Butler (60-70s R&B singer)
compositore:
Archie Bell (vocals, of Archie Bell & the Drells)
Archie Bell & the Drells3:11
14Soul Man
registrazione di:
Soul Man
autore:
Isaac Hayes (nel 1967) e David Porter (US soul musician, producer & songwriter) (nel 1967)
editore:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (nel 1986) e Walden Music Corp. (publisher) (nel 1986)
Sam & Dave2:39
15(Sittin' On) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding4.452:39
4▼CD: Universal Special Products
#TitoloArtistaValutazioneDurata
1Little Bit O' Soul
produttore:
Jerry Kasenetz e Jeff Katz (music producer)
registrazione di:
Little Bit o’ Soul
paroliere e compositore:
Carter-Lewis (British songwriter duo)
autore:
John Carter (songwriter & producer, b. 1942) (nel 1964) e Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men) (nel 1964)
The Music Explosion32:21
2Ode to Billie Joe
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1967)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 51), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 191) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 412)
registrazione di:
Ode to Billie Joe (nel 1967-03)
paroliere e compositore:
Bobbie Gentry
editore:
Larry Shayne Music, Inc. e Universal/MCA Music Publishing Pty Ltd
Bobbie Gentry54:14
3I Heard It Through the Grapevine
registrazione cover di:
I Heard It Through the Grapevine
autore:
Barrett Strong e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Gladys Knight & the Pips2:55
4Reach Out (I'll Be There)
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
strumenti:
The Funk Brothers (nel 1966)
voce di accompagnamento:
The Andantes (nel 1966), Marlene Barrow (nel 1966), Renaldo Benson (nel 1966), Louvain Demps (nel 1966), Abdul “Duke” Fakir (nel 1966), Jackie Hicks (nel 1966) e Lawrence Payton (nel 1966)
voce principale:
Levi Stubbs (nel 1966)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1966)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 78) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 206)
registrazione di:
Reach Out, I’ll Be There (nel 1966)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Four Tops43:00
5Judy in Disguise (With Glasses)
diritti fonografici (℗) detenuti da:
Pye International (nel 1968)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 96)
registrazione di:
Judy in Disguise (With Glasses) (nel 1967)
autore:
Andrew Bernard e John Fred (John Fred Gourrier)
editore:
Bug Music Ltd., Fanfare Music Corp., Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e MCS Music Ltd.
John Fred & His Playboy Band3.852:56
6Na Na Hey Hey (Kiss Him Goodbye)
registrazione di:
Na Na Hey Hey Kiss Him Goodbye
autore:
Gary DeCarlo, Dale Frashuer, Mark Hall (2 for Joy), Paul Leka, Daz Sampson e Graham Turner
editore:
Warner Chappell North America e Warner/Chappell North America
parte di:
Goodbye
Steam4:04
7Time of the Season
The Zombies3:33
8The Letter
produttore:
Dan Penn (songwriter, soul singer)
diritti fonografici (℗) detenuti da:
Arista Records (not an imprint, use “Arista” for release labels) (nel 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1967) e Atoll Music (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 357) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 364)
registrazione di:
The Letter (nel 1967)
paroliere e compositore:
Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Warner Chappell Music (publisher as Warner/Chappell Music)
The Box Tops4.151:54
9ABC
produttore:
The Corporation (Motown songwriters)
basso elettrico :
Wilton Felder (nel 1970-01) e Bob West (US session bassist, producer & songwriter) (nel 1970-01)
batteria :
Gene Pello (nel 1970-01)
chitarra :
Don Peake (nel 1970-01), Louis Shelton (nel 1970-01) e David T. Walker (nel 1970-01)
tastiera :
Freddie Perren (nel 1970-01)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5) (nel 1970-01), Marlon Jackson (nel 1970-01) e Tito Jackson (nel 1970-01)
voce di accompagnamento e voce principale:
Michael Jackson (“King of Pop”) (nel 1970-01)
voce principale:
Jackie Jackson (member of the Jackson 5) (nel 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (nel 1970-01) e Tito Jackson (nel 1970-01)
arrangiatore:
The Corporation (Motown songwriters)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1970)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (nel 1970-01)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 174)
registrazione di:
ABC (nel 1970-01)
autore:
Berry Gordy, Fonce Mizell, Freddie Perren e Deke Richards (American songwriter and record producer)
compositore:
Erik Huber (audio engineer, producer, composer)
editore:
Jobete Music Co., Inc. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
parte di:
MJ: The Musical
The Jackson 54.12:59
10Grazing in the Grass
produttore:
Stewart Levine (record producer and saxophonist)
batteria :
Chuck Carter (drums) (il 1968-03-14)
contrabbasso :
Henry Franklin (American jazz double-bassist) (il 1968-03-14)
percussione :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1968-03-14)
pianoforte :
William Henderson (jazz pianist) (il 1968-03-14)
sassofono tenore :
Al Abreu (il 1968-03-14)
tromba :
Hugh Masekela (il 1968-03-14)
esecutore:
Bruce Langhorne (il 1968-03-14)
registrazione di:
Grazing in the Grass (instrumental) (il 1968-03-14)
compositore:
Philemon Hou
Hugh Masekela52:36
11Aquarius / Let the Sunshine In
tecnico audio, tecnico e produttore:
Bones Howe
assistente produttore:
Ann McClelland
basso :
Joe Osborne (American bass guitar player, session musician and songwriter)
batteria e percussione :
Hal Blaine (U.S. studio drummer and percussionist)
esecutore:
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo e Ron Townson
arrangiatore:
Bill Holman, Bob Alcivar e Bones Howe
arrangiatore voci:
Bob Alcivar
diritti fonografici (℗) detenuti da:
Arista (American label owned by Sony Music Entertainment) (nel 1969)
video musicali:
Age of Aquarius / Let the Sunshine In di The 5th Dimension (1960’s group)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 435)
medley che comprende una registrazione di:
Aquarius (from “Hair”)
paroliere:
James Rado (US actor, playwright, director, writer & composer) e Gerome Ragni
compositore:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
editore:
EMI United Partnership Ltd. e United Artist Music Publishing
parte di:
Hair (1967 musical)
registrazione di:
Aquarius / Let the Sunshine In (The Flesh Failures)
autore:
Gerome Ragni, James Rado (US actor, playwright, director, writer & composer) e Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
arrangiatore:
Bill Holman, Bob Alcivar e Bones Howe
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc. e United Artists Music Co., Inc.
adattamenti:
Era de aquário / Deixa o sol entrar
medley di:
Aquarius (from “Hair”)
medley di:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
medley che comprende una registrazione di:
Let the Sunshine In
paroliere:
James Rado (US actor, playwright, director, writer & composer) e Gerome Ragni
compositore:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
editore:
EMI Music Publishing Scandinavia AB e United Artists Music Co., Inc.
The 5th Dimension4.154:49
12The Tears of a Clown
registrazione di:
The Tears of a Clown
paroliere:
Smokey Robinson
compositore:
Henry Cosby, Smokey Robinson e Stevie Wonder
editore:
Black Bull Music, Inc., Jobete Music Ltd e Jobette Music (UK) Ltd.
Smokey Robinson & The Miracles3:04
13In the Summertime
produttore:
Barry Murray (producer, associated with Mungo Jerry)
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1970)
prima pubblicazione:
In the Summertime di Mungo Jerry
video musicali:
In the Summertime di Mungo Jerry
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 40) e Billboard Year-End Hot 100 singles of 1970 (numero: 53)
registrazione di:
In the Summertime
paroliere e compositore:
Ray Dorset
editore:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) e Universal Music Publishing (use ONLY if no country‐specific information is available)
Mungo Jerry3.653:29
14War
esecutore:
Edwin Starr
registrazione cover di:
War (il 1970-05-15)
autore:
Barrett Strong e Norman Whitfield
editore:
Jobete Music (UK) Ltd. e Jobete Music Co., Inc.
registrazione di:
War
autore:
Barrett Strong e Norman Whitfield
editore:
Jobete Music (UK) Ltd. e Jobete Music Co., Inc.
Edwin Starr4.253:20
15Gypsies, Tamps and Thieves
tecnico:
Lenny Roberts (producer/engineer)
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
arrangiatore:
Al Capps (American record producer, arranger, songwriter, multi-instrumentalist, and vocalist; Born: Allan Alfonzo Capps)
è stato produttore per:
Garrett Music Enterprises (company owned by Tommy Garrett)
registrazione di:
Gypsys, Tramps & Thieves
paroliere e compositore:
Bob Stone (engineer, studio technician, producer, songwriter)
autore:
Bob Stone (US lyricist, producer, arranger)
editore:
Peso Music (publisher) (nel 1971)
Cher4.252:36
5▼CD: Sony
#TitoloArtistaValutazioneDurata
1Oh, Pretty Woman
registrazione di:
Oh, Pretty Woman (Roy Orbison song)
paroliere e compositore:
Bill Dees (songwriter, singer, guitarist) e Roy Orbison
editore:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (il 1964-08-26) e Acuff-Rose (BMI) (nel 1972)
Roy Orbison2:59
2Turn! Turn! Turn! (To Everything There Is a Season)
registrazione cover di:
Turn! Turn! Turn! (To Everything There Is a Season)
paroliere:
[traditional] (special purpose artist)
compositore:
Pete Seeger (nel 1959)
editore:
Melody Trails e TRO Essex Music Ltd.
The Byrds3:52
3Sunshine Superman
produttore:
Mickie Most (English record producer)
registrazione di:
Sunshine Superman
paroliere e compositore:
Donovan Leitch (Scottish singer, songwriter and guitarist)
editore:
Donovan Music Ltd. e Peer International Corporation (BMI)
Donovan44:34
4Black Magic Woman
registrazione di:
Black Magic Woman
paroliere e compositore:
Peter Green (former member of Fleetwood Mac)
editore:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. e Murbo Music Publishers, Inc.
Santana3:16
5Young Girl
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1968)
registrazione di:
Young Girl
paroliere e compositore:
Jerry Fuller
editore:
EMI Music Publishing (S.E. Asia) Ltd. (EMI Music Publishing (S.E. Asia) Limited)
Gary Puckett & the Union Gap43:15
6Spinning Wheel
registrazione di:
Spinning Wheel
paroliere e compositore:
David Clayton‐Thomas
editore:
EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., Minnesingers Publishers, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Blood, Sweat & Tears3:27
7Everyday People
batteria :
Greg Errico (nel 1968)
chitarra :
Freddie Stone (nel 1968)
chitarra basso :
Larry Graham (US bassist & singer) (nel 1968)
chitarra e tastiera :
Sly Stone (nel 1968)
sassofono :
Jerry Martini (nel 1968)
tastiera :
Rose Stone (nel 1968)
tromba :
Cynthia Robinson (nel 1968)
voce:
Larry Graham (US bassist & singer) (nel 1968), Jerry Martini (nel 1968), Freddie Stone (nel 1968), Rose Stone (nel 1968) e Sly Stone (nel 1968)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1969)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 109), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 145) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 293)
registrazione di:
Everyday People (nel 1968)
paroliere e compositore:
Sylvester Stewart
editore:
Mijac Music
Sly & the Family Stone4.152:23
8Me and Mrs. Jones
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce:
Billy Paul (American soul singer) (nel 1972)
esecutore:
MFSB (Mother Father Sister Brother) (nel 1972)
arrangiatore archi e arrangiatore ottoni [horns] :
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
Me and Mrs. Jones (nel 1972)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
Yamaha Music Entertainment (Japanese label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4.54:47
9Love Train
tecnico di registrazione:
Joe Tarsia (engineer)
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
Love Train (nel 1972)
paroliere e compositore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Mijac Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.152:58
10I Can See Cleary Now
Johnny Nash2:50
11Brandy (You're a Fine Girl)
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 2), Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 11) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 40)
registrazione di:
Brandy (You’re a Fine Girl) (nel 1972)
paroliere e compositore:
Elliot Lurie
Looking Glass4.253:02
12Horse With No Name
tecnico:
Robin Black (engineer) e Ken Scott (UK record producer & engineer)
produttore:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) e Ian Samwell
produttore aggiunto:
America (US folk/soft rock band) e Jeff Dexter
tecnico di missaggio:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
batteria :
Kim Haworth (nel 1971)
chitarra a 12 corde :
Gerry Beckley (nel 1971)
chitarra acustica e voce principale:
Dewey Bunnell (nel 1971)
chitarra basso :
Dan Peek (nel 1971)
percussione :
Ray Cooper (percussionist) (nel 1971)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1971, nel 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (nel 1972) e Rhino Entertainment Company (not for release label use!) (nel 2011)
registrata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1971)
registrazione di:
A Horse With No Name (nel 1971)
paroliere e compositore:
Dewey Bunnell
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
America4.34:11
13It's Too Late
registrazione di:
It’s Too Late
paroliere:
Toni Stern
compositore:
Carole King
dedicata a:
James Taylor (singer-songwriter and guitarist)
editore:
Colgems-EMI Music Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Carole King3:55
14Show and Tell
registrazione di:
Show & Tell
paroliere e compositore:
Jerry Fuller
editore:
Fullness Music Co.
Al Wilson3:29
15When Will I See You Again
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce:
Sheila Ferguson (nel 1973), Valerie Holiday (nel 1973) e Fayette Pinkney (nel 1973)
esecutore:
MFSB (Mother Father Sister Brother) (nel 1973)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1973), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1974) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1974)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
registrazione di:
When Will I See You Again (nel 1973)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
The Three Degrees42:58
6▼CD: Universal Special Markets
#TitoloArtistaValutazioneDurata
1American Woman
produttore:
Nimbus 9 e Jack Richardson
diritti fonografici (℗) detenuti da:
RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (nel 1970) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1972)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 3) e Huffington Post: 100 Best Canadian Songs Ever (numero: 4)
registrazione di:
American Woman (dal 1969-08 al 1969-11)
autore:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) e Garry Peterson (Canadian drummer for The Guess Who)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music e Unichappell Music, Inc.
The Guess Who4.15:07
2Joy to the World
edit di:
Joy to the World di Three Dog Night (American rock band)
registrazione di:
Joy to the World
paroliere e compositore:
Hoyt Axton
editore:
Rondor Music
Three Dog Night4.23:16
3Precious and Few
registrazione di:
Precious and Few
paroliere e compositore:
Walter Nims
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Climax42:46
4The Morning After
tecnico:
Arnie Rosenberg
produttore:
Carl Maduri
arrangiatore:
Joe Hudson (US composer, string arranger and conductor)
diritti fonografici (℗) detenuti da:
20th Century-Fox Record Corporation (nel 1972) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1973)
registrazione di:
The Morning After (from "The Poseidon Adventure")
autore:
Joel Hirschhorn (songwriter) e Al Kasha (composer, songwriter and arranger)
editore:
Fox Fanfare Music e Twentieth Century Music Corp.
parte di:
The 45th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1972 winner)
Maureen McGovern52:20
5American Pie
tecnico:
Tom Flye
produttore:
Ed Freeman (producer, arranger, musician, and photographer)
chitarra elettrica :
David Spinozza (dal 1971-05 al 1971-06)
pianoforte :
Paul Griffin (American pianist, session musician) (dal 1971-05 al 1971-06)
voce:
Don McLean (dal 1971-05 al 1971-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1971, nel 2000)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1971-05 al 1971-06)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 131)
registrazione di:
American Pie (dal 1971-05 al 1971-06)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd e Yahweh Tunes, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean4.38:33
6We're an American Band
assistente tecnico di registrazione:
Seth Snyder
tecnico e produttore:
Todd Rundgren
basso :
Mel Schacher
batteria e percussione :
Don Brewer (drummer for Grand Funk Railroad)
chitarra , chitarra acustica , congas e pianoforte elettrico :
Mark Farner
clavinet , moog , organo e pianoforte :
Craig Frost
voce:
Don Brewer (drummer for Grand Funk Railroad) e Mark Farner
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1973, nel 1987, nel 1991)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 99) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
We’re an American Band
paroliere e compositore:
Don Brewer (drummer for Grand Funk Railroad)
editore:
Brew Music Company
Grand Funk Railroad4.153:27
7Nights in White Satin
produttore:
Tony Clark (engineer, Abbey Road)
produttore esecutivo:
Hugh Mendl
diritti fonografici (℗) detenuti da:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (nel 1967)
registrazione di:
Nights in White Satin (nel 1967)
paroliere e compositore:
Justin Hayward (of the Moody Blues)
editore:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. e Tyler Music Ltd.
The Moody Blues4.554:26
8You Ain't Seen Nothing Yet
tecnico di registrazione e tecnico di missaggio:
Mark K. Smith (Canadian engineer)
assistente tecnico:
Buzz Richmond
produttore:
Randy Bachman (Canadian guitarist, singer & songwriter)
assistente tecnico di missaggio:
Richard Dashut
chitarra solista e voce principale:
Randy Bachman (Canadian guitarist, singer & songwriter)
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1974) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1974)
registrata presso:
Kaye–Smith Studios in Seattle, Washington, Stati Uniti
mixata presso:
Sound City Studios in Van Nuys, California, Stati Uniti
registrazione di:
You Ain’t Seen Nothing Yet
paroliere e compositore:
Randy Bachman (Canadian guitarist, singer & songwriter)
editore:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC e Top Soil Music (publisher)
sub-editore:
Ranbach Music Ltd. e Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.653:53
9Billy, Don't Be a Hero
registrazione cover di:
Billy, Don’t Be a Hero
autore:
Peter Callander e Mitch Murray
editore:
Universal–Songs of PolyGram International, Inc.
sub-editore:
Imudico AB
Bo Donaldson and the Heywoods3:25
10You're No Good
tecnico di registrazione:
Val Garay (dal 1974-06 al 1974-09) e David Hassinger (dal 1974-06 al 1974-09)
tecnico:
Val Garay
produttore:
Peter Asher, Jay Faires e Tricia Holloway
basso :
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (dal 1974-06 al 1974-09)
batteria, pianoforte elettrico e percussione :
Andrew Gold (dal 1974-06 al 1974-09)
chitarra elettrica :
Ed Black (dal 1974-06 al 1974-09)
chitarra elettrica solista :
Andrew Gold (dal 1974-04 al 1974-09)
voce di accompagnamento:
Clydie King (dal 1974-06 al 1974-09) e Shirley Matthews (Canadian pop singer) (dal 1974-06 al 1974-09)
arrangiatore archi :
Gregory Rose
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1974, nel 2006) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1974, nel 2013)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (dal 1974-06 al 1974-09)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 38)
registrazione cover di:
You’re No Good (dal 1974-06 al 1974-09)
paroliere e compositore:
Clint Ballard, Jr.
editore:
Beardog Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Edwin H. Morris & Co. (a division of MPL Communications Inc.)
Linda Ronstadt4.753:44
11Love Will Keep Us Together
tecnico di registrazione e tecnico di missaggio:
Dennis Dragon
produttore:
The Captain
produttore associato:
Toni Tennille
basso elettrico [Fender] , campane a vento , celesta , clavinet , minimoog [Mini-moog] , organo Hammond , piano elettrico Wurlitzer , pianoforte , sintetizzatore [Arp String Ensemble] , sintetizzatore [Odyssey] e tastiera [Clavietta] :
The Captain
batteria , congas e percussione :
Hal Blaine (U.S. studio drummer and percussionist)
violino :
Kenneth Yerke
voce di accompagnamento:
Melissa Tennille e Toni Tennille
arrangiatore archi :
Kenneth Yerke
arrangiatore:
The Captain
diritti fonografici (℗) detenuti da:
A&M Records (nel 1975), A&M Records, Inc. (nel 1975) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1975)
è stato produttore per:
Moonlight and Magnolia Productions
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 337)
registrazione cover di:
Love Will Keep Us Together
paroliere:
Howard Greenfield
compositore:
Neil Sedaka
editore:
Don Kirshner Music Inc., Kirshner-Warner Bros Music Ltd. e Neil Sedaka Music (BMI-affiliated)
Captain & Tennille43:24
12Rock the Boat
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (nel 1973)
registrazione di:
Rock the Boat
paroliere e compositore:
Wally Holmes (songwriter)
editore:
Origin Network Pty Ltd e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation3:20
13Will It Go Round in Circles
registrazione di:
Will It Go Round in Circles
autore:
Bruce Fisher e Billy Preston
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e Irving Music, Inc.
versione tradotta di:
עוגה עוגה
Billy Preston4:28
14The Hustle
registrazione di:
The Hustle
paroliere e compositore:
Van McCoy
editore:
Van McCoy Music, Warner Bros. Music Co. Ltd. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Van McCoy4:08
15You're the First, the Last, My Everything
registrazione di:
You’re the First, the Last, My Everything
autore:
Peter Sterling Radcliffe, Tony Sepe e Barry White
editore:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. e World Song Publishing Inc.
Barry White2.253:32

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