Klenoty Klasické Hudby: Johann Sebastian Bach

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Toccata and fuga in D minor, BWV 565
organ:
Franz Lehrndorfer (organist)
recording of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 565) and Bach Compendium (number: BC J 37)
10:11
2Wachet auf, ruft uns die Stimme, BWV 645
organ:
Franz Lehrndorfer (organist)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
4:13
3Ich ruf zu dir, Herr Jesu Christ, BWV 639
organ:
Ton Koopman (conductor, organist and harpsichordist)
recording of:
Ich ruf zu dir, Herr Jesu Christ, BWV 639
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1715)
part of:
Neumeister-Sammlung (Neumeister Collection) (number: 77), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 639), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 639), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 639) and Das Orgel-Büchlein (number: 41)
2:52
4Preludium and fuga in B major, BWV 560
engineer:
Heinz Wildhagen (engineer, producer)
producer:
Wilfried Daenicke (producer at Deutsche Grammophon)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1990)
recorded at:
Grote Kerk (Maassluis) in Maassluis, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1990)
recording of:
Präludium und Fuge B-Dur, BWV 560 (attribution doubtful) (in 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 560), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV App A 8) and Bach Compendium (number: BC J 35)
part of:
8 kleine Präludien und Fugen, BWV 553-560
3:10
5Erbam' dich mein, O Herre Gott, BWV 721
organ:
Franz Lehrndorfer (organist)
recording of:
Erbarm' dich mein, o Herre Gott, BWV 721
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 721) and Bach Compendium (number: BC K 107)
4:58
6Fantazie and fuga in G minor BWV 542
organ [Christian Müller-Organ]:
Ton Koopman (conductor, organist and harpsichordist) (in 1986-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1986-02)
recording of:
Fantasie (Praeludium) und Fuge g-Moll, BWV 542 (Fantasia and Fugue in G minor, BWV 542) (in 1986-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1720 until 1725)
part of:
Bach-Werke-Verzeichnis (number: BWV 542)
10:25
7Suite No. 2 in B minor, BWV 1067, 1. Overture
flute:
Edward Beckett (Classical flautist)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: I. Ouverture (Orchestral Suite no. 2 in B minor, BWV 1067: I. Overture)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture (orch. Stokowski)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
7:10
8Suite No. 2 in B minor, BWV 1067, 2. Rondeau
flute:
Edward Beckett (Classical flautist)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: II. Rondeau (Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
1:57
9Suite No. 2 in B minor, BWV 1067, 3. Sarabande
flute:
Edward Beckett (Classical flautist)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande (Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
3:38
10Suite No. 2 in B minor, BWV 1067, 4. Bourée I and II
flute:
Edward Beckett (Classical flautist)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II (Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourrée I & II)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
1:58
11Suite No. 2 in B minor, BWV 1067, 5. Polonaise
flute:
Edward Beckett (Classical flautist)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise & Double (Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise & Double)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
3:29
12Suite No. 2 in B minor, BWV 1067, 6. Minuet
flute:
Edward Beckett (Classical flautist)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
1:25
13Suite No. 2 in B minor, BWV 1067, 7. Badinerie
flute:
Edward Beckett (Classical flautist)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
1:25
14Suite No. 3 in D major, BWV 1068, 1. Overture
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: I. Ouverture
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
7:08
15Suite No. 3 in D major, BWV 1068, 2. Air
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
4:04
16Suite No. 3 in D major, BWV 1068, 3. Gavotte I and II
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
3:00
17Suite No. 3 in D major, BWV 1068, 4. Bourée
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
1:28
18Suite No. 3 in D major, BWV 1068, 5. Gigue
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
2:09
2▼CD
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1Brandenburg Concerto No. 1 in F major, BWV 1046, 1. Tempo ordinario (Allegro)
orchestra:
Wiener Akademie
conductor:
Martin Haselböck (organist, conductor and composer)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
4:10
2Brandenburg Concerto No. 1 in F major, BWV 1046, 2. Adagio
orchestra:
Wiener Akademie
conductor:
Martin Haselböck (organist, conductor and composer)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
3:35
3Brandenburg Concerto No. 1 in F major, BWV 1046, 3. Allegro
orchestra:
Wiener Akademie
conductor:
Martin Haselböck (organist, conductor and composer)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
4:20
4Brandenburg Concerto No. 1 in F major, BWV 1046, 4. Menuet
orchestra:
Wiener Akademie
conductor:
Martin Haselböck (organist, conductor and composer)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: IV. Menuetto – Trio I – Menuetto da capo – Polacca – Menuetto da capo – Trio II – Menuetto da capo
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
8:35
5Brandenburg Concerto No. 2 in F major, BWV 1047, 1. Tempo ordinario
orchestra:
Wiener Akademie
conductor:
Martin Haselböck (organist, conductor and composer)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
5:19
6Brandenburg Concerto No. 2 in F major, BWV 1047, 2. Andante
orchestra:
Wiener Akademie
conductor:
Martin Haselböck (organist, conductor and composer)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
3:25
7Brandenburg Concerto No. 2 in F major, BWV 1047, 3. Allegro assai
orchestra:
Wiener Akademie
conductor:
Martin Haselböck (organist, conductor and composer)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
2:54
8Brandenburg Concerto No. 3 in G major, BWV 1048, 1. Tempo ordinario (Allegro)
orchestra:
Wiener Akademie
conductor:
Martin Haselböck (organist, conductor and composer)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
6:12
9Brandenburg Concerto No. 3 in G major, BWV 1048, 2. Adagio
orchestra:
Wiener Akademie
conductor:
Martin Haselböck (organist, conductor and composer)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (catch-all for unknown versions)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part)
0:13
10Brandenburg Concerto No. 3 in G major, BWV 1048, 3. Allegro
orchestra:
Wiener Akademie
conductor:
Martin Haselböck (organist, conductor and composer)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
5:21
11Brandenburg Concerto No. 4 in G major, BWV 1049, 1. Allegro
orchestra:
Wiener Akademie
conductor:
Martin Haselböck (organist, conductor and composer)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
7:26
12Brandenburg Concerto No. 4 in G major, BWV 1049, 2. Andante
orchestra:
Wiener Akademie
conductor:
Martin Haselböck (organist, conductor and composer)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: II. Andante
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
3:41
13Brandenburg Concerto No. 4 in G major, BWV 1049, 3. Presto
orchestra:
Wiener Akademie
conductor:
Martin Haselböck (organist, conductor and composer)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: III. Presto
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
4:45
14Brandenburg Concerto No. 6 in B flat major, BWV 1051, 1. Tempo ordinario (Allegro)
orchestra:
Wiener Akademie
conductor:
Martin Haselböck (organist, conductor and composer)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
6:22
15Brandenburg Concerto No. 6 in B flat major, BWV 1051, 2. Adagio ma non tanto
orchestra:
Wiener Akademie
conductor:
Martin Haselböck (organist, conductor and composer)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: II. Adagio ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
4:28
16Brandenburg Concerto No. 6 in B flat major, BWV 1051, 3. Allegro
orchestra:
Wiener Akademie
conductor:
Martin Haselböck (organist, conductor and composer)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
5:38
3▼CD
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1Brandenburg Concerto No. 5 in D major, BWV 1050, 1. Allegro
orchestra:
Wiener Akademie
conductor:
Martin Haselböck (organist, conductor and composer)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
11:03
2Brandenburg Concerto No. 5 in D major, BWV 1050, 2. Affetuoso
orchestra:
Wiener Akademie
conductor:
Martin Haselböck (organist, conductor and composer)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: II. Adagio
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
5:05
3Brandenburg Concerto No. 5 in D major, BWV 1050, 3. Allegro
orchestra:
Wiener Akademie
conductor:
Martin Haselböck (organist, conductor and composer)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
5:54
4Goldberg Variations, BWV 988, Air
harpsichord:
Christiane Hasselmeier
recorded at:
Jowa Tonstudio (Göppingen) in Uhingen, Baden-Württemberg, Germany
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (in 1998-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
4:20
5Goldberg Variations, BWV 988, Variatio 1
harpsichord:
Christiane Hasselmeier
recorded at:
Jowa Tonstudio (Göppingen) in Uhingen, Baden-Württemberg, Germany
recording of:
Goldberg-Variationen, BWV 988: Variatio 1. a 1 Clav. (in 1998-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
1:58
6Goldberg Variations, BWV 988, Variatio 2
harpsichord:
Christiane Hasselmeier
recorded at:
Jowa Tonstudio (Göppingen) in Uhingen, Baden-Württemberg, Germany
recording of:
Goldberg-Variationen, BWV 988: Variatio 2. a 1 Clav. (in 1998-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
1:43
7Suite für Anna Magdalena Bach, “Bist du bei mir”, BWV 508
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
3:02
8Italian Concerto, BWV 971, Allegro
piano:
Igor Ardašev (pianist)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro]) (on 1994-04-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
4:03
9Choral "Jesu bleibet meine freude", BWV 147
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:52
10Choral "O Haupt voll Blut und Wunden", BWV 244
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden"
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
3:04
11"Jesu Christus, unser Heiland", BWV 688
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1988-07)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1988-07)
recording of:
Choralbearbeitung, BWV 688 "Jesus Christus unser Heiland" (in 1988-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1739)
part of:
Clavier-Übung III (German Organ Mass (BWV 669–678), Catechism Chorales (BWV 679–689)) (number: 20), Bach Compendium (number: BC K 20) and Bach-Werke-Verzeichnis (number: BWV 688)
3:16
12Symphony from Christmas Oratorio, BWV 248
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Massimo Freccia (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
7:24
13Chorus from Magnificat in D major, BWV 243
engineer:
Ian Parr (engineer) (from 1993-12-02 until 1994-03-14)
producer:
Colm Carey (keyboard instrumentalist) (from 1993-12-02 until 1994-03-14) and John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-02 until 1994-03-14)
choir vocals:
Schola Cantorum of Oxford (from 1993-12-02 until 1994-03-14)
orchestra:
Northern Chamber Orchestra (from 1993-12-02 until 1994-03-14)
conductor:
Nicholas Ward (British conductor) (from 1993-12-02 until 1994-03-14)
chorus master:
Jeremy Summerly (conductor) (from 1993-12-02 until 1994-03-14)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
St Peter’s Church, Hale, Cheshire in Cheshire West and Chester, England, United Kingdom (from 1993-12-02 until 1994-03-14)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (from 1993-12-02 until 1994-03-14)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
33:15
14"O Mensch, bewein' dein' Sünde gross", BWV 622
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Choralvorspiel, BWV 622 "O Mensch bewein dein Sünde groß" (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Choralvorspiel, BWV 622 "O Mensch bewein dein Sünde groß"
6:47
15Choral "Eine feste Burg is unser Gott", BWV 80
choir vocals:
Latvijas Radio koris (Latvian Radio Choir)
orchestra:
Latvijas Valsts filharmonijas kamerorķestris (Latvian Philharmonic Chamber Orchestra)
conductor:
Ilmārs Lapiņš (Chorus Master, Conductor)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
6:07
16Ave Maria
soprano vocals:
Maryetta Midgley (soprano)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
3:01

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copyrighted (©) by and phonographic copyright (℗) by:Reader's Digest Výběr s.r.o. (Czech subsidiary of Reader’s Digest) (from 2011 to present)