2002 Centennial

~ Release by Richard Rodgers (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1The Sweetest Sounds
Rosemary Clooney1:36
2South Pacific Overture
London Symphony Orchestra5:32
3Mountain Greenery
engineer:
Val Valentin
producer:
Norman Granz
baritone saxophone:
Chuck Gentry (on 1956-08-28)
bass:
Joe Mondragon (on 1956-08-28)
bass trombone:
George Roberts (american bass trombone) (on 1956-08-28)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-28) and Edgar Lustgarten (on 1956-08-28)
drums (drum set):
Alvin Stoller (on 1956-08-28)
French horn:
Vince DeRosa (on 1956-08-28)
guitar:
Barney Kessel (on 1956-08-28)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-28)
trombone:
Milt Bernhart (on 1956-08-28), Joe Howard (american trombone player) (on 1956-08-28) and Lloyd Ulyate (on 1956-08-28)
trumpet:
Pete Candoli (on 1956-08-28), Maynard Ferguson (on 1956-08-28), Conrad Gozzo (on 1956-08-28) and Ray Linn (on 1956-08-28)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-28)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1956-08-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-28), Bud Shank (on 1956-08-28) and Maurice Stein (American jazz saxophonist) (on 1956-08-28)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-28)
conductor:
Buddy Bregman (on 1956-08-28)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-28)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-28)
cover recording of:
Mountain Greenery (on 1956-08-28)
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (composer) (in 1926)
Ella Fitzgerald2:16
4Oh, What a Beautiful Mornin'
sound engineer:
Fred Hynes (from 1955-05 until 1955-07)
vocals:
Gordon MacRae (from 1955-05 until 1955-07)
conductor:
Jay Blackton (from 1955-05 until 1955-07)
recorded at:
MGM Music Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States (from 1955-05 until 1955-07)
recording of:
Oh, What a Beautiful Mornin’ (Oklahoma!) (from 1955-05 until 1955-07)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
Gordon MacRae2:33
5Getting to Know You
cover recording of:
Getting to Know You (The King and I)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
The King and I (Rodgers & Hammerstein musical)
James Taylor2:50
6I Wish I Were in Love Again
Christopher Fitzgerald & Jessica Stone3:18
7I Have Dreamed
vocals:
Peabo Bryson and Lea Salonga
orchestra:
Hollywood Bowl Orchestra
conductor:
John Mauceri (conductor)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (from 1992 to present)
recording of:
I Have Dreamed (The King and I) (in 1992)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The King and I (Rodgers & Hammerstein musical)
Peabo Bryson & Lea Salonga3:36
8My Romance
Doris Day2:33
9Waltz For a Ball
Cinderella Orchestra3:45
10You Took Advantage of Me
recording engineer and mixer:
George Massenburg (in 1984)
producer:
Peter Asher
bass:
Bob Magnusson (jazz, pop and classical bassist) (in 1984)
drums (drum set):
Louie Bellson (in 1984)
guitar:
Bob Mann (US session guitarist) (in 1984)
piano:
Don Grolnick (in 1984)
solo tenor saxophone:
Plas Johnson (in 1984)
conductor:
Nelson Riddle (in 1984)
arranger:
Nelson Riddle (in 1984)
cover recording of:
You Took Advantage of Me (in 1984)
lyricist:
Lorenz Hart (in 1928)
composer:
Richard Rodgers (composer) (in 1928)
publisher:
Chappell’s • Sydney
Linda Ronstadt2:24
11Blue Moon
producer:
Danny and Stu (US TV/film composer, conductor & producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961, in 2004)
cover recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
The Marcels32:16
12I Cain't Say No
vocals:
Carol Burnett (from 1960-10-03 until 1960-10-17)
conductor:
Irwin Kostal (from 1960-10-03 until 1960-10-17)
phonographic copyright (℗) by:
Decca Records (not for release label use!) (in 1961)
recording of:
I Cain’t Say No (from 1960-10-03 until 1960-10-17)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
Oklahoma! (Rodgers & Hammerstein musical)
Carol Burnett2:24
13My Favorite Things
Dave Valentin4:41
14My Funny Valentine
piano:
André Previn (pianist, conductor, composer, arranger)
vocals:
Dinah Shore
performer:
André Previn (pianist, conductor, composer, arranger)
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
Dinah Shore & André Previn3:36
15Victory at Sea
RCA Victor Symphony Orchestra6:13
16Do-Re-Mi
Mary Martin2:26
17Away From You
Sarah Brightman33:28
18Ten Cents a Dance
lead vocals:
Ruth Etting
recording of:
Ten Cents a Dance
lyricist:
Lorenz Hart (in 1930)
composer:
Richard Rodgers (composer) (in 1930)
part of:
Simple Simon
Ruth Etting3:15
19Shall We Dance?
Julie Andrews & Ben Kingsley4:25
20Have You Met Miss Jones?
recording engineer and mixer:
Al Schmitt
additional engineer:
Jim Brumby (UK engineer) and Tom Jenkins (English sound engineer)
engineer:
Jim Brumby (UK engineer) and Steve Price (UK recording engineer/producer/orchestrator/arranger)
producer:
Guy Chambers (English songwriter and record producer)
assistant mixer:
Steve Genewick
alto saxophone [alto saxophones]:
Iain Dixon and Andy Mackintosh (British-born saxophonist)
baritone saxophone:
Phil Todd (UK flautist/saxophonist)
bass trombone:
Dave Stewart (trombonist)
double bass:
Sam Burgess
drums (drum set) [drums]:
Ralph Salmins
electric guitar:
Mitch Dalton
piano:
Dave Arch (pianist, conductor, arranger and composer)
tenor saxophone [tenor saxophones]:
Dave Bishop (saxophonist) and Chris White (UK jazz saxophonist)
trombone [trombones]:
Gordon Campbell (UK trombone player; BBC Big Band), Richard Edwards (trombonist) and Neil Sidwell
trumpet [trumpets]:
John Barclay (trumpeter), Stuart Brooks (trumpet and horn player), Simon Gardner (trumpet player) and Paul Spong (trumpetist)
vibraphone:
Anthony Kerr
vocals:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
Robbie Williams3.42:33
21What's the Use of Wond'rin'?
cover recording of:
What’s the Use of Wond’rin’ (Carousel)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
part of:
Carousel (Rodgers & Hammerstein musical)
Bernadette Peters3:20
22Climb Ev'ry Mountain
Tommy Körberg3:21
23The Sweetest Sounds, Reprise
Rosemary Clooney1:14