The Blue Angel

~ Release by Marlene Dietrich (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Naughty Lola
recorded in:
Berlin, Germany (on 1930-02-09)
vocals:
Marlene Dietrich (actress and singer)
orchestra:
Friedrich Hollaender und seine Jazz-Symphoniker
conductor:
Friedrich Hollaender
recording of:
I Am the Naughty Lola (on 1930-02-09)
lyricist:
Robert Liebmann
composer:
Friedrich Hollaender
translated version of:
Ich bin die fesche Lola
2:36
2Falling in Love Again
vocals:
Marlene Dietrich (actress and singer)
conductor:
Friedrich Hollaender
recording of:
Falling in Love Again (Can’t Help It) (on 1930-02-06)
lyricist and composer:
Friedrich Hollaender
translator:
Reginald Connelly and Sammy Lerner
publisher:
Campbell Connelly, BMG Songs, Inc. (in 1930) and Samuel M. Lerner Publications (in 1930)
translated version of:
Ich bin von Kopf bis Fuß auf Liebe eingestellt
3:02
3Blonde Women
recorded in:
Berlin, Germany (on 1930-02-06)
vocals:
Marlene Dietrich (actress and singer) (on 1930-02-06)
conductor:
Friedrich Hollaender (on 1930-02-06)
recording of:
Blonde Women (on 1930-02-06)
composer:
Friedrich Hollaender
translated version of:
Nimm dich in acht vor blonden Frauen
3:16
4I Gotta Get a Man (This Evening, Children)
vocals:
Marlene Dietrich (actress and singer)
conductor:
Friedrich Hollaender
recording of:
This Evening Children (in 1930)
lyricist:
Robert Liebmann
composer:
Friedrich Hollaender
translated version of:
Kinder, heut' abend such ich mir was aus (Ein richtiger Mann)
2:40
5Give Me the Man
recorded in:
Berlin, Germany (on 1931-03-27)
vocals:
Marlene Dietrich (actress and singer)
conductor:
Peter Kreuder
recording of:
Give Me the Man (from "Morocco") (on 1931-03-27)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Karl Hajos
3:08
6Peter
vocals:
Marlene Dietrich (actress and singer) (on 1931-03-11)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) and Peter Kreuder (on 1931-03-11)
conductor:
Peter Kreuder
recording of:
Peter (on 1931-03-11)
lyricist:
Friedrich Hollaender
composer:
Rudolf Nelson
3:20
7Jonny
vocals:
Marlene Dietrich (actress and singer)
conductor:
Peter Kreuder
recording of:
Jonny (wenn du Geburtstag hast) (in 1931)
lyricist and composer:
Friedrich Hollaender
3:10
8Hot Voodoo
vocals:
Marlene Dietrich (actress and singer)
recording of:
Hot Voodoo (in 1932)
lyricist:
Sam Coslow
composer:
Ralph Rainger
3:29
9Wo ist der Mann?
recorded in:
Paris, Île-de-France, France (on 1933-07-19)
clarinet:
Peter du Congé (American jazz reedist) (on 1933-07-19)
double bass:
Juan Fernandez (Jazz double bassist) (on 1933-07-19)
drums (drum set):
Billy Taylor (English jazz and pop drummer and singer) (on 1933-07-19)
piano:
Freddy Johnson (pianist) (on 1933-07-19)
reeds:
Peter DuConge (American jazz reedist) (on 1933-07-19)
trumpet:
Arthur Briggs (trumpeter) (on 1933-07-19)
vocals:
Marlene Dietrich (actress and singer) (on 1933-07-19)
conductor:
Peter Kreuder (on 1933-07-19)
recording of:
Wo ist der Mann? (on 1933-07-19)
lyricist:
Max Kolbe
composer:
Peter Kreuder
3:11
10Je m’ennuie
recorded in:
Paris, Île-de-France, France (on 1933-07-15)
vocals:
Marlene Dietrich (actress and singer)
conductor:
Peter Kreuder
recording of:
Moi je m’ennuie (on 1933-07-15)
lyricist:
Camille François (French lyricist)
composer:
Wal-Berg
3:14
11Allein in einer großen Stadt
recorded in:
Paris, Île-de-France, France (on 1933-07-19)
vocals:
Marlene Dietrich (actress and singer) (on 1933-07-19)
orchestra:
Jazz du Poste Parisien
conductor:
Peter Kreuder
arranger:
Wal-Berg
recording of:
Allein in einer großen Stadt (on 1933-07-19)
lyricist:
Max Colpet
composer:
Franz Waxman
3:46
12Assez
recorded in:
Paris, Île-de-France, France (on 1933-07-12)
vocals:
Marlene Dietrich (actress and singer)
orchestra:
Jazz du Poste Parisien
conductor:
Peter Kreuder
recording of:
Assez (on 1933-07-12)
lyricist:
Jean Tranchant (son)
composer:
Emil Stern (jazz pianist, composer and bandleader) and Wal-Berg
3:28
13Falling in Love Again
vocals:
Marlene Dietrich (actress and singer) (on 1939-12-11)
orchestra:
Victor Young and His Orchestra (on 1939-12-11)
recorded at:
Decca Studios (Hollywood; fka Recordings, Inc. 1934–40, before Decca took it over) in Hollywood, Los Angeles, California, United States (on 1939-12-11)
recording of:
Falling in Love Again (Can’t Help It) (on 1939-12-11)
lyricist and composer:
Friedrich Hollaender
translator:
Reginald Connelly and Sammy Lerner
publisher:
Campbell Connelly, BMG Songs, Inc. (in 1930) and Samuel M. Lerner Publications (in 1930)
translated version of:
Ich bin von Kopf bis Fuß auf Liebe eingestellt
2:59
14You Go to My Head
vocals:
Marlene Dietrich (actress and singer) (on 1939-12-19)
orchestra:
Victor Young and His Orchestra (on 1939-12-19)
recorded at:
Decca Studios (Hollywood; fka Recordings, Inc. 1934–40, before Decca took it over) in Hollywood, Los Angeles, California, United States (on 1939-12-19)
recording of:
You Go to My Head (on 1939-12-19)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
3:11
15The Boys in the Back Room
vocals:
Marlene Dietrich (actress and singer) (on 1939-12-19)
orchestra:
Victor Young and His Orchestra (on 1939-12-19)
recorded at:
Decca Studios (Hollywood; fka Recordings, Inc. 1934–40, before Decca took it over) in Hollywood, Los Angeles, California, United States (on 1939-12-19)
recording of:
The Boys in the Backroom (on 1939-12-19)
lyricist:
Frank Loesser
composer:
Frederick Hollander
2:05
16The Boys in the Back Room: Parody (Salute to Mitchell Leisin)
vocals:
Marlene Dietrich (actress and singer)
recording of:
The Boys in the Back Room: Parody (Salute to Mitchell Leisen) (in 1941)
lyricist:
Frank Loesser
composer:
Friedrich Hollaender
parody version of:
The Boys in the Backroom
1:17