Tracklist

1Digital Media
#TitleArtistRatingLength
1The Sorcerer’s Apprentice
assistant recording engineer:
Guy Charbonneau, James Clemens-Seely (sound recording engineer) and François Goupil
recording engineer:
Christopher Johns (sound engineer) and Carl Talbot (mastering engineer)
producer:
Carl Talbot (mastering engineer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 2015-10)
conductor:
Kent Nagano (conductor) (in 2015-10)
phonographic copyright (℗) by:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 2016)
recorded at:
Montreal Symphony House (Montreal concert venue) in Ville-Marie, Montréal (Montreal, city), Québec (Quebec), Canada (in 2015-10)
recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice) (in 2015-10)
composer:
Paul Dukas (French composer) (from 1896 until 1897)
Paul Dukas10:40
2The Noonday Witch, op. 108
assistant recording engineer:
Guy Charbonneau, James Clemens-Seely (sound recording engineer) and François Goupil
recording engineer:
Christopher Johns (sound engineer) and Carl Talbot (mastering engineer)
producer:
Carl Talbot (mastering engineer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 2015-10)
conductor:
Kent Nagano (conductor) (in 2015-10)
phonographic copyright (℗) by:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 2016)
recorded at:
Montreal Symphony House (Montreal concert venue) in Ville-Marie, Montréal (Montreal, city), Québec (Quebec), Canada (in 2015-10)
recording of:
Polednice, op. 108, B. 196 (The Noon Witch, op. 108, B. 196) (in 2015-10)
premiered in:
London (Greater London), England, United Kingdom (on 1896-11-21)
composer:
Antonín Dvořák (composer) (from 1896-01-11 until 1896-02-27)
premiered at:
[private concert] (1896-06-03)
publisher:
N. Simrock (in 1896)
part of:
Works of Antonín Dvořák by opus number (number: op. 108) and Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 196)
Antonín Dvořák14:55
3A Night on the Bare Mountain
assistant recording engineer:
Guy Charbonneau, James Clemens-Seely (sound recording engineer) and François Goupil
recording engineer:
Christopher Johns (sound engineer) and Carl Talbot (mastering engineer)
producer:
Carl Talbot (mastering engineer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 2015-10)
conductor:
Kent Nagano (conductor) (in 2015-10)
phonographic copyright (℗) by:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 2016)
recorded at:
Montreal Symphony House (Montreal concert venue) in Ville-Marie, Montréal (Montreal, city), Québec (Quebec), Canada (in 2015-10)
recording of:
Une nuit sur le mont chauve: Fantaisie pour l’orchestre (Night on Bald Mountain, orchestrated by Rimsky-Korsakov) (in 2015-10)
orchestrator:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1886)
composer:
Modest Mussorgsky (composer) (from 1867-06-12 until 1867-06-23)
dedicated to:
Wladimir Stassoff (Vladimir Vasilievich Stasov)
publisher:
W. Bessel & Cie (in 1886)
is based on:
St. John’s Night on the Bare Mountain (original version)
Modest Mussorgsky / Nikolai Rimsky-Korsakov11:51
4Tamara
assistant recording engineer:
Guy Charbonneau, James Clemens-Seely (sound recording engineer) and François Goupil
recording engineer:
Christopher Johns (sound engineer) and Carl Talbot (mastering engineer)
producer:
Carl Talbot (mastering engineer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 2015-10)
conductor:
Kent Nagano (conductor) (in 2015-10)
phonographic copyright (℗) by:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 2016)
recorded at:
Montreal Symphony House (Montreal concert venue) in Ville-Marie, Montréal (Montreal, city), Québec (Quebec), Canada (in 2015-10)
recording of:
Tamara (in 2015-10)
composer:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor) (from 1867 until 1882)
dedicated to:
Franz Liszt (Hungarian composer, pianist and conductor)
Mily Balakirev22:05
5Danse macabre, op. 40
assistant recording engineer:
Guy Charbonneau, James Clemens-Seely (sound recording engineer) and François Goupil
recording engineer:
Christopher Johns (sound engineer) and Carl Talbot (mastering engineer)
producer:
Carl Talbot (mastering engineer)
violin:
Andrew Wan (violinist) (in 2015-10)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 2015-10)
conductor:
Kent Nagano (conductor) (in 2015-10)
phonographic copyright (℗) by:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 2016)
recorded at:
Montreal Symphony House (Montreal concert venue) in Ville-Marie, Montréal (Montreal, city), Québec (Quebec), Canada (in 2015-10)
recording of:
Danse macabre, op. 40 (symphonic poem for orchestra) (in 2015-10)
composer:
Camille Saint‐Saëns (composer) (in 1874)
part of:
Classic 100: Music of France (2012) (number: 16) and Works of Camille Saint-Saëns by opus number (number: op. 40)
is based on:
Danse macabre (song for voice and piano)
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Camille Saint‐Saëns7:23
6Hallowe’en, from Three Outdoor Scenes
assistant recording engineer:
Guy Charbonneau, James Clemens-Seely (sound recording engineer) and François Goupil
recording engineer:
Christopher Johns (sound engineer) and Carl Talbot (mastering engineer)
producer:
Carl Talbot (mastering engineer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 2015-10)
conductor:
Kent Nagano (conductor) (in 2015-10)
phonographic copyright (℗) by:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 2016)
recorded at:
Montreal Symphony House (Montreal concert venue) in Ville-Marie, Montréal (Montreal, city), Québec (Quebec), Canada (in 2015-10)
recording of:
Hallowe'en, S. 71 (in 2015-10)
composer:
Charles Ives (American composer) (in 1914)
part of:
A Descriptive Catalogue of the Music of Charles Ives (number: S. 71)
part of:
Three Outdoor Scenes
Charles Ives2:32