Works: 1965-1995

~ Release by Steve Reich (see all versions of this release, 2 available)

Tracklist

| |
1CD
#TitleRatingLength
1Come Out
engineer:
Paul Goodman (engineer)
executive producer:
Robert Hurwitz and Bob Ludwig (mastering engineer)
producer and editor:
Steve Reich (American composer) and Judith Sherman
mixer:
Steve Reich (American composer)
piano:
Double Edge (piano duo)
other vocals:
Daniel Hamm
performer:
Steve Reich (American composer)
recording of:
Come Out
composer:
Steve Reich (American composer) (in 1966)
12:59
2Piano Phase
engineer:
Paul Goodman (engineer)
executive producer:
Robert Hurwitz and Bob Ludwig (mastering engineer)
producer and editor:
Steve Reich (American composer) and Judith Sherman
mixer:
Steve Reich (American composer)
piano:
Double Edge (piano duo)
performer:
Steve Reich (American composer)
recording of:
Piano Phase
composer:
Steve Reich (American composer) (in 1967)
20:37
3It's Gonna Rain, Parts I & II
recording of:
It’s Gonna Rain
composer:
Steve Reich (American composer) (in 1965)
417:55
4Four Organs
additional engineer:
Tony Black (producer, engineer), Takako Furuya, Jim Murray (recording engineer), Kevin Stone (sound engineer) and Greg Thompson (engineer, mixer)
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Karina Beznicki (Producer and coordinator, mainly for the label Nonesuch), Steve Reich (American composer) and Judith Sherman
additional editor:
Jeanne Velonis
maracas:
James Preiss
organ:
Michael Gordon (composer), Lisa Moore (avant-garde pianist from Australia), Mark Stewart (organist, cellist) and Evan Ziporyn
performer:
Bang on a Can All-Stars (US musical group)
recording of:
Four Organs
composer:
Steve Reich (American composer) (in 1970-01)
premiered at:
Guggenheim Museum in Manhattan, New York, New York, United States (on 1970-05-07)
15:53
2CD
#TitleRatingLength
1Drumming, Part I
engineer:
Paul Goodman (engineer)
producer:
Steve Reich (American composer) and Judith Sherman
mixer:
Steve Reich (American composer), Judith Sherman and Paul Zinman (engineer)
bongos [tuned small bongo drum]:
Steve Chambers, Art Murphy, James Preiss and Steve Reich (American composer)
other vocals:
Steve Reich (American composer)
performer:
Steve Reich and Musicians
recording of:
Drumming, Part I
composer:
Steve Reich (American composer) (from 1970 until 1971)
part of:
Drumming
17:30
2Drumming, Part II
engineer:
Paul Goodman (engineer)
producer:
Steve Reich (American composer) and Judith Sherman
mixer:
Steve Reich (American composer), Judith Sherman and Paul Zinman (engineer)
marimba:
Steve Chambers, Jon Gibson (flautist, saxophonist, composer), Ben Harms, Russell Hartenberger (percussionist), Frank Maefsky, Art Murphy, James Ogden, James Preiss and Steve Reich (American composer)
other vocals:
Jay Clayton (American avant‐garde jazz vocalist and educator), Joan LaBarbara (American vocalist and composer) and Judy Sherman
performer:
Steve Reich and Musicians
recording of:
Drumming, Part II
composer:
Steve Reich (American composer) (from 1970 until 1971)
part of:
Drumming
18:11
3Drumming, Part III
engineer:
Paul Goodman (engineer)
producer:
Steve Reich (American composer) and Judith Sherman
mixer:
Steve Reich (American composer), Judith Sherman and Paul Zinman (engineer)
glockenspiel:
Steve Chambers, Russell Hartenberger (percussionist), Art Murphy and James Preiss
piccolo:
Jon Gibson (flautist, saxophonist, composer)
whistling:
Steve Reich (American composer)
performer:
Steve Reich and Musicians
recording of:
Drumming, Part III
composer:
Steve Reich (American composer) (from 1970 until 1971)
part of:
Drumming
11:13
4Drumming, Part IV
engineer:
Paul Goodman (engineer)
producer:
Steve Reich (American composer) and Judith Sherman
mixer:
Steve Reich (American composer), Judith Sherman and Paul Zinman (engineer)
bongos [tuned small bongo drum]:
Steve Chambers, Art Murphy and Steve Reich (American composer)
glockenspiel:
Gary Burke, Ben Harms and James Preiss
marimba:
Russell Hartenberger (percussionist), Frank Maefsky and James Ogden
piccolo:
Jon Gibson (flautist, saxophonist, composer)
other vocals:
Jay Clayton (American avant‐garde jazz vocalist and educator), Joan LaBarbara (American vocalist and composer) and Judy Sherman
performer:
Steve Reich and Musicians (American composer)
recording of:
Drumming, Part IV
composer:
Steve Reich (American composer) (from 1970 until 1971)
part of:
Drumming
9:50
3CD
#TitleRatingLength
1Music for Mallet Instruments, Voices and Organ
engineer:
Dick Lewzey
executive producer:
Robert Hurwitz
producer:
Judith Sherman
mixer and editor:
Steve Reich (American composer) and Judith Sherman
glockenspiel:
Garry Kvistad and Thad Wheeler
marimba:
Bob Becker (percussionist), Timothy Ferchen, Russell Hartenberger (percussionist) and Steve Reich (American composer)
organ:
Nurit Tilles
vibraphone:
James Preiss
other vocals:
Rebecca Armstrong and Jay Clayton (American avant‐garde jazz vocalist and educator)
vocals:
Pamela Wood Ambush
performer:
Steve Reich and Musicians
earliest release:
Music for Mallet Instruments, Voices and Organ by Steve Reich (American composer)
recording of:
Music for Mallet Instruments, Voices and Organ
composer:
Steve Reich (American composer) (in 1973)
16:59
2Clapping Music
engineer:
Paul Goodman (engineer)
executive producer:
Robert Hurwitz and Bob Ludwig (mastering engineer)
producer and editor:
Steve Reich (American composer) and Judith Sherman
mixer:
Steve Reich (American composer)
handclaps:
Russell Hartenberge and Steve Reich (American composer)
recording of:
Clapping Music
composer:
Steve Reich (American composer) (in 1972)
4:48
3Six Marimbas
engineer:
Paul Goodman (engineer)
executive producer:
Robert Hurwitz
producer and editor:
Steve Reich (American composer)
mixer:
Paul Goodman (engineer), Tom Lazarus and Steve Reich (American composer)
marimba:
Bob Becker (percussionist), Kory Grossman (American percussionist), Russell Hartenberger (percussionist), The Manhattan Marimba Quartet, James Preiss, Bill Ruyle and William Trigg
performer:
Nexus (contemporary percussion ensemble from Canada) and Steve Reich and Musicians
recording of:
Six Marimbas
composer:
Steve Reich (American composer) (in 1986)
16:19
4CD
#TitleRatingLength
1Music for 18 Musicians: Pulses
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush (American pianist) and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger (percussionist)
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant‐garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant‐garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Pulses
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
5:26
2Music for 18 Musicians: Section I
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush (American pianist) and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger (percussionist)
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant‐garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant‐garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Section I
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
3:59
3Music for 18 Musicians: Section II
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush (American pianist) and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger (percussionist)
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant‐garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant‐garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Section II
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
5:13
4Music for 18 Musicians: Section IIIA
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush (American pianist) and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger (percussionist)
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant‐garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant‐garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Section IIIA
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
3:55
5Music for 18 Musicians: Section IIIB
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush (American pianist) and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger (percussionist)
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant‐garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant‐garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Section IIIB
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
3:46
6Music for 18 Musicians: Section IV
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush (American pianist) and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger (percussionist)
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant‐garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant‐garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Section IV
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
6:37
7Music for 18 Musicians: Section V
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush (American pianist) and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger (percussionist)
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant‐garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant‐garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Section V
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
6:49
8Music for 18 Musicians: Section VI
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush (American pianist) and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger (percussionist)
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant‐garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant‐garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Section VI
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
4:54
9Music for 18 Musicians: Section VII
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush (American pianist) and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger (percussionist)
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant‐garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant‐garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Section VII
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
4:19
10Music for 18 Musicians: Section VIII
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush (American pianist) and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger (percussionist)
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant‐garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant‐garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Section VIII
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
3:35
11Music for 18 Musicians: Section IX
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush (American pianist) and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger (percussionist)
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant‐garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant‐garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Section IX
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
5:24
12Music for 18 Musicians: Section X
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush (American pianist) and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger (percussionist)
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant‐garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant‐garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Section X
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
1:51
13Music for 18 Musicians: Section XI
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush (American pianist) and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger (percussionist)
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant‐garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant‐garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Section XI
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
5:44
14Music for 18 Musicians: Pulses
additional engineer:
Chris Hilt
assistant engineer:
Glen Marchese
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
additional producer and additional editor:
Jeanne Velonis
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Tony Black (producer, engineer) and Greg Thompson (engineer, mixer)
bass clarinet and clarinet:
Leslie Scott and Evan Ziporyn
cello:
Jeanne LeBlanc
maracas and marimba:
Phillip Bush (American pianist) and Thad Wheeler
marimba and piano:
Steve Reich (American composer)
marimba and xylophone:
Bob Becker (percussionist), Timothy Ferchen and Russell Hartenberger (percussionist)
marimba, piano and xylophone:
Garry Kvistad
piano:
Jay Clayton (American avant‐garde jazz vocalist and educator), Edmund Niemann and Nurit Tilles
piano and vibraphone:
James Preiss
violin:
Elizabeth Lim
alto vocals:
Jay Clayton (American avant‐garde jazz vocalist and educator)
soprano vocals:
Rebecca Armstrong, Marion Beckenstein (American classical vocalist) and Cheryl Bensman Rowe
performer:
Steve Reich and Musicians (in 1996-10)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1996-10)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (from 1996-11 until 1997-01)
recording of:
Music for 18 Musicians: Pulses
composer:
Steve Reich (American composer) (from 1974-05 until 1976-03)
part of:
Music for 18 Musicians
2.56:11
5CD
#TitleRatingLength
1Eight Lines (Octet)
additional engineer:
Tony Black (producer, engineer), Takako Furuya, Jim Murray (recording engineer), Kevin Stone (sound engineer) and Greg Thompson (engineer, mixer)
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Karina Beznicki (Producer and coordinator, mainly for the label Nonesuch), Steve Reich (American composer) and Judith Sherman
additional editor:
Jeanne Velonis
bass clarinet and clarinet:
Evan Ziporyn
basset clarinet and clarinet:
Michael Lowenstern (American bass clarinetist and composer)
cello:
Greg Passelink and Mark Stewart (organist, cellist)
flute and piccolo:
David Fedele and Patti Monson
piano:
Edmund Niemann and Nurit Tilles
viola:
Ron Lawrence (American viola player) and Martha Mooke
violin:
Jacqueline Carrasco, Gregor Kitzis (violinist), Liz Knowles and Todd Reynolds (American violinist, composer & conductor)
conductor:
Brad Lubman
performer:
Bang on a Can All-Stars (US musical group)
recording of:
Eight Lines
composer:
Steve Reich (American composer) (in 1983)
revision of:
Octet
17:36
2Tehillim: I. Fast
producer:
Judith Sherman
crotales, handclaps, maracas, marimba, tambourine and vibraphone:
Percussion Group The Hague
choir vocals:
Schönberg Ensemble
soprano vocals:
Barbara Borden (operatic soprano)
orchestra:
Schönberg Ensemble
conductor:
Reinbert de Leeuw (Dutch conductor and pianist)
recording of:
Tehillim: I. Fast
composer:
Steve Reich (American composer) (in 1981)
part of:
Tehillim
11:46
3Tehillim: II. Fast
producer:
Judith Sherman
crotales, handclaps, maracas, marimba, tambourine and vibraphone:
Percussion Group The Hague
choir vocals:
Schönberg Ensemble
soprano vocals:
Barbara Borden (operatic soprano)
orchestra:
Schönberg Ensemble
conductor:
Reinbert de Leeuw (Dutch conductor and pianist)
recording of:
Tehillim: II. Fast
composer:
Steve Reich (American composer) (in 1981)
part of:
Tehillim
6:02
4Tehillim: III. Slow
producer:
Judith Sherman
crotales, handclaps, maracas, marimba, tambourine and vibraphone:
Percussion Group The Hague
instruments and orchestra:
Schönberg Ensemble
percussion:
Slagwerk Den Haag
choir vocals:
Schönberg Ensemble
soprano vocals:
Barbara Borden (operatic soprano)
conductor:
Reinbert de Leeuw (Dutch conductor and pianist)
recording of:
Tehillim: III. Slow
composer:
Steve Reich (American composer) (in 1981)
part of:
Tehillim
6:19
5Tehillim: IV. Fast
producer:
Judith Sherman
crotales, handclaps, maracas, marimba, tambourine and vibraphone:
Percussion Group The Hague
choir vocals:
Schönberg Ensemble
soprano vocals:
Barbara Borden (operatic soprano)
orchestra:
Schönberg Ensemble
conductor:
Reinbert de Leeuw (Dutch conductor and pianist)
earliest release:
Tehillim, Part IV: Fast by Barbara Borden (operatic soprano), Schönberg Ensemble, Percussion Group The Hague, Reinbert de Leeuw (Dutch conductor and pianist)
recording of:
Tehillim: IV. Fast
composer:
Steve Reich (American composer) (in 1981)
part of:
Tehillim
6:24
6CD
#TitleRatingLength
1The Desert Music: I. Fast
recording engineer:
Paul Goodman (engineer) (from 1984-10-29 until 1984-10-30)
executive producer:
Robert Hurwitz
producer:
Steve Reich (American composer) and Rudolph Werner
mixer and editor:
Wolf‐Dieter Karwatky, Karl-August Naegler (balance engineer), John Newton (editor, engineer mixer), Steve Reich (American composer) and Rudolph Werner
bass:
Donald Palma (double bass player)
cello:
Sharon Prater
percussion:
Bob Becker (percussionist), Russell Hartenberge, Garry Kvistad and Glen Velez
viola:
Francesca Martin
violin:
Deborah Redding and Julie Rosenfeld (violinist)
choir vocals:
The Brooklyn Philharmonic Chorus
soprano vocals:
Cheryl Bensman Rowe
orchestra:
Brooklyn Philharmonic Symphony Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
performer:
Colorado Quartet and Steve Reich and Musicians
recording of:
The Desert Music: I. Fast
lyricist:
William Carlos Williams (poet)
composer:
Steve Reich (American composer) (in 1984)
part of:
The Desert Music
7:54
2The Desert Music: II. Moderate
recording engineer:
Paul Goodman (engineer) (from 1984-10-29 until 1984-10-30)
executive producer:
Robert Hurwitz
producer:
Steve Reich (American composer) and Rudolph Werner
mixer and editor:
Wolf‐Dieter Karwatky, Karl-August Naegler (balance engineer), John Newton (editor, engineer mixer), Steve Reich (American composer) and Rudolph Werner
bass:
Donald Palma (double bass player)
cello:
Sharon Prater
percussion:
Bob Becker (percussionist), Russell Hartenberge, Garry Kvistad and Glen Velez
viola:
Francesca Martin
violin:
Deborah Redding and Julie Rosenfeld (violinist)
choir vocals:
The Brooklyn Philharmonic Chorus
soprano vocals:
Cheryl Bensman Rowe
conductor:
Michael Tilson Thomas (conductor and pianist)
performer:
Colorado Quartet and Steve Reich and Musicians
recording of:
The Desert Music: II. Moderate
lyricist:
William Carlos Williams (poet)
composer:
Steve Reich (American composer) (in 1984)
part of:
The Desert Music
6:59
3The Desert Music: III. Part One: Slow
recording engineer:
Paul Goodman (engineer) (from 1984-10-29 until 1984-10-30)
executive producer:
Robert Hurwitz
producer:
Steve Reich (American composer) and Rudolph Werner
mixer and editor:
Wolf‐Dieter Karwatky, Karl-August Naegler (balance engineer), John Newton (editor, engineer mixer), Steve Reich (American composer) and Rudolph Werner
bass:
Donald Palma (double bass player)
cello:
Sharon Prater
percussion:
Bob Becker (percussionist), Russell Hartenberge, Garry Kvistad and Glen Velez
viola:
Francesca Martin
violin:
Deborah Redding and Julie Rosenfeld (violinist)
choir vocals:
The Brooklyn Philharmonic Chorus
soprano vocals:
Cheryl Bensman Rowe
conductor:
Michael Tilson Thomas (conductor and pianist)
performer:
Colorado Quartet and Steve Reich and Musicians
recording of:
The Desert Music: III. Part One: Slow
lyricist:
William Carlos Williams (poet)
composer:
Steve Reich (American composer) (in 1984)
part of:
The Desert Music
7:00
4The Desert Music: III. Part Two: Moderate
recording engineer:
Paul Goodman (engineer) (from 1984-10-29 until 1984-10-30)
executive producer:
Robert Hurwitz
producer:
Steve Reich (American composer) and Rudolph Werner
mixer and editor:
Wolf‐Dieter Karwatky, Karl-August Naegler (balance engineer), John Newton (editor, engineer mixer), Steve Reich (American composer) and Rudolph Werner
bass:
Donald Palma (double bass player)
cello:
Sharon Prater
percussion:
Bob Becker (percussionist), Russell Hartenberge, Garry Kvistad and Glen Velez
viola:
Francesca Martin
violin:
Deborah Redding and Julie Rosenfeld (violinist)
choir vocals:
The Brooklyn Philharmonic Chorus
soprano vocals:
Cheryl Bensman Rowe
conductor:
Michael Tilson Thomas (conductor and pianist)
performer:
Colorado Quartet and Steve Reich and Musicians
recording of:
The Desert Music: III. Part Two: Moderate
lyricist:
William Carlos Williams (poet)
composer:
Steve Reich (American composer) (in 1984)
part of:
The Desert Music
5:54
5The Desert Music: III. Part Three: Slow
recording engineer:
Paul Goodman (engineer) (from 1984-10-29 until 1984-10-30)
executive producer:
Robert Hurwitz
producer:
Steve Reich (American composer) and Rudolph Werner
mixer and editor:
Wolf‐Dieter Karwatky, Karl-August Naegler (balance engineer), John Newton (editor, engineer mixer), Steve Reich (American composer) and Rudolph Werner
bass:
Donald Palma (double bass player)
cello:
Sharon Prater
percussion:
Bob Becker (percussionist), Russell Hartenberge, Garry Kvistad and Glen Velez
viola:
Francesca Martin
violin:
Deborah Redding and Julie Rosenfeld (violinist)
choir vocals:
The Brooklyn Philharmonic Chorus
soprano vocals:
Cheryl Bensman Rowe
conductor:
Michael Tilson Thomas (conductor and pianist)
performer:
Colorado Quartet and Steve Reich and Musicians
recording of:
The Desert Music: III. Part Three: Slow
lyricist:
William Carlos Williams (poet)
composer:
Steve Reich (American composer) (in 1984)
part of:
The Desert Music
5:55
6The Desert Music: IV. Moderate
recording engineer:
Paul Goodman (engineer) (from 1984-10-29 until 1984-10-30)
executive producer:
Robert Hurwitz
producer:
Steve Reich (American composer) and Rudolph Werner
mixer and editor:
Wolf‐Dieter Karwatky, Karl-August Naegler (balance engineer), John Newton (editor, engineer mixer), Steve Reich (American composer) and Rudolph Werner
bass:
Donald Palma (double bass player)
cello:
Sharon Prater
percussion:
Bob Becker (percussionist), Russell Hartenberge, Garry Kvistad and Glen Velez
viola:
Francesca Martin
violin:
Deborah Redding and Julie Rosenfeld (violinist)
choir vocals:
The Brooklyn Philharmonic Chorus
soprano vocals:
Cheryl Bensman Rowe
conductor:
Michael Tilson Thomas (conductor and pianist)
performer:
Colorado Quartet and Steve Reich and Musicians
recording of:
The Desert Music: IV. Moderate
lyricist:
William Carlos Williams (poet)
composer:
Steve Reich (American composer) (in 1984)
part of:
The Desert Music
3:35
7The Desert Music: V. Fast
recording engineer:
Paul Goodman (engineer) (from 1984-10-29 until 1984-10-30)
executive producer:
Robert Hurwitz
producer:
Steve Reich (American composer) and Rudolph Werner
mixer and editor:
Wolf‐Dieter Karwatky, Karl-August Naegler (balance engineer), John Newton (editor, engineer mixer), Steve Reich (American composer) and Rudolph Werner
bass:
Donald Palma (double bass player)
cello:
Sharon Prater
percussion:
Bob Becker (percussionist), Russell Hartenberge, Garry Kvistad and Glen Velez
viola:
Francesca Martin
violin:
Deborah Redding and Julie Rosenfeld (violinist)
choir vocals:
The Brooklyn Philharmonic Chorus
soprano vocals:
Cheryl Bensman Rowe
conductor:
Michael Tilson Thomas (conductor and pianist)
performer:
Colorado Quartet and Steve Reich and Musicians
recording of:
The Desert Music: V. Fast
lyricist:
William Carlos Williams (poet)
composer:
Steve Reich (American composer) (in 1984)
part of:
The Desert Music
10:48
7CD
#TitleRatingLength
1New York Counterpoint: I. Fast
additional engineer:
Tony Black (producer, engineer), Takako Furuya, Jim Murray (recording engineer), Kevin Stone (sound engineer) and Greg Thompson (engineer, mixer)
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Karina Beznicki (Producer and coordinator, mainly for the label Nonesuch), Steve Reich (American composer) and Judith Sherman
additional editor:
Jeanne Velonis
editor:
Jeanne Velonis
bass clarinet and clarinet:
Evan Ziporyn
recording of:
New York Counterpoint: I. Fast
composer:
Steve Reich (American composer) (in 1985)
part of:
New York Counterpoint
5:03
2New York Counterpoint: II. Slow
additional engineer:
Tony Black (producer, engineer), Takako Furuya, Jim Murray (recording engineer), Kevin Stone (sound engineer) and Greg Thompson (engineer, mixer)
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Karina Beznicki (Producer and coordinator, mainly for the label Nonesuch), Steve Reich (American composer) and Judith Sherman
additional editor:
Jeanne Velonis
editor:
Jeanne Velonis
bass clarinet and clarinet:
Evan Ziporyn
recording of:
New York Counterpoint: II. Slow
composer:
Steve Reich (American composer) (in 1985)
part of:
New York Counterpoint
2:44
3New York Counterpoint: III. Fast
additional engineer:
Tony Black (producer, engineer), Takako Furuya, Jim Murray (recording engineer), Kevin Stone (sound engineer) and Greg Thompson (engineer, mixer)
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
assistant producer:
Sidney Chen
executive producer:
Robert Hurwitz
producer:
Karina Beznicki (Producer and coordinator, mainly for the label Nonesuch), Steve Reich (American composer) and Judith Sherman
additional editor:
Jeanne Velonis
editor:
Jeanne Velonis
bass clarinet and clarinet:
Evan Ziporyn
recording of:
New York Counterpoint: III. Fast
composer:
Steve Reich (American composer) (in 1985)
part of:
New York Counterpoint
3:40
4Sextet: I.
engineer:
Paul Goodman (engineer)
executive producer:
Robert Hurwitz
producer and editor:
Steve Reich (American composer)
mixer:
Paul Goodman (engineer), Tom Lazarus and Steve Reich (American composer)
crotales, marimba, membranophone, percussion and vibraphone:
Bob Becker (percussionist) (in 1986-05), Russell Hartenberger (percussionist) (in 1986-05), Garry Kvistad (in 1986-05) and Glen Velez (in 1986-05)
marimba:
The Manhattan Marimba Quartet (in 1986-05)
piano and synthesizer:
Edmund Niemann (in 1986-05) and Nurit Tilles (in 1986-05)
performer:
Nexus (contemporary percussion ensemble from Canada) (in 1986-05) and Steve Reich and Musicians (in 1986-05)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (in 1986-05)
recording of:
Sextet: I. (in 1986-05)
composer:
Steve Reich (American composer) (in 1984)
part of:
Sextet
10:29
5Sextet: II.
engineer:
Paul Goodman (engineer)
executive producer:
Robert Hurwitz
producer and editor:
Steve Reich (American composer)
mixer:
Paul Goodman (engineer), Tom Lazarus and Steve Reich (American composer)
crotales, marimba, membranophone, percussion and vibraphone:
Bob Becker (percussionist) (in 1986-05), Russell Hartenberger (percussionist) (in 1986-05), Garry Kvistad (in 1986-05) and Glen Velez (in 1986-05)
marimba:
The Manhattan Marimba Quartet (in 1986-05)
piano and synthesizer:
Edmund Niemann (in 1986-05) and Nurit Tilles (in 1986-05)
performer:
Nexus (contemporary percussion ensemble from Canada) (in 1986-05) and Steve Reich and Musicians (in 1986-05)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (in 1986-05)
recording of:
Sextet: II. (in 1986-05)
composer:
Steve Reich (American composer) (in 1984)
part of:
Sextet
4:13
6Sextet: III.
engineer:
Paul Goodman (engineer)
executive producer:
Robert Hurwitz
producer and editor:
Steve Reich (American composer)
mixer:
Paul Goodman (engineer), Tom Lazarus and Steve Reich (American composer)
crotales, marimba, membranophone, percussion and vibraphone:
Bob Becker (percussionist) (in 1986-05), Russell Hartenberger (percussionist) (in 1986-05), Garry Kvistad (in 1986-05) and Glen Velez (in 1986-05)
marimba:
The Manhattan Marimba Quartet (in 1986-05)
piano and synthesizer:
Edmund Niemann (in 1986-05) and Nurit Tilles (in 1986-05)
performer:
Nexus (contemporary percussion ensemble from Canada) (in 1986-05) and Steve Reich and Musicians (in 1986-05)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (in 1986-05)
recording of:
Sextet: III. (in 1986-05)
composer:
Steve Reich (American composer) (in 1984)
part of:
Sextet
2:28
7Sextet: IV.
engineer:
Paul Goodman (engineer)
executive producer:
Robert Hurwitz
producer and editor:
Steve Reich (American composer)
mixer:
Paul Goodman (engineer), Tom Lazarus and Steve Reich (American composer)
crotales, marimba, membranophone, percussion and vibraphone:
Bob Becker (percussionist) (in 1986-05), Russell Hartenberger (percussionist) (in 1986-05), Garry Kvistad (in 1986-05) and Glen Velez (in 1986-05)
marimba:
The Manhattan Marimba Quartet (in 1986-05)
piano and synthesizer:
Edmund Niemann (in 1986-05) and Nurit Tilles (in 1986-05)
performer:
Nexus (contemporary percussion ensemble from Canada) (in 1986-05) and Steve Reich and Musicians (in 1986-05)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (in 1986-05)
recording of:
Sextet: IV. (in 1986-05)
composer:
Steve Reich (American composer) (in 1984)
part of:
Sextet
3:14
8Sextet: V.
engineer:
Paul Goodman (engineer)
executive producer:
Robert Hurwitz
producer and editor:
Steve Reich (American composer)
mixer:
Paul Goodman (engineer), Tom Lazarus and Steve Reich (American composer)
crotales, marimba, membranophone, percussion and vibraphone:
Bob Becker (percussionist) (in 1986-05), Russell Hartenberger (percussionist) (in 1986-05), Garry Kvistad (in 1986-05) and Glen Velez (in 1986-05)
marimba:
The Manhattan Marimba Quartet (in 1986-05)
piano and synthesizer:
Edmund Niemann (in 1986-05) and Nurit Tilles (in 1986-05)
performer:
Nexus (contemporary percussion ensemble from Canada) (in 1986-05) and Steve Reich and Musicians (in 1986-05)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (in 1986-05)
recording of:
Sextet: V. (in 1986-05)
composer:
Steve Reich (American composer) (in 1984)
part of:
Sextet
5:59
9The Four Sections: I. Strings (with Winds and Brass)
marimba:
Timothy Ferchen (in 1988-11)
percussion:
Bob Becker (percussionist) (in 1988-11), Russell Hartenberger (percussionist) (in 1988-11), Garry Kvistad (in 1988-11) and James Preiss (in 1988-11)
piano:
Edmund Niemann (in 1988-11) and Nurit Tilles (in 1988-11)
orchestra:
London Symphony Orchestra (in 1988-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1988-11)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1988-11)
recording of:
The Four Sections: I. Strings (with Winds and Brass) (in 1988-11)
composer:
Steve Reich (American composer) (in 1987)
part of:
The Four Sections
11:25
10The Four Sections: II. Percussion
marimba:
Timothy Ferchen (in 1988-11)
percussion:
Bob Becker (percussionist) (in 1988-11), Russell Hartenberger (percussionist) (in 1988-11), Garry Kvistad (in 1988-11) and James Preiss (in 1988-11)
piano:
Edmund Niemann (in 1988-11) and Nurit Tilles (in 1988-11)
orchestra:
London Symphony Orchestra (in 1988-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1988-11)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1988-11)
recording of:
The Four Sections: II. Percussion (in 1988-11)
composer:
Steve Reich (American composer) (in 1987)
part of:
The Four Sections
2:30
11The Four Sections: III. Winds and Brass (with Strings)
marimba:
Timothy Ferchen (in 1988-11)
percussion:
Bob Becker (percussionist) (in 1988-11), Russell Hartenberger (percussionist) (in 1988-11), Garry Kvistad (in 1988-11) and James Preiss (in 1988-11)
piano:
Edmund Niemann (in 1988-11) and Nurit Tilles (in 1988-11)
orchestra:
London Symphony Orchestra (in 1988-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1988-11)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1988-11)
recording of:
The Four Sections: III. Winds and Brass (with Strings) (in 1988-11)
composer:
Steve Reich (American composer) (in 1987)
part of:
The Four Sections
5:54
12The Four Sections: IV. Full Orchestra
engineer:
Dick Lewzey
executive producer:
Robert Hurwitz
producer:
Judith Sherman
mixer and editor:
Steve Reich (American composer) and Judith Sherman
marimba:
Timothy Ferchen (in 1988-11)
percussion:
Bob Becker (percussionist) (in 1988-11), Russell Hartenberger (percussionist) (in 1988-11), Garry Kvistad (in 1988-11) and James Preiss (in 1988-11)
piano:
Edmund Niemann (in 1988-11) and Nurit Tilles (in 1988-11)
orchestra:
London Symphony Orchestra (in 1988-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (in 1988-11)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1988-11)
recording of:
The Four Sections: IV. Full Orchestra (in 1988-11)
composer:
Steve Reich (American composer) (in 1987)
part of:
The Four Sections
6:14
8CD
#TitleRatingLength
1Different Trains: I. America - Before the War
miscellaneous support:
Jennifer Keats
assistant engineer:
Michael Ahearn
engineer:
Les Brockman
executive producer:
Robert Hurwitz
producer:
Judith Sherman
assistant mixer:
Ben Fowler
mixer:
Rob Eaton
cello:
Joan Jeanrenaud (from 1988-08-31 until 1988-09-09)
string quartet:
Kronos Quartet
viola:
Hank Dutt (from 1988-08-31 until 1988-09-09)
violin:
David Harrington (US violinist, member of Kronos Quartet) (from 1988-08-31 until 1988-09-09) and John Sherba (from 1988-08-31 until 1988-09-09)
phonographic copyright (℗) by:
Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) (from 1989 to present)
recorded at:
Russian Hill Recording in San Francisco, California, United States (from 1988-08-31 until 1988-09-09)
recording of:
Different Trains: I. America - Before the War (from 1988-08-31 until 1988-09-09)
composer:
Steve Reich (American composer) (in 1988)
part of:
Different Trains
8:59
2Different Trains: II. Europe - During the War
miscellaneous support:
Jennifer Keats
assistant engineer:
Michael Ahearn
engineer:
Les Brockman
executive producer:
Robert Hurwitz
producer:
Judith Sherman
assistant mixer:
Ben Fowler
mixer:
Rob Eaton
cello:
Joan Jeanrenaud (from 1988-08-31 until 1988-09-09)
viola:
Hank Dutt (from 1988-08-31 until 1988-09-09)
violin:
David Harrington (US violinist, member of Kronos Quartet) (from 1988-08-31 until 1988-09-09) and John Sherba (from 1988-08-31 until 1988-09-09)
phonographic copyright (℗) by:
Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) (from 1989 to present)
recorded at:
Russian Hill Recording in San Francisco, California, United States (from 1988-08-31 until 1988-09-09)
recording of:
Different Trains: II. Europe - During the War (from 1988-08-31 until 1988-09-09)
composer:
Steve Reich (American composer) (in 1988)
part of:
Different Trains
7:31
3Different Trains: III. After the War
miscellaneous support:
Jennifer Keats
assistant engineer:
Michael Ahearn
engineer:
Les Brockman
executive producer:
Robert Hurwitz
producer:
Judith Sherman
assistant mixer:
Ben Fowler
mixer:
Rob Eaton
cello:
Joan Jeanrenaud (from 1988-08-31 until 1988-09-09)
viola:
Hank Dutt (from 1988-08-31 until 1988-09-09)
violin:
David Harrington (US violinist, member of Kronos Quartet) (from 1988-08-31 until 1988-09-09) and John Sherba (from 1988-08-31 until 1988-09-09)
phonographic copyright (℗) by:
Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) (from 1989 to present)
recorded at:
Russian Hill Recording in San Francisco, California, United States (from 1988-08-31 until 1988-09-09)
recording of:
Different Trains: III. After the War (from 1988-08-31 until 1988-09-09)
composer:
Steve Reich (American composer) (in 1988)
part of:
Different Trains
10:31
4Electric Counterpoint: I. Fast
miscellaneous support:
Jennifer Keats
assistant engineer:
Gary Solomon
engineer:
Rob Eaton
assistant producer:
David Oakes
executive producer:
Robert Hurwitz
producer:
Judith Sherman
guitar:
Pat Metheny (from 1987-09-26 until 1987-10-01)
phonographic copyright (℗) by:
Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) (from 1989 to present)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1987-09-26 until 1987-10-01)
recording of:
Electric Counterpoint: I. Fast (from 1987-09-26 until 1987-10-01)
composer:
Steve Reich (American composer) (in 1987)
part of:
Electric Counterpoint
6:51
5Electric Counterpoint: II. Slow
miscellaneous support:
Jennifer Keats
assistant engineer:
Gary Solomon
engineer:
Rob Eaton
assistant producer:
David Oakes
executive producer:
Robert Hurwitz
producer:
Judith Sherman
guitar:
Pat Metheny (from 1987-09-26 until 1987-10-01)
phonographic copyright (℗) by:
Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) (from 1989 to present)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1987-09-26 until 1987-10-01)
recording of:
Electric Counterpoint: II. Slow (from 1987-09-26 until 1987-10-01)
composer:
Steve Reich (American composer) (in 1987)
part of:
Electric Counterpoint
3:22
6Electric Counterpoint: III. Fast
miscellaneous support:
Jennifer Keats
assistant engineer:
Gary Solomon
engineer:
Rob Eaton
assistant producer:
David Oakes
executive producer:
Robert Hurwitz
producer:
Judith Sherman
guitar:
Pat Metheny (from 1987-09-26 until 1987-10-01)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1987-09-26 until 1987-10-01)
earliest release:
Electric Counterpoint: III. Fast by Pat Metheny
recording of:
Electric Counterpoint: III. Fast (from 1987-09-26 until 1987-10-01)
composer:
Steve Reich (American composer) (in 1987)
part of:
Electric Counterpoint
4:39
7Three Movements: Movement I
producer:
Judith Sherman
percussion:
Simon Carrington (classical percussionist), Ray Northcott and Frank Ricotti (percussionist)
orchestra:
London Symphony Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
recording of:
Three Movements: I.
composer:
Steve Reich (American composer) (in 1986)
part of:
Three Movements
6:43
8Three Movements: Movement II
producer:
Judith Sherman
percussion:
Simon Carrington (classical percussionist), Ray Northcott and Frank Ricotti (percussionist)
orchestra:
London Symphony Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
recording of:
Three Movements: II.
composer:
Steve Reich (American composer) (in 1986)
part of:
Three Movements
3:41
9Three Movements: Movement III
producer:
Judith Sherman
percussion:
Simon Carrington (classical percussionist), Ray Northcott and Frank Ricotti (percussionist)
orchestra:
London Symphony Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
recording of:
Three Movements: III.
composer:
Steve Reich (American composer) (in 1986)
part of:
Three Movements
4:19
9CD
#TitleRatingLength
1The Cave, Act 1: I. Typing Music (Genesis XVI)
additional engineer:
Yvonne Yedibalian
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Andy Grassi
assistant mixer:
Glen Marchese
mixer:
Calvin Chu, Steve Reich (American composer) and Judith Sherman
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
performer:
Steve Reich (American composer) and Steve Reich and Musicians
recording of:
The Cave, Act 1: I. Typing Music (Genesis XVI)
composer:
Steve Reich (American composer) (from 1990 until 1993)
librettist:
Beryl Korot
part of:
The Cave: Act 1
2:59
2The Cave, Act 1: II. Who is Abraham?
additional engineer:
Yvonne Yedibalian
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Andy Grassi
assistant mixer:
Glen Marchese
mixer:
Calvin Chu, Steve Reich (American composer) and Judith Sherman
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
performer:
Steve Reich (American composer) and Steve Reich and Musicians
recording of:
The Cave, Act 1: II. Who Is Abraham?
composer:
Steve Reich (American composer) (from 1990 until 1993)
librettist:
Beryl Korot
part of:
The Cave: Act 1
1:33
3The Cave, Act 1: VII. Who is Ishmael?
additional engineer:
Yvonne Yedibalian
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Andy Grassi
assistant mixer:
Glen Marchese
mixer:
Calvin Chu, Andy Grassi, Steve Reich (American composer) and Judith Sherman
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
performer:
Steve Reich (American composer) and Steve Reich and Musicians
recording of:
The Cave, Act 1: VII. Who Is Ishmael?
composer:
Steve Reich (American composer) (from 1990 until 1993)
librettist:
Beryl Korot
part of:
The Cave: Act 1
4:42
4The Cave, Act 1: VIII. Genesis XVIII
additional engineer:
Yvonne Yedibalian
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Andy Grassi
assistant mixer:
Glen Marchese
mixer:
Calvin Chu, Steve Reich (American composer) and Judith Sherman
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
performer:
Steve Reich (American composer) and Steve Reich and Musicians
recording of:
The Cave, Act 1: VIII. Genesis XVIII
composer:
Steve Reich (American composer) (from 1990 until 1993)
librettist:
Beryl Korot
part of:
The Cave: Act 1
2:33
5The Cave, Act 1: X. Genesis XXI
additional engineer:
Yvonne Yedibalian
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Andy Grassi
assistant mixer:
Glen Marchese
mixer:
Calvin Chu, Steve Reich (American composer) and Judith Sherman
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
performer:
Steve Reich (American composer) and Steve Reich and Musicians
recording of:
The Cave, Act 1: X. Genesis XXI
composer:
Steve Reich (American composer) (from 1990 until 1993)
librettist:
Beryl Korot
part of:
The Cave: Act 1
2:37
6The Cave, Act 1: XI. The Casting Out of Ishmael and Hagar
additional engineer:
Yvonne Yedibalian
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Andy Grassi
assistant mixer:
Glen Marchese
mixer:
Calvin Chu, Steve Reich (American composer) and Judith Sherman
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
performer:
Steve Reich (American composer) and Steve Reich and Musicians
recording of:
The Cave, Act 1: XI. The Casting Out of Ishmael and Hagar
composer:
Steve Reich (American composer) (from 1990 until 1993)
librettist:
Beryl Korot
part of:
The Cave: Act 1
5:26
7The Cave, Act 1: XII. Machpelah Commentary
additional engineer:
Yvonne Yedibalian
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Andy Grassi
assistant mixer:
Glen Marchese
mixer:
Calvin Chu, Steve Reich (American composer) and Judith Sherman
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
performer:
Steve Reich (American composer) and Steve Reich and Musicians
recording of:
The Cave, Act 1: XII. Machpelah Commentary
composer:
Steve Reich (American composer) (from 1990 until 1993)
librettist:
Beryl Korot
part of:
The Cave: Act 1
3:28
8The Cave, Act 1: XIII. Genesis XXV
additional engineer:
Yvonne Yedibalian
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Andy Grassi
assistant mixer:
Glen Marchese
mixer:
Calvin Chu, Steve Reich (American composer) and Judith Sherman
other vocals:
Ephraim Isaac
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
recording of:
The Cave, Act 1: XIII. Genesis XXV
composer:
Steve Reich (American composer) (from 1990 until 1993)
librettist:
Beryl Korot
part of:
The Cave: Act 1
1:21
9The Cave, Act 1: XIV. Interior of the Cave
additional engineer:
Yvonne Yedibalian
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Andy Grassi
assistant mixer:
Glen Marchese
mixer:
Calvin Chu, Steve Reich (American composer) and Judith Sherman
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
performer:
Steve Reich (American composer) and Steve Reich and Musicians
recording of:
The Cave, Act 1: XIV. Interior of the Cave
composer:
Steve Reich (American composer) (from 1990 until 1993)
librettist:
Beryl Korot
part of:
The Cave: Act 1
4:30
10The Cave, Act 2: I. Surah 3
additional engineer:
Yvonne Yedibalian
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Andy Grassi
assistant mixer:
Glen Marchese
mixer:
Calvin Chu, Steve Reich (American composer) and Judith Sherman
other vocals:
Dahoud Atalah
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
recording of:
The Cave, Act 2: I. Surah 3
composer:
Steve Reich (American composer) (from 1990 until 1993)
librettist:
Beryl Korot
part of:
The Cave: Act 2
4:41
11The Cave, Act 2: V. El Khalil Commentary
additional engineer:
Yvonne Yedibalian
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Andy Grassi
assistant mixer:
Glen Marchese
mixer:
Calvin Chu, Steve Reich (American composer) and Judith Sherman
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
performer:
Steve Reich (American composer) and Steve Reich and Musicians
recording of:
The Cave, Act 2: V. El Khalil Commentary
composer:
Steve Reich (American composer) (from 1990 until 1993)
librettist:
Beryl Korot
part of:
The Cave: Act 2
5:20
12The Cave, Act 3: I. Who is Abraham?
additional engineer:
Yvonne Yedibalian
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Andy Grassi
assistant mixer:
Glen Marchese
mixer:
Calvin Chu, Steve Reich (American composer) and Judith Sherman
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
performer:
Steve Reich (American composer) and Steve Reich and Musicians
recording of:
The Cave, Act 3: I. Who is Abraham?
composer:
Steve Reich (American composer) (from 1990 until 1993)
librettist:
Beryl Korot
part of:
The Cave: Act 3
6:30
13The Cave, Act 3: II. Who is Sarah?
additional engineer:
Yvonne Yedibalian
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Andy Grassi
assistant mixer:
Glen Marchese
mixer:
Calvin Chu, Steve Reich (American composer) and Judith Sherman
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
performer:
Steve Reich (American composer) and Steve Reich and Musicians
recording of:
The Cave, Act 3: II. Who is Sarah?
composer:
Steve Reich (American composer) (from 1990 until 1993)
librettist:
Beryl Korot
part of:
The Cave: Act 3
4:23
14The Cave, Act 3: III. Who is Hagar?
additional engineer:
Yvonne Yedibalian
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Andy Grassi
assistant mixer:
Glen Marchese
mixer:
Calvin Chu, Steve Reich (American composer) and Judith Sherman
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
performer:
Steve Reich (American composer) and Steve Reich and Musicians
recording of:
The Cave, Act 3: III. Who is Hagar?
composer:
Steve Reich (American composer) (from 1990 until 1993)
librettist:
Beryl Korot
part of:
The Cave: Act 3
4:40
15The Cave, Act 3: IV. Who is Ishmael?
additional engineer:
Yvonne Yedibalian
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Andy Grassi
assistant mixer:
Glen Marchese
mixer:
Calvin Chu, Steve Reich (American composer) and Judith Sherman
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
performer:
Steve Reich (American composer) and Steve Reich and Musicians
recording of:
The Cave, Act 3: IV. Who is Ishmael?
composer:
Steve Reich (American composer) (from 1990 until 1993)
librettist:
Beryl Korot
part of:
The Cave: Act 3
4:05
16The Cave, Act 3: V. The Binding of Isaac
additional engineer:
Yvonne Yedibalian
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Andy Grassi
assistant mixer:
Glen Marchese
mixer:
Calvin Chu, Steve Reich (American composer) and Judith Sherman
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
performer:
Steve Reich (American composer) and Steve Reich and Musicians
recording of:
The Cave, Act 3: V. The Binding of Isaac
composer:
Steve Reich (American composer) (from 1990 until 1993)
librettist:
Beryl Korot
part of:
The Cave: Act 3
4:28
17The Cave, Act 3: VI. The Cave of Machpelah
additional engineer:
Yvonne Yedibalian
executive producer:
Robert Hurwitz
producer:
Judith Sherman
additional mixer:
Andy Grassi
assistant mixer:
Glen Marchese
mixer:
Calvin Chu, Steve Reich (American composer) and Judith Sherman
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
performer:
Steve Reich (American composer) and Steve Reich and Musicians
recording of:
The Cave, Act 3: VI. The Cave of Machpelah
composer:
Steve Reich (American composer) (from 1990 until 1993)
librettist:
Beryl Korot
part of:
The Cave: Act 3
8:42
10CD
#TitleRatingLength
1Proverb
additional engineer and assistant engineer:
Carl Nappa and Greg Thompson (engineer, mixer)
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
executive producer:
Robert Hurwitz
producer:
Steve Reich (American composer) and Judith Sherman
additional mixer:
Geraldo Lopez (audio engineer (credits: Steve Reich, SWV, et al.))
assistant mixer:
Geraldo Lopez (audio engineer (credits: Steve Reich, SWV, et al.)) and Glen Marchese
additional editor and assistant editor:
Karl Hereim and Jeanne Velonis
electronic organ:
Edmund Niemann and Nurit Tilles
vibraphone:
Bob Becker (percussionist) and Russell Hartenberger (percussionist)
choir vocals:
Theatre of Voices (vocal ensemble founded by Paul Hillier)
soprano vocals:
Andrea Fullington, Sonja Rasmussen and Allison Zelles
tenor vocals:
Alan Bennett (tenor) and Paul Elliott (US tenor vocalist, member of Theatre of Voices)
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
performer:
Steve Reich and Musicians
recording of:
Proverb
lyricist:
Ludwig Wittgenstein (in 1946)
composer:
Steve Reich (American composer) (in 1995)
premiered at:
Alice Tully Hall (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (on 1996-02-10)
14:09
2Nagoya Marimbas
additional engineer and assistant engineer:
Carl Nappa and Greg Thompson (engineer, mixer)
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
executive producer:
Robert Hurwitz
producer:
Steve Reich (American composer) and Judith Sherman
additional mixer:
Geraldo Lopez (audio engineer (credits: Steve Reich, SWV, et al.))
assistant mixer:
Geraldo Lopez (audio engineer (credits: Steve Reich, SWV, et al.)) and Glen Marchese
additional editor and assistant editor:
Karl Hereim and Jeanne Velonis
marimba:
Bob Becker (percussionist) and James Preiss
recording of:
Nagoya Marimbas
composer:
Steve Reich (American composer) (in 1994)
4:36
3City Life: I. "Check It Out"
additional engineer and assistant engineer:
Carl Nappa and Greg Thompson (engineer, mixer)
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
executive producer:
Robert Hurwitz
producer:
Steve Reich (American composer) and Judith Sherman
additional mixer:
Geraldo Lopez (audio engineer (credits: Steve Reich, SWV, et al.))
assistant mixer:
Geraldo Lopez (audio engineer (credits: Steve Reich, SWV, et al.)) and Glen Marchese
additional editor and assistant editor:
Karl Hereim and Jeanne Velonis
cello:
Jeanne LeBlanc
clarinet:
Mike Lowenstern and Leslie Scott
double bass:
Jay Elfenbein
flute:
David Fedele and Gen Shin Kai
oboe:
Jacqueline Leclair and Matthew Sullivan (oboist)
percussion:
Garry Kvistad
piano:
Lisa Moore (avant-garde pianist from Australia) and Edmund Niemann
sampler:
Phillip Bush (American pianist) and Nurit Tilles
vibraphone:
Bob Becker (percussionist) and Russell Hartenberger (percussionist)
viola:
Lois Martin (American violist)
violin:
Elizabeth Lim and Todd Reynolds (American violinist, composer & conductor)
conductor:
Brad Lubman
performer:
Steve Reich and Musicians
recording of:
City Life: I. "Check It Out"
composer:
Steve Reich (American composer) (in 1995)
part of:
City Life
5:51
4City Life: II. "Pile Driver / Alarms"
additional engineer and assistant engineer:
Carl Nappa and Greg Thompson (engineer, mixer)
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
executive producer:
Robert Hurwitz
producer:
Steve Reich (American composer) and Judith Sherman
additional mixer:
Geraldo Lopez (audio engineer (credits: Steve Reich, SWV, et al.))
assistant mixer:
Geraldo Lopez (audio engineer (credits: Steve Reich, SWV, et al.)) and Glen Marchese
additional editor and assistant editor:
Karl Hereim and Jeanne Velonis
cello:
Jeanne LeBlanc
clarinet:
Mike Lowenstern and Leslie Scott
double bass:
Jay Elfenbein
flute:
David Fedele and Gen Shin Kai
oboe:
Jacqueline Leclair and Matthew Sullivan (oboist)
percussion:
Garry Kvistad
piano:
Lisa Moore (avant-garde pianist from Australia) and Edmund Niemann
sampler:
Phillip Bush (American pianist) and Nurit Tilles
vibraphone:
Bob Becker (percussionist) and Russell Hartenberger (percussionist)
viola:
Lois Martin (American violist)
violin:
Elizabeth Lim and Todd Reynolds (American violinist, composer & conductor)
conductor:
Brad Lubman
performer:
Steve Reich and Musicians
recording of:
City Life: II. "Pile Driver / Alarms"
composer:
Steve Reich (American composer) (in 1995)
part of:
City Life
3:54
5City Life: III. "It Has Been a Honeymoon - Can't Take No Mo'"
additional engineer and assistant engineer:
Carl Nappa and Greg Thompson (engineer, mixer)
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
executive producer:
Robert Hurwitz
producer:
Steve Reich (American composer) and Judith Sherman
additional mixer:
Geraldo Lopez (audio engineer (credits: Steve Reich, SWV, et al.))
assistant mixer:
Geraldo Lopez (audio engineer (credits: Steve Reich, SWV, et al.)) and Glen Marchese
additional editor and assistant editor:
Karl Hereim and Jeanne Velonis
cello:
Jeanne LeBlanc
clarinet:
Mike Lowenstern and Leslie Scott
double bass:
Jay Elfenbein
flute:
David Fedele and Gen Shin Kai
oboe:
Jacqueline Leclair and Matthew Sullivan (oboist)
percussion:
Garry Kvistad
piano:
Lisa Moore (avant-garde pianist from Australia) and Edmund Niemann
sampler:
Phillip Bush (American pianist) and Nurit Tilles
vibraphone:
Bob Becker (percussionist) and Russell Hartenberger (percussionist)
viola:
Lois Martin (American violist)
violin:
Elizabeth Lim and Todd Reynolds (American violinist, composer & conductor)
conductor:
Brad Lubman
performer:
Steve Reich and Musicians
recording of:
City Life: III. "It Has Been a Honeymoon - Can't Take No Mo'"
composer:
Steve Reich (American composer) (in 1995)
part of:
City Life
4:47
6City Life: IV. "Heartbeats / Boats & Buoys"
additional engineer and assistant engineer:
Carl Nappa and Greg Thompson (engineer, mixer)
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
executive producer:
Robert Hurwitz
producer:
Steve Reich (American composer) and Judith Sherman
additional mixer:
Geraldo Lopez (audio engineer (credits: Steve Reich, SWV, et al.))
assistant mixer:
Geraldo Lopez (audio engineer (credits: Steve Reich, SWV, et al.)) and Glen Marchese
additional editor and assistant editor:
Karl Hereim and Jeanne Velonis
cello:
Jeanne LeBlanc
clarinet:
Mike Lowenstern and Leslie Scott
double bass:
Jay Elfenbein
flute:
David Fedele and Gen Shin Kai
oboe:
Jacqueline Leclair and Matthew Sullivan (oboist)
percussion:
Garry Kvistad
piano:
Lisa Moore (avant-garde pianist from Australia) and Edmund Niemann
sampler:
Phillip Bush (American pianist) and Nurit Tilles
vibraphone:
Bob Becker (percussionist) and Russell Hartenberger (percussionist)
viola:
Lois Martin (American violist)
violin:
Elizabeth Lim and Todd Reynolds (American violinist, composer & conductor)
conductor:
Brad Lubman
performer:
Steve Reich and Musicians
recording of:
City Life: IV. "Heartbeats / Boats & Buoys"
composer:
Steve Reich (American composer) (in 1995)
part of:
City Life
3:59
7City Life: V. "Heavy Smoke"
additional engineer and assistant engineer:
Carl Nappa and Greg Thompson (engineer, mixer)
engineer:
John Kilgore (New York recording engineer, sound designer and recording studio owner)
executive producer:
Robert Hurwitz
producer:
Steve Reich (American composer) and Judith Sherman
additional mixer:
Geraldo Lopez (audio engineer (credits: Steve Reich, SWV, et al.))
assistant mixer:
Geraldo Lopez (audio engineer (credits: Steve Reich, SWV, et al.)) and Glen Marchese
additional editor and assistant editor:
Karl Hereim and Jeanne Velonis
cello:
Jeanne LeBlanc
clarinet:
Mike Lowenstern and Leslie Scott
double bass:
Jay Elfenbein
flute:
David Fedele and Gen Shin Kai
oboe:
Jacqueline Leclair and Matthew Sullivan (oboist)
percussion:
Garry Kvistad
piano:
Lisa Moore (avant-garde pianist from Australia) and Edmund Niemann
sampler:
Phillip Bush (American pianist) and Nurit Tilles
vibraphone:
Bob Becker (percussionist) and Russell Hartenberger (percussionist)
viola:
Lois Martin (American violist)
violin:
Elizabeth Lim and Todd Reynolds (American violinist, composer & conductor)
conductor:
Brad Lubman
performer:
Steve Reich and Musicians
recording of:
City Life: V. "Heavy Smoke"
composer:
Steve Reich (American composer) (in 1995)
part of:
City Life
4:43

Credits

Release group

Wikidata:Q7613719 [info]