Kantaten (extended versions)

~ Release by Heinrich Bach, Johann Christoph Bach, Johann Michael Bach, Georg Christoph Bach, Johann Sebastian Bach; Vox Luminis, Lionel Meunier (see all versions of this release, 3 available)

Tracklist

1Digital Media
#TitleArtistRatingLength
1Ach bleib bei uns, Herr Jesu Christ
recording engineer, producer and editor:
Jérôme Lejeune (Belgian gambist, musicologist, label manager)
instruments:
Vox Luminis (Belgian early music vocal ensemble) (in 2018-09)
solo bass vocals:
Lionel Meunier (Franco-Belgian recorder player & bass vocalist) (in 2018-09)
solo countertenor vocals:
Daniel Elgersma (Dutch counter tenor) (in 2018-09)
solo soprano vocals:
Zsuzsi Tóth (Hungarian soprano) (in 2018-09)
solo tenor vocals:
Philippe Froeliger (French tenor) (in 2018-09)
conductor:
Lionel Meunier (Franco-Belgian recorder player & bass vocalist) (in 2018-09)
recorded at:
Église Notre-Dame de la Nativité in Gedinne, Namur, Wallonie (Wallonia), Belgium
recording of:
Ach, bleib bei uns, Herr Jesu Christ (in 2018-09)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
Johann Michael Bach6:24
2Die Furcht des Herren
recording engineer, producer and editor:
Jérôme Lejeune (Belgian gambist, musicologist, label manager)
instruments:
Vox Luminis (Belgian early music vocal ensemble) (in 2018-09)
choir vocals:
Vox Luminis (Belgian early music vocal ensemble) (in 2018-09)
solo soprano vocals:
Kristen Witmer (American/Korean soprano) (in 2018-09)
conductor:
Lionel Meunier (Franco-Belgian recorder player & bass vocalist) (in 2018-09)
recorded at:
Église Notre-Dame de la Nativité in Gedinne, Namur, Wallonie (Wallonia), Belgium
recording of:
Die Furcht des Herren ist der Weisheit Anfang (in 2018-09)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
previously attributed to:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703)
Johann Christoph Bach7:52
3Kyrie a 6
recording engineer, producer and editor:
Manuel Mohino (Belgian classical music engineer/producer)
instruments:
Vox Luminis (Belgian early music vocal ensemble) (in 2024-07)
choir vocals:
Vox Luminis (Belgian early music vocal ensemble) (in 2024-07)
conductor:
Lionel Meunier (Franco-Belgian recorder player & bass vocalist) (in 2024-07)
recorded at:
Église Notre-Dame de la Nativité in Gedinne, Namur, Wallonie (Wallonia), Belgium (in 2024-07)
recording of:
Kyrie (in 2024-07)
composer:
Heinrich Bach
Heinrich Bach4:10
4Ich danke dir Gott
recording engineer, producer and editor:
Jérôme Lejeune (Belgian gambist, musicologist, label manager)
instruments:
Vox Luminis (Belgian early music vocal ensemble) (in 2018-09)
bass vocals:
Lionel Meunier (Franco-Belgian recorder player & bass vocalist) (in 2018-09)
choir vocals:
Vox Luminis (Belgian early music vocal ensemble) (in 2018-09)
solo soprano vocals:
Victoria Cassano (Spanish mezzo-soprano) (in 2018-09) and Zsuzsi Tóth (Hungarian soprano) (in 2018-09)
solo tenor vocals:
Robert Buckland (Dutch tenor) (in 2018-09) and Jan Kullmann (German counter-tenor) (in 2018-09)
conductor:
Lionel Meunier (Franco-Belgian recorder player & bass vocalist) (in 2018-09)
recorded at:
Église Notre-Dame de la Nativité in Gedinne, Namur, Wallonie (Wallonia), Belgium
recording of:
Ich danke dir, Gott (in 2018-09)
composer:
Heinrich Bach
Heinrich Bach5:45
5Herr, der König freuet sich
recording engineer, producer and editor:
Jérôme Lejeune (Belgian gambist, musicologist, label manager)
instruments:
Vox Luminis (Belgian early music vocal ensemble) (in 2018-09)
choir vocals:
Vox Luminis (Belgian early music vocal ensemble) (in 2018-09)
conductor:
Lionel Meunier (Franco-Belgian recorder player & bass vocalist) (in 2018-09)
recorded at:
Église Notre-Dame de la Nativité in Gedinne, Namur, Wallonie (Wallonia), Belgium
recording of:
Herr, der König freuet sich (in 2018-09)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
Johann Michael Bach5:40
6Liebster Jesu, hör mein Flehen
recording engineer, producer and editor:
Manuel Mohino (Belgian classical music engineer/producer)
instruments:
Vox Luminis (Belgian early music vocal ensemble) (in 2024-07)
choir vocals:
Vox Luminis (Belgian early music vocal ensemble) (in 2024-07)
solo bass vocals:
Sebastian Myrus (German baritone) (in 2024-07)
solo soprano vocals:
Perrine Devillers (soprano) (in 2024-07)
recorded at:
Église Notre-Dame de la Nativité in Gedinne, Namur, Wallonie (Wallonia), Belgium (in 2024-07)
recording of:
Liebster Jesu, hör mein Flehen (in 2024-07)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
Johann Michael Bach7:14
7Herr, wende dich und sei mir gnädig
recording engineer, producer and editor:
Jérôme Lejeune (Belgian gambist, musicologist, label manager)
instruments:
Vox Luminis (Belgian early music vocal ensemble) (in 2018-09)
organ:
Bart Jacobs (Belgian composer, organist and harpsichordist) (in 2018-09)
viola:
Johannes Frisch (violinist) (in 2018-09) and Raquel Massadas (in 2018-09)
violin:
Jacek Kurzydło (Baroque Violin & Viola player) (in 2018-09) and Tuomo Suni (in 2018-09)
violone:
Benoît Vanden Bemden (Belgian violone, viola da gamba player) (in 2018-09)
solo vocals:
Robert Buckland (Dutch tenor) (in 2018-09), Jan Kullmann (German counter-tenor) (in 2018-09), Sebastian Myrus (German baritone) (in 2018-09) and Stefanie True (Canadian soprano) (in 2018-09)
vocals:
Daniel Elgersma (Dutch counter tenor) (in 2018-09), Philippe Froeliger (French tenor) (in 2018-09), Lionel Meunier (Franco-Belgian recorder player & bass vocalist) (in 2018-09), Zsuzsi Tóth (Hungarian soprano) (in 2018-09) and Vox Luminis (Belgian early music vocal ensemble) (in 2018-09)
conductor:
Lionel Meunier (Franco-Belgian recorder player & bass vocalist) (in 2018-09)
recorded at:
Église Notre-Dame de la Nativité in Gedinne, Namur, Wallonie (Wallonia), Belgium
recording of:
Herr, wende dich und sei mir gnädig (in 2018-09)
composer:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703)
Johann Christoph Bach12:53
8Siehe wie fein und lieblich ist: I. Sinfonia
recording engineer, producer and editor:
Manuel Mohino (Belgian classical music engineer/producer)
instruments:
Vox Luminis (Belgian early music vocal ensemble) (in 2024-07)
recorded at:
Église Notre-Dame de la Nativité in Gedinne, Namur, Wallonie (Wallonia), Belgium (in 2024-07)
partial recording of:
Siehe, wie fein und lieblich ist (in 2024-07)
composer:
Georg Christoph Bach
Georg Christoph Bach1:42
9Siehe wie fein und lieblich ist: II. Siehe wie fein…
recording engineer, producer and editor:
Manuel Mohino (Belgian classical music engineer/producer)
instruments:
Vox Luminis (Belgian early music vocal ensemble) (in 2024-07)
choir vocals:
Vox Luminis (Belgian early music vocal ensemble) (in 2024-07)
solo bass vocals:
Sebastian Myrus (German baritone) (in 2024-07)
solo tenor vocals:
Christopher Fischer (Tenor, associatied with Ensemble 1684 and Vox Luminis) (in 2024-07) and Raphael Höhn (tenor) (in 2024-07)
recorded at:
Église Notre-Dame de la Nativité in Gedinne, Namur, Wallonie (Wallonia), Belgium (in 2024-07)
partial recording of:
Siehe, wie fein und lieblich ist (in 2024-07)
composer:
Georg Christoph Bach
Georg Christoph Bach5:34
10Christ lag in Todesbanden, BWV 4: I. Sinfonia
recording engineer, producer and editor:
Jérôme Lejeune (Belgian gambist, musicologist, label manager)
instruments:
Vox Luminis (Belgian early music vocal ensemble) (in 2018-09)
conductor:
Lionel Meunier (Franco-Belgian recorder player & bass vocalist) (in 2018-09)
recorded at:
Église Notre-Dame de la Nativité in Gedinne, Namur, Wallonie (Wallonia), Belgium
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia (in 2018-09)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:08
11Christ lag in Todesbanden, BWV 4: II. Christ lag in Todesbanden
recording engineer, producer and editor:
Jérôme Lejeune (Belgian gambist, musicologist, label manager)
instruments:
Vox Luminis (Belgian early music vocal ensemble) (in 2018-09)
choir vocals:
Vox Luminis (Belgian early music vocal ensemble) (in 2018-09)
conductor:
Lionel Meunier (Franco-Belgian recorder player & bass vocalist) (in 2018-09)
recorded at:
Église Notre-Dame de la Nativité in Gedinne, Namur, Wallonie (Wallonia), Belgium
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“ (in 2018-09)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach3:58
12Christ lag in Todesbanden, BWV 4: III. Den Tod niemand zwingen kunnt
recording engineer, producer and editor:
Jérôme Lejeune (Belgian gambist, musicologist, label manager)
instruments:
Vox Luminis (Belgian early music vocal ensemble) (in 2018-09)
solo soprano vocals:
Victoria Cassano (Spanish mezzo-soprano) (in 2018-09) and Zsuzsi Tóth (Hungarian soprano) (in 2018-09)
conductor:
Lionel Meunier (Franco-Belgian recorder player & bass vocalist) (in 2018-09)
recorded at:
Église Notre-Dame de la Nativité in Gedinne, Namur, Wallonie (Wallonia), Belgium
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“ (in 2018-09)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach3:38
13Christ lag in Todesbanden, BWV 4: IV. Jesus Christus, Gottes Sohn
recording engineer, producer and editor:
Jérôme Lejeune (Belgian gambist, musicologist, label manager)
instruments:
Vox Luminis (Belgian early music vocal ensemble) (in 2018-09)
solo tenor vocals:
Robert Buckland (Dutch tenor) (in 2018-09)
conductor:
Lionel Meunier (Franco-Belgian recorder player & bass vocalist) (in 2018-09)
recorded at:
Église Notre-Dame de la Nativité in Gedinne, Namur, Wallonie (Wallonia), Belgium
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ (in 2018-09)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:01
14Christ lag in Todesbanden, BWV 4: V. Es war ein wunderlicher Krieg
recording engineer, producer and editor:
Jérôme Lejeune (Belgian gambist, musicologist, label manager)
instruments:
Vox Luminis (Belgian early music vocal ensemble) (in 2018-09)
countertenor vocals:
Daniel Elgersma (Dutch counter tenor) (in 2018-09) and Jan Kullmann (German counter-tenor) (in 2018-09)
solo bass vocals:
Lionel Meunier (Franco-Belgian recorder player & bass vocalist) (in 2018-09)
solo soprano vocals:
Kristen Witmer (American/Korean soprano) (in 2018-09)
soprano vocals:
Victoria Cassano (Spanish mezzo-soprano) (in 2018-09)
tenor vocals:
Philippe Froeliger (French tenor) (in 2018-09)
conductor:
Lionel Meunier (Franco-Belgian recorder player & bass vocalist) (in 2018-09)
recorded at:
Église Notre-Dame de la Nativité in Gedinne, Namur, Wallonie (Wallonia), Belgium
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (in 2018-09)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:31
15Christ lag in Todesbanden, BWV 4: VI. Hie ist das rechte Osterlamm
recording engineer, producer and editor:
Jérôme Lejeune (Belgian gambist, musicologist, label manager)
instruments:
Vox Luminis (Belgian early music vocal ensemble) (in 2018-09)
solo bass vocals:
Sebastian Myrus (German baritone) (in 2018-09)
conductor:
Lionel Meunier (Franco-Belgian recorder player & bass vocalist) (in 2018-09)
recorded at:
Église Notre-Dame de la Nativité in Gedinne, Namur, Wallonie (Wallonia), Belgium
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (in 2018-09)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:59
16Christ lag in Todesbanden, BWV 4: VII. So feiern wir das hohe Fest
recording engineer, producer and editor:
Jérôme Lejeune (Belgian gambist, musicologist, label manager)
instruments:
Vox Luminis (Belgian early music vocal ensemble) (in 2018-09)
solo soprano vocals:
Zsuzsi Tóth (Hungarian soprano) (in 2018-09)
solo tenor vocals:
Philippe Froeliger (French tenor) (in 2018-09)
conductor:
Lionel Meunier (Franco-Belgian recorder player & bass vocalist) (in 2018-09)
recorded at:
Église Notre-Dame de la Nativité in Gedinne, Namur, Wallonie (Wallonia), Belgium
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“ (in 2018-09)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:42
17Christ lag in Todesbanden, BWV 4: VIII. Wie essen und wir leben wohl
recording engineer, producer and editor:
Jérôme Lejeune (Belgian gambist, musicologist, label manager)
instruments:
Vox Luminis (Belgian early music vocal ensemble) (in 2018-09)
choir vocals:
Vox Luminis (Belgian early music vocal ensemble) (in 2018-09)
conductor:
Lionel Meunier (Franco-Belgian recorder player & bass vocalist) (in 2018-09)
recorded at:
Église Notre-Dame de la Nativité in Gedinne, Namur, Wallonie (Wallonia), Belgium
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (in 2018-09)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:30
18Es erhub sich ein Streit
recording engineer, producer and editor:
Jérôme Lejeune (Belgian gambist, musicologist, label manager)
bassoon:
Jérémie Papasergio (in 2018-09)
instruments:
Vox Luminis (Belgian early music vocal ensemble) (in 2018-09)
organ:
Bart Jacobs (Belgian composer, organist and harpsichordist) (in 2018-09)
percussion:
Michael Juen (percussionist) (in 2018-09)
trumpet:
Moritz Görg (trumpeter) (in 2018-09), Rudolf Lörinc (Classical Trumpeter) (in 2018-09) and Tibor Mészáros (trumpeter) (in 2018-09)
viola:
Antina Hugosson (violist) (in 2018-09), Raquel Massadas (in 2018-09) and Wendy Ruymen (Belgian violist & violinist) (in 2018-09)
violin:
Johannes Frisch (violinist) (in 2018-09), Jacek Kurzydło (Baroque Violin & Viola player) (in 2018-09) and Tuomo Suni (in 2018-09)
violone:
Benoît Vanden Bemden (Belgian violone, viola da gamba player) (in 2018-09)
choir vocals:
Vox Luminis (Belgian early music vocal ensemble) (in 2018-09)
vocals:
Matthew Baker (bass-baritone) (in 2018-09), Robert Buckland (Dutch tenor) (in 2018-09), Pieter De Moor (Belgian classical tenor vocalist) (in 2018-09), Daniel Elgersma (Dutch counter tenor) (in 2018-09), Philippe Froeliger (French tenor) (in 2018-09), Jan Kullmann (German counter-tenor) (in 2018-09), Lionel Meunier (Franco-Belgian recorder player & bass vocalist) (in 2018-09), Sebastian Myrus (German baritone) (in 2018-09), Zsuzsi Tóth (Hungarian soprano) (in 2018-09) and Stefanie True (Canadian soprano) (in 2018-09)
conductor:
Lionel Meunier (Franco-Belgian recorder player & bass vocalist) (in 2018-09)
recorded at:
Église Notre-Dame de la Nativité in Gedinne, Namur, Wallonie (Wallonia), Belgium
recording of:
Es erhub sich ein Streit im Himmel (in 2018-09)
composer:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703)
Johann Christoph Bach9:13