The Pros and Cons of Hitch Hiking
~ Release by Roger Waters (see all versions of this release, 17 available)
Annotation
Confirmed Aus DiscID: cM4vfn17OCL8wEybvmbfL5ZyVX4-
Alternate track split for tracks 8 and 9
Annotation last modified on 2024-07-30 14:21 UTC.
Tracklist
| 1CD | |||
|---|---|---|---|
| # | Title | Rating | Length |
| 1 | 4:30 AM (Apparently They Were Travelling Abroad)
| 3:12 | |
| 2 | 4:33 AM (Running Shoes)
| 4:08 | |
| 3 | 4:37 AM (Arabs With Knives and West German Skies)
| 2:17 | |
| 4 | 4:39 AM (For the First Time Today, Part 2)
| 2:03 | |
| 5 | 4:41 AM (Sexual Revolution)
| 4:49 | |
| 6 | 4:47 AM (The Remains of Our Love)
| 3:10 | |
| 7 | 4:50 AM (Go Fishing)
| 7:00 | |
| 8 | 4:56 AM (For the First Time Today, Part 1)
| 1:58 | |
| 9 | 4:58 AM (Dunroamin, Duncarin, Dunlivin)
| 2:43 | |
| 10 | 5:01 AM (The Pros and Cons of Hitch Hiking, Part 10)
| 4:36 | |
| 11 | 5:06 AM (Every Stranger’s Eyes)
| 4:49 | |
| 12 | 5:11 AM (The Moment of Clarity)
| 1:29 | |
Credits
Release
| manufactured in: | Australia |
|---|
| photography: | Alex Henderson (trombonist) |
|---|---|
| mastering: | Mike Reese (mastering engineer) Doug Sax |
| 12 string guitar and Hammond organ: | Andy Bown (from 1983-02 until 1983-12) |
| bass guitar: | Roger Waters (from 1983-02 until 1983-12) |
| drums (drum set): | Andy Newmark (from 1983-02 until 1983-12) |
| guitar: | Eric Clapton (from 1983-02 until 1983-12) Roger Waters (from 1983-02 until 1983-12) |
| horn: | Kevin Flanagan (from 1983-02 until 1983-12) Raphael Ravenscroft (from 1983-02 until 1983-12) Vic Sullivan (from 1983-02 until 1983-12) |
| percussion: | Ray Cooper (percussionist) (from 1983-02 until 1983-12) |
| piano: | Michael Kamen (American score composer) (from 1983-02 until 1983-12) |
| saxophone: | David Sanborn (from 1983-02 until 1983-12) |
| orchestra: | National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1983-02 until 1983-12) |
| conductor: | Michael Kamen (American score composer) |
| background vocals: | Madeline Bell (from 1983-02 until 1983-12) Doreen Chanter (from 1983-02 until 1983-12) Katie Kissoon (from 1983-02 until 1983-12) |
| vocals: | Roger Waters (from 1983-02 until 1983-12) |
| arranger: | Michael Kamen (American score composer) |
| illustration: | Gerald Scarfe |
| design: | Gerald Scarfe Roger Waters |
| manufactured by: | Disctronics Limited |
|---|---|
| copyrighted (©) by and phonographic copyright (℗) by: | CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1984) |
| recorded at: | Eel Pie Studios in London (Greater London), England, United Kingdom (from 1983-02 until 1983-12) Olympic Sound Studios (1958–1966 before moving to Barnes) in London (Greater London), England, United Kingdom (from 1983-02 until 1983-12) The Billiard Room in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1983-02 until 1983-12) |
|---|---|
| mastered at: | The Mastering Lab (Hollywood, 1967–2008) in Hollywood, Los Angeles, California, United States |
Release group
| included in: | The Collection |
|---|
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