The Group Masterpieces

~ Release by Art Tatum (see all versions of this release, 2 available)

Tracklist

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1▼CD: Vol. 1: Art Tatum/Benny Carter/Louis Bellson
#TitleRatingLength
1Blues in C
alto saxophone:
Benny Carter (on 1954-06-25)
drums (drum set):
Louie Bellson (on 1954-06-25)
piano:
Art Tatum (US jazz pianist) (on 1954-06-25)
recording of:
Blues in C
composer:
Louie Bellson, Benny Carter and Art Tatum (US jazz pianist)
publisher:
BMI and JATAP Publ. Co.
8:05
2Undecided
alto saxophone:
Benny Carter (on 1954-06-25)
drums (drum set):
Louie Bellson (on 1954-06-25)
piano:
Art Tatum (US jazz pianist) (on 1954-06-25)
instrumental recording of:
Undecided (on 1954-06-25)
lyricist:
Sid Robin (US lyricist & composer) (in 1938)
composer:
Charlie Shavers (in 1938)
4:54
3Under a Blanket of Blue
alto saxophone:
Benny Carter (on 1954-06-25)
drums (drum set):
Louie Bellson (on 1954-06-25)
piano:
Art Tatum (US jazz pianist) (on 1954-06-25)
instrumental recording of:
Under a Blanket of Blue (on 1954-06-25)
additional lyricist:
Al J. Neiburg (lyricist) (in 1933)
lyricist:
Marty Symes (lyricist) (in 1933)
composer:
Jerry Livingston (songwriter) (in 1933)
6:17
4Blues in B Flat
producer:
Norman Granz
alto saxophone:
Benny Carter (on 1954-06-25)
drums (drum set):
Louie Bellson (on 1954-06-25)
piano:
Art Tatum (US jazz pianist) (on 1954-06-25)
recording of:
Blues in B Flat
composer:
Louie Bellson and Benny Carter
publisher:
BMI Publishing and JATAP Publishing Co.
5:46
5A Foggy Day
alto saxophone:
Benny Carter (on 1954-06-25)
drums (drum set):
Louie Bellson (on 1954-06-25)
piano:
Art Tatum (US jazz pianist) (on 1954-06-25)
instrumental recording of:
A Foggy Day (in London Town) (on 1954-06-25)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
5:30
6Street of Dreams
producer:
Norman Granz
alto saxophone:
Benny Carter (on 1954-06-25)
drums (drum set):
Louie Bellson (on 1954-06-25)
piano:
Art Tatum (US jazz pianist) (on 1954-06-25)
instrumental recording of:
Street of Dreams (on 1954-06-25)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1932)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
publisher:
EMI Miller Catalog, Inc. and Miller Music Corp.
3:53
7's Wonderful
alto saxophone:
Benny Carter (on 1954-06-25)
drums (drum set):
Louie Bellson (on 1954-06-25)
piano:
Art Tatum (US jazz pianist) (on 1954-06-25)
instrumental recording of:
’S Wonderful (on 1954-06-25)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
3:20
8Makin' Whopee
alto saxophone:
Benny Carter (on 1954-06-25)
drums (drum set):
Louie Bellson (on 1954-06-25)
piano:
Art Tatum (US jazz pianist) (on 1954-06-25)
instrumental recording of:
Makin’ Whoopee! (on 1954-06-25)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
6:16
9Old Fashioned Lady
producer:
Norman Granz
alto saxophone:
Benny Carter (on 1954-06-25)
drums (drum set):
Louie Bellson (on 1954-06-25)
piano:
Art Tatum (US jazz pianist) (on 1954-06-25)
instrumental recording of:
Old Fashioned Love (on 1954-06-25)
composer:
James P. Johnson and Cecil Mack
5:02
10Blues in My Heart
producer:
Norman Granz
alto saxophone:
Benny Carter (on 1954-06-25)
drums (drum set):
Louie Bellson (on 1954-06-25)
piano:
Art Tatum (US jazz pianist) (on 1954-06-25)
recording of:
Blues in B Flat
composer:
Louie Bellson and Benny Carter
publisher:
BMI Publishing and JATAP Publishing Co.
5:59
11My Blue Heaven
producer:
Norman Granz
alto saxophone:
Benny Carter (on 1954-06-25)
drums (drum set):
Louie Bellson (on 1954-06-25)
piano:
Art Tatum (US jazz pianist) (on 1954-06-25)
instrumental recording of:
My Blue Heaven (on 1954-06-25)
lyricist:
George A. Whiting (popular songwriter) (in 1924)
composer:
Walter Donaldson (in 1924)
publisher:
Leo Feist, Inc.
composed at:
New York Friars Club in New York, New York, United States (in 1924)
4:05
12Hands Across the Table
producer:
Norman Granz
alto saxophone:
Benny Carter (on 1954-06-25)
drums (drum set):
Louie Bellson (on 1954-06-25)
piano:
Art Tatum (US jazz pianist) (on 1954-06-25)
instrumental recording of:
Hands Across the Table (on 1954-06-25)
lyricist:
Mitchell Parish
composer:
Jean Delettre
3:44
13You're Mine, You
alto saxophone:
Benny Carter (on 1954-06-25)
drums (drum set):
Louie Bellson (on 1954-06-25)
piano:
Art Tatum (US jazz pianist) (on 1954-06-25)
instrumental recording of:
You’re Mine, You (on 1954-06-25)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
5:12
14Idaho
producer:
Norman Granz
alto saxophone:
Benny Carter (on 1954-06-25)
drums (drum set):
Louie Bellson (on 1954-06-25)
piano:
Art Tatum (US jazz pianist) (on 1954-06-25)
instrumental recording of:
Idaho (on 1954-06-25)
lyricist and composer:
Jesse Stone
recording of:
Idaho (on 1954-06-25)
lyricist and composer:
Jesse Stone
4:14
2▼CD: Vol. 2: Art Tatum/Roy Eldrige/John Simmons/Alvin Stoller
#TitleRatingLength
1Night and Day
double bass:
John Simmons (bassist) (in 1955-03)
drums (drum set):
Alvin Stoller (in 1955-03)
piano:
Art Tatum (US jazz pianist) (from 1955-03 to present)
trumpet:
Roy Eldridge (in 1955-03)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (in 1955-03)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
6:12
2I Won't Dance
double bass:
John Simmons (bassist) (in 1955-03)
drums (drum set):
Alvin Stoller (in 1955-03)
piano:
Art Tatum (US jazz pianist) (from 1955-03 to present)
trumpet:
Roy Eldridge (in 1955-03)
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (in 1955-03)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (American librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:31
3In a Sentimental Mood
5:04
4The Moon Is Low
double bass:
John Simmons (bassist) (in 1955-03)
drums (drum set):
Alvin Stoller (in 1955-03)
piano:
Art Tatum (US jazz pianist) (from 1955-03 to present)
trumpet:
Roy Eldridge (in 1955-03)
instrumental recording of:
The Moon Is Low (from MGM film "Montana Moon") (in 1955-03)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
4:15
5Moon Song
double bass:
John Simmons (bassist) (in 1955-03)
drums (drum set):
Alvin Stoller (in 1955-03)
piano:
Art Tatum (US jazz pianist) (from 1955-03 to present)
trumpet:
Roy Eldridge (in 1955-03)
instrumental recording of:
Moon Song
lyricist:
Sam Coslow (in 1932)
composer:
Arthur Johnston (American composer and songwriter) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
5:09
6You Took Advantage of Me
3:38
7This Can't Be Love
double bass:
John Simmons (bassist) (in 1955-03)
drums (drum set):
Alvin Stoller (in 1955-03)
piano:
Art Tatum (US jazz pianist) (from 1955-03 to present)
trumpet:
Roy Eldridge (in 1955-03)
instrumental recording of:
This Can’t Be Love (in 1955-03)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
3:53
8I Surrender, Dear
double bass:
John Simmons (bassist) (in 1955-03)
drums (drum set):
Alvin Stoller (in 1955-03)
piano:
Art Tatum (US jazz pianist) (from 1955-03 to present)
trumpet:
Roy Eldridge (in 1955-03)
instrumental recording of:
I Surrender Dear (in 1955-03)
lyricist:
Gordon Clifford (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
6:57
9I Won't Dance (alt. take)
3:33
10In a Sentimental Mood (alt. take)
4:59
3▼CD: Vol. 3: Art Tatum/Lionel Hampton/Buddy Rich
#TitleRatingLength
1What Is Thing Called Love?
recorded in:
Los Angeles, California, United States (on 1955-08-01)
drums (drum set):
Buddy Rich (on 1955-08-01)
piano:
Art Tatum (US jazz pianist) (on 1955-08-01)
vibraphone:
Lionel Hampton (on 1955-08-01)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1955-08-01)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
7:06
2I'll Never Be the Same
recorded in:
Los Angeles, California, United States (on 1955-08-01)
drums (drum set):
Buddy Rich (on 1955-08-01)
piano:
Art Tatum (US jazz pianist) (on 1955-08-01)
vibraphone:
Lionel Hampton (on 1955-08-01)
instrumental recording of:
I’ll Never Be the Same (on 1955-08-01)
lyricist:
Gus Kahn
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP) and France Mélodie
6:38
3Makin' Whopee
recorded in:
Los Angeles, California, United States (on 1955-08-01)
drums (drum set):
Buddy Rich (on 1955-08-01)
piano:
Art Tatum (US jazz pianist) (on 1955-08-01)
vibraphone:
Lionel Hampton (on 1955-08-01)
instrumental recording of:
Makin’ Whoopee! (on 1955-08-01)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
7:06
4Hallelujah
recorded in:
Los Angeles, California, United States (on 1955-08-01)
drums (drum set):
Buddy Rich (on 1955-08-01)
piano:
Art Tatum (US jazz pianist) (on 1955-08-01)
vibraphone:
Lionel Hampton (on 1955-08-01)
instrumental recording of:
Hallelujah!
lyricist:
Clifford Grey (in 1927) and Leo Robin (US composer, lyricist & songwriter) (in 1927)
composer:
Vincent Youmans (in 1927)
part of:
Hit the Deck (1955 movie)
4:56
5Perdido
recorded in:
Los Angeles, California, United States (on 1955-08-01)
drums (drum set):
Buddy Rich (on 1955-08-01)
piano:
Art Tatum (US jazz pianist) (on 1955-08-01)
vibraphone:
Lionel Hampton (on 1955-08-01)
recording of:
Perdido (original instrumental version) (on 1955-08-01)
composer:
Juan Tizol
5:06
6More Than You Know
recorded in:
Los Angeles, California, United States (on 1955-08-01)
drums (drum set):
Buddy Rich (on 1955-08-01)
piano:
Art Tatum (US jazz pianist) (on 1955-08-01)
vibraphone:
Lionel Hampton (on 1955-08-01)
instrumental recording of:
More Than You Know (on 1955-08-01)
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
4:17
7How High the Moon?
recorded in:
Los Angeles, California, United States (on 1955-08-01)
drums (drum set):
Buddy Rich (on 1955-08-01)
piano:
Art Tatum (US jazz pianist) (on 1955-08-01)
vibraphone:
Lionel Hampton (on 1955-08-01)
instrumental recording of:
How High the Moon (on 1955-08-01)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:09
8Hallelujah (alt. take)
drums (drum set):
Buddy Rich (on 1955-08-01)
piano:
Art Tatum (US jazz pianist) (on 1955-08-01)
vibraphone:
Lionel Hampton (on 1955-08-01)
instrumental recording of:
Hallelujah!
lyricist:
Clifford Grey (in 1927) and Leo Robin (US composer, lyricist & songwriter) (in 1927)
composer:
Vincent Youmans (in 1927)
part of:
Hit the Deck (1955 movie)
5:18
4▼CD: Vol. 4: Art Tatum/Lionel Hampton/Buddy Rich... Again!
#TitleRatingLength
1This Can't Be Love
recorded in:
Los Angeles, California, United States (on 1955-08-01)
drums (drum set):
Buddy Rich (on 1955-08-01)
piano:
Art Tatum (US jazz pianist) (on 1955-08-01)
vibraphone:
Lionel Hampton (on 1955-08-01)
instrumental recording of:
This Can’t Be Love (on 1955-08-01)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
6:20
2Stars Fell on Alabama
recorded in:
Los Angeles, California, United States (on 1955-08-01)
drums (drum set):
Buddy Rich (on 1955-08-01)
piano:
Art Tatum (US jazz pianist) (on 1955-08-01)
vibraphone:
Lionel Hampton (on 1955-08-01)
instrumental recording of:
Stars Fell on Alabama (on 1955-08-01)
lyricist:
Mitchell Parish
composer:
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
5:41
3Lover Man
recorded in:
Los Angeles, California, United States (on 1955-08-01)
drums (drum set):
Buddy Rich (on 1955-08-01)
piano:
Art Tatum (US jazz pianist) (on 1955-08-01)
vibraphone:
Lionel Hampton (on 1955-08-01)
instrumental recording of:
Lover Man (on 1955-08-01)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
6:02
4Prisoner of Love
recorded in:
Los Angeles, California, United States (on 1955-08-01)
drums (drum set):
Buddy Rich (on 1955-08-01)
piano:
Art Tatum (US jazz pianist) (on 1955-08-01)
vibraphone:
Lionel Hampton (on 1955-08-01)
instrumental recording of:
Prisoner of Love (on 1955-08-01)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Russ Columbo (American singer, songwriter, violinist and actor) and Clarence Gaskill
publisher:
Colgems-EMI Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Music Sales Corporation (American copyright holder in both popular and classical music)
6:12
5Love for Sale (Concept I)
drums (drum set):
Buddy Rich (on 1955-08-01)
piano:
Art Tatum (US jazz pianist) (on 1955-08-01)
vibraphone:
Lionel Hampton (on 1955-08-01)
instrumental recording of:
Love for Sale
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
9:41
6Lover for Sale (Concept II)
drums (drum set):
Buddy Rich (on 1955-08-01)
piano:
Art Tatum (US jazz pianist) (on 1955-08-01)
vibraphone:
Lionel Hampton (on 1955-08-01)
instrumental recording of:
Love for Sale
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
6:18
7Body and Soul
drums (drum set):
Buddy Rich (on 1955-08-01)
piano:
Art Tatum (US jazz pianist) (on 1955-08-01)
vibraphone:
Lionel Hampton (on 1955-08-01)
instrumental recording of:
Body and Soul (on 1955-08-01)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:26
8Please Be Kind
drums (drum set):
Buddy Rich (on 1955-08-01)
piano:
Art Tatum (US jazz pianist) (on 1955-08-01)
vibraphone:
Lionel Hampton (on 1955-08-01)
instrumental recording of:
Please Be Kind (on 1955-08-01)
lyricist:
Sammy Cahn (in 1938)
composer:
Saul Chaplin (in 1938)
publisher:
Harms, Inc.
4:51
9This Can't Be Love (alt. take)
recorded in:
Los Angeles, California, United States (on 1956-02-06)
producer:
Norman Granz
bass and double bass:
Red Callender (on 1956-02-06)
clarinet:
Buddy DeFranco (on 1956-02-06)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-02-06)
piano:
Art Tatum (US jazz pianist) (on 1956-02-06)
instrumental recording of:
This Can’t Be Love (on 1956-02-06)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
5:51
5▼CD: Vol. 5: Art Tatum/Lionel Hampton/Harry Edison/Buddy Rich/Red Callender/Barney Kessel
#TitleRatingLength
1Verve Blues
double bass:
Red Callender (on 1955-09-07)
drums (drum set):
Buddy Rich (on 1955-09-07)
guitar:
Barney Kessel (on 1955-09-07)
piano:
Art Tatum (US jazz pianist) (on 1955-09-07)
trumpet:
Harry “Sweets” Edison (on 1955-09-07)
vibraphone:
Lionel Hampton (on 1955-09-07)
recording of:
Verve Blues
composer:
Harry “Sweets” Edison, Lionel Hampton and Art Tatum (US jazz pianist)
publisher:
BMI Publishing and JATAP Publishing Co.
12:47
2Plaid
double bass:
Red Callender (on 1955-09-07)
drums (drum set):
Buddy Rich (on 1955-09-07)
guitar:
Barney Kessel (on 1955-09-07)
piano:
Art Tatum (US jazz pianist) (on 1955-09-07)
trumpet:
Harry “Sweets” Edison (on 1955-09-07)
vibraphone:
Lionel Hampton (on 1955-09-07)
recording of:
Plaid
composer:
Harry “Sweets” Edison, Lionel Hampton and Art Tatum (US jazz pianist)
publisher:
BMI Publishing and JATAP Publishing Co.
6:41
3Somebody Loves Me
double bass:
Red Callender (on 1955-09-07)
drums (drum set):
Buddy Rich (on 1955-09-07)
guitar:
Barney Kessel (on 1955-09-07)
piano:
Art Tatum (US jazz pianist) (on 1955-09-07)
trumpet:
Harry “Sweets” Edison (on 1955-09-07)
vibraphone:
Lionel Hampton (on 1955-09-07)
instrumental recording of:
Somebody Loves Me (on 1955-09-07)
lyricist:
Buddy DeSylva and Ballard MacDonald
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Stephen Ballentine Music Publishing Co.
part of:
Broadway Rhythm (film)
7:14
4September Song
double bass:
Red Callender (on 1955-09-07)
drums (drum set):
Buddy Rich (on 1955-09-07)
guitar:
Barney Kessel (on 1955-09-07)
piano:
Art Tatum (US jazz pianist) (on 1955-09-07)
trumpet:
Harry “Sweets” Edison (on 1955-09-07)
vibraphone:
Lionel Hampton (on 1955-09-07)
instrumental recording of:
Knickerbocker Holiday: September Song (on 1955-09-07)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) and Crawford Music Corp. (on 1938-09-24)
part of:
Knickerbocker Holiday (Kurt Weill musical)
7:05
5Deep Purple
double bass:
Red Callender (on 1955-09-07)
drums (drum set):
Buddy Rich (on 1955-09-07)
guitar:
Barney Kessel (on 1955-09-07)
piano:
Art Tatum (US jazz pianist) (on 1955-09-07)
trumpet:
Harry “Sweets” Edison (on 1955-09-07)
vibraphone:
Lionel Hampton (on 1955-09-07)
instrumental recording of:
Deep Purple (on 1955-09-07)
lyricist:
Mitchell Parish (in 1938)
composer:
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
8:03
6September Song (78 RPM single version)
double bass:
Red Callender (on 1955-09-07)
drums (drum set):
Buddy Rich (on 1955-09-07)
guitar:
Barney Kessel (on 1955-09-07)
piano:
Art Tatum (US jazz pianist) (on 1955-09-07)
trumpet:
Harry “Sweets” Edison (on 1955-09-07)
vibraphone:
Lionel Hampton (on 1955-09-07)
instrumental recording of:
Knickerbocker Holiday: September Song (on 1955-09-07)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) and Crawford Music Corp. (on 1938-09-24)
part of:
Knickerbocker Holiday (Kurt Weill musical)
2:40
7What Is Thing Called Love?
double bass:
Red Callender (on 1955-09-07)
drums (drum set):
Buddy Rich (on 1955-09-07)
guitar:
Barney Kessel (on 1955-09-07)
piano:
Art Tatum (US jazz pianist) (on 1955-09-07)
trumpet:
Harry “Sweets” Edison (on 1955-09-07)
vibraphone:
Lionel Hampton (on 1955-09-07)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1955-09-07)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
7:41
8What Is Thing Called Love? (alt. take)
double bass:
Red Callender (on 1955-09-07)
drums (drum set):
Buddy Rich (on 1955-09-07)
guitar:
Barney Kessel (on 1955-09-07)
piano:
Art Tatum (US jazz pianist) (on 1955-09-07)
trumpet:
Harry “Sweets” Edison (on 1955-09-07)
vibraphone:
Lionel Hampton (on 1955-09-07)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1955-09-07)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
7:51
6▼CD: Vol. 6: Art Tatum/Red Callender/Jo Jones
#TitleRatingLength
1Just One of Those Things
double bass:
Red Callender (on 1956-01-27)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-01-27)
piano:
Art Tatum (US jazz pianist) (on 1956-01-27)
recording of:
Just One of Those Things (on 1956-01-27)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
7:14
2More Than You Know
double bass:
Red Callender (on 1956-01-27)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-01-27)
piano:
Art Tatum (US jazz pianist) (on 1956-01-27)
instrumental recording of:
More Than You Know (on 1956-01-27)
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
3:37
3Some Other Spring
double bass:
Red Callender (on 1956-01-27)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-01-27)
piano:
Art Tatum (US jazz pianist) (on 1956-01-27)
instrumental recording of:
Some Other Spring (on 1956-01-27)
composer:
Arthur Herzog, Jr. and Irene Kitchings
4:47
4If
double bass:
Red Callender (on 1956-01-27)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-01-27)
piano:
Art Tatum (US jazz pianist) (on 1956-01-27)
instrumental recording of:
If (Song, popular in the 1950s)
lyricist:
Stanley J. Damerell and Robert Hargreaves (songwriter)
writer:
H. Tilsley
composer:
Tolchard Evans
3:33
5Blue Lou
double bass:
Red Callender (on 1956-01-27)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-01-27)
piano:
Art Tatum (US jazz pianist) (on 1956-01-27)
recording of:
Blue Lou (on 1956-01-27)
composer:
Irving Mills and Edgar Sampson
3:03
6Love for Sale
double bass:
Red Callender (on 1956-01-27)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-01-27)
piano:
Art Tatum (US jazz pianist) (on 1956-01-27)
instrumental recording of:
Love for Sale (on 1956-01-27)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
5:32
7Isn't It Romantic?
3:58
8I'll Never Be the Same
double bass:
Red Callender (on 1956-01-27)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-01-27)
piano:
Art Tatum (US jazz pianist) (on 1956-01-27)
instrumental recording of:
I’ll Never Be the Same (on 1956-01-27)
lyricist:
Gus Kahn
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP) and France Mélodie
4:54
9I Guess I'll Have to Change My Plans
double bass:
Red Callender (on 1956-01-27)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-01-27)
piano:
Art Tatum (US jazz pianist) (on 1956-01-27)
instrumental recording of:
I Guess I’ll Have to Change My Plan (on 1956-01-27)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
part of:
The Band Wagon (1953 film)
3:40
10Trio Blues
5:06
7▼CD: Vol. 7: Art Tatum/Buddy Defranco/Red Callender/Bill Douglass
#TitleRatingLength
1Deep Night
recorded in:
Los Angeles, California, United States (on 1956-02-06)
producer:
Norman Granz
clarinet:
Buddy DeFranco (on 1956-02-06)
double bass:
Red Callender (on 1956-02-06)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-02-06)
piano:
Art Tatum (US jazz pianist) (on 1956-02-06)
instrumental recording of:
Deep Night (on 1956-02-06)
lyricist:
Rudy Vallée
composer:
Charles Henderson
publisher:
Advanced Music corp.
5:48
2This Can't Be Love
recorded in:
Los Angeles, California, United States (on 1956-02-06)
producer:
Norman Granz
clarinet:
Buddy DeFranco (on 1956-02-06)
double bass:
Red Callender (on 1956-02-06)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-02-06)
piano:
Art Tatum (US jazz pianist) (on 1956-02-06)
instrumental recording of:
This Can’t Be Love (on 1956-02-06)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
4:38
3Memories of You
recorded in:
Los Angeles, California, United States (on 1956-02-06)
producer:
Norman Granz
clarinet:
Buddy DeFranco (on 1956-02-06)
double bass:
Red Callender (on 1956-02-06)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-02-06)
piano:
Art Tatum (US jazz pianist) (on 1956-02-06)
instrumental recording of:
Memories of You (on 1956-02-06)
lyricist:
Andy Razaf (in 1930)
composer:
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
7:10
4Once in a While
recorded in:
Los Angeles, California, United States (on 1956-02-06)
producer:
Norman Granz
bass and double bass:
Red Callender (on 1956-02-06)
clarinet:
Buddy DeFranco (on 1956-02-06)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-02-06)
piano:
Art Tatum (US jazz pianist) (on 1956-02-06)
instrumental recording of:
Once in a While (on 1956-02-06)
lyricist:
Bud Green (in 1937)
composer:
Michael Edwards (in 1937)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc. and Miller Music Corp.
part of:
New York, New York (1977 musical film soundtrack)
5:13
5A Foggy Day
clarinet:
Buddy DeFranco (on 1956-02-06)
double bass:
Red Callender (on 1956-02-06)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-02-06)
piano:
Art Tatum (US jazz pianist) (on 1956-02-06)
instrumental recording of:
A Foggy Day (in London Town) (on 1956-02-06)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
3:24
6Lover Man
6:38
7You're Mine You
recorded in:
Los Angeles, California, United States (on 1956-02-06)
producer:
Norman Granz
clarinet:
Buddy DeFranco (on 1956-02-06)
double bass:
Red Callender (on 1956-02-06)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-02-06)
piano:
Art Tatum (US jazz pianist) (on 1956-02-06)
instrumental recording of:
You’re Mine, You (on 1956-02-06)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
7:02
8Makin' Whopee
recorded in:
Los Angeles, California, United States (on 1956-02-06)
producer:
Norman Granz
clarinet:
Buddy DeFranco (on 1956-02-06)
double bass:
Red Callender (on 1956-02-06)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-02-06)
piano:
Art Tatum (US jazz pianist) (on 1956-02-06)
instrumental recording of:
Makin’ Whoopee! (on 1956-02-06)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
3:37
9Deep Night (alt. take)
recorded in:
Los Angeles, California, United States (on 1956-02-06)
producer:
Norman Granz
clarinet:
Buddy DeFranco (on 1956-02-06)
double bass:
Red Callender (on 1956-02-06)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-02-06)
piano:
Art Tatum (US jazz pianist) (on 1956-02-06)
instrumental recording of:
Deep Night (on 1956-02-06)
lyricist:
Rudy Vallée
composer:
Charles Henderson
publisher:
Advanced Music corp.
5:51
10Once in a While (alt. take)
recorded in:
Los Angeles, California, United States (on 1956-02-06)
producer:
Norman Granz
bass and double bass:
Red Callender (on 1956-02-06)
clarinet:
Buddy DeFranco (on 1956-02-06)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-02-06)
piano:
Art Tatum (US jazz pianist) (on 1956-02-06)
instrumental recording of:
Once in a While (on 1956-02-06)
lyricist:
Bud Green (in 1937)
composer:
Michael Edwards (in 1937)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc. and Miller Music Corp.
part of:
New York, New York (1977 musical film soundtrack)
5:06
11This Can't Be Love (alt. take)
recorded in:
Los Angeles, California, United States (on 1956-02-06)
producer:
Norman Granz
bass and double bass:
Red Callender (on 1956-02-06)
clarinet:
Buddy DeFranco (on 1956-02-06)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-02-06)
piano:
Art Tatum (US jazz pianist) (on 1956-02-06)
instrumental recording of:
This Can’t Be Love (on 1956-02-06)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
4:27
8▼CD: Vol. 8: Art Tatum/Benwebster/Red Callender/Bill Douglass
#TitleRatingLength
1Gone With the Wind
recorded in:
Los Angeles, California, United States (on 1956-09-11)
engineer:
Val Valentin
producer:
Norman Granz
double bass and double bass [bass]:
Red Callender (on 1956-09-11)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-09-11)
piano:
Art Tatum (US jazz pianist) (on 1956-09-11)
tenor saxophone:
Ben Webster (on 1956-09-11)
instrumental recording of:
Gone With the Wind (on 1956-09-11)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
4:50
2All the Things You Are
recorded in:
Los Angeles, California, United States (on 1956-09-11)
engineer:
Val Valentin
producer:
Norman Granz
double bass and double bass [bass]:
Red Callender (on 1956-09-11)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-09-11)
piano:
Art Tatum (US jazz pianist) (on 1956-09-11)
tenor saxophone:
Ben Webster (on 1956-09-11)
instrumental recording of:
All the Things You Are (from “Very Warm for May”) (on 1956-09-11)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
7:16
3Have You Met Miss Jones?
recorded in:
Los Angeles, California, United States (on 1956-09-11)
engineer:
Val Valentin
producer:
Norman Granz
double bass and double bass [bass]:
Red Callender (on 1956-09-11)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-09-11)
piano:
Art Tatum (US jazz pianist) (on 1956-09-11)
tenor saxophone:
Ben Webster (on 1956-09-11)
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1956-09-11)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
4:49
4My One and Only Love
recorded in:
Los Angeles, California, United States (on 1956-09-11)
engineer:
Val Valentin
producer:
Norman Granz
double bass and double bass [bass]:
Red Callender (on 1956-09-11)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-09-11)
piano:
Art Tatum (US jazz pianist) (on 1956-09-11)
tenor saxophone:
Ben Webster (on 1956-09-11)
instrumental recording of:
My One and Only Love (on 1956-09-11)
lyricist:
Robert Mellin
composer:
Robert Mellin and Guy Wood
publisher:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. and ミュージカル・ライツ・東京 (Musical Lights Tokyo)
version of:
Music from Beyond the Moon (My One and Only Love)
6:16
5Night and Day
recorded in:
Los Angeles, California, United States (on 1956-09-11)
engineer:
Val Valentin
producer:
Norman Granz
double bass [bass]:
Red Callender (on 1956-09-11)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-09-11)
piano:
Art Tatum (US jazz pianist) (on 1956-09-11)
tenor saxophone:
Ben Webster (on 1956-09-11)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1956-09-11)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
5:31
6My Ideal
recorded in:
Los Angeles, California, United States (on 1956-09-11)
engineer:
Val Valentin
producer:
Norman Granz
double bass and double bass [bass]:
Red Callender (on 1956-09-11)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-09-11)
piano:
Art Tatum (US jazz pianist) (on 1956-09-11)
tenor saxophone:
Ben Webster (on 1956-09-11)
instrumental recording of:
My Ideal (from “Playboy of Paris”) (on 1956-09-11)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Newell Chase and Richard A. Whiting (composer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
7:17
7Where or When
recorded in:
Los Angeles, California, United States (on 1956-09-11)
engineer:
Val Valentin
producer:
Norman Granz
double bass and double bass [bass]:
Red Callender (on 1956-09-11)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-09-11)
piano:
Art Tatum (US jazz pianist) (on 1956-09-11)
tenor saxophone:
Ben Webster (on 1956-09-11)
instrumental recording of:
Where or When (from “Babes in Arms”) (on 1956-09-11)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
6:27
8Gone With the Wind (alt. take 1)
recorded in:
Los Angeles, California, United States (on 1956-09-11)
engineer:
Val Valentin
producer:
Norman Granz
double bass [bass]:
Red Callender (on 1956-09-11)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-09-11)
piano:
Art Tatum (US jazz pianist) (on 1956-09-11)
tenor saxophone:
Ben Webster (on 1956-09-11)
instrumental recording of:
Gone With the Wind (on 1956-09-11)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
4:52
9Gone With the Wind (alt. take 2)
recorded in:
Los Angeles, California, United States (on 1956-09-11)
engineer:
Val Valentin
producer:
Norman Granz
double bass [bass]:
Red Callender (on 1956-09-11)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-09-11)
piano:
Art Tatum (US jazz pianist) (on 1956-09-11)
tenor saxophone:
Ben Webster (on 1956-09-11)
instrumental recording of:
Gone With the Wind (on 1956-09-11)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
4:50
10Have You Met Miss Jones? (alt. take)
recorded in:
Los Angeles, California, United States (on 1956-09-11)
engineer:
Val Valentin (on 1956-09-11)
producer:
Norman Granz
bass and double bass:
Red Callender (on 1956-09-11)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-09-11)
piano:
Art Tatum (US jazz pianist) (on 1956-09-11)
tenor saxophone:
Ben Webster (on 1956-09-11)
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1956-09-11)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
5:02