101 Classic Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1I Want to Break Free (remastered 2011)
additional recording engineer:
Mike Beiriger (from 1983-08 until 1984-01)
assistant recording engineer:
Eddie DeLena (engineer) (from 1983-08 until 1984-01) and Stephan Wissnet (from 1983-08 until 1984-01)
recording engineer and programming:
Reinhold Mack (German rock producer/engineer Reinhold Mack) (from 1983-08 until 1984-01)
additional engineer:
Mike Beiriger
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Mack (German rock producer/engineer Reinhold Mack) and Queen (UK rock group)
acoustic guitar, bass guitar and synthesizer:
John Deacon (from 1983-08 until 1984-01)
electric guitar:
John Deacon (from 1983-08 until 1984-01) and Brian May (Queen guitarist) (from 1983-08 until 1984-01)
electronic drum set:
Roger Taylor (Queen drummer) (from 1983-08 until 1984-01)
guest solo synthesizer:
Fred Mandel (from 1983-08 until 1984-01)
lead vocals:
Freddie Mercury (from 1983-08 until 1984-01)
phonographic copyright (℗) by:
Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1984, in 2011) and Raincloud Productions Ltd. (in 1984, in 2011)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1983-08 until 1984-01) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1983-08 until 1984-01)
music videos:
I Want to Break Free (music video) by Queen (UK rock group)
recording of:
I Want to Break Free (from 1983-08 until 1984-01)
lyricist and composer:
John Deacon
publisher:
EMI Music Ltd., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Queen Music Ltd.
included in:
We Will Rock You (Queen musical)
included in:
We Will Rock You (German version of the Queen musical)
Queen4.14:19
2American Pie
engineer:
Tom Flye
acoustic guitar and banjo:
Don McLean (on 1971-05-26)
bass:
Bob Rothstein (on 1971-05-26)
drums (drum set) and percussion:
Roy Markowitz (on 1971-05-26)
electric guitar:
David Spinozza (on 1971-05-26)
electric piano:
Ray Colcord (on 1971-05-26)
marimba and vibraphone:
Mike Mainieri (on 1971-05-26)
piano:
Paul Griffin (American pianist, session musician) (on 1971-05-26)
choir vocals:
West 44th Street Rhythm and Noise Choir (on 1971-05-26)
vocals:
Bob Rothstein (on 1971-05-26) and Don McLean (on 1971-05-26)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1971) and United Artists Records (for bootlegs and counterfeit) (in 1971)
partial recording of:
American Pie (on 1971-05-26)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:12
3The Horses (remastered)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1990), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1990), Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1990) and Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1991)
part of:
triple j’s Hottest 100 of Australian Songs (number: 30)
cover recording of:
The Horses
writer:
Walter Becker and Rickie Lee Jones
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Australia Pty Ltd, Mushroom Music Pty. Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Universal/MCA Music Publishing Pty Ltd and Easy Money Music (in 1989)
Daryl Braithwaite4:14
4Good Vibrations (mono / remastered 2012)
producer:
Brian Wilson (Beach Boys co‐founder)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
recording of:
Good Vibrations (Love/Wilson lyrics, common version)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
version of:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.63:37
5Father and Son
producer:
Paul Samwell-Smith
bass guitar:
John Ryan (producer a/k/a “The Chicago Kid”) (in 1970-07)
drums (drum set):
Harvey Burns (in 1970-07)
guitar and keyboard:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
guitar [2nd]:
Alun Davies (in 1970-07)
solo violin:
John Rostein (in 1970-07)
vocals:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
strings arranger:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970) and Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1970)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
instrumental version of:
Father and Son by Giacomo Bucci
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 408)
recording of:
Father and Son (Cat Stevens) (in 1970-07)
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Cat Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Freshwater Music Ltd. (from 1970 to present) and Irving Music, Inc. (from 1970 to present)
Cat Stevens4.253:40
6Start Me Up (remastered)
producer:
The Glimmer Twins (production name for Mick Jagger & Keith Richards)
bass:
Bill Wyman
drums (drum set):
Charlie Watts (drummer in The Rolling Stones)
background vocals:
Keith Richards (Rolling Stones guitarist) and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
lead vocals:
Mick Jagger (The Rolling Stones)
phonographic copyright (℗) by:
Promotone B.V. (not for release label use!) (in 1981, in 1993, in 2012)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 94)
recording of:
Start Me Up
writer:
Mick Jagger (The Rolling Stones) and Keith Richards (Rolling Stones guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
The Rolling Stones4.23:34
7Message in a Bottle
engineer:
Nigel Gray (UK producer)
producer:
Nigel Gray (UK producer) and The Police (British rock band)
drums (drum set):
Stewart Copeland (drummer, percussionist, pianist and composer)
electric bass guitar:
Sting (singer, songwriter & member of The Police)
electric guitar:
Andy Summers
vocals:
Sting (singer, songwriter & member of The Police)
arranger:
The Police (British rock band)
phonographic copyright (℗) by:
A&M Records (in 1979), A&M Records, Ltd. (in 1979), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1979) and A&M Records, Inc. (in 1997)
recorded at:
Surrey Sound Studios in Leatherhead, Surrey, England, United Kingdom
recording of:
Message in a Bottle
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc., GM Sumner and Virgin Music, Inc. (US arm of Virgin’s publishing company)
The Police3.84:50
8Summer of ’69
assistant engineer:
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov and Michael Sauvage
engineer:
Bob Clearmountain (from 1984-03-27 until 1984-09-22)
associate producer:
Jim Vallance
producer:
Bryan Adams (Canadian singer/songwriter) and Bob Clearmountain
mixer:
Bob Clearmountain (on 1984-09-22)
drums (drum set) [drums]:
Pat (from 1984-03-27 until 1984-09-22)
electric bass guitar [bass]:
Dave (Bass player (Bryan Adams) and engineer) (from 1984-03-27 until 1984-09-22)
guitar [lead guitar]:
Keith (Canadian guitarist) (from 1984-03-27 until 1984-09-22)
guitar [rhythm guitar] and background vocals [harmony vocal]:
BA (Canadian singer/songwriter) (from 1984-03-27 until 1984-09-22)
percussion:
Jim (from 1984-03-27 until 1984-09-22)
lead vocals:
Bryan Adams (Canadian singer/songwriter) (from 1984-03-27 until 1984-09-22)
phonographic copyright (℗) by:
A&M Records (in 1984), A&M Records, Inc. (in 1984, in 1999) and Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (in 1999)
recorded at:
Little Mountain Sound in Vancouver, British Columbia, Canada (from 1984-03-27 until 1984-09-22)
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (on 1984-09-22)
part of:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (number: 1), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (number: 3), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (number: 3), SWR1 Hitparade 2007 (Baden-Württemberg) (number: 5), SWR1 Hitparade 2008 (Baden-Württemberg) (number: 8), Huffington Post: 100 Best Canadian Songs Ever (number: 9), SWR1 Hitparade 2009 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (number: 10) and The Downloader’s Music Source Book (number: 179)
recording of:
Summer of ’69 (from 1984-03-27 until 1984-09-22)
written in:
Vancouver, British Columbia, Canada (on 1984-01-25)
writer:
Bryan Adams (Canadian singer/songwriter) (on 1984-01-25) and Jim Vallance (on 1984-01-25)
publisher:
Adams Communications Inc. (in 1984), Almo Music Corp. (USA, affiliated with ASCAP) (in 1984), Calypso Toonz (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984) and Testatyme Music (in 1984)
Bryan Adams4.43:38
9Piano Man (radio edit)
producer:
Phil Ramone and Michael Stewart (US producer/guitarist from California, 1945–2002)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973)
recording of:
Piano Man
lyricist and composer:
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Ltd., Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Songs Australia Pty. Ltd., Home Grown Music, Inc. (work publisher), Impulsive Music, Tinker Street Tunes, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), CBS Songs Ltd. (in 1973) and Joelsongs (in 1973)
Billy Joel4:36
10I Still Haven’t Found What I’m Looking For
recording engineer:
Flood (British producer Mark Ellis)
synthesizer [DX7] programming:
Brian Eno
additional engineer:
Pat McCarthy and Dave Meegan (producer)
producer:
Brian Eno and Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
assistant mixer:
Mary Kettle
mixer:
Brian Eno, Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter) and Mark Wallis
additional guitar, omnichord and tambourine:
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
bass guitar:
Adam Clayton
drums (drum set) and percussion:
Larry Mullen, Jr.
guitar:
The Edge (U2 guitarist David Evans)
harmonica and lead vocals:
Bono (singer of U2)
keyboard:
Brian Eno
background vocals:
The Edge (U2 guitarist David Evans), Brian Eno and Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
phonographic copyright (℗) by:
BMG Ariola München GmbH (in 1987), Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1987, in 2007, in 2017), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1987) and Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2007)
recorded at and mixed at:
Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Ireland
music videos:
I Still Haven’t Found What I’m Looking For (live, 2005‐07‐21: Stadio Giuseppe Meazza, Milano, Italy) by U2 (Irish rock band) and I Still Haven’t Found What I’m Looking For by U2 (Irish rock band)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 93) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 321)
recording of:
I Still Haven’t Found What I’m Looking For
lyricist:
Bono (singer of U2)
composer:
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. and The Edge (U2 guitarist David Evans)
publisher:
Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group), Universal Music Publishing International B.V. (Global Licensing & Royalty Review division, Universal Music Publishing Group) and Blue Mountain Music Ltd. (in 1987)
version of:
Desert of Our Love
U24.14:38
11Crying (album version)
recorded in:
Nashville, Tennessee, United States (on 1961-06-26)
producer:
Fred Foster (on 1961-06-26)
double bass [bass]:
Bob Moore (U.S. bassist and bandleader) (on 1961-06-26)
drums (drum set) [drums]:
Buddy Harman (Session drummer and songwriter) (on 1961-06-26)
guitar:
Boudleaux Bryant (on 1961-06-26), Harold Bradley (on 1961-06-26) and Scotty Moore (American guitarist and recording engineer) (on 1961-06-26)
piano:
Floyd Cramer (on 1961-06-26)
vocals:
Roy Orbison (on 1961-06-26)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) and Monument Record Corp. (not for release label use!) (in 1961)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 69) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 461)
recording of:
Crying (on 1961-06-26)
lyricist:
Joe Melson (in 1961) and Roy Orbison (in 1961)
composer:
Joe Melson and Roy Orbison
publisher:
Acuff Rose Music Ltd. (UK), Acuff Rose Music, Inc. (not for publishing), Barbara Orbison Music Company, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Orbi-Lee Music, R-Key Darkus Music, Rondor Music, Rondor Music (Australia) P/L, Universal/MCA Music Publishing Pty Ltd and Acuff-Rose Publications, Inc. (BMI) (on 1961-08-16)
part of:
50/50
Roy Orbison4.652:46
12Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
engineer and producer:
Al Kooper
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer and songwriter) (in 1973-07)
electric bass guitar:
Leon Wilkeson (in 1973-07)
electric guitar:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) and Gary Rossington (in 1973-07)
keyboard:
Billy Powell (in 1973-07)
background vocals:
Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
lead vocals:
Ronnie Van Zant (in 1973-07)
phonographic copyright (℗) by:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974), Universal Music (plain logo: “Universal Music”) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Sounds of the South Productions
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States (in 1973-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 398)
recording of:
Sweet Home Alabama (in 1973-07)
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.14:44
13I Don’t Like Mondays
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1979)
recording of:
I Don’t Like Mondays
lyricist and composer:
Johnnie Fingers and Bob Geldof
publisher:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. and Zomba Music Publishing Ltd.
The Boomtown Rats4.53:47
14The Things We Do for Love
assistant engineer and assistant mixer:
Tony Spath
engineer, mixer and editor:
Eric Stewart
producer:
10cc, Graham Gouldman, Mastermix Music Limited and Eric Stewart
acoustic guitar, bass guitar, electric guitar, handclaps and tambourine:
Graham Gouldman (in 1976)
drums (drum set), gong, handclaps and tambourine:
Paul Burgess (UK rock drummer) (in 1976)
guitar, organ and piano and background vocals and lead vocals:
Eric Stewart (in 1976)
background vocals:
Graham (in 1976)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1976, in 1977, in 1997), Mercury Records Ltd. (London) (for copyrights use only) (in 1976), Phonogram Ltd. (not for release label use!) (in 1976, in 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1977)
recorded by:
Phonogram Ltd. (London) (company name, NOT a label!)
recorded at:
Strawberry Studios South in Dorking, Surrey, England, United Kingdom (in 1976)
music videos:
The Things We Do for Love by 10cc and The Things We Do for Love by 10cc
recording of:
The Things We Do for Love (in 1976)
writer:
Graham Gouldman and Eric Stewart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), St. Anne’s Music Ltd. and Man-Ken Music Ltd. (in 1977)
10cc4.553:21
15Hallelujah (radio edit)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1994, in 2008) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1994)
cover recording of:
Hallelujah
lyricist and composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-publisher:
Sony/ATV Music Publishing (Hong Kong)
Jeff Buckley54:16
16Walk on the Wild Side
producer:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
baritone saxophone:
Ronnie Ross (in 1972-08)
double bass and electric bass guitar:
Herbie Flowers (in 1972-08)
drums (drum set):
John Halsey (in 1972-08)
background vocals:
The Thunder Thighs (70s UK vocal group) (in 1972-08)
lead vocals:
Lou Reed (in 1972-08)
brass arranger and strings arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1972-08)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
samples from:
Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
part of:
Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 221)
recording of:
Walk on the Wild Side (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Six Continents Music Publishing Inc.
Lou Reed4.254:13
17Ring of Fire (album version)
recorded in:
Nashville, Tennessee, United States (on 1963-03-25)
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
bass:
Marshall Grant
drums (drum set):
W.S. Holland
electric guitar:
Luther Perkins
guitar:
Johnny Cash (country music legend) and Jack Clement
piano:
Bill Pursell
trumpet:
Bill McElhiney
lead vocals:
Johnny Cash (country music legend)
vocals and performer:
The Carter Family (later generations of the family after 1943)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1963, in 1977)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1963-03-25)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 25), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 87), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 201) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 388)
cover recording of:
Ring of Fire (on 1963-03-25)
writer:
June Carter Cash (American Country singer and songwriter) and Merle Kilgore
publisher:
Painted Desert Music Corporation
Johnny Cash4.252:36
18Me and Bobby McGee
engineer:
Tommy Strong
producer:
Fred Foster
vocals:
Kris Kristofferson (in 1969)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1971)
recorded at:
Monument Recording Studio in Nashville, Tennessee, United States
recording of:
Me and Bobby McGee (in 1969)
lyricist and composer:
Fred Foster and Kris Kristofferson
publisher:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. and Keith Prowse Music Publishing Co. Ltd.
Kris Kristofferson54:17
19On the Road Again (album version)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980)
recording of:
On the Road Again
lyricist and composer:
Willie Nelson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Full Nelson Music and EMI Music Publishing Australia Pty. Limited (not for release label use!)
part of:
The 53rd Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1980 nominee)
Willie Nelson2:33
20Living Next Door to Alice
associate producer:
Nicky Chinn
producer:
Mike Chapman (Australian producer and songwriter) and G. Kasper (German sound engineer & producer, “Mr. Cool”)
phonographic copyright (℗) by:
Chinnichap Records Ltd. (in 1976) and RAK Records Ltd. (in 1976)
produced for:
Chinnichap (production company and publisher)
cover recording of:
Living Next Door to Alice
lyricist:
Nicky Chinn
composer:
Mike Chapman (Australian producer and songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Musik-Edition Discoton GmbH and Universal Music Publishers MGB Australia Pty Ltd
Smokie4.153:27
2▼CD
#TitleArtistRatingLength
1Fall at Your Feet
recording engineer and engineer:
Tchad Blake
assistant engineer:
Robert “RJ” Jaczko
producer:
Neil Finn and Mitchell Froom
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1991)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
Fall at Your Feet
lyricist and composer:
Neil Finn
publisher:
Roundhead Music (Neil Finn)
Crowded House33:18
2Everybody Wants to Rule the World
engineer:
David Bascombe
producer:
Chris Hughes (producer, aka “Merrick”)
mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Curt Smith (in 1984)
drums (drum set):
Manny Elias (in 1984)
guitar and solo guitar:
Neil Taylor (guitarist) (in 1984)
keyboard:
Ian Stanley (in 1984)
background vocals:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
lead vocals:
Curt Smith
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) and Phonogram Ltd. (not for release label use!) (in 1985)
music videos:
Everybody Wants to Rule the World by Tears for Fears
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 28) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
writer:
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Tears for Fears3.954:08
3Amazing
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 2001) and EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 2001)
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 2001)
recording of:
Amazing
lyricist and composer:
Alex Lloyd (Australian singer‐songwriter)
publisher:
Rondor Music (Australia) Pty Ltd
Alex Lloyd3.653:22
4Never Miss Your Water
phonographic copyright (℗) by:
Aymsilver Pty Ltd. (in 1993)
recording of:
Never Miss Your Water
writer:
John Daniel Tate and Mark Lizotte
publisher:
EMI Songs Australia Pty. Ltd. and EMI Virgin Music Publishing Australia Pty Ltd
Diesel3:57
5Lightning Crashes
engineer:
Lou Giordano (Boston engineer)
executive producer:
Gary Kurfirst
producer:
Jerry Harrison (Talking Heads & producer) and Live (US alt rock band)
mixer:
Tom Lord‐Alge
bass:
Patrick Dahlheimer
drums (drum set):
Chad Gracey
electric guitar [lead]:
Chad Taylor (US guitarist for Live)
electric guitar [rhythm]:
Ed Kowalczyk
vocals:
Ed Kowalczyk
phonographic copyright (℗) by:
Radioactive Records (US rock) (in 1994) and Radioactive Records, J.V. (in 1994)
recorded at:
Pachyderm Recording Studio in Cannon Falls, Minnesota, United States
mixed at:
Music Head Recording in Lake Geneva, Wisconsin, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 476)
recording of:
Lightning Crashes
lyricist:
Ed Kowalczyk
composer:
Patrick Dahlheimer, Chad Gracey, Ed Kowalczyk and Chad Taylor (US guitarist for Live)
publisher:
Universal Music Publishing MGB Australia
Live45:25
6Drops of Jupiter
recording engineer:
Nick DiDia and Brett Eliason
programming:
Scott Underwood (Drummer for Train)
additional engineer:
Ryan Williams (US recording engineer/producer)
assistant engineer:
Karl Egsieker and Steve Genewick
engineer:
Steve Churchyard
producer:
Brendan O’Brien (engineer)
mixer:
John Burton (engineer), Brett Eliason and Brendan O’Brien (engineer)
bass:
Charlie Colin and Rob Hotchkiss
cello:
Dan Smith (cellist) and Suzie Katayama
drums (drum set):
Scott Underwood (Drummer for Train)
guitar and background vocals:
Charlie Colin, Rob Hotchkiss and Jimmy Stafford (member of Train)
keyboard:
Brendan O’Brien (engineer) and Scott Underwood (Drummer for Train)
mandolin:
Jimmy Stafford (member of Train)
percussion:
Pat Monahan and Scott Underwood (Drummer for Train)
piano:
Chuck Leavell
viola:
Evan Wilson (viola player)
violin:
Michael Markman
lead vocals:
Pat Monahan
conductor:
Paul Buckmaster
arranger:
Paul Buckmaster
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2001)
music videos:
Drops of Jupiter by Train (US pop rock band)
part of:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much Nominees (2001) and My VH1 Music Awards - Damn I Wish I Wrote That! (song of the year) Nominees (2001)
recording of:
Drops of Jupiter
writer:
Charlie Colin, Rob Hotchkiss, Pat Monahan, Jimmy Stafford (member of Train) and Scott Underwood (Drummer for Train)
publisher:
Blue Lamp Music, EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!) and EMI Music Publishing Ltd. (PRS‐affiliated)
Train4.54:21
7Better Days
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 2005)
recording of:
Better Days
writer:
Pete Murray (Australian singer‐songwriter)
Pete Murray33:47
8Hall of Fame (original version)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2012)
recording of:
Hall of Fame
writer:
James Barry (producer and songwriter), Danny O’Donoghue, Mark Sheehan and William Adams (American rapper and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Script53:23
9Broken Wings (remastered 2001)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
recording of:
Broken Wings
writer:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister4:45
10One Crowded Hour
producer:
Eric Drew Feldman and Glenn Richards
mixer:
Mark Howard (producer/recording engineer, New Orleans/Los Angeles based)
guitar, keyboard and lead vocals:
Glenn Richards
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 2006)
part of:
triple j’s Hottest 100 of Australian Songs (number: 33) and triple j’s Hottest 100 (Australian annual music listener poll) (number: 2006)
recording of:
One Crowded Hour
writer:
Glenn Richards
Augie March34:49
11Take Me to Church
producer:
Andrew Hozier‐Byrne (Irish singer/songwriter) and Rob Kirwan
mixer:
Rob Kirwan
bass:
Alex Ryan (multi-instrumentalist)
cello:
Kate Ellis (Irish cellist)
drums (drum set) and percussion:
Fiachra Kinder
guitar, piano and synthesizer:
Andrew Hozier‐Byrne (Irish singer/songwriter)
vocals:
Andrew Hozier‐Byrne (Irish singer/songwriter)
phonographic copyright (℗) by:
Rubyworks (in 2013)
part of:
Billboard Year-End Hot 100 singles of 2015 (number: 14) and Indie 88: Top 500 Indie Rock Songs (number: 481)
recording of:
Take Me to Church
lyricist, composer and arranger:
Andrew Hozier‐Byrne (Irish singer/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Music Publishing (UK), Sony/ATV Songs LLC and The Evolving Music Co. Ltd.
Hozier4.054:02
12Dream Catch Me
recording engineer:
Andy McKim
producer and mixer:
Mike Spencer (UK producer)
additional guitar:
Crispin Hunt
bass, drums (drum set) and guitar:
Newton Faulkner
vocals:
Newton Faulkner
phonographic copyright (℗) by:
Peer‐Southern Productions Limited (not for release label use, only for copyrights and other legal credits) (in 2007) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2007)
music videos:
Dream Catch Me by Newton Faulkner
recording of:
Dream Catch Me
writer:
Newton Faulkner, Crispin Hunt and Gordon Mills (UK based engineer and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Newton Faulkner3.353:58
13Budapest
programming and producer:
Cam Blackwood
engineer:
Cam Blackwood and Liam Thorne
assistant producer:
Liam Thorne
assistant mixer:
Sean Julliard
mixer:
Cenzo Townshend (engineer)
bass synthesizer [bass synth] and keyboard [keys]:
Cam Blackwood
guitar [guitars] and percussion:
Cam Blackwood and George Ezra
keyboard [keyboards]:
George Ezra
vocals:
George Ezra
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2014)
produced for:
Big Life Management
recorded at:
Voltaire Road Recording Studios in Clapham, Lambeth, London (Greater London), England, United Kingdom
mixed at:
Decoy Studios in Studio City, Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 2015 (number: 89)
recording of:
Budapest
writer:
George Ezra Barnett and Joel Pott
publisher:
BMG Chrysalis (may be used as an imprint, trade name of BMG Rights Management in the US/UK/SE), BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
George Ezra3.653:22
14Waiting on the World to Change (album version)
bass guitar:
Pino Palladino
brass:
Roy Hargrove
drums (drum set) and percussion:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
keyboard:
Ricky Peterson (American keyboardist)
background vocals:
Scotty Crowe, Ricky Cytonbaum, Steve Jordan (US drummer/multi-instrumentalist, composer & producer), Jeannie Martinez, Kristen Moss, Lee Padgett, Pino Palladino, Harley Pasternak, Maggie Slavonic and Sandy Vongdasy
background vocals and lead vocals:
John Mayer (US singer‐songwriter)
phonographic copyright (℗) by:
Aware Records LLC (in 2006)
recording of:
Waiting on the World to Change
lyricist and composer:
John Mayer (US singer‐songwriter)
publisher:
Milky Boy Music and Reach Music Publishing, Inc.
John Mayer3.83:22
15I Don’t Want to Be (radio edit)
phonographic copyright (℗) by:
BMG Music (in 2003), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2003) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2003)
recording of:
I Don’t Want to Be (One Tree Hill theme song)
lyricist and composer:
Gavin DeGraw
publisher:
G. Degraw Music Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Gavin DeGraw33:38
16Over My Head (Cable Car)
assistant recording engineer:
Kevin Loyal and James Masterson
recording engineer and editor:
Paul Mahern
additional engineer:
Tim Hoagland and Aaron Johnson (producer/mixer/engineer, worked with The Fray)
assistant engineer:
Alex Uychocde
producer:
Mike Flynn (A&R executive) and Aaron Johnson (producer/mixer/engineer, worked with The Fray)
mixer:
Mark Endert
additional editor:
Warren Huart
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 2005)
recording of:
Over My Head (Cable Car)
composer:
Joe King (guitarist and vocalist in The Fray) and Isaac Slade
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!)
The Fray4.153:58
17Back in Time (from “Back to the Future” soundtrack)
producer:
Huey Lewis and the News (American pop rock band)
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1985)
recording of:
Back in Time
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
publisher:
WB Music Corp. (1929–2019)
Huey Lewis and the News44:17
18Everybody’s Talkin’
phonographic copyright (℗) by:
BMG Music (in 1967)
earliest release:
Everybody’s Talkin’ by Nilsson (US singer-songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 51)
cover recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music and Third Story Music, Inc.
Harry Nilsson3.92:51
19Lullaby (single edit)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1998)
recording of:
Lullaby
lyricist and composer:
Shawn Mullins
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Roadieodie Music Inc.
Shawn Mullins4:15
20Superman (It’s Not Easy) (new album version)
assistant engineer:
Seth Horan and Rafael Serrano
engineer:
Brian Scheuble and Gregg Wattenberg
executive producer:
Evan Lamberg and Gregg Latterman (executive producer)
producer:
Gregg Wattenberg
assistant mixer:
Richard Anderson (mix engineer) and Joe Zook (engineer)
mixer:
Bob Clearmountain and Jack Joseph‐Puig
guest acoustic guitar and guest electric guitar:
Gregg Wattenberg
guest bass guitar:
Sheldon Gomberg
guest cello:
Victor Lawrence (cellist)
guest drums (drum set) and percussion:
Dorian Crozier
guest piano:
Shane Keister
guest viola and violin:
Ralph Farris
lead vocals:
John Ondrasik
strings arranger:
Ralph Farris and John Ondrasik
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 2000)
recorded at:
EMI Publishing Studios in Santa Monica, California, United States, John's Living Room (John Ondrasik living room) and Mad Dog Studios (Burbank, 1996–unknown) in Burbank, California, United States
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
recording of:
Superman (It’s Not Easy)
lyricist and composer:
John Ondrasik
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!) and Five for Fighting Music
Five for Fighting3.83:40
3▼CD
#TitleArtistRatingLength
1Higher Ground
additional engineer:
Michael Beinhorn
engineer:
Garth Richardson (Canadian music producer and engineer)
producer:
Michael Beinhorn
mixer:
Dave Jerden and Garth Richardson (Canadian music producer and engineer)
bass:
Flea (US bassist)
drums (drum set):
Chad Smith (drummer from Red Hot Chili Peppers)
guitar:
John Frusciante
background vocals:
Sir Babs, Vicki Calhoun, Aklia Chinn, Bruno Deron, Joel Virgel Viergel, Iris Parker, Julie Ritter, Randy Ruff, Gretchen Seager, Jack Sherman, Laura Spinosa, Kristen Vigard, WAG (Various Artists, add compilations to this artist) and Merrill Ward
lead vocals:
Anthony Kiedis
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1989), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
produced for:
Demolition Sound
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
cover recording of:
Higher Ground
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, Inc., EMI Music Publishing (do not use as a release label!), Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Stein & Van Stock, Inc.
Red Hot Chili Peppers43:23
2Who Are You (single edit)
producer:
Jon Astley and Glyn Johns
drums (drum set):
Keith Moon (drummer) (on 1977-10-04)
piano:
Rod Argent (in 1977-10)
background vocals:
Andy Fairweather‐Low (in 1977-10)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1978) and Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1978)
recorded at:
Goring Studios in Goring-on-Thames, Oxfordshire, England, United Kingdom (on 1977-10-04) and Ramport Studios in Battersea, Wandsworth, London (Greater London), England, United Kingdom (on 1977-10-04, from 1977-10 until 1977-12)
recording of:
Who Are You (on 1977-10-04)
lyricist and composer:
Pete Townshend (of The Who)
publisher:
Eel Pie Publishing Ltd., Tower Tunes, Inc., Whistle Rhymes Limited and Windswept Pacific
The Who45:08
3Are You Gonna Be My Girl
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
additional guitar:
Brooklyn’s own Dave Sardy (American score composer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003), Real Horrorshow Pty. Ltd. (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
music videos:
Are You Gonna Be My Girl by Jet (Australian garage rock band)
part of:
triple j’s Hottest 100 of Australian Songs (number: 23), triple j’s Hottest 100 (Australian annual music listener poll) (number: 2003), Sean Michaels: The Top 30 Songs of 2003 (number: runner-up) and Indie 88: Top 500 Indie Rock Songs (number: 364)
recording of:
Are You Gonna Be My Girl
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Jet3.73:36
4Spoonman
miscellaneous support:
Jeff Ament
assistant engineer and assistant mixer:
Adam Kasper
engineer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Michael Beinhorn and Soundgarden
mixer:
Brendan O’Brien (engineer)
spoons:
Artis the Spoonman
additional vocals:
Ben Shepherd (bass guitarist) (from 1993-07 until 1993-09)
phonographic copyright (℗) by:
A&M Records (in 1994) and A&M Records, Inc. (in 1994)
mixed at and engineered at:
Bad Animals Studio in Seattle, Washington, United States
music videos:
Spoonman (Music video) by Soundgarden
part of:
Grammy Award: Best Metal Performance nominees (number: 1995 winner)
recording of:
Spoonman (from 1993-07 until 1993-09)
miscellaneous support:
Jeff Ament (task: title)
lyricist and composer:
Christopher J Cornell (Soundgarden lead singer)
publisher:
Mushroom Music Pty. Ltd. and You Make Me Sick I Make Music (in 1994)
Soundgarden3.74:08
5Fly Away
programming:
Lenny Kravitz, Terry Manning (US recording engineer), Matthew Knobel and Eric Rehl
engineer and mixer:
Terry Manning (US recording engineer)
producer:
Lenny Kravitz
bass, drums (drum set), guitar, background vocals and lead vocals:
Lenny Kravitz
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1998), Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1998), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Fly Away
lyricist and composer:
Lenny Kravitz
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Miss Bessie Music and Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”)
Lenny Kravitz43:43
6My Happiness
recording engineer and mixer:
Nick DiDia
producer:
Nick DiDia and Powderfinger (Australian rock band)
phonographic copyright (℗) by:
Grudge Records Australia (in 2000)
part of:
triple j’s Hottest 100 of Australian Songs (number: 6) and triple j’s Hottest 100 (Australian annual music listener poll) (number: 2000)
recording of:
My Happiness
writer:
Jon Coghill, John Collins (Australian rock guitarist), Bernard Fanning, Ian Haug and Darren Middleton
publisher:
Egg the Nest Music and Kobalt Music Publishing Australia P/L
Powderfinger44:39
7Born to Be Wild
producer:
Gabriel Mekler
phonographic copyright (℗) by:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 129)
recording of:
Born to Be Wild
lyricist and composer:
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:31
8Back From Cali
miscellaneous support:
Trevor Whatever (Barefoot Recording Studios) (task: session coordinator)
assistant engineer:
Bradley Cook (engineer)
engineer, producer and mixer:
Eric Valentine (Eric Dodd, producer and instrumentalist)
bass:
Chris Chaney
drums (drum set):
Josh Freese (American drummer)
guitar:
Slash (Guns N’ Roses guitarist)
percussion:
Leonard Castro
vocals:
Myles Kennedy
guitar technician:
Chet Haun and Trevor Whatever (Barefoot Recording Studios)
instruments technician:
Chet Haun and Trevor Whatever (Barefoot Recording Studios)
phonographic copyright (℗) by:
Dik Hayd Records, LLC (not for release label use, for copyrights and other legal credits only) (in 2010)
recorded at and mixed at:
Barefoot Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
Back From Cali
writer:
Myles Kennedy and Saul Hudson (Guns N’ Roses guitarist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dik Hayd Music, EMI April Music Inc., EMI Music (do not use as release label! this is a music publisher), Happy Papper Music and WB Music Corp. (1929–2019)
Slash featuring Myles Kennedy3:37
9Love Rears Its Ugly Head (album version)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1990) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1990)
recording of:
Love Rears Its Ugly Head
lyricist and composer:
Vernon Reid (English-born US guitarist and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Living Colour24:20
10Still Got the Blues
assistant engineer and assistant mixer:
Haydn Bendall (producer and engineer), Stuart Day, Markus Dravs, Steve Fitzmaurice (Irish mixer, songwriter and producer), Noel Harris and Greg Muden
engineer and mixer:
Ian Taylor (rock producer/engineer)
producer:
Gary Moore (Thin Lizzy, blues guitar) and Ian Taylor (rock producer/engineer)
bass guitar:
Andy Pyle
drums (drum set):
Graham Walker (UK drummer)
guest strings:
Gavyn Wright (UK violinist, conductor)
guitar and lead vocals:
Gary Moore (Thin Lizzy, blues guitar)
keyboard:
Don Airey
piano:
Nicky Hopkins (pianist and organist)
conductor:
Don Airey
strings arranger:
Don Airey and Gary Moore (Thin Lizzy, blues guitar)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1990)
recording of:
Still Got the Blues (for You)
lyricist and composer:
Gary Moore (Thin Lizzy, blues guitar)
publisher:
BMG 10 Music Ltd., BMG Platinum Songs, BMG VM Music France, Bonuswise Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Music Publishing Scandinavia AB, Gary Moore Songs and Mushroom Music Pty. Ltd.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Gary Moore44:11
11Kryptonite
recording engineer:
Matt Martone (recording engineer) and Paul Ebersold
producer:
Paul Ebersold
assistant mixer:
Mike Butler (engineer)
mixer:
Toby Wright (producer & engineer)
editor:
Andrew Garver
bass guitar:
Todd Harrell
drums (drum set) and lead vocals:
Brad Arnold (vocalist for 3 Doors Down)
guitar:
Chris Henderson (member of 3 Doors Down) and Matt Roberts (guitarist for 3 Doors Down)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1999), Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 1999), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1999) and Universal Republic Records (2006–2012) (in 2012)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
part of:
The Village Voice – The 50 Worst Songs of the ’00s (number: 42) and BILLIONS CLUB
recording of:
Kryptonite
lyricist:
Brad Arnold (vocalist for 3 Doors Down)
composer:
Brad Arnold (vocalist for 3 Doors Down), Todd Harrell and Matt Roberts (guitarist for 3 Doors Down)
publisher:
Escatawpa Songs, Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
3 Doors Down43:55
12Black Betty
assistant engineer:
James Winans
engineer:
Rich Veltrop
producer:
Sylvia Massy Shivy
mixer:
Sylvia Massy Shivy and Rich Veltrop
phonographic copyright (℗) by:
Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 2004)
recorded at:
Radiostar Studios in Weed, California, United States
music videos:
Black Betty by Spiderbait
part of:
triple j’s Hottest 100 of Australian Songs (number: 90)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Spiderbait4.253:28
13White Wedding (pt. 1 / remastered 2002)
assistant engineer:
Steve Bates (engineer)
engineer:
Brian Reeves
producer:
Keith Forsey (drummer, producer and songwriter)
bass guitar:
Phil Feit
drums (drum set):
Steve Missal
guitar:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
lead vocals:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1982) and Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002)
recorded at and mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
music videos:
White Wedding, Pt. 1 by Billy Idol (English rock singer‐songwriter)
recording of:
White Wedding
lyricist and composer:
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Rare Blue Music Inc
Billy Idol4.154:13
14Fox on the Run
engineer:
Peter Coleman (British engineer & producer)
producer:
Sweet (UK glam rock band)
arranger:
Sweet (UK glam rock band)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1974, in 1975) and Chinebridge Ltd. (The Sweet) (in 1974)
recorded at:
Kingsway Studios in Camden (London Borough of Camden), London (Greater London), England, United Kingdom
engineered at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
Fox on the Run
writer:
Brian Connolly (Scottish, member of Sweet), Steve Priest, Andy Scott (Member of Sweet) and Mick Tucker (drummer for The Sweet)
publisher:
Maxwood Music Ltd., Sweet Publishing Ltd. and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Sweet4.553:22
15If You Want My Love
assistant engineer:
Paul Klingberg
engineer:
Ian Taylor (rock producer/engineer)
producer:
Roy Thomas Baker (producer)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recorded at:
Pierce Arrow Recorders (Concert Venue) in Evanston, Illinois, United States
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
If You Want My Love
lyricist and composer:
Rick Nielsen
publisher:
Adult Music, EMI Music Publishing Australia Pty. Limited (not for release label use!) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Cheap Trick3.353:37
16Jailbreak
producer:
John Alcock (producer)
acoustic guitar and bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham (Thin Lizzy guitarist) and Brian Robertson (Thin Lizzy & Motörhead)
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1976) and Mercury Records Ltd. (not for release label use!) (in 1976)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 73)
recording of:
Jailbreak
lyricist and composer:
Phil Lynott
publisher:
Universal Music Publishing International Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Thin Lizzy4.44:01
17(Don’t Fear) The Reaper
recording engineer:
Andy Abrams (in 1976-03) and Shelly Yakus (in 1976-03)
engineer:
Andy Abrams and Shelly Yakus
producer:
Murray Krugman, David Lucas (US producer, composer & engineer) and Sandy Pearlman
mixer:
Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1976-03)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 55) and Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 60)
recording of:
(Don’t Fear) The Reaper (in 1976-03)
lyricist and composer:
Donald Roeser (singer, lead guitarist and songwriter)
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.555:09
18Whatever You Want
assistant engineer:
Freek Feenstra
engineer:
John Eden (producer) and Barry Hammond
producer:
Status Quo (UK boogie rock band) and Pip Williams (producer)
mixer:
Simon Sullivan
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1979), Mercury Records Ltd. (London) (for copyrights use only) (in 1979), Mercury Records Ltd. (UK) (in 1979), Phonogram Ltd. (not for release label use!) (in 1979) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1979)
produced for:
Handle Records Ltd.
recorded at:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
music videos:
Whatever You Want by Status Quo (UK boogie rock band)
recording of:
Whatever You Want
written in:
Jersey
writer:
Andy Bown and Rick Parfitt (UK guitarist for Status Quo)
publisher:
Birchwood Music Ltd., Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton and Shawbury Music Ltd. (publisher)
Status Quo44:01
19Fools Gold
producer and mixer:
John Leckie
phonographic copyright (℗) by:
Silvertone Records Ltd. (company credits only; file NO releases here!) (in 1989, in 1990)
music videos:
Fools Gold (Music video) by The Stone Roses
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 32) and Indie 88: Top 500 Indie Rock Songs (number: 145)
recording of:
Fools Gold
writer:
Ian Brown (UK singer, member of Stone Roses) and John Squire
publisher:
Universal Music Publishers MGB Australia Pty Ltd
The Stone Roses4.54:17
20Where Did All the Love Go? (album version)
recording engineer:
Jim Abbiss
engineer:
Marc Senesac
producer:
Dan the Automator and Sergio Pizzorno
mixer:
Dan the Automator
strings:
Wired Strings
strings arranger:
Rosie Danvers
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2009)
produced at:
The Glue Factory in San Francisco, California, United States
recording of:
Where Did All the Love Go?
lyricist and composer:
Sergio Pizzorno
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing Ltd. (PRS‐affiliated)
Kasabian3.654:19
4▼CD
#TitleArtistRatingLength
1You’re the Voice
recording engineer and mixer:
Doug Brady (engineer)
drum machine programming and synthesizer [Fairlight] programming:
Dave (Australian score composer), Jack and Ross
assistant engineer:
Michael Wickow (engineer)
producer:
Ross Fraser
fretless bass:
Roger McLachlan
guitar:
Brett Garsed
keyboard and synthesizer [Fairlight]:
David Hirschfelder (Australian score composer)
background vocals:
Rozzi Bazzani, Helen Cornish, Penny Dyer, David Hirschfelder (Australian score composer), Colin Setches, Mal Stainton and Sandy Weekes
lead vocals:
Whispering Jack
arranger:
John Farnham, Ross Fraser and David Hirschfelder (Australian score composer)
phonographic copyright (℗) by:
BMG Arista/Ariola Limited (not for release label use! manufacturers/distributors operating in Australasia) (in 1986), BMG Australia Limited (not for release label use!) (in 1986), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1986), Wheatley Records Pty. Ltd. (in 1986) and RCA/Ariola (in 1987)
recorded at and mixed at:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia
part of:
triple j’s Hottest 100 of Australian Songs (number: 15)
recording of:
You’re the Voice
writer:
Andy Qunta, Keith Reid, Maggie Ryder and Chris Thompson (vocalist with Manfred Mann’s Earth Band)
publisher:
A&G Songs Ltd., Almo Music Corp. (USA, affiliated with ASCAP), Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd. (Bucks Music Group), Concord Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), CT Music (publisher), CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Universal Music (plain logo: “Universal Music”), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing AB (Sweden)
John Farnham4.15:06
2Down Under (album version)
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
bass:
John Rees
drums (drum set):
Jerry Speiser (drummer for Men at Work)
guitar:
Ron Strykert
keyboard and woodwind:
Greg Ham (member of Men at Work)
vocals:
Colin Hay
phonographic copyright (℗) by:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) and Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
part of:
triple j’s Hottest 100 of Australian Songs (number: 21) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
lyricist:
Colin Hay
composer:
Colin Hay and Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Men at Work4.053:44
3Come Back Again (2011 remaster)
phonographic copyright (℗) by:
Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1971)
recording of:
Come Back Again (Daddy Cool song)
writer:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Daddy Cool4:53
4What Can I Say (album version)
engineer:
Tom Perry (engineer)
producer:
Joe Wissert
bass guitar:
David Hungate (in 1975-09)
brass:
Dick Hyde (in 1975-09)
drums (drum set):
Jeff Porcaro (in 1975-09)
guitar:
Louie Shelton (in 1975-09) and Fred Tackett (in 1975-09)
horn:
Vincent DeRosa (in 1975-09)
keyboard:
David Paich (in 1975-09)
percussion:
Joe Porcaro (in 1975-09)
solo tenor saxophone:
Plas Johnson (in 1975-09)
trumpet:
Chuck Findley (trumpet, trombone, horn player) (in 1975-09) and Paul Hubinon (in 1975-09)
wind instruments:
Jim Horn (saxophonist, hornist, flutist and oboist) (in 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1975-09) and Bud Shank (in 1975-09)
background vocals:
Jim Gilstrap (in 1975-09), Augie Johnson (in 1975-09), Marty McCall (CCM singer/songwriter/worship leader) (in 1975-09) and Carolyn Willis (in 1975-09)
lead vocals:
Boz Scaggs (in 1975-09)
conductor:
Sid Sharp (in 1975-09)
arranger:
David Paich
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1976) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
recording of:
What Can I Say (in 1975-09)
writer:
David Paich and Boz Scaggs
publisher:
BMG Songs, Inc., Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Universal Music Publishers MGB Australia Pty Ltd and Boz Scaggs Music (publisher) (in 1976)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs43:01
5April Sun in Cuba (remastered 2006)
electric bass guitar:
Todd Hunter (Todd Stuart Hunter of Dragon)
guitar:
Robert Taylor (singer-songwriter and guitarist)
keyboard:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
lead vocals:
Marc Hunter
vocals:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono), Todd Hunter (Todd Stuart Hunter of Dragon) and Robert Taylor (singer-songwriter and guitarist)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1977), Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1977) and Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1977)
recording of:
April Sun in Cuba
composer:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd. and Essex Music of Australia Pty. Ltd.
part of:
APRA Top 100 New Zealand Songs of All Time (number: 10)
Dragon3:32
6What About Me?
producer:
Charles Fisher (Australian producer)
bass:
Ian Lees (Australian bassist)
brass and keyboard:
Charlie Cole (Australian keyboards)
drums (drum set):
Paul Freeland
guitar:
Garry Frost
vocals:
Alex Smith (Australian artist ex. Moving Pictures)
phonographic copyright (℗) by:
WBE Records (label founded by Glenn Wheatley) (in 1981)
recording of:
What About Me (Moving Pictures song)
writer:
Garry Frost and Frances Swan
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Unichappell Music, Warner Chapell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and Warner/Chappell Pty. Ltd.
Moving Pictures3:38
7One Way or Another
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 298)
recording of:
One Way or Another (from 1978-06 until 1978-07)
writer:
Nigel Harrison and Deborah Harry
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
Blondie4.153:32
8Under the Milky Way
assistant engineer:
Duane Seykora
engineer:
Shep Lonsdale
producer:
The Church, Greg Ladanyi and Waddy Wachtel
mixer:
Greg Ladanyi, Shep Lonsdale and Waddy Wachtel
bass and lead vocals:
Steve Kilbey
drums (drum set):
Richard Ploog
guitar:
Peter Koppes and Marty Willson-Piper
keyboard:
Greg Kuehn
synclavier:
Awesome Welles
phonographic copyright (℗) by:
The Church (in 2009)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987, in 1988) and The Church Pty Limited (in 1988, in 2005)
part of:
triple j’s Hottest 100 of Australian Songs (number: 29) and VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 84)
recording of:
Under the Milky Way
writer:
Karin Jansson and Steve Kilbey
publisher:
Campbell Connelly (Australia) P/L, Funzalo Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music Sales Corporation (American copyright holder in both popular and classical music) and Universal/MCA Music Publishing Pty Ltd
The Church4.354:57
9Should’ve Known Better
engineer, producer and mixer:
Humberto Gatica
additional mixer:
David Cole (US musician/producer, member of C+C Music Factory)
bass guitar [bass]:
John Pierce (US session bassist)
drums (drum set):
Prairie Prince
guitar:
Mike “Georgie” Landau
keyboard:
Tom Keane (keyboards, of The Keane Brothers)
background vocals:
Richard Marx, Timothy B. Schmidt and Fee Waybill
lead vocals:
Richard Marx
arranger:
Tom Keane (keyboards, of The Keane Brothers) and Richard Marx
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1987) and Manhattan Records (EMI Music / Universal Music; 1984–1987, relaunched 2001) (in 1987)
produced for:
Hum Productions, Inc.
recording of:
Should’ve Known Better
lyricist and composer:
Richard Marx
publisher:
BMG Monarch, EMI Songs Ltd., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and Chi‐Boy Music (in 1987)
Richard Marx4:11
10It’s Not Unusual
recording engineer:
Bill Price (UK producer/engineer)
producer:
Peter Sullivan (UK producer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 393)
recording of:
It’s Not Unusual
writer:
Gordon Mills (60s/70s UK producer and songwriter) and Les Reed
publisher:
Leeds Music (ended), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) and Universal Duchess Music Corp. (in 1964)
Tom Jones4.52:01
11Black Magic Woman (album version)
producer:
Fred Catero and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-04)
congas:
Michael Carabello (percussionist) (on 1970-07-04) and Jose Chepito Áreas (on 1970-07-04)
guitar:
Carlos Santana (on 1970-07-04)
keyboard:
Gregg Rolie (keyboardist and vocalist) (on 1970-07-04)
membranophone:
Michael Shrieve (drummer) (on 1970-07-04)
timbales:
Jose Chepito Áreas (on 1970-07-04)
vocals:
Gregg Rolie (keyboardist and vocalist) (on 1970-07-04) and Carlos Santana (on 1970-07-04)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970, in 1974)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-04)
part of:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 28)
cover recording of:
Black Magic Woman (on 1970-07-04)
lyricist and composer:
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. and Murbo Music Publishers, Inc.
Santana3.83:17
12I Was Only 19 (A Walk in the Light Green)
phonographic copyright (℗) by:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1983), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1983) and Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1983)
part of:
triple j’s Hottest 100 of Australian Songs (number: 63)
recording of:
I Was Only 19 (A Walk in the Light Green)
lyricist and composer:
John Schumann
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Universal/MCA Music Publishing Pty Ltd
Redgum4:21
13Watching the Detectives (single version)
producer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
drums (drum set):
Steve Goulding (English drummer for the Rumour, Mekons, etc.)
electric bass guitar [bass]:
Andrew Bodnar (bass player)
guitar:
Elvis Costello
organ and piano:
Steve Nieve
vocals:
Elvis Costello
phonographic copyright (℗) by:
Elvis Costello (in 1977)
phonographic copyright (℗) by:
Demon Records Ltd. (80s UK new wave/reissues) (in 1984)
recorded at:
Pathway Studios in Islington, London (Greater London), England, United Kingdom (in 1976, from 1977-05 until 1977-06)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 354) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 355)
recording of:
Watching the Detectives
lyricist and composer:
Declan Patrick MacManus
writer:
Elvis Costello
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc. and Universal Music Publishing International MGB Ltd.
Elvis Costello4.153:47
14Drop the Pilot
assistant engineer:
Niko Bolas
engineer and producer:
Val Garay
bass:
Bryan Garofalo
drums (drum set):
Craig Krampf
guitar:
Joan Armatrading, Craig Hull and Tim Pierce (US session guitarist)
keyboard:
Steve Goldstein
percussion:
M. L. Benoit
vocals:
Joan Armatrading
phonographic copyright (℗) by:
A&M Records (in 1983) and A&M Records, Ltd. (in 1983)
recording of:
Drop the Pilot
composer:
Joan Armatrading
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music Pty. Ltd. and Polygram Music
Joan Armatrading43:37
15The Gambler
engineer:
Billy Sherrill (US songwriter/producer/arranger)
producer:
Larry Butler (US country music producer, songwriter & pianist)
lead vocals:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographic copyright (℗) by:
Liberty Records, Inc. (in 1978) and Capitol Records Nashville (in 2006)
recorded at:
Jack Clement Recording Studio in Nashville, Tennessee, United States
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 21)
cover recording of:
The Gambler
writer and composer:
Don Schlitz
publisher:
Sony/ATV Cross Keys Publishing and Writer's Night Music
Kenny Rogers4.353:32
16It’s Five O’Clock Somewhere
producer:
Keith Stegall (American country singer / songwriter and record producer)
acoustic guitar:
Bruce Watkins (US multi-instrumentalist, country/bluegrass)
bass:
Glenn Worf
drums (drum set):
Eddie Bayers, Jr. (drummer)
electric guitar:
Brent Mason
fiddle:
Stuart Duncan
percussion:
Eric Darken
piano:
Hargus “Pig” Robbins
steel guitar:
Paul Franklin (steel guitarist)
background vocals:
John Wesley Ryles
guest vocals:
Jimmy Buffett (in 2003-05)
vocals:
Jimmy Buffett and Alan Jackson (US country singer/songwriter)
performer:
Jimmy Buffett (in 2003-05)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2003)
part of:
Billboard Decade End Chart: Country (2000's) (number: 3) and Holler's Best 2000s Country Songs (number: 48)
recording of:
It's Five O' Clock Somewhere (in 2003-05)
writer:
Jim Brown (US songwriter, pianist and producer) and Don Rollins (US songwriter from Nashville, born 1961)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Alan Jackson duet with Jimmy Buffett43:51
17Africa
recording engineer:
David Leonard (US producer and engineer), Greg Ladanyi, Jamie Ledner, Jim Horn (saxophonist, hornist, flutist and oboist), Lon LeMaster, Niko Bolas, Peggy McCreary, Al Schmitt, Terry Christian (US recording and mixing engineer) and Tom Knox
additional engineer:
Bruce Heigh (task: additional recording), David Paich (task: additional recording), Dick Gall (engineer/guitar technician) (task: additional recording) and Steve Porcaro (task: additional recording)
engineer:
Al Schmitt, Bruce Heigh, David Paich, Dick Gall (engineer/guitar technician), Greg Ladanyi, Steve Porcaro and Tom Knox
producer:
Bruce Dickinson (engineer and producer) and Toto (US rock group)
mixer:
Elliot Scheiner (task: for 5.1 surround sound) and Greg Ladanyi
acoustic guitar:
Timothy B. Schmit
bass:
David Hungate and Michael Porcaro
bass guitar:
David Hungate
congas:
Lenny Castro
drums (drum set) and gong:
Jeff Porcaro
electric guitar and guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
instruments:
Lenny Castro
keyboard:
David Paich and Steve Porcaro
keyboard and piano:
David Paich
marimba:
Joe Porcaro
percussion:
Lenny Castro, Jeff Porcaro and Joe Porcaro
recorder:
Jim Horn (saxophonist, hornist, flutist and oboist)
synthesizer:
Steve Porcaro
background vocals:
Bobby Kimball, Steve Lukather (guitarist, vocalist, composer, producer and arranger), David Paich and Timothy B. Schmit
lead vocals:
Jean-Michel Byron, Bobby Kimball and David Paich
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) and Steve Porcaro
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
music videos:
Africa by Toto (US rock group)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 105) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 452)
recording of:
Africa (Toto)
writer:
Jeffrey Porcaro and David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Spirit Two Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.054:57
18Reminiscing (2002 digital remaster)
recorded in:
Australia (in 1978-03)
produced in:
Australia
producer:
John Boylan and Little River Band
bass:
George McArdle (in 1978-03)
drums (drum set):
Derek Pellicci (in 1978-03)
electric guitar:
Beeb Birtles (in 1978-03), David Briggs (producer, guitarist of Little River Band) (in 1978-03) and Graham Goble (in 1978-03)
guest electric piano:
Peter Jones (Australian pianist/composer) (in 1978-03)
solo flugelhorn:
Bob Venier (brass) (in 1978-03)
solo trumpet:
Bill Harrower (in 1978-03)
strings:
Rick Formosa (in 1978-03)
vocals:
Beeb Birtles (in 1978-03), Graham Goble (in 1978-03) and Glenn Shorrock (in 1978-03)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1978), EMI Music Australia Pty. Limited (not for release label use!) (in 1978, in 2002), EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1978) and EMI Music Australia (defunct holding company, not for release label use!) (in 2002)
produced for:
Tumbleweed Productions
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 17) and Billboard Year-End Hot 100 singles of 1978 (number: 65)
recording of:
Reminiscing (in 1978-03)
lyricist and composer:
Graeham Goble
publisher:
American Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) and Wheatley Music Pty Ltd.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Little River Band54:10
19Funky Town
producer:
Mark Berry (producer, mixer, engineer and remixer from Brooklyn, New York)
mixer:
Mark Berry (producer, mixer, engineer and remixer from Brooklyn, New York) and Brian Canham (Australian singer ex. Pseudo Echo)
bass:
Pierre Gigliotti
drums (drum set):
Anthony Argiro
guitar:
Brian Canham (Australian singer ex. Pseudo Echo)
keyboard:
James Leigh (Pseudo Echo)
vocals:
Brian Canham (Australian singer ex. Pseudo Echo)
phonographic copyright (℗) by:
EMI Music Australia (defunct holding company, not for release label use!) (in 1986), EMI Music Australia Pty. Limited (not for release label use!) (in 1986), EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1986) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1987)
cover recording of:
Funkytown
lyricist and composer:
Steven Greenberg
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Pseudo Echo54:54
20Runaway Train
assistant engineer:
David Michael Dill (engineer) and Dan Gellert (sound engineer)
producer:
Michael Beinhorn
assistant mixer:
Craig Doubet (recording engineer) and Steve Sisco
mixer:
Andy Wallace (engineer)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1992) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1992)
recording of:
Runaway Train
lyricist and composer:
Dave Pirner
publisher:
EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), LFR Music, Standing Water Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell North America Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
Soul Asylum4.44:25
5▶CD

Credits

Release

distributed by:Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009)
copyrighted (©) by:Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 2017)
licensed to:Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
Liberation Music (Australian, big L logo or “Liberation” on one line)
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09)
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only)
Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.)
Discogs:https://www.discogs.com/release/14803649 [info]