Songs & Symphonies

~ Release by Kurt Weill; Gary Bertini, Mariss Jansons & John McGlinn (see all versions of this release, 2 available)

Tracklist

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1▼CD: Symphonies 1 & 2, Concerto op. 12 for Violin and Wind Orchestra
#TitleArtistRatingLength
1Symphony no. 1
producer:
Christopher Bishop (conductor/producer)
orchestra:
BBC Symphony Orchestra (from 1967-11-16 until 1967-11-17)
conductor:
גארי ברתיני (Gary Bertini, conductor)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-11-16 until 1997-11-17)
recording of:
Symphony no. 1 "Berliner Sinfonie" (Symphonie in einem Satz) (from 1967-11-16 until 1967-11-17)
composer:
Kurt Weill (composer) (in 1921)
Kurt Weill24:55
2Symphony no. 2: I. Sostenuto – Allegro molto
producer:
Christopher Bishop (conductor/producer)
orchestra:
BBC Symphony Orchestra (from 1967-11-16 until 1967-11-17)
conductor:
גארי ברתיני (Gary Bertini, conductor)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-11-16 until 1997-11-17)
recording of:
Symphony no. 2: I. Sostenuto - Allegro molto (from 1967-11-16 until 1967-11-17)
composer:
Kurt Weill (composer) (in 1934)
part of:
Symphony no. 2
Kurt Weill8:24
3Symphony no. 2: II. Largo
producer:
Christopher Bishop (conductor/producer)
orchestra:
BBC Symphony Orchestra (from 1967-11-16 until 1967-11-17)
conductor:
גארי ברתיני (Gary Bertini, conductor)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-11-16 until 1997-11-17)
recording of:
Symphony no. 2: II. Largo (from 1967-11-16 until 1967-11-17)
composer:
Kurt Weill (composer) (in 1934)
part of:
Symphony no. 2
Kurt Weill10:47
4Symphony no. 2: III. Allegro vivace
producer:
Christopher Bishop (conductor/producer)
orchestra:
BBC Symphony Orchestra (from 1967-11-16 until 1967-11-17)
conductor:
גארי ברתיני (Gary Bertini, conductor)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-11-16 until 1997-11-17)
recording of:
Symphony no. 2: III. Allegro vivace - Presto (from 1967-11-16 until 1967-11-17)
composer:
Kurt Weill (composer) (in 1934)
part of:
Symphony no. 2
Kurt Weill6:26
5Concerto for Violin and Wind Orchestra, op. 12: I. Andante con moto
producer:
John Fraser (UK producer)
violin:
Frank Peter Zimmermann (violinist) (from 1997-02-26 until 1997-03-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1997-02-26 until 1997-03-01)
conductor:
Mariss Jansons (Latvian conductor) (from 1997-02-26 until 1997-03-01)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02-26 until 1997-03-01)
live recording of:
Concerto for Violin and Wind Orchestra, op. 12: I. Andante con moto (from 1997-02-26 until 1997-03-01)
composer:
Kurt Weill (composer) (from 1924-04 until 1924-05)
part of:
Concerto for Violin and Wind Orchestra, op. 12
Kurt Weill59:31
6Concerto for Violin and Wind Orchestra, op. 12: II. Notturno (Allegro un poco tenuto)
producer:
John Fraser (UK producer)
violin:
Frank Peter Zimmermann (violinist) (from 1997-02-26 until 1997-03-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1997-02-26 until 1997-03-01)
conductor:
Mariss Jansons (Latvian conductor) (from 1997-02-26 until 1997-03-01)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02-26 until 1997-03-01)
live partial recording of:
Concerto for Violin and Wind Orchestra, op. 12: II. Notturno (Allegro un poco tenuto) - Cadenza (Moderato) - Serenata (from 1997-02-26 until 1997-03-01)
composer:
Kurt Weill (composer) (from 1924-04 until 1924-05)
part of:
Concerto for Violin and Wind Orchestra, op. 12
Kurt Weill53:14
7Concerto for Violin and Wind Orchestra, op. 12: II. Cadenza (Moderato)
producer:
John Fraser (UK producer)
violin:
Frank Peter Zimmermann (violinist) (from 1997-02-26 until 1997-03-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1997-02-26 until 1997-03-01)
conductor:
Mariss Jansons (Latvian conductor) (from 1997-02-26 until 1997-03-01)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02-26 until 1997-03-01)
live partial recording of:
Concerto for Violin and Wind Orchestra, op. 12: II. Notturno (Allegro un poco tenuto) - Cadenza (Moderato) - Serenata (from 1997-02-26 until 1997-03-01)
composer:
Kurt Weill (composer) (from 1924-04 until 1924-05)
part of:
Concerto for Violin and Wind Orchestra, op. 12
Kurt Weill53:02
8Concerto for Violin and Wind Orchestra, op. 12: II. Serenata (Allegretto)
producer:
John Fraser (UK producer)
violin:
Frank Peter Zimmermann (violinist) (from 1997-02-26 until 1997-03-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1997-02-26 until 1997-03-01)
conductor:
Mariss Jansons (Latvian conductor) (from 1997-02-26 until 1997-03-01)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02-26 until 1997-03-01)
live partial recording of:
Concerto for Violin and Wind Orchestra, op. 12: II. Notturno (Allegro un poco tenuto) - Cadenza (Moderato) - Serenata (from 1997-02-26 until 1997-03-01)
composer:
Kurt Weill (composer) (from 1924-04 until 1924-05)
part of:
Concerto for Violin and Wind Orchestra, op. 12
Kurt Weill53:36
9Concerto for Violin and Wind Orchestra, op. 12: III. Allegro molto, un poco agitato
producer:
John Fraser (UK producer)
violin:
Frank Peter Zimmermann (violinist) (from 1997-02-26 until 1997-03-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1997-02-26 until 1997-03-01)
conductor:
Mariss Jansons (Latvian conductor) (from 1997-02-26 until 1997-03-01)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02-26 until 1997-03-01)
live recording of:
Concerto for Violin and Wind Orchestra, op. 12: III. Allegro molto, un poco agitato (from 1997-02-26 until 1997-03-01)
composer:
Kurt Weill (composer) (from 1924-04 until 1924-05)
part of:
Concerto for Violin and Wind Orchestra, op. 12
Kurt Weill56:50
2▼CD: Kurt Weill on Broadway
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1One Touch of Venus: Westwind
producer:
Simon Woods (producer)
baritone vocals:
Thomas Hampson (baritone)
choir vocals:
London Sinfonietta Chorus
orchestra:
London Sinfonietta
conductor:
John McGlinn (American conductor)
chorus master:
Terry Edwards (British choir director)
balance engineer:
John Kurlander (engineer)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1994-06-09 until 1994-06-11)
recording of:
Westwind (One Touch of Venus) (from 1994-06-09 until 1994-06-11)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
part of:
One Touch of Venus (1943 musical)
Kurt Weill3:39
2Knickerbocker Holiday: It Never Was You
producer:
Simon Woods (producer)
baritone vocals:
Thomas Hampson (baritone)
soprano vocals:
Elizabeth Futral (soprano)
orchestra:
London Sinfonietta
conductor:
John McGlinn (American conductor)
balance engineer:
John Kurlander (engineer)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1994-06-09 until 1994-06-11)
recording of:
Knickerbocker Holiday: It Never Was You (from 1994-06-09 until 1994-06-11)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
part of:
Knickerbocker Holiday (Kurt Weill musical)
Kurt Weill5:37
3Knickerbocker Holiday: How Can You Tell an American
producer:
Simon Woods (producer)
baritone vocals:
Thomas Hampson (baritone)
tenor vocals:
Jerry Hadley (operatic tenor)
orchestra:
London Sinfonietta
conductor:
John McGlinn (American conductor)
balance engineer:
John Kurlander (engineer)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1994-06-09 until 1994-06-11)
recording of:
Knickerbocker Holiday: How Can You Tell an American (from 1994-06-09 until 1994-06-11)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
part of:
Knickerbocker Holiday (Kurt Weill musical)
Kurt Weill3:31
4The Firebrand of Florence: Song of the Hangman
producer:
Simon Woods (producer)
baritone vocals:
Thomas Hampson (baritone)
choir vocals:
London Sinfonietta Chorus
orchestra:
London Sinfonietta
conductor:
John McGlinn (American conductor)
chorus master:
Terry Edwards (British choir director)
balance engineer:
John Kurlander (engineer)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1994-06-09 until 1994-06-11)
recording of:
The Firebrand of Florence: Song of the Hangman (from 1994-06-09 until 1994-06-11)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
part of:
The Firebrand of Florence
Kurt Weill5:03
5The Firebrand of Florence: Come to Florence
producer:
Simon Woods (producer)
baritone vocals:
Thomas Hampson (baritone)
choir vocals:
London Sinfonietta Chorus
orchestra:
London Sinfonietta
conductor:
John McGlinn (American conductor)
chorus master:
Terry Edwards (British choir director)
balance engineer:
John Kurlander (engineer)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1994-06-09 until 1994-06-11)
recording of:
The Firebrand of Florence: Come to Florence (from 1994-06-09 until 1994-06-11)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
part of:
The Firebrand of Florence
Kurt Weill5:04
6The Firebrand of Florence: My Lords and Ladies
producer:
Simon Woods (producer)
baritone vocals:
Thomas Hampson (baritone)
choir vocals:
London Sinfonietta Chorus
orchestra:
London Sinfonietta
conductor:
John McGlinn (American conductor)
chorus master:
Terry Edwards (British choir director)
balance engineer:
John Kurlander (engineer)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1994-06-09 until 1994-06-11)
recording of:
The Firebrand of Florence: My Lords and Ladies (from 1994-06-09 until 1994-06-11)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
part of:
The Firebrand of Florence
Kurt Weill1:17
7The Firebrand of Florence: Life, Love and Laughter
producer:
Simon Woods (producer)
baritone vocals:
Thomas Hampson (baritone)
choir vocals:
London Sinfonietta Chorus
orchestra:
London Sinfonietta
conductor:
John McGlinn (American conductor)
chorus master:
Terry Edwards (British choir director)
balance engineer:
John Kurlander (engineer)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1994-06-09 until 1994-06-11)
recording of:
The Firebrand of Florence: There'll Be Life, Love and Laughter (from 1994-06-09 until 1994-06-11)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
part of:
The Firebrand of Florence
Kurt Weill7:17
8The Firebrand of Florence: You're Far Too Near Me
producer:
Simon Woods (producer)
baritone vocals:
Thomas Hampson (baritone)
soprano vocals:
Elizabeth Futral (soprano)
orchestra:
London Sinfonietta
conductor:
John McGlinn (American conductor)
balance engineer:
John Kurlander (engineer)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1994-06-09 until 1994-06-11)
recording of:
The Firebrand of Florence: You're Far Too Near Me (from 1994-06-09 until 1994-06-11)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
part of:
The Firebrand of Florence
Kurt Weill6:01
9The Firebrand of Florence: Hear Ye! Hear Ye!
producer:
Simon Woods (producer)
baritone vocals:
Steven Adler
choir vocals:
London Sinfonietta Chorus
orchestra:
London Sinfonietta
conductor:
John McGlinn (American conductor)
chorus master:
Terry Edwards (British choir director)
balance engineer:
John Kurlander (engineer)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1994-06-09 until 1994-06-11)
recording of:
The Firebrand of Florence: Hear Ye! Hear Ye! (from 1994-06-09 until 1994-06-11)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
part of:
The Firebrand of Florence
Kurt Weill4:08
10The Firebrand of Florence: You Have to Do What You Do Do
producer:
Simon Woods (producer)
baritone vocals:
Thomas Hampson (baritone)
choir vocals:
London Sinfonietta Chorus
orchestra:
London Sinfonietta
conductor:
John McGlinn (American conductor)
chorus master:
Terry Edwards (British choir director)
balance engineer:
John Kurlander (engineer)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1994-06-09 until 1994-06-11)
recording of:
The Firebrand of Florence: You Do, What You Have to Do (from 1994-06-09 until 1994-06-11)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
part of:
The Firebrand of Florence
Kurt Weill5:42
11The Firebrand of Florence: Love Is My Enemy
producer:
Simon Woods (producer)
baritone vocals:
Thomas Hampson (baritone)
soprano vocals:
Elizabeth Futral (soprano)
orchestra:
London Sinfonietta
conductor:
John McGlinn (American conductor)
balance engineer:
John Kurlander (engineer)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1994-06-09 until 1994-06-11)
recording of:
The Firebrand of Florence: Love Is My Enemy (from 1994-06-09 until 1994-06-11)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
part of:
The Firebrand of Florence
Kurt Weill4:13
12Love Life: Who Is Samuel Cooper?
producer:
Simon Woods (producer)
baritone vocals:
Thomas Hampson (baritone)
choir vocals:
London Sinfonietta Chorus
soprano vocals:
Elizabeth Futral (soprano)
orchestra:
London Sinfonietta
conductor:
John McGlinn (American conductor)
chorus master:
Terry Edwards (British choir director)
balance engineer:
John Kurlander (engineer)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1994-06-09 until 1994-06-11)
recording of:
Love Life: Who Is Samuel Cooper? (from 1994-06-09 until 1994-06-11)
lyricist:
Alan Jay Lerner
composer:
Kurt Weill (composer)
part of:
Love Life (Musical by Lerner & Weill)
Kurt Weill6:13
13Love Life: Here I'll Stay
producer:
Simon Woods (producer)
baritone vocals:
Thomas Hampson (baritone)
soprano vocals:
Jeanne Lehman (soprano singer)
orchestra:
London Sinfonietta
conductor:
John McGlinn (American conductor)
balance engineer:
John Kurlander (engineer)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1994-06-09 until 1994-06-11)
recording of:
Here I’ll Stay (from “Love Life”) (from 1994-06-09 until 1994-06-11)
lyricist:
Alan Jay Lerner
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
Love Life (Musical by Lerner & Weill)
Kurt Weill5:50
14Love Life: I Remember It Well
producer:
Simon Woods (producer)
baritone vocals:
Thomas Hampson (baritone)
soprano vocals:
Jeanne Lehman (soprano singer)
orchestra:
London Sinfonietta
conductor:
John McGlinn (American conductor)
balance engineer:
John Kurlander (engineer)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1994-06-09 until 1994-06-11)
recording of:
Love Life: I Remember It Well (from 1994-06-09 until 1994-06-11)
lyricist:
Alan Jay Lerner
composer:
Kurt Weill (composer)
part of:
Love Life (Musical by Lerner & Weill)
Kurt Weill2:45
15Love Life: This Is the Life
producer:
Simon Woods (producer)
baritone vocals:
Thomas Hampson (baritone)
orchestra:
London Sinfonietta
conductor:
John McGlinn (American conductor)
balance engineer:
John Kurlander (engineer)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1994-06-09 until 1994-06-11)
recording of:
This Is the Life (from "Love Life") (from 1994-06-09 until 1994-06-11)
lyricist:
Alan Jay Lerner
composer:
Kurt Weill (composer)
part of:
Love Life (Musical by Lerner & Weill)
Kurt Weill6:45
16Johnny Johnson: Johnny's Song
producer:
Simon Woods (producer)
baritone vocals:
Thomas Hampson (baritone)
orchestra:
London Sinfonietta
conductor:
John McGlinn (American conductor)
balance engineer:
John Kurlander (engineer)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1994-06-09 until 1994-06-11)
recording of:
Johnny Johnson: Act II: Johnny's Song (from 1994-06-09 until 1994-06-11)
lyricist:
Paul Green (lyricist)
composer:
Kurt Weill (composer)
Kurt Weill3:23

Credits

Release group

part of:20th Century Classics (EMI / Warner Classics) (order: 17)