The Amazing Bud Powell

~ Release by Bud Powell (see all versions of this release, 9 available)

Annotation

This CD covers Bud Powell's first two Blue Note sessions in their entirety and in the order in wich each performance was recorded.

Annotation last modified on 2009-03-10 13:35 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Bouncing With Bud (alternate take one)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Bouncing With Bud (on 1949-08-08)
composer:
Bud Powell
3:08
2Bouncing With Bud (alternate take two)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Bouncing With Bud (on 1949-08-08)
composer:
Bud Powell
3:17
3Bouncing With Bud (master take)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Bouncing With Bud (on 1949-08-08)
composer:
Bud Powell
3:06
4Wail (alternate take)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Wail (on 1949-08-08)
composer:
Kenny Dorham (US jazz trumpeter, singer, and composer) and Bud Powell
publisher:
Patricia Music Publishing Corp
2:44
5Wail (master take)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Wail (on 1949-08-08)
composer:
Kenny Dorham (US jazz trumpeter, singer, and composer) and Bud Powell
publisher:
Patricia Music Publishing Corp
3:07
6Dance of the Infidels (alternate take)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recording of:
Dance of the Infidels (on 1949-08-08)
composer:
Bud Powell
publisher:
EMI Longitude Music
2:53
7Dance of the Infidels (master take)
recorded in:
New York, New York, United States (on 1949-08-08)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Dance of the Infidels (on 1949-08-08)
composer:
Bud Powell
publisher:
EMI Longitude Music
2:56
852nd Street Theme
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
52nd Street Theme (on 1949-08-08)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
2:50
9You Go to My Head
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
instrumental recording of:
You Go to My Head (on 1949-08-08)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
3:17
10Ornithology (master take)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Ornithology (on 1949-08-08)
composer:
Benny Harris and Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Marada Music Ltd.
2:25
11Ornithology (alternate take)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Ornithology (on 1949-08-08)
composer:
Benny Harris and Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Marada Music Ltd.
3:12
12Un poco loco (alternate take one)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Curley Russell (on 1951-05-01)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
recording of:
Un poco loco (on 1951-05-01)
composer:
Bud Powell
publisher:
Patricia Music Publishing Corp
3:51
13Un poco loco (alternate take two)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Curley Russell (on 1951-05-01)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
recording of:
Un poco loco (on 1951-05-01)
composer:
Bud Powell
publisher:
Patricia Music Publishing Corp
4:34
14Un poco loco (master take)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Curley Russell (on 1951-05-01)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
recording of:
Un poco loco (on 1951-05-01)
composer:
Bud Powell
publisher:
Patricia Music Publishing Corp
4:47
15Over the Rainbow
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
instrumental recording of:
Over the Rainbow (The Wizard of Oz) (on 1951-05-01)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
2:59
16A Night in Tunisia (master take)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Curley Russell (on 1951-05-01)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
recording of:
Night in Tunisia (instrumental) (on 1951-05-01)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
4:17
17A Night in Tunisia (alternate take)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Curley Russell (on 1951-05-01)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
recording of:
Night in Tunisia (instrumental) (on 1951-05-01)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
3:54
18It Could Happen to You (alternate take)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
instrumental recording of:
It Could Happen to You (on 1951-05-01)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
2:25
19It Could Happen to You (master take)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
instrumental recording of:
It Could Happen to You (on 1951-05-01)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3:16
20Parisian Thorough-Fare
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Curley Russell (on 1951-05-01)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
recording of:
Parisian Thoroughfare (on 1951-05-01)
composer:
Bud Powell
3:26