Harold Arlen Centennial Celebration 100

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1As Long As I Live
engineer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
vocals:
Ernestine Anderson
Ernestine Anderson4:36
2I Gotta Right To Sing The Blues
engineer:
Dennis Sands (American sound engineer)
producer:
Norman Granz
alto saxophone:
Bobby Plater (from 1981-02-16 until 1981-05-16) and Danny Turner (jazz saxophonist) (from 1981-02-16 until 1981-05-16)
baritone saxophone:
Johnny Williams (jazz saxophonist) (from 1981-02-16 until 1981-05-16)
bass trombone:
Bill Hughes (jazz trombonist) (from 1981-02-16 until 1981-05-16)
double bass:
Andy Simpkins (from 1981-02-16 until 1981-05-16)
guitar:
Freddie Green (from 1981-02-16 until 1981-05-16)
piano:
George Gaffney (from 1981-02-16 until 1981-05-16)
saxophone:
Eric Dixon (woodwind) (from 1981-02-16 until 1981-05-16)
tenor saxophone:
Kenny Hing (from 1981-02-16 until 1981-05-16)
trombone:
Grover Mitchell (trombone) (from 1981-02-16 until 1981-05-16), Dennis Wilson (jazz trombonist) (from 1981-02-16 until 1981-05-16) and Booty Wood (from 1981-02-16 until 1981-05-16)
trumpet:
Sonny Cohn (from 1981-02-16 until 1981-05-16), Willie Cook (US jazz trumpeter) (from 1981-02-16 until 1981-05-16), Dale Carley (from 1981-02-16 until 1981-05-16), Bob Summers (trumpet) (from 1981-02-16 until 1981-05-16) and Frank Szabo (from 1981-02-16 until 1981-05-16)
vocals:
Sarah Vaughan (from 1981-02-16 until 1981-05-16)
conductor:
Sam Nestico (from 1981-02-16 until 1981-05-16)
arranger:
Sammy Nestico
recorded at:
Group IV Studios in Hollywood, Los Angeles, California, United States (from 1981-02-16 until 1981-05-16)
cover recording of:
I Gotta Right to Sing the Blues (in 1981)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
Sarah Vaughan and the Count Basie Orchestra5:00
3That Old Black Magic
assistant engineer:
Devin Emke
engineer and mixer:
Alan Varner
producer:
Allen Farnham and Carol Sloane (US jazz vocalist)
bass:
Michael Moore (Bass player) (from 1995-03-21 until 1995-03-22)
drums (drum set):
Ron Vincent (drummer) (from 1995-03-21 until 1995-03-22)
piano:
Bill Charlap (from 1995-03-21 until 1995-03-22)
vocals:
Carol Sloane (US jazz vocalist) (from 1995-03-21 until 1995-03-22)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1995-03-21 until 1995-03-22)
recording of:
That Old Black Magic (from 1995-03-21 until 1995-03-22)
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Carol Sloane4:52
4Any Place I Hang My Hat Is Home
recording of:
Any Place I Hang My Hat Is Home
lyricist:
Johnny Mercer
composer:
Harold Arlen
publisher:
Chappell & Co., Inc. (USA) and S.A. Music Co.
Rosemary Clooney5:20
5Down With Love
recording engineer:
Bernie Kirsh (in 2001-10)
mixer:
Seth Presant
guitar:
Anthony Wilson (guitarist and composer)
trumpet:
Gilbert Castellanos (in 2001-10)
vocals:
Curtis Stigers (in 2001-10)
cover recording of:
Down With Love (in 2001-10)
lyricist:
Yip Harburg
composer:
Harold Arlen
publisher:
Glocca Morra Music Corp. and S.A. Music Co.
Curtis Stigers3:26
6My Shining Hour
producer:
John Burk
mixer:
Bernie Kirsh
double bass:
John Brown (bass)
membranophone:
Woody Williams
piano:
Bill Anschell
vocals:
Nnenna Freelon
Nnenna Freelon4:34
7Blues In The Night
recorded in:
New York, New York, United States (from 1965 until 1966)
producer:
Peter Paul (producer)
arranger:
Roger Kellaway
instrumental recording of:
Blues in the Night (My Mama Done Tol’ Me)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
part of:
The 14th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1941 nominee)
Jimmy Witherspoon4:01
8Ac-Cent-Tchu-Ate The Positive
recording of:
Ac‐cent‐tchu‐ate the Positive
lyricist:
Johnny Mercer (in 1944)
composer:
Harold Arlen (in 1944)
publisher:
Harwin Music Corporation, Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 18th Academy Award for Best Original Song (number: 2)
Monica Mancini3:35
9Happiness Is A Thing Called Joe
recorded in:
New York, New York, United States (on 1957-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1957-10-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1957-10-28)
piano:
Wynton Kelly (on 1957-10-28)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-10-28)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-10-28)
vocals:
Abbey Lincoln (on 1957-10-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-10-28)
recording of:
Happiness Is a Thing Called Joe (on 1957-10-28)
lyricist:
Yip Harburg (in 1940)
composer:
Harold Arlen (in 1940)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Abbey Lincoln5:53
10Let's Fall In Love
producer:
Phil Ramone and William Skip Rose
alto saxophone:
Mike Dubaniewicz (from 2001-06-06 until 2001-06-08)
baritone saxophone:
Denis DiBlasio (from 2001-06-06 until 2001-06-08)
double bass:
Brian Stahurski (from 2001-06-06 until 2001-06-08)
membranophone:
Brian Wolfe (drums) (from 2001-06-06 until 2001-06-08)
piano:
Jeff Lashway (from 2001-06-06 until 2001-06-08)
tenor saxophone:
Jeff Rupert (from 2001-06-06 until 2001-06-08)
trombone:
Reggie Watkins (from 2001-06-06 until 2001-06-08)
trumpet:
Paul Armstrong (trumpeter) (from 2001-06-06 until 2001-06-08), Maynard Ferguson (from 2001-06-06 until 2001-06-08), Pete Ferguson (from 2001-06-06 until 2001-06-08) and Patrick Hession (from 2001-06-06 until 2001-06-08)
vocals:
Diane Schuur (from 2001-06-06 until 2001-06-08)
Diane Schuur & Maynard Ferguson3:44
11Last Night, When We Were Young
recording of:
Last Night When We Were Young (in 1985-05)
lyricist:
Yip Harburg
composer:
Harold Arlen
publisher:
Bourne Co. (not for release label use, this is a music publisher) and S.A. Music Co.
Mel Tormé & George Shearing5:12
12Hit The Road To Dreamland
recording engineer:
Paul Wickliffe (in 1993-02)
assistant engineer:
David Schiffman (American producer/audio engineer) (in 1993-02)
assistant producer:
John Burk
producer:
Carl E. Jefferson
piano:
Allen Farnham (in 1993-02)
vocals:
Susannah McCorkle (in 1993-02)
arranger:
Ben Aronov
recording of:
Hit the Road to Dreamland (in 1993-02)
lyricist:
Johnny Mercer
composer:
Harold Arlen
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Susannah McCorkle5:15
13Over The Rainbow
Jack Sheldon with Ross Tompkins5:46
2▼CD
#TitleArtistRatingLength
1Out Of This World
recording engineer:
Rudy van Gelder (on 1962-09-14)
producer:
Ozzie Cadena
bass:
Major Holley (on 1962-09-14)
congas:
Ray Barretto (on 1962-09-14)
drums (drum set):
Eddie Locke (on 1962-09-14)
guitar:
Kenny Burrell (on 1962-09-14)
piano:
Tommy Flanagan (on 1962-09-14)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-09-14)
recording of:
Out of This World (on 1962-09-14)
lyricist:
Johnny Mercer (in 1945)
composer:
Harold Arlen (in 1945)
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
Kenny Burrell4:53
2Ill Wind (You're Blowin' Me No Good)
Scott Hamilton4:02
3Come Rain Or Come Shine
bass:
Scott LaFaro (on 1959-12-28)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1959-12-28)
piano:
Bill Evans (pianist) (on 1959-12-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-12-28)
instrumental cover recording of:
Come Rain or Come Shine (on 1959-12-28)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
Bill Evans Trio3:19
4It's Only A Paper Moon
recording engineer:
Rudy van Gelder (on 1951-10-05)
producer:
Bob Weinstock
double bass:
Tommy Potter (on 1951-10-05)
drums (drum set):
Art Blakey (on 1951-10-05)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1951-10-05)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-10-05)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1951-10-05)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) and Prestige (American jazz label)
recorded at:
Apex Studios in New York, New York, United States (on 1951-10-05)
instrumental recording of:
It’s Only a Paper Moon (on 1951-10-05)
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
Miles Davis featuring Sonny Rollins5:23
5Stormy Weather
recording engineer:
Rudy van Gelder (on 1957-05-14)
alto saxophone:
Sonny Red (jazz) (on 1957-05-14)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-05-14)
drums (drum set) [drums]:
Louis Hayes (on 1957-05-14)
piano:
Red Garland (on 1957-05-14)
trombone:
Curtis Fuller (on 1957-05-14)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-14)
recording of:
Stormy Weather (on 1957-05-14)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Curtis Fuller with Red Garland7:19
6I've Got The World On A String
Art Tatum3:53
7When The Sun Comes Out
alto saxophone:
Art Pepper (from 1980-09-03 until 1980-09-04)
double bass [bass]:
Cecil McBee (from 1980-09-03 until 1980-09-04)
drums (drum set):
Carl Burnett (Jazz funk drummer) (from 1980-09-03 until 1980-09-04)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (from 1980-09-03 until 1980-09-04)
piano:
Stanley Cowell (from 1980-09-03 until 1980-09-04)
violin:
Patrice Anderson (from 1980-09-03 until 1980-09-04), Audrey Desilva (from 1980-09-03 until 1980-09-04), Clifton Foster (from 1980-09-03 until 1980-09-04), Stephen Gehl (from 1980-09-03 until 1980-09-04), Greg Mazmanian (from 1980-09-03 until 1980-09-04), Dan Smiley (from 1980-09-03 until 1980-09-04), John Tenney (from 1980-09-03 until 1980-09-04) and Emily Van Valkenburgh (from 1980-09-03 until 1980-09-04)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1980-09-03 until 1980-09-04)
instrumental recording of:
When the Sun Comes Out (from 1980-09-03 until 1980-09-04)
lyricist:
Ted Koehler (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
S.A. Music Co. and Ted Koehler Music Co.
Art Pepper5:46
8A Sleepin' Bee
double bass:
Ray Brown (jazz bassist) (on 1979-10-22)
piano:
Jimmy Rowles (on 1979-10-22)
instrumental recording of:
A Sleepin’ Bee (House of Flowers) (on 1979-10-22)
lyricist:
Harold Arlen and Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music and S.A. Music Co.
part of:
House of Flowers
Ray Brown & Jimmy Rowles5:00
9One For My Baby (And One More For The Road)
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1961-08-04)
drums (drum set):
Lex Humphries (on 1961-08-04)
guitar:
Wes Montgomery (on 1961-08-04)
piano:
Hank Jones (piano) (on 1961-08-04)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1961-08-04)
instrumental recording of:
One for My Baby (and One More for the Road) (on 1961-08-04)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
Wes Montgomery7:41
10Between The Devil And The Deep Blue Sea
piano:
Oscar Peterson (Canadian jazz pianist and composer)
trumpet:
Roy Eldridge
recording of:
Between the Devil and the Deep Blue Sea
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
Oscar Peterson & Roy Eldridge5:17
11For Every Man There's A Woman
double bass:
Brian Torff (in 1979-10)
piano:
George Shearing (British jazz pianist) (in 1979-10)
live instrumental recording of:
For Every Man There’s a Woman (in 1979-10)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Harold Arlen
publisher:
Harwin Music Corporation
part of:
The 21st Academy Award for Best Original Song (number: 2)
George Shearing3:41
12Get Happy
Dizzy Gillespie Jam7:52