Amours contrariées: Cantatas of Clérambault & Rameau

~ Release by Clérambault, Rameau; Les Bostonades, Zachary Wilder (see all versions of this release, 1 available)

Tracklist

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1Pirame et Tisbé, C 10: Récitatif: Pirame, pour Tisbé, dès la plus tendre enfance / Air: Si votre tendresse est extrême
engineer:
Angus Lansing
producer:
Michael Beattie (harpsichord)
instruments:
Les Bostonades (from 2016-06-22 until 2016-06-24)
tenor vocals:
Zachary Wilder (tenor) (from 2016-06-22 until 2016-06-24)
recorded at:
First Church in Boston (a.k.a. First and Second Church) in Boston, Massachusetts, United States (from 2016-06-22 until 2016-06-24)
recording of:
Pirame et Tisbé: I. Récitatif “Pirame, pour Tisbé, dès la plus tendre enfance” (from 2016-06-22 until 2016-06-24)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
recording of:
Pirame et Tisbé: II. Air “Si vôtre tendresse est extrême” (from 2016-06-22 until 2016-06-24)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
Louis‐Nicolas Clérambault4:37
2Pirame et Tisbé, C 10: Récitatif: Tisbé, pour résister à l’ardeur de ses vœux / Lentement et marqué: Aux pieds de ces tombeaux sacrés / Récitatif: Bientôt au gré de leur impatience
engineer:
Angus Lansing
producer:
Michael Beattie (harpsichord)
instruments:
Les Bostonades (from 2016-06-22 until 2016-06-24)
tenor vocals:
Zachary Wilder (tenor) (from 2016-06-22 until 2016-06-24)
recorded at:
First Church in Boston (a.k.a. First and Second Church) in Boston, Massachusetts, United States (from 2016-06-22 until 2016-06-24)
recording of:
Pirame et Tisbé: III. Récitatif “Tisbé, pour résister à l’ardeur de ses vœux” (from 2016-06-22 until 2016-06-24)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
recording of:
Pirame et Tisbé: IV. Récitatif “Aux pieds de ces tombeux sacrés” (from 2016-06-22 until 2016-06-24)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
recording of:
Pirame et Tisbé: V. Récitatif “Bientôt au gré de leur impatience” (from 2016-06-22 until 2016-06-24)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
Louis‐Nicolas Clérambault2:29
3Pirame et Tisbé, C 10: Air: Vole, vole, dit-elle Amour
engineer:
Angus Lansing
producer:
Michael Beattie (harpsichord)
instruments:
Les Bostonades (from 2016-06-22 until 2016-06-24)
tenor vocals:
Zachary Wilder (tenor) (from 2016-06-22 until 2016-06-24)
recorded at:
First Church in Boston (a.k.a. First and Second Church) in Boston, Massachusetts, United States (from 2016-06-22 until 2016-06-24)
recording of:
Pirame et Tisbé: VI. Air “Vole, vole, dit-elle amour” (from 2016-06-22 until 2016-06-24)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
Louis‐Nicolas Clérambault1:20
4Pirame et Tisbé, C 10: Récitatif: Elle cherchoit l’Amant qui la tient asservie / Plainte: Quoi? Tisbé tu n’es plus?
engineer:
Angus Lansing
producer:
Michael Beattie (harpsichord)
instruments:
Les Bostonades (from 2016-06-22 until 2016-06-24)
tenor vocals:
Zachary Wilder (tenor) (from 2016-06-22 until 2016-06-24)
recorded at:
First Church in Boston (a.k.a. First and Second Church) in Boston, Massachusetts, United States (from 2016-06-22 until 2016-06-24)
recording of:
Pirame et Tisbé: VII. Récitatif “Elle cherchoit l’amant qui la tient asservie” (from 2016-06-22 until 2016-06-24)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
recording of:
Pirame et Tisbé: VIII. Plainte “Quoi ? Tisbé tu n’és plus” (from 2016-06-22 until 2016-06-24)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
Louis‐Nicolas Clérambault3:32
5Pirame et Tisbé, C 10: Vivement: Venez Monstres affreux / Lent: Aimable et cher objet, ton trépas est mon crime
engineer:
Angus Lansing
producer:
Michael Beattie (harpsichord)
instruments:
Les Bostonades (from 2016-06-22 until 2016-06-24)
tenor vocals:
Zachary Wilder (tenor) (from 2016-06-22 until 2016-06-24)
recorded at:
First Church in Boston (a.k.a. First and Second Church) in Boston, Massachusetts, United States (from 2016-06-22 until 2016-06-24)
recording of:
Pirame et Tisbé: IX. Prélude “Venez monstres affreux” (from 2016-06-22 until 2016-06-24)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
recording of:
Pirame et Tisbé: X. “Aimable et cher objet ton trepas est mon crime” (from 2016-06-22 until 2016-06-24)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
Louis‐Nicolas Clérambault2:30
6Pirame et Tisbé, C 10: Air: Amour, qui voudra désormais s’empresser à porter tes chaînes?
engineer:
Angus Lansing
producer:
Michael Beattie (harpsichord)
instruments:
Les Bostonades (from 2016-06-22 until 2016-06-24)
tenor vocals:
Zachary Wilder (tenor) (from 2016-06-22 until 2016-06-24)
recorded at:
First Church in Boston (a.k.a. First and Second Church) in Boston, Massachusetts, United States (from 2016-06-22 until 2016-06-24)
recording of:
Pirame et Tisbé: XI. Air “Amour, qui voudra desormais” (from 2016-06-22 until 2016-06-24)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
Louis‐Nicolas Clérambault3:05
7Prélude en la mineur
engineer:
Angus Lansing
producer:
Michael Beattie (harpsichord)
instruments:
Les Bostonades (from 2016-06-22 until 2016-06-24)
recorded at:
First Church in Boston (a.k.a. First and Second Church) in Boston, Massachusetts, United States (from 2016-06-22 until 2016-06-24)
recording of:
Suite in A minor, RCT 1: I. Prélude (from 2016-06-22 until 2016-06-24)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Suite in A minor, RCT 1
Jean‐Philippe Rameau3:39
8L’Impatience, RCT 26: Récitatif: Ces lieux brillent déjà d’une vive clarté / Air gai: Ce n’est plus le poids de ma chaîne
engineer:
Angus Lansing
producer:
Michael Beattie (harpsichord)
instruments:
Les Bostonades (from 2016-06-22 until 2016-06-24)
tenor vocals:
Zachary Wilder (tenor) (from 2016-06-22 until 2016-06-24)
recorded at:
First Church in Boston (a.k.a. First and Second Church) in Boston, Massachusetts, United States (from 2016-06-22 until 2016-06-24)
recording of:
Cantate l'Impatiente: I Récit: Ces lieux brillent déjà d'une vive clarté (from 2016-06-22 until 2016-06-24)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
L'Impatience, RCT 26
recording of:
Cantate l'Impatiente: II Air gai: Ce n'est plus le poids de ma chaîne (from 2016-06-22 until 2016-06-24)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
L'Impatience, RCT 26
Jean‐Philippe Rameau4:28
9L’Impatience, RCT 26: Récitatif: Les oiseaux d’alentour chantent dans ce bocage / Air tendre: Pourquoi leur envier leur juste récompense?
engineer:
Angus Lansing
producer:
Michael Beattie (harpsichord)
instruments:
Les Bostonades (from 2016-06-22 until 2016-06-24)
tenor vocals:
Zachary Wilder (tenor) (from 2016-06-22 until 2016-06-24)
recorded at:
First Church in Boston (a.k.a. First and Second Church) in Boston, Massachusetts, United States (from 2016-06-22 until 2016-06-24)
recording of:
Cantate l'Impatiente: III Récit: Les oiseaux d'alentour chantent dans ce bocage (from 2016-06-22 until 2016-06-24)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
L'Impatience, RCT 26
recording of:
Cantate l'Impatiente: IV Air tendre: Pourquoi leur envier leur juste récompense? (from 2016-06-22 until 2016-06-24)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
L'Impatience, RCT 26
Jean‐Philippe Rameau3:57
10L’Impatience, RCT 26: Récitatif: Mais Corine paraît, je vois enfin les charmes / Air léger: Tu te plais, enfant de Cythère
engineer:
Angus Lansing
producer:
Michael Beattie (harpsichord)
instruments:
Les Bostonades (from 2016-06-22 until 2016-06-24)
tenor vocals:
Zachary Wilder (tenor) (from 2016-06-22 until 2016-06-24)
recorded at:
First Church in Boston (a.k.a. First and Second Church) in Boston, Massachusetts, United States (from 2016-06-22 until 2016-06-24)
recording of:
Cantate l'Impatiente: V Récit: Mais Corine parait (from 2016-06-22 until 2016-06-24)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
L'Impatience, RCT 26
recording of:
Cantate l'Impatiente: VI Air léger: Tu te plais, enfant de Cythère (from 2016-06-22 until 2016-06-24)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
L'Impatience, RCT 26
Jean‐Philippe Rameau4:54
11Cinquième Concert, RCT 11: I. La Forqueray
engineer:
Angus Lansing
producer:
Michael Beattie (harpsichord)
instruments:
Les Bostonades (from 2016-06-22 until 2016-06-24)
recorded at:
First Church in Boston (a.k.a. First and Second Church) in Boston, Massachusetts, United States (from 2016-06-22 until 2016-06-24)
recording of:
Pieces de Clavecin en Concerts, Cinquième Concert, RCT 11 : La Forqueray (from 2016-06-22 until 2016-06-24)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Pieces de Clavecin en Concerts, Cinquième Concert, RCT 11
Jean‐Philippe Rameau4:49
12Cinquième Concert, RCT 11: II. La Cupis
engineer:
Angus Lansing
producer:
Michael Beattie (harpsichord)
instruments:
Les Bostonades (from 2016-06-22 until 2016-06-24)
recorded at:
First Church in Boston (a.k.a. First and Second Church) in Boston, Massachusetts, United States (from 2016-06-22 until 2016-06-24)
recording of:
Pieces de Clavecin en Concerts, Cinquième Concert, RCT 11 : La Cupis (from 2016-06-22 until 2016-06-24)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Pieces de Clavecin en Concerts, Cinquième Concert, RCT 11
Jean‐Philippe Rameau6:21
13Cinquième Concert, RCT 11: III. La Marais
engineer:
Angus Lansing
producer:
Michael Beattie (harpsichord)
instruments:
Les Bostonades (from 2016-06-22 until 2016-06-24)
recorded at:
First Church in Boston (a.k.a. First and Second Church) in Boston, Massachusetts, United States (from 2016-06-22 until 2016-06-24)
recording of:
Pieces de Clavecin en Concerts, Cinquième Concert, RCT 11 : La Marais (from 2016-06-22 until 2016-06-24)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Pieces de Clavecin en Concerts, Cinquième Concert, RCT 11
Jean‐Philippe Rameau2:49
14Orphée, C 3: Récitatif: Le fameux chantre de la Thrace / Air tendre et piqué: Fidèles échos de ces bois
engineer:
Angus Lansing
producer:
Michael Beattie (harpsichord)
instruments:
Les Bostonades (from 2016-06-22 until 2016-06-24)
tenor vocals:
Zachary Wilder (tenor) (from 2016-06-22 until 2016-06-24)
recorded at:
First Church in Boston (a.k.a. First and Second Church) in Boston, Massachusetts, United States (from 2016-06-22 until 2016-06-24)
recording of:
Orphée: I. Récitatif “Le fameux Chantre de la Thrace” (from 2016-06-22 until 2016-06-24)
lyricist:
Guérin de Roquebrune
composer:
Louis‐Nicolas Clérambault (in 1710)
part of:
Orphée
recording of:
Orphée: II. Air tendre et piqué “Fidelles echos de ces Bois” (from 2016-06-22 until 2016-06-24)
lyricist:
Guérin de Roquebrune
composer:
Louis‐Nicolas Clérambault
part of:
Orphée
Louis‐Nicolas Clérambault2:36
15Orphée, C 3: Récitatif: Mais que sert à mon désespoir
engineer:
Angus Lansing
producer:
Michael Beattie (harpsichord)
instruments:
Les Bostonades (from 2016-06-22 until 2016-06-24)
tenor vocals:
Zachary Wilder (tenor) (from 2016-06-22 until 2016-06-24)
recorded at:
First Church in Boston (a.k.a. First and Second Church) in Boston, Massachusetts, United States (from 2016-06-22 until 2016-06-24)
recording of:
Orphée: III. Récitatif “Mais que sert à mon désespoir” (from 2016-06-22 until 2016-06-24)
lyricist:
Guérin de Roquebrune
composer:
Louis‐Nicolas Clérambault (in 1710)
part of:
Orphée
Louis‐Nicolas Clérambault1:02
16Orphée, C 3: Air gai: Allez Orphée, allez, allez
engineer:
Angus Lansing
producer:
Michael Beattie (harpsichord)
instruments:
Les Bostonades (from 2016-06-22 until 2016-06-24)
tenor vocals:
Zachary Wilder (tenor) (from 2016-06-22 until 2016-06-24)
recorded at:
First Church in Boston (a.k.a. First and Second Church) in Boston, Massachusetts, United States (from 2016-06-22 until 2016-06-24)
recording of:
Orphée: IV. Air gay “Allez Orphée” (from 2016-06-22 until 2016-06-24)
lyricist:
Guérin de Roquebrune
composer:
Louis‐Nicolas Clérambault (in 1710)
part of:
Orphée
Louis‐Nicolas Clérambault2:59
17Orphée, C 3: Récitatif: Cependant le héros arrive sur l’infernale rive / Air fort et fort tendre: Monarque redouté de ces Royaumes sombres
engineer:
Angus Lansing
producer:
Michael Beattie (harpsichord)
instruments:
Les Bostonades (from 2016-06-22 until 2016-06-24)
tenor vocals:
Zachary Wilder (tenor) (from 2016-06-22 until 2016-06-24)
recorded at:
First Church in Boston (a.k.a. First and Second Church) in Boston, Massachusetts, United States (from 2016-06-22 until 2016-06-24)
recording of:
Orphée: V. Récitatif “Cependant le héros arrive” (from 2016-06-22 until 2016-06-24)
lyricist:
Guérin de Roquebrune
composer:
Louis‐Nicolas Clérambault (in 1710)
part of:
Orphée
recording of:
Orphée: VI. Air fort lent, et fort tendre “Monarque redouté” (from 2016-06-22 until 2016-06-24)
lyricist:
Guérin de Roquebrune
composer:
Louis‐Nicolas Clérambault
part of:
Orphée
recording of:
Orphée: VII. Air. Fort lentement “Laissés vous toucher par mes pleur” (from 2016-06-22 until 2016-06-24)
lyricist:
Guérin de Roquebrune
composer:
Louis‐Nicolas Clérambault
part of:
Orphée
Louis‐Nicolas Clérambault7:44
18Orphée, C 3: Récitatif: Pluton surpris d’entendre des accords / Air gai: Chantez la victoire éclatante
engineer:
Angus Lansing
producer:
Michael Beattie (harpsichord)
instruments:
Les Bostonades (from 2016-06-22 until 2016-06-24)
tenor vocals:
Zachary Wilder (tenor) (from 2016-06-22 until 2016-06-24)
recorded at:
First Church in Boston (a.k.a. First and Second Church) in Boston, Massachusetts, United States (from 2016-06-22 until 2016-06-24)
recording of:
Orphée: IX. Air “Chantéz la victoire éclatante” (from 2016-06-22 until 2016-06-24)
lyricist:
Guérin de Roquebrune
composer:
Louis‐Nicolas Clérambault
part of:
Orphée
recording of:
Orphée: VIII. Récitatif “Pluton surpris d’entendre des accords” (from 2016-06-22 until 2016-06-24)
lyricist:
Guérin de Roquebrune
composer:
Louis‐Nicolas Clérambault (in 1710)
part of:
Orphée
Louis‐Nicolas Clérambault2:59